Can the Kurdish Women’s Movement Transform the Middle East?

Zehra Doğan, "Nusaybin," 2016 — the Kurdish artist spent 600 days in a Turkish prison, accused of "terrorism," for depicting the Turkish military destruction of the Kurdish city of Nusaybin, although her art was based on a photograph taken by the military itself (Doğan now lives in London).

31 JULY 2023 • By Matt Broomfield
Matthew Broomfield has reported from Kurdish-led North and East Syria (Rojava) and turns a critical eye to Dilar Dirik’s study on the Kurdish Women’s Movement.

 

The Kurdish Women’s Movement: History, Theory, Practice by Dilar Dirik
Pluto Press 2022
ISBN 9780745341941

 

Matthew Broomfield

 

We’re all familiar with the orientalized, fetishized image of the Kurdish warrior woman doing battle against ISIS. Part Amazon, part Angelina Jolie, she’s all too easily sanitized, Westernized, and plucked out of her context in the militant, women-led Kurdish liberation movement. In The Kurdish Women’s Movement: History, Theory, Practice,  Kurdish academic Dilar Dirik aims to deepen and complicate this image, placing that movement in the context of decades of checkered, often-overlooked “History,” a unique historic and sociological “Theory,” and a “Practice” claiming to touch the lives of millions of women across the Middle East.  

The Kurdish Women’s Movement is published by Pluto.

Writing from a position of admitted personal and political sympathy for the movement spearheaded by jailed Kurdish political leader Abdullah Öcalan, and his Kurdistan Workers’ Party (PKK), Dirik critiques what she calls the standard practice of counterpointing “superficial engagement with Öcalan’s writings with snapshot-like ethnographic impressions or news articles about the movement’s practice.” Rather, the Oxford University Fellow’s work seeks to take the movement seriously on its own terms, bridging the gap between overly enthusiastic accounts ascribing the Kurds a super-human proclivity for revolution, and reductive, normative analyses written from a purely academic perspective. 

As such, it’s worth assessing the extent to which the movement’s claim to offer a systemic alternative to authoritarian nation-states and patriarchal, tribal or nuclear social organization stands up in its largest proving-ground to date — the Kurdish-led polity in North and East Syria (NES), built around the Kurdish heartland known as Rojava, where a civil administration has spent the past decade attempting to implement the ideals of the women’s movement. Dirik also addresses the Kurdish movement’s reach throughout Kurdish-populated Turkey, and to a lesser extent Iraq.

While Kurdistan is a stateless nation that covers a swath of Turkey, Syria, Iraq and Iran, there is no full chapter dedicated to the women’s movement in Iran, but the movement’s ideas are also present among that country’s Kurdish minority, as evidenced by the recent uprisings following the death of Kurdish Iranian Jina (Mahsa) Amini, as a result of which saw the Kurdish movement’s slogan “Jin, Jiyan, Azadî” (“Women, Life, Freedom”) reverberate around the world.

But it’s in NES that the optimistic, transformative vision of a “paradigmatic struggle against capitalist modernity” promoted by Dirik is put to the severest test — as I myself witnessed in the course of three years living in and reporting from the impoverished, embattled, and politically compromised region.

As Dirik emphasizes, the Kurdish movement didn’t appear from nothing with the establishment of de facto autonomy in Rojava following the outbreak of the Syrian civil war, and that region’s rapid rise to fame in the course of the war against ISIS. Rather, the PKK entered the political stage as a clandestine Marxist-Leninist guerrilla battling for an independent, socialist Kurdish state — a guerrilla characterized by the unusually wide ranging and increasingly active participation of women cadres. A growing recognition of the need for women-led political organization was precipitated by a marked change in Öcalan’s political analysis, particularly following his 1999 capture by the Turkish security forces, prompting a reassessment of the PKK’s strategy.

Kurdish Female Fighters outside of Kobani in Rojava (courtesy rudaw.com).

In her quest to take the intellectual contributions of the Kurdish movement and its leader seriously, Dirik sometimes downplays the impact of circumstance and realpolitik on the movement’s unexpected evolution. Öcalan’s move toward a system of federal, decentralized, dual-power organization was at least partly driven by the admitted impossibility of establishing a Kurdish state outright, and admitting this fact does nothing to diminish the significance of the movement’s subsequent achievements in that direction.

Similarly, it’s all but impossible to reconcile Dirik’s characterization of Öcalan as a benevolent repository of knowledge, particularly sympathetic to women’s struggles, waking up early to bestow flowers on female militants on International Women’s Day, with the image presented by, say, Aliza Marcus in her own critical history of the Kurdish movement (largely based on the accounts of disillusioned ex-party members), wherein Öcalan is represented as self-aggrandizing and calculating. Likely the truth lies somewhere in between. 

In any case, it’s more interesting to recognize, as Dirik does, the emancipatory ideal Öcalan represents to millions of Kurdish women, given his clear and consistent representation of women as the “first colony” who must be liberated before the remainder of society can follow suit. Kurdish women are always at the forefront of any protest in Kurdistan demanding Öcalan’s release, and while their devotion to a male figurehead may seem contradictory to Western feminist eyes, it cannot be casually written off.

Zehra Dogan, Kurdistan 2 (2020) Courtesy of the artist and Prometeogallery Ida Pisani Milan:Lucca
Zehra Doğan, “Kurdistan 2,” 2020 (courtesy of the artist/Prometeogallery Ida Pisani).

In the abstract, the sociological ‘women’s science’ known as “Jineolojî” or “Women-ology” appears vague and faintly New Age in its critique of male hierarchy. But this is a science in the same highly politicized sense that Marxism-Leninism presents itself as a “science” — an epistemic claim to place a repressed group at the center of social organization. By framing the 21st century as the century of the “women’s revolution,” the Kurdish movement tells women they are the fulcrum of history and social organization, just as Marxists once told industrial workers they held the keys to history, or Arab nationalists sought to harness the mass power of their own repressed peoples.

To this end, the intellectual contribution of the Kurdish women’s movement should rather be assessed on the strength of its ability to “communicate intellectual ideas and debates to oppressed and dispossessed movements.” It’s easy to recognize the politicized nature of Öcalan’s theories on history, but his “science” was crafted to put fire in Kurdish bellies, not pass peer review. This much, the women’s movement has certainly achieved.

It’s appropriate, therefore, that Dirik devotes ten times as many pages to “Practice” as “Theory.” The Kurdish women’s movement has achieved prior successes in organizing women in Kurdish neighborhoods, rural areas and refugee camps throughout Kurdish homelands currently forming part of Turkey, Iraq, Syria and Iran. But it’s in NES that the women’s movement has played a leading role in defeating ISIS and expanding a system of nominally decentralized, municipal governance now encompassing millions of residents, the majority of whom are Arabs, including many communities which both suffered under and sympathized with ISIS. As such, there’s an ambiguity to this region’s status as the site of the mass “practical implementation” of the lofty ideals of the women’s movement — a process bringing with it both the great challenges and great opportunities.

The Kurdish-led Autonomous Administration of North and East Syria (AANES) follows a political philosophy known as “democratic confederalism,” based on three principles from Öcalan’s thought: direct democracy, ecology, and women’s autonomy. While all three inter-relate, it’s readily apparent that the women’s “pillar” is the firmest. A continued reliance on the revenues from black-market oil sales has prevented any serious green transition, while the devolution of political decision-making authority remains partial. Local communities have a say over service provision and participate actively in restorative justice mechanisms, but in the context of ongoing attacks by Turkey, ISIS insurgency, and rampant poverty driven by war and the region’s isolation from the outside world, military and diplomatic strategy is necessarily directed by a primarily Kurdish cadre.

kurdish women fighters rojava - photo
Kurdish women fighters in Rojava (courtesy rudaw.com).

The “women’s revolution,” though, is readily apparent. As any visitor to the region will observe, women are indeed everywhere, holding community meetings, attending education programs, and of course playing a prominent military role. Even in the regions recently liberated from ISIS, the “Women’s Houses” providing bloodless resolution to social conflicts through female-led mediation are among the first projects to take root, even in the face of regular bombings by ISIS — achieving more prominence and success than the village-level communes intended to function as the building blocks of the direct democratic system.

On the social level, women of course continue to face confinement to the home, early marriage, honor killings, and all the other trappings of regional patriarchy. Many men with a position in AANES political structures are willing to pay lip service to women’s autonomy, while privately pushing their daughters to marry off at the appropriate time. But it’s precisely the fact that women continue to face such hardship that so many of them have seized the “revolution” with both hands. Alongside the total inversion in the status of Kurdish identity, it is the flourishing of women-led political organization, social outreach and cultural activity which gives the slow transformation in NES the flavor of revolution.

Dirik’s account of these achievements is smart, and avoids clichés. For example, the region is known for its “co-chair” system whereby each public office is filled by one man and one woman. As she aptly notes, critical claims this system is merely “symbolic” misses the point — symbols themselves have power, and the system forces men to listen to women’s perspectives in what she calls an “anti-authoritarian pedagogical method for internal democratization.”

In highly conservative Muslim communities, such steps are themselves revolutionary. Even if a relative minority of women have taken up the challenge of promoting women’s education and political self-determination in these communities, this does not delegitimize these women’s achievements, as some observers suggest when they draw a false binary between active participants in the revolution and “ordinary people” represented as more suspicious of women’s autonomy. After all, these willing participants were born and grew up in the same ordinary communities. 

More broadly, Dirik argues that women’s autonomy in the region will necessarily      look different to Western feminism. In his own account of the Rojava revolution, Thomas Schmidinger draws a similar distinction, arguing the “autonomy” the region takes as its political goal is a “collective” rather than “individual” autonomy. The aim was never to replace conservative, tribal norms with the individual freedom to become (say) a sexually promiscuous boss,  but by granting women the power to address women’s issues among themselves as an autonomous unit, and speak with a powerful, collective voice in issues that concern them.

As a result, the revolutionary process regularly turns up decisions, positions and compromises that are unsettling to the Western gaze. For example, under the burden of being vilified as suspicious “houses of divorce,” women working in the “women’s houses” are more likely than their Western counterparts might be to advise married women facing abuse to return to the home. But leaving home in the Middle East comes with an even higher cost than it does in other parts of the world, while on the other hand social pressure and shame can be brought to bear more effectively on men, making community intervention a genuine alternative. Many women are able to flee home, and the region has seen hundreds of divorces after the process was legalized in 2012: but sometimes a community-led solution is more appropriate.

This is not a get-out-of-jail-free card, of course, and Dirik is not immune from valorizing aspects of the revolution deserving of more critical scrutiny. If she claims the “movement encourages solidarity-based communal forms of organizing childcare, production and so on,” it’s hard to see how this marks a revolutionary break from pre-existing modes of communal childcare, as women continue to perform almost all childcare roles with little formal support from the AANES. 

To take another example, when describing the region’s unavoidable establishment of an internal security force (the Asayish) to deal with the serious threat posed by ISIS sleeper cells and Turkish and Syrian regime-sponsored attacks, the author is ready to take at face value the claim by a female Asayish member to have “overcom[e] the authoritarian personality created by the [Syrian] regime,” creating a new and more progressive institution. Certainly, the Asayish are in no way comparable to the brutal Syrian security forces, but claims this internal security unit is fundamentally different to a police force overstate the case. Commendably, the Asayish deploy locals to their own areas, reducing intra-community tension, but nonetheless their presence feels rather different in restive majority-Arab regions than it does in the Kurdish heartlands. Those who resent their presence are often ISIS sympathizers, if not active supporters: regardless, the unavoidable Asayish presence in these regions clearly feels and functions like a police force. Rather than downplaying the compromises into which the revolution has been forced, sympathetic accounts of the Rojava revolution can and must acknowledge the extreme pressures the region is under.

It’s therefore interesting to see where the women’s movement has chosen to push for reform or revolution, and where it has compromised. Thus it is, for example, that polygamy is outright banned in Kurdish regions, but still tolerated — though disapproved of — in Arab regions more recently liberated from ISIS. In one incident in 2020, women were banned from working in cafés in the former ISIS capital Raqqa after hours, as was the public consumption of alcohol, prompting puzzled inquiries from some Western journalists. But when I spoke to women’s activists in the city, they explained these measures specifically targeted cafés serving as a front for prostitution, as part of broader efforts to tackle the exploitation of impoverished war refugees, with the local Women’s Office working to find alternative forms of employment. This might not be the solution some Western feminists would hope for, but in the Syrian context, it was a valid and thoughtful move intended to protect women.

Dirik warns that the “space between a rock and hard place can open rooms for lines of thinking that rely on external state backing to temporarily protect gains, usually at great cost.” This much is true in NES, with the region forced into uneasy alliances and relationships with the USA, Russia and the central Syrian authorities. But operating in this troubled space also pushes the Kurdish movement into productive compromises, forcing it to understand and navigate tensions between its clear commitment to women’s liberation on the one hand and community self-determination on the other.

Often, women’s liberation has been prioritized, even at the risk of provoking male powerbrokers. On the one hand, Dirik argues, “liberal, pragmatist, centralist approaches” are coded as male, with the women’s movement pushing for more revolutionary, transformative approaches throughout the Kurdish movement’s history. But equally, as the author writes with reference to Kurdish dual-power organization in Turkey, female political organizers are more closely embedded in civil society, and are therefore able to demonstrate that “many women favor an end to gender-based discrimination, child marriage, bride exchange, polygamy, and bride price.”  These aims, all steadily being implemented by the Kurdish movement in the face of stiff social opposition, are not extreme or implausible. Rather, the idea that “society would not accept change [is] a self-fulfilling prophecy.”

The challenge before the movement now is to refuse the assumption — anathema to the AANES’ bold valorization of the “brotherhood of peoples,” but commonly heard in private — that the restive Arab regions are too backward, parochial or Islamic to accept women-led social transformation.  Although Kurdish men are also regularly taken to task for patriarchal norms, the Kurdish women’s movement itself is not immune from the idealization of Kurdish womanhood. Dirik warns that Kurdish male revolutionaries draw binaries between ‘revolutionary/liberated” women and “classical/traditional” women who remain confined to traditional social roles. But the women’s movement itself also plays a role in maintaining this binary, sometimes defaulting to an ideal of emancipated Kurdish womanhood, revolutionary cadres expressing (understandable) frustration with deeply entrenched patriarchy in Arab regions.

Rather, it’s the bold and continuing struggle to implement the Kurdish movement’s liberatory ideals in conservative, tribal regions which may push the movement on to achieve enduring success and stability beyond the Kurdish heartlands, as part of its ongoing transition from guerrilla force to quasi-state actor. If the movement genuinely wishes to offer a “paradigmatic” alternative to the Middle East, it must continue to reckon with the challenges of reaching these communities. It’s women who have proven most responsive to their message, and as the AANES education program, with its focus on women’s rights and autonomy, gradually reaches these regions, change will continue to spread.

As such, Dirik argues that asking whether the “revolution” in Rojava is a success or failure, or even a revolution at all, misses the point. Rather, the partial, imperfect process of social transformation in the region is part of a wider historical movement that began before and will continue after. Her own work should be read in the same spirit: as a vital contribution to the dynamic, ongoing conversation around a movement deserving of both more serious attention, and more critical scrutiny from its sympathizers.

In her introduction, Dirik writes that Kurds, women and movements (revolutionary, political) are all phenomena that have been oppressed throughout history. In its efforts to overcome repression, the Kurdish women’s movement has certainly achieved revolutionary results for these interlinked classes. A number of key challenges facing the Kurdish women’s movement, it could be argued, now lie in the opposite direction: in reaching Arab communities, changing the attitude of suspicious and conservative men, and successfully transitioning to quasi-state governance.

 

Matt Broomfield

Matt Broomfield is a British freelance journalist, critic, translator, and poet, focused on the Kurdish issue. He has reported from Kurdistan for VICE, the Independent, and the New Statesman, along with critical essays for Unherd, Salvage, and the National Interest, among others.... Read more

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1 APRIL 2024 • By TMR
Bani Khoshnoudi: Featured Artist for PARIS
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Essays

The Time of Monsters

3 MARCH 2024 • By Layla AlAmmar
The Time of Monsters
Book Reviews

The Myth of the West: A Discontinuous History

3 MARCH 2024 • By Arie Amaya-Akkermans
The Myth of the West: A Discontinuous History
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Poetry

Brian Turner: 3 Poems From Three New Books

14 JANUARY 2024 • By Brian Turner
Brian Turner: 3 Poems From Three New Books
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Art

The Apocalypse is a Dance Party

8 JANUARY 2024 • By Sena Başöz
The Apocalypse is a Dance Party
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Poetry

Two Poems by Efe Duyan

22 DECEMBER 2023 • By Efe Duyan, Aron Aji
Two Poems by Efe Duyan
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Essays

Days of Oranges—Libya’s Thawra

3 DECEMBER 2023 • By Yesmine Abida
Days of Oranges—Libya’s Thawra
Art

Hanan Eshaq

3 DECEMBER 2023 • By Hanan Eshaq
Hanan Eshaq
Essays

“My Father’s Last Meal”—a Kurdish Tale

28 NOVEMBER 2023 • By Dilan Qadir
“My Father’s Last Meal”—a Kurdish Tale
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Essays

Rebuilding After the Quake: a Walk Down Memory Lane in Southeast Anatolia

5 NOVEMBER 2023 • By Sevinç Ünal
Rebuilding After the Quake: a Walk Down Memory Lane in Southeast Anatolia
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Art & Photography

Middle Eastern Artists and Galleries at Frieze London

23 OCTOBER 2023 • By Sophie Kazan Makhlouf
Middle Eastern Artists and Galleries at Frieze London
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Art & Photography

Adel Abidin, October 2023

1 OCTOBER 2023 • By TMR
Adel Abidin, October 2023
Interviews

Illegitimate Literature—Interview with Novelist Ebru Ojen

18 SEPTEMBER 2023 • By Nazlı Koca
Illegitimate Literature—Interview with Novelist Ebru Ojen
Book Reviews

Kurdish Novel Explores Nightmarish Isolation in Eastern Anatolia

18 SEPTEMBER 2023 • By Kaya Genç
Kurdish Novel Explores Nightmarish Isolation in Eastern Anatolia
Art

Anatolian Journey: a Writer Travels to Sultan Han to Witness a Postmodern Installation

18 SEPTEMBER 2023 • By Matt Hanson
Anatolian Journey: a Writer Travels to Sultan Han to Witness a Postmodern Installation
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Traveling Through Turkey With Gertrude Bell and Pat Yale

28 AUGUST 2023 • By Arie Amaya-Akkermans
Traveling Through Turkey With Gertrude Bell and Pat Yale
Book Reviews

On Museums and the Preservation of Cultural Heritage

21 AUGUST 2023 • By Arie Amaya-Akkermans
On Museums and the Preservation of Cultural Heritage
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Poetry

Three Poems from Pantea Amin Tofangchi’s Glazed With War

3 AUGUST 2023 • By Pantea Amin Tofangchi
Three Poems from Pantea Amin Tofangchi’s <em>Glazed With War</em>
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Book Reviews

Literature Takes Courage: on Ahmet Altan’s Lady Life

24 JULY 2023 • By Kaya Genç
Literature Takes Courage: on Ahmet Altan’s <em>Lady Life</em>
Film Reviews

A Deaf Boy’s Quest to Find His Voice in a Hearing World

24 JULY 2023 • By Nazli Tarzi
A Deaf Boy’s Quest to Find His Voice in a Hearing World
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Art & Photography

The Ghost of Gezi Park—Turkey 10 Years On

19 JUNE 2023 • By Arie Amaya-Akkermans
The Ghost of Gezi Park—Turkey 10 Years On
Art & Photography

Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests

19 JUNE 2023 • By Arie Amaya-Akkermans
Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests
Book Reviews

Niki, Prize-Winning Greek Novel, Captures the Country’s Civil War

12 JUNE 2023 • By Nektaria Anastasiadou
<em>Niki</em>, Prize-Winning Greek Novel, Captures the Country’s Civil War
Book Reviews

Wounded Tigris: A River Journey Through the Cradle of Civilisation

12 JUNE 2023 • By Nazli Tarzi
<em>Wounded Tigris: A River Journey Through the Cradle of Civilisation</em>
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Film

The Majesty and Mystery of Nature: Ali Cherri’s Dam in Sudan

4 JUNE 2023 • By Karim Goury
The Majesty and Mystery of Nature: Ali Cherri’s <em>Dam</em> in Sudan
Poetry Markaz

Zara Houshmand, Moon and Sun

4 JUNE 2023 • By Zara Houshmand
Zara Houshmand, <em>Moon and Sun</em>
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

The Yellow Birds Author Returns With Iraq War/Noir Mystery

29 MAY 2023 • By Hamilton Cain
<em>The Yellow Birds</em> Author Returns With Iraq War/Noir Mystery
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Book Reviews

Where Are Yesterday’s Dhufar Revolutionaries Today?

15 MAY 2023 • By Tugrul Mende
Where Are Yesterday’s Dhufar Revolutionaries Today?
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Poetry Markaz

Yang Lian

4 APRIL 2023 • By Yang Lian
Yang Lian
Essays

Beautiful Ghosts, or We’ll Always Have Istanbul

27 MARCH 2023 • By Alicia Kismet Eler
Beautiful Ghosts, or We’ll Always Have Istanbul
Film

Hanging Gardens and the New Iraqi Cinema Scene

27 MARCH 2023 • By Laura Silvia Battaglia
<em>Hanging Gardens</em> and the New Iraqi Cinema Scene
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Cities

Coming of Age in a Revolution

5 MARCH 2023 • By Lushik Lotus Lee
Coming of Age in a Revolution
Columns

Letter From Turkey—Solidarity, Grief, Anger and Fear

27 FEBRUARY 2023 • By Jennifer Hattam
Letter From Turkey—Solidarity, Grief, Anger and Fear
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Columns

Tiba al-Ali: A Death Foretold on Social Media

5 FEBRUARY 2023 • By Malu Halasa
Tiba al-Ali: A Death Foretold on Social Media
Featured excerpt

Fiction: Inaam Kachachi’s The Dispersal, or Tashari

5 FEBRUARY 2023 • By Inaam Kachachi
Fiction: Inaam Kachachi’s <em>The Dispersal</em>, or <em>Tashari</em>
Art

Lahib Jaddo—An Iraqi Artist in the Diaspora

5 FEBRUARY 2023 • By Mischa Geracoulis
Lahib Jaddo—An Iraqi Artist in the Diaspora
Interviews

Zahra Ali, Pioneer of Feminist Studies on Iraq

5 FEBRUARY 2023 • By Nada Ghosn
Zahra Ali, Pioneer of Feminist Studies on Iraq
Book Reviews

 The Watermelon Boys on Iraq, War, Colonization and Familial Love

5 FEBRUARY 2023 • By Rachel Campbell
<em> The Watermelon Boys</em> on Iraq, War, Colonization and Familial Love
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Columns

Letter From Tehran: From Hair to Hugs, Times Are Changing

28 NOVEMBER 2022 • By TMR
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Book Reviews

Zoulikha, Forgotten Freedom Fighter of the Algerian War

15 OCTOBER 2022 • By Fouad Mami
Zoulikha, Forgotten Freedom Fighter of the Algerian War
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art

My Berlin Triptych: On Museums and Restitution

15 SEPTEMBER 2022 • By Viola Shafik
My Berlin Triptych: On Museums and Restitution
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Book Reviews

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

22 AUGUST 2022 • By Rana Asfour
After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Film

Lebanon in a Loop: A Retrospective of “Waves ’98”

15 JULY 2022 • By Youssef Manessa
Lebanon in a Loop: A Retrospective of “Waves ’98”
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Book Reviews

Traps and Shadows in Noor Naga’s Egypt Novel

20 JUNE 2022 • By Ahmed Naji
Traps and Shadows in Noor Naga’s Egypt Novel
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

Mai Al-Nakib: “Naaseha’s Counsel”

15 JUNE 2022 • By Mai Al-Nakib
Mai Al-Nakib: “Naaseha’s Counsel”
Fiction

Nektaria Anastasiadou: “Gold in Taksim Square”

15 JUNE 2022 • By Nektaria Anastasiadou
Nektaria Anastasiadou: “Gold in Taksim Square”
Featured excerpt

Hawra Al-Nadawi: “Tuesday and the Green Movement”

15 JUNE 2022 • By Hawra Al-Nadawi, Alice Guthrie
Hawra Al-Nadawi: “Tuesday and the Green Movement”
Film Reviews

2022 Webby Honoree Documents Queer Turkish Icon

23 MAY 2022 • By Ilker Hepkaner
2022 Webby Honoree Documents Queer Turkish Icon
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Interviews

Conversations on Food and Race with Andy Shallal

15 APRIL 2022 • By Jordan Elgrably
Conversations on Food and Race with Andy Shallal
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
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Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed

28 MARCH 2022 • By Sherine Elbanhawy
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28 MARCH 2022 • By Melissa Chemam
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Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
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Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
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Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
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15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
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15 MARCH 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
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7 MARCH 2022 • By Anna Lekas Miller
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Nadia Murad Speaks on Behalf of Women Heroes of War

7 MARCH 2022 • By Maryam Zar
Nadia Murad Speaks on Behalf of Women Heroes of War
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24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
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7 FEBRUARY 2022 • By Arie Amaya-Akkermans
(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”
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15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Fiction

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15 JANUARY 2022 • By Abeer Esber, Nouha Homad
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Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

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15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

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15 JANUARY 2022 • By Thomas Dallal
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Art & Photography

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15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
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15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
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15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

An Arab and a Jew Walk into a Bar…

15 DECEMBER 2021 • By Hadani Ditmars
An Arab and a Jew Walk into a Bar…
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
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Fiction

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15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
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15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
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The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
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8 NOVEMBER 2021 • By Deborah Kapchan
A Street in Marrakesh Revisited
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8 NOVEMBER 2021 • By TMR
Day of the Imprisoned Writer — November 15, 2021
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1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
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15 OCTOBER 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
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15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Columns

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4 OCTOBER 2021 • By Jordan Elgrably
Kurdish Poet and Writer Meral Şimşek Merits Her Freedom
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15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
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15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

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15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
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15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
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The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Columns

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16 AUGUST 2021 • By Hadani Ditmars
Afghanistan Falls to the Taliban
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
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An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”

15 AUGUST 2021 • By Jenny White
An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”
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12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Weekly

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25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
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14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
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14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
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4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
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ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
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3 JULY 2021 • By TMR
World Picks: July 2021
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
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30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
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16 MAY 2021 • By Fouad Mami
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14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
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14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
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14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

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14 MAY 2021 • By Todd Miller
We Are All at the Border Now
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14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
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9 MAY 2021 • By Rana Asfour
TMR 7 • Truth?

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14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

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14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
TMR 7 • Truth?

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14 MARCH 2021 • By Farah Abdessamad
Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Columns

The Truth About Iraq: Memory, Trauma and the End of an Era

14 MARCH 2021 • By Hadani Ditmars
The Truth About Iraq: Memory, Trauma and the End of an Era
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The Hidden World of Istanbul’s Rums

21 FEBRUARY 2021 • By Rana Haddad
The Hidden World of Istanbul’s Rums
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
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16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
TMR 5 • Water

Iraq and the Arab World on the Edge of the Abyss

14 JANUARY 2021 • By Osama Esber
Iraq and the Arab World on the Edge of the Abyss
Columns

On American Democracy and Empire, a Corrective

14 JANUARY 2021 • By I. Rida Mahmood
On American Democracy and Empire, a Corrective
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Weekly

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20 DECEMBER 2020 • By Selim Temo
Academics, Signatories, and Putschists
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 4 • Small & Indie Presses

Hassan Blasim’s “God 99”

14 DECEMBER 2020 • By Hassan Blasim
Hassan Blasim’s “God 99”
Weekly

Kuwait’s Alanoud Alsharekh, Feminist Groundbreaker

6 DECEMBER 2020 • By Nada Ghosn
Kuwait’s Alanoud Alsharekh, Feminist Groundbreaker
Weekly

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27 NOVEMBER 2020 • By TMR
Breathing in a Plague
World Picks

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28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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