Darío Karim Pomar Azar

is a Palestinian Spanish writer, researcher and organiser based in London. He grew up in Amman, Jordan. Pomar Azar’s work is published in Shado Mag, DAZED Middle East, The Markaz Review and elsewhere. He has written on the transnational Palestine movement, student organising in Britain and cultural boycott campaigns, as well as cultural analytical pieces. Pomar Azar received a postgraduate degree in urban sociology from the London School of Economics, where his work focused on settler-colonial infrastructures, anti-colonial urban resistance and a theory of Palestinian TimeSpace. His masters thesis cohered these topics around a personal archival project. Since then, Pomar Azar has written more extensively on Palestinian archival praxis, hauntologies and urban liminalities. He will soon be exhibiting this work in Paris as part of a group exhibition titled Terres Fantômes (Ghost Commons).
Instagram: @dariokpa / X: @dkpomarazar

Fragments of Beirut in Lana Daher’s Do You Love Me

Fragments of Beirut in Lana Daher’s Do You Love Me

Rather than offer a linear retelling of Lebanon’s history, the film draws our attention to the internal rhymes...

10 APRIL 2026 • By Darío Karim Pomar Azar
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