Dear Souseh: Distressed (& More) by War
27 MARCH 2026 • By Lina Mounzer

This month, Souseh answers two letters, both from readers grappling with the unbearable weight of war.

This month, unsurprisingly, I received two letters from two different readers distressed by the outbreak of war across the region. Each, however, addresses the topic with a different nuance. One describes the immediate dilemma of the diasporic person experiencing war from afar; the other the way this dilemma develops into an existential problem over time, with a person coming to feel like they are almost literally split into two separate selves. I decided to answer both at once.


Dear Souseh,

I am a Lebanese-Palestinian woman currently living in the West, and most of my family lives across the Gulf and Lebanon. Since this recent attack on the region, I have once again found myself hyper-anxious, obsessively doomscrolling and devastated by the destruction and dehumanization happening across the region. I have to note that my family members are not based in Iran, Palestine, or southern Lebanon, which are and have been receiving the brunt of the genocidal violence.

Those of us in the diaspora are continuously forced to normalize the terror and stress of what is happening to our region, families, and friends against the backdrop of living in the heart of the empire. Although my colleagues and community here in the West are generally aware and understanding, I am having trouble reconciling this double existence — the unreasonable expectation from others and myself to consistently show up at work and in my personal life with my heightened state of anxiety for my family members and the constant horrors being inflicted on the region.

Do you have any advice on how to navigate this hellscape?

Signed,
Exhausted & Stressed

*

Dear Souseh,

I’m a Lebanese expat who has built a life abroad. A good, successful life at the top of my profession.

I return every six months for a brief taste of home and to check in on my elderly, ailing parents. I struggle with feelings that many of us expats find familiar: the burden of responsibility and the guilt of being away. Spikes of grief piercing through otherwise joyful moments. Snippets of terrifying news that pull us back to Beirut. The sadness of that city that we carry with us no matter how high we climb.

And the higher I climb, the wider the cognitive dissonance. People abroad look at me with puzzlement. Why am I not beaming with joy at all my success? After all, not many people like me — immigrants, Arabs — have made it to where I am.

But inside my head there are two operating systems running at once, incompatible, interfering with each other. Two people in one body, both misunderstood, blurred boundaries between them, holding contradictions and operating in constant dissonance.

Which one is the real me?

In 2006, when the Israelis wiped out part of Lebanon, I was in London. During that war I began writing letters from my British self to my Arab self, and sometimes my Arab self wrote back. We all invent ways to cope. War from a distance creates a strange fog. Disconnection. Back then I had time. I was a student.

By October 7, 2023, the contradiction had grown ever more stark. I had a public-facing job with huge responsibility. Meanwhile, life in Lebanon and Gaza became increasingly darker, more violent, more cruel. My tools for coping began to fail.

I now live between two extremes: the privilege of the life I inhabit and the guilt that shadows it. The anxiety and impotence of watching the daily horror show of grief and a daily grind in London where things just continue on as if nothing has happened.

Capitalism’s wheels keep turning. And I am a part of that wheel. My taxes help fund bombs that fall on people who look like me.

I tell myself that my work matters. That I am building bridges in a divided world. That creating understanding and nuance has value.

But lately I wonder.

When greedy, genocidal men seem to get their way, while people like me labor to contextualize, explain, soften, humanize, the effort begins to feel exhausting. Almost naive.

So I ask you, dearest Souseh: How does one live honestly between privilege and grief without feeling like a fraud in both worlds?

Signed,
The Cognitively Dissonant


Dear Souseh: Third World Problems.
Dear Souseh: Third World Problems.

Dear Exhausted & Stressed; dear Cognitively Dissonant,

Forgive me for combining your queries, but it seemed imperative to me to address them together, given not only the urgency of the situation but because they resonate more deeply side-by-side, in ways that will become clearer as we go on. And so:

Some nights ago in Beirut, the bombing was especially bad, and the drones and war jets so low it felt like they would knock the roofs off the buildings. The world was too loud and awful to sleep; my body too jittery. I didn’t want to speak to anyone here. What was there to say? We were all trapped under the same murderous sky. And so I called my friend in the U.S. instead. She put me on speakerphone so I could talk to her husband, also a dear friend. I suddenly found myself in their home in Chicago, their cat padding around the house, their preparations for dinner a cozy commotion in the background. Their voices overtook the sound of the jets. The night lifted, lightened into a midwestern afternoon. The fear and tension eased. It was not just the comfort of other voices. It was that I was transported elsewhere.

During the conversation — which wasn’t just about war, but inevitably kept coming back to it — my friend told me how, during the 2024 Israeli assault on Lebanon, she had found herself flinching at the sound of passenger planes on their way to and from O’Hare airport. She had to consciously remind herself that these were not fighter planes that would suddenly start dropping bombs. I told her I knew exactly what she was talking about: during the 2006 war, when I’d been, like you, Cognitively Dissonant, away from Lebanon, I’d begun running away whenever I saw a delivery truck or ambulance. Back home, the Israelis had been targeting these vehicles specifically, claiming they were being used to transport militants. We — my friend and I — had remained in this bewildered state as long as the war persisted. But it was not that our minds were on one place and our bodies in another, which is how such dissonance is usually explained. It was that our entire existence was attuned to an elsewhere — to home, to our loved ones and what they might be experiencing. Like a radio tuned to a certain frequency, transmitting its signals, impossible to turn off.

What I’m trying to say is: our connections to others have the ability to alter time and space, in ways both beautiful and thoroughly excruciating.

Our agony is heightened exponentially when it is a country we call home that is being bombarded, and our friends, family, and communities are in the direct line of danger. We turn feral with worry and rage. The guilt becomes so acute it’s hard to breathe.

Everyone in the diaspora, anyone with any sensitivity to others, has been experiencing the excruciating side of this, for two years and running now. Since the beginning of the Gaza genocide. We have read the news and seen the images; agonized over the sadistic cruelty being inflicted, and experienced the guilt and shame of going about our ordinary lives of plenty, knowing that all the while others are being subjected to deprivations untold.

But this state of agony is heightened exponentially when it is a country we call home that is being bombarded, and our friends, family, and communities are in the direct line of danger. We turn feral with worry and rage. The guilt becomes so acute it’s hard to breathe. It is impossible to put down the news, which feels like a lifeline, in the sense that it keeps us connected to what we think people “over there” are experiencing. It feels unbearable that they should be living all this while we ourselves are safe. We are terrified that the next bombardment will hurt someone we love, destroy some special spot integral to our memories. We are aware of the war, experiencing its emotional stresses, even if not its physical ones, every minute of every day, while at the same time, as you say, Exhausted & Stressed, forced to fulfill the “unreasonable expectation… to consistently show up at work and in [our] personal life.”

It is indeed a “hellscape,” and I sympathize with everyone experiencing it, as I did when I was away from Lebanon in 2006 and again in 2024. The experience is so awful, destabilizing, and lonely that in some ways, I will admit that it has been easier, emotionally speaking, to be here, in Beirut, during the war. Partly because the fear and worry here correspond to direct and tangible stimuli. And because when you ask the people you encounter on the daily how they are, there is an acknowledgment of mutual anguish that goes a long way toward making you feel less crazy. And yet this still doesn’t make me, or anyone else I know here, immune to guilt, knowing that so many others are experiencing this war under far worse circumstances. And we are also expected to carry on with our jobs, however impossible that sometimes feels (this column, for example, was set to run last week). Still, things continue apace. You can’t set everything aside and slump into paralysis, much as you’d like. No one can. The mundane and the earth-shattering are always unfolding side-by-side, all at the same time.

These questions you ask, Exhausted & Stressed, and you, Cognitively Dissonant, are essentially the same question. One that is bigger than the current moment of war, but becomes particularly acute during it. This question is about how to maintain your sense of equilibrium and moral integrity while living “in the heart of empire;” while your “taxes help fund bombs that fall on people who look like [you].” It is, as you so beautifully put it, Cognitively Dissonant, about trying to “live honestly between privilege and grief without feeling like a fraud in both worlds.” The word “honestly” here is fundamental. It is about wishing to live a different kind of life, in a different kind of world entirely.

You tell me, Cognitively Dissonant, that you are running two operating systems in the same body. Which one, you ask, is the real me? The answer, I think, is that there is only one operating system, one self, with a multitude of concerns and connections and relationships.

Capitalism — and the resultant system of endless war and extraction that props it up — is built on fracture. More: it requires fracture. A fracture of the self from the self. A fracture of the self from community. A fracture of communities from nature. A fracture of species from species. It allows us to conform to the needs of the system, which wasn’t built for our comfort or safety or survival (though the comfort of some helps keep them complacent), but for profit. Fractured into component parts, we are better able to compartmentalize, putting away the self that doesn’t “serve” the machine. We have to work, we have to “show up” and do our jobs; our emotional distress is something we deal with on our own time. The state of fracture makes it harder to connect in general: to others; idea to idea; that feeling of distress to our jobs and the machine we’re helping empower. And it primes us, the world, to accept and justify genocidal logic. We stop seeing ourselves as components of a whole, as members of a vast and fragile ecosystem of life wherein our destinies are not only connected but dependent upon one another. Thus we are more willing to accept certain things as simply natural: that the price of my comfort is your misery, that weapons of mass destruction for some are necessary to ensure the wealth of others, that in order for me to experience security in my home, you must be ethnically cleansed from your land. As we are separate, your suffering, your death, does not diminish me. It is the requisite condition for my own survival.

And yet guilt, that terrible feeling so many of us are trying to reconcile, is the clue that something is deeply, deeply wrong with this way of living.

When the economic collapse happened in Lebanon I had the occasion to meditate on guilt and came to think of it differently. It is not only capitalism’s collective crime reinterpreted as individual transgression. It is the phantom pain where community has been amputated from us. We feel bound to others, affected by their pain, and yet have no real framework of interpretation for the way it afflicts us. We can only understand pain on an individual level. And this way of thinking isolates us, which in turn serves the system and its need for fracture.

So how can we think of ourselves and our relationship to others, to the world, in a way that accounts for this kind of pain? After all, that is the pain that you both — along with most in the diaspora — are feeling right now, only clarified and intensified by war.

We do it by remembering, in direct opposition to what capitalism teaches us, that we are not closed systems of self, affected by our environments but not permeable to them. We are rather nodes, points of light in a constellation, articulations in a vast web, neurons in a network — choose the metaphor you like best. The point is that we exist in relationship to others, that our existence affects and is affected by those around us. Nor are we stagnant points in this network. As nodes, as neurons, things pass through us. We are conduits. The pain and joy and worry and fear of others are transmitted to us along this web, reverberate in our own bodies. The closer we are to them, the more acutely we feel along with them. But we live under systems that don’t account for this way of being. They deny us our nature as communal creatures and force us to behave in ways at odds with our own survival, because there is no acknowledgement that this survival is fundamentally, symbiotically dependent on the survival of others, humans, animals, and plants alike. This is the source of the dissonance. Of the anxiety, the horror, the pain. This is why we feel guilt; we are receiving pain from without and absorbing it all, accepting it as a sign that we have done something wrong, rather than an indication that something is wrong with the world we’ve built. This world antithetical to life.

Does it help to know this? To shift your thinking about who and what you are? I hope so.

Now, this does not mean the effort is solely mental. You also have to shift the way you interact with yourself and with the environment around you. Which means: engage consciously. Understand that the smallest things you do can have a big impact. Operate in the world as though you were a part of it, not separate from it. Claim your right to the world, to your community, to your pain. You’re right that “war from a distance creates a strange fog. Disconnection.” And so connect. Open yourself. Reach out to your friends and loved ones. Reach out to your friends back home. Reach out to your friends who are also in the diaspora. Feed love into the network, the constellation, the web. Keep those connections alive, tend to them. Maintain the openness and flow through giving: time, attention, care, effort. Don’t mainline the news 24/7. It not only doesn’t help, it clogs the circuitry. You become a point of accumulation, the rage and helplessness backing up in your body, stoppering up any possibility of action. Think of your small joys not as selfishness, but as conscious acts of nourishment, of feeding the network with love. You must understand that this network goes both ways. When you nourish your connections, they nourish you back. Know that you are not alone, not in your sorrow or your rage, and not in your profound sense of displacement from the reality surrounding you. This is why I chose to answer your letters together, Exhausted & Stressed and Cognitively Dissonant. You do not know one another, but you are in community with one another, as I am in community with both of you.

I would not have gotten through the other night without my friends. Just like none of us can get through this long night of the soul without one another. I can’t say anything that will force the empire to treat you better, to treat your loved ones better, to even acknowledge your suffering at witnessing all this horror from afar. If you can ask for sick days, ask for sick days. If you can speak openly to people around you, do so. If you can do community work, volunteer. Organize. Lobby. Write. Any way you can find to impose the fullness of yourself, the undivided and indivisible entirety of yourself, do it. You are people going about your ordinary lives of plenty in the west. You are also people living a war at home. Impose that reality on those around you. Remind them of it shamelessly. Refuse to be fractured or compartmentalized. It’s a small rebellion, but before, alongside, after, and to preserve collective action, we have to shift the way we think about ourselves and our place in the world. How can we build a different kind of world if we don’t know what kind of life, what sorts of connections we’re looking to sustain?

Dear letter-writers, dear friends: you are conduits and openings. You exist in a network of love and care. Your pain is proof of that; proof that our connections to others have the ability to alter time and space. How are you going to exercise this power?

 

Lina Mounzer

Lina Mounzer is a Lebanese writer and translator. She has been a contributor to many prominent publications including the Paris Review, Freeman’s, Washington Post, and The Baffler, as well as in the anthologies Tales of Two Planets (Penguin 2020), and Best American Essays 2022 (Harper Collins 2022). She is Senior Editor... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Columns

A Fight to The Death (the Rest of Us In-Between)

27 MARCH 2026 • By Amal Ghandour
A Fight to The Death (the Rest of Us In-Between)
Columns

Dear Souseh: Distressed (& More) by War

27 MARCH 2026 • By Lina Mounzer
Dear Souseh: Distressed (& More) by War
Opinion

Iranian Visions of Democracy from the Ruins

20 MARCH 2026 • By Nojang Khatami
Iranian Visions of Democracy from the Ruins
Essays

The AI Struggle for Middle Earth in the U.S.-Israel War on Iran

13 MARCH 2026 • By Iason Athanasiadis
The AI Struggle for Middle Earth in the U.S.-Israel War on Iran
Columns

Lebanon’s Fate in Our Current World Calamity

13 MARCH 2026 • By Amal Ghandour
Lebanon’s Fate in Our Current World Calamity
Poetry

“How to Erase an Armenian Accent in Junior High”

27 FEBRUARY 2026 • By Shahé Mankerian
“How to Erase an Armenian Accent in Junior High”
Book Reviews

Two New Books Show How Gaza Changed the World

13 FEBRUARY 2026 • By Rebecca Ruth Gould
Two New Books Show How Gaza Changed the World
Columns

On Legal Victories and Human Healing

13 FEBRUARY 2026 • By Amal Ghandour
On Legal Victories and Human Healing
Columns

Small Moments and Their Much Larger Meaning

30 JANUARY 2026 • By Amal Ghandour
Small Moments and Their Much Larger Meaning
Essays

Jewish Supremacy and the Making of Genocide in Gaza

30 JANUARY 2026 • By Sheryl Ono
Jewish Supremacy and the Making of Genocide in Gaza
Art

Behind the Seen: Mona Hatoum on Art and Palestine

30 JANUARY 2026 • By Arie Amaya-Akkermans
<em>Behind the Seen</em>: Mona Hatoum on Art and Palestine
Essays

How Can Palestinians and Israelis Live Together?

30 JANUARY 2026 • By Raja Shehadeh
How Can Palestinians and Israelis Live Together?
Editorial

Why PALESTINE?

30 JANUARY 2026 • By TMR
Why PALESTINE?
Columns

Beyond Black and White: Notes from Tehran

23 JANUARY 2026 • By M. Nateqnuri
Beyond Black and White: Notes from Tehran
Opinion

What Shirin Neshat Taught Me About Iran

16 JANUARY 2026 • By Hassan Abdulrazzak
What Shirin Neshat Taught Me About Iran
Book Reviews

Controlled Demolition: an Epistolary Review

16 JANUARY 2026 • By Lina Mounzer
<em>Controlled Demolition</em>: an Epistolary Review
Columns

Trump, The Liberator! (and the Fear Wagons)

16 JANUARY 2026 • By Amal Ghandour
Trump, The Liberator! (and the Fear Wagons)
Book Reviews

Rewriting Beirut’s “Bad Boy Architect” Bernard Khoury

9 JANUARY 2026 • By Bridget Peak
Rewriting Beirut’s “Bad Boy Architect” Bernard Khoury
Columns

Two Spectacles: A Lebanese Farce, an American Fault Line

2 JANUARY 2026 • By Amal Ghandour
Two Spectacles: A Lebanese Farce, an American Fault Line
Columns

Emm Kamel: The Future Is Here and So Is the Past

19 DECEMBER 2025 • By Amal Ghandour
<em>Emm Kamel</em>: The Future Is Here and So Is the Past
Film Reviews

If You See Something—an Iraqi Film on Asylum

12 DECEMBER 2025 • By Alex Demyanenko
<em>If You See Something</em>—an Iraqi Film on Asylum
Fiction

“Tahmina”—a story from Iran

5 DECEMBER 2025 • By Abdollah Nazari
“Tahmina”—a story from Iran
short story

“Tuesday”—a story from Palestine

5 DECEMBER 2025 • By Majd Aburrub
“Tuesday”—a story from Palestine
Film

10 Noir Films from the Arab world, Iran, and Turkey

5 DECEMBER 2025 • By TMR
10 Noir Films from the Arab world, Iran, and Turkey
Film Reviews

The Woman Who Wouldn’t Break—Cutting Through Rocks’ Sara Shahverdi

28 NOVEMBER 2025 • By Alex Demyanenko
The Woman Who Wouldn’t Break—<em>Cutting Through Rocks’</em> Sara Shahverdi
Beirut

In Lebanon, It’s Business as Usual

21 NOVEMBER 2025 • By Amal Ghandour
In Lebanon, It’s Business as Usual
Book Reviews

Contemporary Kurdish Writers in the Diaspora

14 NOVEMBER 2025 • By Matt Broomfield
Contemporary Kurdish Writers in the Diaspora
Columns

How Much Do We Miss Umm Khulthum?

7 NOVEMBER 2025 • By Amal Ghandour
How Much Do We Miss Umm Khulthum?
Centerpiece

The Grammar of Power: On Journalism, Grief, and the Stories That Break Us

7 NOVEMBER 2025 • By Adam Makary
The Grammar of Power: On Journalism, Grief, and the Stories That Break Us
Fiction

Sultana to the Rescue

7 NOVEMBER 2025 • By MK Harb
Sultana to the Rescue
Essays

The Absent Homeland

7 NOVEMBER 2025 • By Maysaa Alajjan
The Absent Homeland
Poetry Markaz

Adedayo Agarau presents The Years of Blood

1 NOVEMBER 2025 • By Adedayo Agarau
Adedayo Agarau presents <em>The Years of Blood</em>
Columns

Dear Souseh: Stuck Between Families

24 OCTOBER 2025 • By Lina Mounzer
Dear Souseh: Stuck Between Families
Essays

Lament For My Dear Cousin and Friend in Tulkarm

3 OCTOBER 2025 • By Thoth
Lament For My Dear Cousin and Friend in Tulkarm
Fiction

War and War

26 SEPTEMBER 2025 • By Hussain A. Ayoub
War and War
Uncategorized

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Essays

Remaining in Light: Iranians Search for Solace and Well-Being

5 SEPTEMBER 2025 • By Malu Halasa
Remaining in Light: Iranians Search for Solace and Well-Being
Editorial

Why Out of Our Minds?

5 SEPTEMBER 2025 • By Lina Mounzer
Why <em>Out of Our Minds</em>?
Centerpiece

Trauma After Gaza

5 SEPTEMBER 2025 • By Joelle Abi-Rached
Trauma After Gaza
Art & Photography

Ali Cherri’s show at Marseille’s [mac] Is Watching You

15 AUGUST 2025 • By Naima Morelli
Ali Cherri’s show at Marseille’s [mac] Is Watching You
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Essays

“A Love That Endures”: How Tamer and Sabreen Defied War and Death

25 JULY 2025 • By Husam Maarouf
“A Love That Endures”: How Tamer and Sabreen Defied War and Death
TMR Interviews

Aida Šehović on the 30th Anniversary of the Srebrenica Genocide

18 JULY 2025 • By Claudia Mende
Aida Šehović on the 30th Anniversary of the Srebrenica Genocide
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Poetry

Nasser Rabah on Poetry and Gaza

4 JULY 2025 • By Nasser Rabah
Nasser Rabah on Poetry and Gaza
Essays

Unwritten Stories from Palestine

4 JULY 2025 • By Thoth
Unwritten Stories from Palestine
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Columns

Afraid for Our Children’s Future, How Do We Talk About War?

20 JUNE 2025 • By Lina Mounzer
Afraid for Our Children’s Future, How Do We Talk About War?
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Book Reviews

The Evin Prison Bakers’ Club — Review

6 JUNE 2025 • By Hannah Kaviani
The Evin Prison Bakers’ Club — Review
Essays

Imagining Ghanem—My Return to Lebanon

6 JUNE 2025 • By Amelia Izmanki
Imagining Ghanem—My Return to Lebanon
Book Reviews

An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s A Spring that Did Not Blossom 

30 MAY 2025 • By Rebecca Ruth Gould
An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s <em>A Spring that Did Not Blossom</em> 
Arabic

Jawdat Fakreddine Presents Three Poems

20 MAY 2025 • By Jawdat Fakhreddine, Huda J. Fakhreddine
Jawdat Fakreddine Presents Three Poems
Film Reviews

Contretemps, a Bold Film on Lebanon’s Crises

16 MAY 2025 • By Jim Quilty
Contretemps, a Bold Film on Lebanon’s Crises
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Art

Going Home to South Lebanon: Abdel Hamid Baalbaki

2 MAY 2025 • By Karina El Helou
Going Home to South Lebanon: Abdel Hamid Baalbaki
Art

Neither Here Nor There

2 MAY 2025 • By Myriam Cohenca
Neither Here Nor There
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Essays

A Letter To My Cruel Lover: Tripoli

2 MAY 2025 • By Lara Kassem
A Letter To My Cruel Lover: Tripoli
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Centerpiece

Love and Resistance in Online Persian Dating Shows

7 MARCH 2025 • By Malu Halasa
Love and Resistance in Online Persian Dating Shows
Art & Photography

Afghanistan’s Histories of Conflict, Resistance & Desires

7 MARCH 2025 • By Jelena Sofronijevic
Afghanistan’s Histories of Conflict, Resistance & Desires
Art

Finding Emptiness: Gaza Artist Taysir Batniji in Beirut

21 FEBRUARY 2025 • By Jim Quilty
Finding Emptiness: Gaza Artist Taysir Batniji in Beirut
Art & Photography

Mostafa Nodeh: Featured Artist Interview

7 FEBRUARY 2025 • By Mostafa Nodeh
Mostafa Nodeh: Featured Artist Interview
Book Reviews

Memories of Palestine through Contemporary Media

7 FEBRUARY 2025 • By Malu Halasa
Memories of Palestine through Contemporary Media
Film Reviews

My Favorite Cake, Iranian Cinema’s Bittersweet Ode to Love

17 JANUARY 2025 • By Karim Goury
<em>My Favorite Cake</em>, Iranian Cinema’s Bittersweet Ode to Love
Book Reviews

In Killing Gilda Yahya Gharagozlou Tells an Intriguing Iranian Tale

10 JANUARY 2025 • By Azadeh Moaveni
In <em>Killing Gilda</em> Yahya Gharagozlou Tells an Intriguing Iranian Tale
Poetry

Annahita Mahdavi West: Two Poems

19 DECEMBER 2024 • By Annahita Mahdavi West
Annahita Mahdavi West: Two Poems
Essays

A Fragile Ceasefire as Lebanon Survives, Traumatized

29 NOVEMBER 2024 • By Tarek Abi Samra, Lina Mounzer
A Fragile Ceasefire as Lebanon Survives, Traumatized
Essays

A Jewish Meditation on the Palestinian Genocide

15 NOVEMBER 2024 • By Sheryl Ono
A Jewish Meditation on the Palestinian Genocide
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Film

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Art & Photography

Beyond Our Gaze: Rethinking Animals in Contemporary Art

1 NOVEMBER 2024 • By Naima Morelli
Beyond Our Gaze: Rethinking Animals in Contemporary Art
Essays

The Felines that Leave Us, and the Humans that Left

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
The Felines that Leave Us, and the Humans that Left
Art & Photography

The Palestinian Gazelle

1 NOVEMBER 2024 • By Manal Mahamid
The Palestinian Gazelle
Opinion

Should a Climate-Destroying Dictatorship Host a Climate-Saving Conference?

25 OCTOBER 2024 • By Lucine Kasbarian
Should a Climate-Destroying Dictatorship Host a Climate-Saving Conference?
Book Reviews

The Walls Have Eyes—Surveillance in the Algorithm Age

18 OCTOBER 2024 • By Iason Athanasiadis
<em>The Walls Have Eyes</em>—Surveillance in the Algorithm Age
Film

Freedom is a Combat Sport: On Tatami

11 OCTOBER 2024 • By Karim Goury
Freedom is a Combat Sport: On <em>Tatami</em>
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
TMR 45 • From Here, One Year On

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Fiction

The Last Millefeuille in Beirut

4 OCTOBER 2024 • By MK Harb
The Last Millefeuille in Beirut
Book Reviews

Tragic Consequences — On Western Meddling in the Middle East

13 SEPTEMBER 2024 • By Dina Rezk
Tragic Consequences — On Western Meddling in the Middle East
Essays

Meta’s Community Standards as a Tool of Digital Settler Colonialism

6 SEPTEMBER 2024 • By Omar Zahzah
Meta’s Community Standards as a Tool of Digital Settler Colonialism
Opinion

Lebanon’s Holy Gatekeepers of Free Speech

6 SEPTEMBER 2024 • By Joumana Haddad
Lebanon’s Holy Gatekeepers of Free Speech
Essays

Meditations on Palestinian Exile and Return

16 AUGUST 2024 • By Dana El Saleh
Meditations on Palestinian Exile and Return
Book Reviews

Israel’s Black Panthers by Asaf Elia-Shalev—a Review

19 JULY 2024 • By Ilan Benattar
<em>Israel’s Black Panthers</em> by Asaf Elia-Shalev—a Review
Poetry

Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach

15 JULY 2024 • By Erfan Mojib, Gary Gach
Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach
Fiction

“Firefly”—a short story by Alireza Iranmehr

5 JULY 2024 • By Alireza Iranmehr, Salar Abdoh
“Firefly”—a short story by Alireza Iranmehr
Books

The Mourning Diaries of Atash Shakarami

5 JULY 2024 • By Poupeh Missaghi
The Mourning Diaries of Atash Shakarami
short story

“Deferred Sorrow”—fiction from Haidar Al Ghazali

5 JULY 2024 • By Haidar Al Ghazali, Rana Asfour
“Deferred Sorrow”—fiction from Haidar Al Ghazali
Books

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan, Lina Mounzer
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Columns

Creating Community with Community Theatre

21 JUNE 2024 • By Victoria Lupton
Creating Community with Community Theatre
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Theatre

What Kind Of Liar Am I?—a Short Play

7 JUNE 2024 • By Mona Mansour
<em>What Kind Of Liar Am I?</em>—a Short Play
Essays

Wajdi Mouawad’s “Controversial” Wedding Day

7 JUNE 2024 • By Elie Chalala
Wajdi Mouawad’s “Controversial” <em>Wedding Day</em>
Essays

Omar Naim Exclusive: Two Films on Beirut & Theatre

7 JUNE 2024 • By Omar Naim
Omar Naim Exclusive: Two Films on Beirut & Theatre
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Interviews

Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)

7 JUNE 2024 • By Mehrnaz Daneshvar, Salar Abdoh
Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)
Art & Photography

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Fiction

“I, Mariam”—a story by Joumana Haddad

26 APRIL 2024 • By Joumana Haddad
“I, Mariam”—a story by Joumana Haddad
Opinion

Equating Critique of Israel with Antisemitism, US Academics are Being Silenced

12 APRIL 2024 • By Maura Finkelstein
Equating Critique of Israel with Antisemitism, US Academics are Being Silenced
Featured Artist

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR, Jordan Elgrably
Bani Khoshnoudi: Featured Artist for PARIS
Art

Paris, Abstraction and the Art of Yvette Achkar

1 APRIL 2024 • By Arie Amaya-Akkermans
Paris, Abstraction and the Art of Yvette Achkar
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Poetry

Brian Turner: 3 Poems From Three New Books

14 JANUARY 2024 • By Brian Turner
Brian Turner: 3 Poems From Three New Books
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Art

Hanan Eshaq

3 DECEMBER 2023 • By Hanan Eshaq
Hanan Eshaq
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Book Reviews

The Fiction of Palestine’s Ghassan Zaqtan

13 NOVEMBER 2023 • By Cory Oldweiler
The Fiction of Palestine’s Ghassan Zaqtan
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Featured Artist

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Fiction

I, SOUAD or the Six Deaths of a Refugee From Aleppo

9 OCTOBER 2023 • By Joumana Haddad
I, SOUAD or the Six Deaths of a Refugee From Aleppo
Theatre

Hartaqât: Heresies of a World with Policed Borders

9 OCTOBER 2023 • By Nada Ghosn
<em>Hartaqât</em>: Heresies of a World with Policed Borders
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Art & Photography

Adel Abidin, October 2023

1 OCTOBER 2023 • By TMR
Adel Abidin, October 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Poetry

Three Poems from Pantea Amin Tofangchi’s Glazed With War

3 AUGUST 2023 • By Pantea Amin Tofangchi
Three Poems from Pantea Amin Tofangchi’s <em>Glazed With War</em>
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Art & Photography

Becoming Palestine Imagines a Liberated Future

27 FEBRUARY 2023 • By Katie Logan
<em>Becoming Palestine</em> Imagines a Liberated Future
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Essays

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Columns

Unapologetic Palestinians, Reactionary Germans

15 SEPTEMBER 2022 • By Abir Kopty
Unapologetic Palestinians, Reactionary Germans
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Opinion

Israel and Palestine: Focus on the Problem, Not the Solution

30 MAY 2022 • By Mark Habeeb
Israel and Palestine: Focus on the Problem, Not the Solution
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY 2022 • By Mischa Geracoulis
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Essays

The Wall We Can’t Tell You About

14 MAY 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Book Reviews

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

Leave a Comment

Your email address will not be published. Required fields are marked *

seven − 1 =

Scroll to Top