Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.
Arie Amaya-Akkermans
On “True Love Leaves No Traces”
From Leonard Cohen to Apollo and Daphne to French philosopher Jean-Lun Nancy, Arie Akkermans-Amaya looks at the influences of an Istanbul exhibition.
(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”
Arie Akkermans reviews an Iraqi American's exhibitions as they attempt to recreate missing and destroyed artifacts taken from the National Museum of Iraq after the American invasion in 2003.
Etel Adnan’s Sun and Sea: In Remembrance
Art critic Arie Amaya-Akkermans summons the gods of art and poetry as he reviews the life work of the late polymath Etel Adnan, 1925-2021.
War Diary: The End of Innocence
Arie Amaya-Akkermans investigates Agenda 1979: Imagine sitting at home in the presence of a handbook for destroying, bombing, maiming and injuring. The poet Etel Adnan features prominently.