Broken Home: Britain in the Time of Migration

In a recent exhibition, artist Ludovic Nkoth evoked the migrant crisis in visceral paintings of the open sea. Ludovic Nkoth, "Lighthouse," acrylic on Belgium linen, 198.1x248.9 cm (courtesy the artist and Luce Gallery, Turin).

5 MARCH 2023 • By Malu Halasa

Middle Eastern refugees and the small boats carrying them across the English Channel have become the new scapegoats in a country that made itself poorer.

 

Malu Halasa

 

In the early hours before dawn, people work silently in the shadows of the sand dunes. They hurry in case the growing crowd catches the attention of the French gendarmes and their prowling mobile searchlights on the coast.

It is a scene played out on the beaches around Calais. After migrants ready an inflated dinghy, many hands carry it to the water’s edge. The lights of Dover 25 miles away suggest England is closer than it is.

Someone shushes the crowd when excited Arabic voices grow too loud, interrupted by a smattering of French and English. The young men and a woman with a small child are scared, even though they’ve crossed other seas and traveled from countries as far away as Iran, Afghanistan, Iraq, Palestine, even Sudan. Some know each other’s stories. Others prefer ignorance; it is hard enough to carry your own battle scars.

 

Migrant crossings of the Channel in 2023 are expected to reach 65,000 (photo Sameer Al Doumy).

 

A few had failed in earlier attempts to cross the English Channel and were now trying again. For many, it was their first time. Instead of life jackets, they strapped on inner tubes from cars or vans. Almost no one was dressed for the wintery weather, and everyone was at risk of hypothermia. Since smugglers allowed them only to bring the clothes on their back, personal items of little or no worth, from plastic bags to old clothes and the odd toy littered the beach.

It made no sense when young men pushed their way to get onto the boat first. By the time everyone was on board they were squashed together. The inflatable boat, empty and light on land, had given the impression it would fly across the water to Dover. It now felt flimsy and dangerous in the sea, weighed down by its human cargo. As it pushed off, someone muttered a prayer over the revving of the outboard motor. This wouldn’t be the last entreaty from aboard this dinghy or from the others leaving from the beaches along the 62 mile stretch from Boulogne-sur-Mer to the border with Belgium. All the small boats had the same chance, whether they were organized by people smugglers or by a handful of migrants, who pooled together the little money they had and bought a glorified raft of their own. It was a crapshoot on who’d make it or not.

We will not sit back and allow the English Channel to become a mass graveyard, like the waters of the Mediterranean. —Channel Rescue

Channel Hardware

Overlooking the English Channel, towers equipped with thermal and optical imaging line the Kent coast. Electromagnetic monitors track mobile phone signals. Marine AIS or Automatic Identification System receivers follow the movement of boats; radar, too, plays its part in the arsenal of surveillance.

On eight points along the coast, in the shadows of the towers, volunteers from the human rights organization Channel Rescue also keep watch. Armed only with their telescopes and apps on their mobile phones, they survey the Channel’s choppy seas and strong tidal currents. The heavy shipping container traffic makes the Strait of Dover one of the busiest and most treacherous waterways in the world.

Steven Martin, Channel Rescue’s co-founder, observed, “When you’ve got a poorly constructed, overloaded vessel that sits low in the water and it passes one of these huge container ships, the wake that’s created can capsize a dinghy.”

Some people stranded in the water find their way onto light boats — ships with lights anchored onto the sea floor — and wait for lifeboats to rescue them. Others have not been so fortunate.

Last October 14 and 15, Channel Rescue volunteers monitored the radio, and heard a passing ship report that there were bodies floating in the water. A search and rescue operation was launched by British and French authorities. After an hour it was called off.

Martin continued, “They said they couldn’t find a boat and they couldn’t find any bodies. Ten minutes after the search and rescue was called off, a different ship called in, saying there were bodies in the water. The search and rescue operation was resumed.

“We were monitoring their communications through the night. No bodies were retrieved. The only thing that was retrieved — and we got this from a Freedom of Information (FOI) request — was an empty dinghy and an empty life raft, 14 bottles of water, and a few inner tubes.We wrote to the coroner to ask if any deaths have been reported over those days. The coroners can’t give us that information.”

Channel Rescue asked the Home Office, the British equivalent of the US State Department and Homeland Security combined. The Home Office said it would take too much time and money for that information to be provided. The charity submitted a number of other FOI requests and appealed against the Home Office’s decision. They are waiting for their FOI requests to be answered.

“So, if people were drowned that was not reported.” Martin worked in the Mediterranean, where “thousands and thousands of people have died.” (Statista has estimated that more than 2,000 people died while crossing the Mediterranean in 2022, while more than 12,000 have perished since 2014.) An epidemiologist by trade, he does Channel Rescues because he cares, but he’s also careful. Channel Rescue is a charity, with specific on shore, offshore and advocacy activities. It does not conduct search and rescue, nor is it directly in contact with people in the boats. Other organizations, Utopia 56 and Alarmphone, alert them when people are in distress in the Channel. Human rights activists have to tread a fine line, in case governments blame the messenger and accuse them of people smuggling. Amnesty International has described the trend as “punishing compassion.”

 

A Border Force vessel brings a group of men into Dover (courtesy PA Media).

 

Despite the countries and organizations watching the Channel, the numbers of people who have drowned there are unknown. Another small boat capsized in the Channel in December last year. Four men, two Afghans and two Senegalese, drowned. Thirty-nine people were rescued, including a dozen unaccompanied children.

“We also suspect that more people died in the December 14 drowning than what has been reported. Basically, the numbers don’t tally up from the government’s side.”

 

A Mockery of Brexit

The small boats make a mockery of a key pledge of the 2016 Brexit referendum — to take back control of British borders. Since then, successive Tory governments have come up with draconian measures to stop people from even attempting the journey. One proposal to send migrants seeking asylum to Rwanda has been temporarily paused by challenges in the UK courts, and by the projected cost of the scheme. Rwanda only has the capacity to take at most 200 asylum seekers. The country started to oust victims of genocide from the hostels in Kigali, and so far the UK taxpayer has paid £140 million pounds for a scheme that hasn’t yet worked.

Last year, the British government announced that the UK Navy and Border Force patrol boats would push the small boats back into French territorial waters, thereby forcing the authorities there to deal with them.

Mounting a legal challenge, Channel Rescue joined with human rights groups Freedom from Torture and Care4Calais, and the Public and Commercial Services Union (PCS), which represents UK Border Force employees responsible for border and immigration control. Days before the four could press their challenge against the Home Office’s pushback plan, it was abandoned.

According to Home Office figures for 2021, 28,526 people came over in 1,034 small boats from France. By 2022, 1,109 small boats brought a greater number of people, 45,755. Home Secretary Suella Braverman predicted 65,000 would come in 2023. The rising numbers reflect a failure in government policy to provide safe passage for refugees. People seeking asylum in Britain, if they’re not Ukrainian or from Hong Kong, must physically be in the country before they can make a claim. Now new laws will prevent those arriving in small boats from even applying.

In the House of Commons, Braverman called the boats “an invasion.” She added, “Let’s stop pretending they’re all refugees in distress.”

The fact is, their nationalities and numbers prove her wrong. According to the Refugee Council an estimated 34,461 people who made the crossing in 2022 came from seven countries: Albania, Afghanistan, Iran, Iraq, Syria, Eritrea and Sudan. Moreover, four in ten of those who crossed the channel came from just five countries — Afghanistan, Iran, Syria, Eritrea and Sudan. Three of those — Afghanistan, Syria and Eritrea — had asylum grant rates of 98 percent and the other two are 86 percent and 82 percent.

After April 2022, fewer small boats landed on English beaches. Intercepted in the Channel by the Navy, they were and still are being taken to the short-term holding facility Western Jet Foil, where the occupants of the small boats disembark before they are sent to Manston migrant processing center in a disused airbase, in Kent, a county southeast of London. If people fleeing war-torn countries thought they were coming to a more humane place, Manston soon shattered their illusions.

By October, the center was handling over twice its official capacity of 1,600, and began suffering from outbreaks of diseases like diphtheria, caused by poor sanitation and overcrowding. Manston had few facilities for children, and women slept next to men to whom they were not related. There were reports of racial abuse, assault by guards and drug use, not to mention bureaucratic glitches. A busload of refugees from Manston was dumped in central London, with nowhere to go. The Prisons and Probation Ombudsman, which oversees the treatment of individuals detained under the UK Immigration Act, is investigating the death of one man held in the center who later died in hospital. Manston proved unsafe for both the refugees housed there, and the people employed to look after them.

Again, the Border Force union — the PCS — joined forces with another charity, this time Detention Action. The two bodies issued the first legal action against Home Secretary Braverman. Their charge held her personally responsible for the conditions in the processing center. In less than a month, Manston was cleared. Braverman did what her predecessor Priti Patel under Boris Johnson refused to do: She arranged wholesale temporary accommodation for migrants in hotels across the country.

It is a policy that has been an unmitigated disaster for unaccompanied refugee minors and vulnerable child asylum seekers. In January, Immigration Minister Robert Jenrick admitted that since 2021, 200 children have gone missing from these hotels. Coastal resorts in southeast England were targeted. According to a statement issued by the Sussex police, “Since the Home Office began housing asylum seekers in hotels in Brighton and Hove in July 2021, 137 unaccompanied children have been reported missing. Of these, 64 have been located and 72 remain under investigation …”

Two minors missing from their area were found more than 200 miles away in Manchester to the north. After a sting operation in a neighborhood of the city known for selling counterfeit goods, Greater Manchester police discovered abducted child asylum seekers working for organized criminal gangs.

 

An Invigorated Hard Right

Not far from Manchester, the Suites Hotel on Merseyside is the only 4-star hotel in the area. Pictures on the internet advertise a luxury spa. The hotel events room was used for weddings. Families planning to visit the lions, tigers, zebras and giraffes at Knowsley Safari Experience were given a special rate at the Suites. That was before the Home Office requisitioned the hotel for asylum seekers.

Outside the Suites Hotel, on the night of Friday, February 10, an anti-immigration riot broke out. The fence in front of the hotel provided little protection for asylum seekers, who were told by the Home Office to draw their curtains, shut their windows and lights in their rooms, and stay inside. On the streets, amid chants of  “Get them out!” a police van was set on fire. Activists from Care4Calais in Knowsley gathered for a counter demonstration in support of the migrants. The pro-asylum group later marveled at the military precision of the men in hoodies who were determined to create havoc and spread hate. Carrying hammers and throwing fireworks, they formed three groups and surrounded the police. Fifteen people were arrested, including a 13-year-old boy.

Probable cause, still under investigation by the Merseyside police, is a 30-second video on social media. A man with a foreign accent stops a local girl, in school uniform. She asks him, “How old are you?” After he says he’s 25, she admits she’s 15. He asks for her phone number, to which the schoolgirl politely demurs in a Liverpudlian accent: “No, I’m sorry, you don’t do this in this country. You go to jail.”

The encounter filmed on the teenager’s phone, has been watched several hundred thousand times on Twitter, YouTube and TikTok. The Daily Mail has since identified the man as Egyptian. He has been moved from the area.

A week after the unrest in Knowsley, leaflets appeared that targeted the supposed threat of the migrants in boats. Some bore the motto: “You pay, migrants stay.” These were distributed to residents in Dunstable, 30 miles north of London, before a town meeting about the closure of a popular local hotel, which signed a lucrative contract with the Home Office to house migrants. (Ironically it is the hotels the government pays to house migrants that have been making a reported £6.8 million a day — as opposed to the migrants who are not allowed to work, as they wait for their asylum status to be determined.) The next day, 125 miles away from Dunstable, clashes between the police and protestors erupted outside a Holiday Inn, in Rotherham, in South Yorkshire.

The anti-fascist group, Hope Not Hate, monitors the activities of the far right. People posing as journalists gained entry into the hotels accommodating asylum seekers 253 times last year — double the figure from the year before. Once inside, pseudo journos filmed themselves threatening occupants and staff — abuse that was posted on social media. A “white pride” organization, Patriotic Alternative, has been leading anti-refugee rhetoric online, and also in-person at protests in Newquay in Cornwall; Cannock in Staffordshire; Skegness in Lincolnshire; Seacroft in Leeds; Hull in East Yorkshire; and Erskine and Glasgow in Scotland. These are the communities choosing between heating their homes and eating, where nurses, teachers and policeman have been forced to use food banks because of falling real wages due to the country’s 10.1 inflation rate.

 

Home Office Failure

Hamid Bahrami is an Iranian human rights activist. He entered the UK illegally and gained asylum status in 2018. As a commentator and analyst on the Middle East, in Glasgow, Bahrami is no stranger to controversy.

Journalist and refugee activist Hamid Bahrami in Glasglow (courtesy Twitter).

“I was speaking with someone who is campaigning to send asylum seekers to Rwanda. I told him: If the UK government wants to decrease the number of those illegally coming to the UK, then you should campaign to bring about change in Iran. For example, we have been asking the UK government to proscribe the Islamic Revolutionary Guard Corps as a terrorist organization. But those who campaign for sending asylum seekers to Rwanda are against this.”

Bahrami was arrested in Iran for collating human rights abuses and sending this information abroad. After he spent a month in solitary confinement in Isfahan Central Prison, a guide took him over the border to Turkey. There, he met another Iranian who knew people smugglers, and the two traveled from Greece to France, by truck, in one week. They met a handler in Dunkirk, who smuggled them onto a truck carrying baskets of lettuce. He, his Iranian companion, and two Vietnamese stood for the entire 12-hour trip. When the GPS on one of their phones said they’d passed London, they banged on the vehicle’s walls and doors. The driver, unaware of them, called the police, and the police freed them. Bahrami spent the next three years convincing the Home Office he had a legitimate claim to seek asylum in the UK. He now writes a blog for the Times of Israel.

“Because I was a political case, it was complicated.” Despite his experiences, he believed seeking asylum was easier five years ago than it is now.

What changed?

Journalist Nicola Kelly writes on UK immigration and asylum for The Guardian. “The process of claiming asylum has become more complex, which is in large part down to the asylum backlog, which has led to huge delays in the system of up to three years. The Home Office isn’t recruiting enough, or experienced enough, staff, and is then failing to provide adequate training. The result is that most caseworkers leave quickly, so the backlog mounts even further.”

In the eight months since June last year, the backlog of Home Office cases awaiting asylum decisions has grown from 92,00 to 160,000.

Kelly continued, “Added to that, the department has become very much more defensive and hostile, not least in policy terms. We see that, of course, with the Rwanda deal, but also in the rhetoric, stoking fear and hatred, which has led to a spike in far-right attacks in recent weeks. The Home Office repeatedly says the asylum system is broken, but is doing very little to fix it; instead putting its efforts into headline-grabbing policies rather than resourcing it sufficiently.”

At the time of writing this article, the Home Office announced that it will replace face-to-face asylum interviews with an 11-page questionnaire. This will be given to 12,000 refugees who applied for asylum before July last year, who came from countries with high success rates for asylum applications — Afghanistan, Eritrea, Libya, Syria and Yemen, which are all upended by war or civil strife. Asylum seekers will be given 20 days to fill out the questionnaire in English or risk refusal. By removing human interface at the Home Office, does that mean an algorithm or a chatbot is deciding UK asylum policy?

However, two nationalities have been encouraged to come to Britain, and some say that is because these groups are considered socially or economically acceptable. On the first year anniversary of the UK’s Hong Kong overseas scheme, Care4Calais included stats with a timely tweet: 144,576 visas were offered to people from Hong Kong; 208,304 visas to Ukrainians. The charity then asked: “So why are we so afraid of 45,756 people in small boats from the rest of the world?”

 

The English Love Animals

The words reporters used to describe the 2021 fall of Afghanistan — “chaotic,” “helplessness,” “another Saigon moment” — didn’t capture the full horror. That was left to social media, and real-time footage of panic-struck crowds, men in shalwar kameezes, women in headscarves, with clinging, terrified children, as they surged onto the tarmac, and fought to get on planes leaving Kabul airport.

During the UK evacuation from Kabul, Operation PITTING — one plane that wasn’t supposed to take off — was given last-minute permission by the Ministry of Defence. It was filled with 94 dogs, 68 cats and 67 animal carers and paid for by Nowzad, an animal charity run by “Pen” Farthing, a former Royal Marine. Leaked and heavily redacted emails showed the animal rescue was approved by then Prime Minister Boris Johnson. The influence of the Prime Minister’s wife, a noted animal lover, is not obvious but a matter of speculation.

 

Pen Farthing near his home in Exeter with three dogs he rescued from the streets of Kabul (photo Antonio Olmos/The Observer).

 

According to Farthing’s letters posted on the Nowzad website, both the animals and their carers now enjoy a new life in Britain. Meanwhile Afghans, including teachers, staff and independently contracted security guards who worked for the British Council, and journalists employed by the BBC, are still in hiding from the Taliban, which considers people employed in any capacity by the UK government and its associated agencies as collaborators who should be killed.

Till this day the security guards await last-minute Home Office security clearance. The journalists took their fight through the UK courts. In February, they successfully challenged the rationale behind the British government’s refusal to let them apply to the Afghan Citizens Resettlement Scheme, another ineffectual program. The Guardian’s Nicola Kelly found out it hasn’t brought in one Afghan since the scheme began in January. Government ministers “were showing,” according to sources speaking to her, “a ‘toxic combination of incompetence and indifference.’”

Even those Afghan translators and military personnel evacuated to the UK during Operating PITTING, allowed to stay because they qualified for an earlier government scheme, the Afghan Relocations and Assistance Policy, fall victim to Home Office whims. Given little notice last month, they were uprooted from the lives they and their families established in London. They were relocated to hotels closer to those parts of the country where refugees have been targeted and made to feel abused.

Still, the question remains: What fate awaits Afghans, whose lives are in real and constant danger from the Taliban? Say they worked as teachers for the British Council in Kabul and the only way they can reach UK shores is “by irregular means” — the government’s euphemism for the boats from France.

Channel Rescue’s Steven Martin has no doubts. “In theory they could be deported to Rwanda.”

On a clear day, the clock tower in Calais is visible from the Kent coast. When the waters of the English Channel are calm, and the weather clement, more small boats arrive.

 

Malu Halasa

Malu Halasa is the Literary Editor at The Markaz Review. A London-based writer, journalist, and editor with a focus on Palestine, Iran, and Syria. She is the curator of Art of the Palestinian Poster at the P21 Gallery, as part the Shubbak:... Read more

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“Kill the Music”—an excerpt from a new novel by Badar Salem

16 AUGUST 2024 • By Badar Salem
“Kill the Music”—an excerpt from a new novel by Badar Salem
Film

World Picks from the Editors: AUGUST

2 AUGUST 2024 • By TMR
World Picks from the Editors: AUGUST
Art & Photography

World Picks from the Editors: July 15 — August 2

12 JULY 2024 • By TMR
World Picks from the Editors: July 15 — August 2
Books

“The Mulberry Tree”—an excerpt from Altercation in Jahannam

5 JULY 2024 • By Mohammed Alnaas, Rana Asfour
“The Mulberry Tree”—an excerpt from <em>Altercation in Jahannam</em>
Fiction

“The Social Media Kids”—a short story by Qais Akbar Omar

5 JULY 2024 • By Qais Akbar Omar
“The Social Media Kids”—a short story by Qais Akbar Omar
short story

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Fiction

“The Cockroaches”—flash fiction

5 JULY 2024 • By Stanko Uyi Srsen
“The Cockroaches”—flash fiction
Books

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan, Lina Mounzer
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Art

Our Review of transfeminisms

24 MAY 2024 • By Fari Bradley
Our Review of <em>transfeminisms</em>
Essays

A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance

24 MAY 2024 • By Nancy Kricorian
A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance
Art

Demarcations of Identity: Rushdi Anwar

10 MAY 2024 • By Malu Halasa
Demarcations of Identity: Rushdi Anwar
Poetry

Sahar Muradi presents two poems from OCTOBERS

8 MAY 2024 • By Sahar Muradi
Sahar Muradi presents two poems from <em>OCTOBERS</em>
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Centerpiece

Memory Archive: Between Remembering and Forgetting

3 MAY 2024 • By Mai Al-Nakib
Memory Archive: Between Remembering and Forgetting
Art & Photography

Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

3 MAY 2024 • By Gabriel Polley
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Book Reviews

Palestinian Culture, Under Assault, Celebrated in New Cookbook

3 MAY 2024 • By Mischa Geracoulis
Palestinian Culture, Under Assault, Celebrated in New Cookbook
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Art

Malak Mattar: No Words, Only Scenes of Ruin

26 APRIL 2024 • By Nadine Nour el Din
Malak Mattar: No Words, Only Scenes of Ruin
Film

Hollywoodgate—New Doc Captures the Post-American Taliban

19 APRIL 2024 • By Iason Athanasiadis
<em>Hollywoodgate</em>—New Doc Captures the Post-American Taliban
Opinion

Censorship over Gaza and Palestine Roils the Arts Community

12 APRIL 2024 • By Hassan Abdulrazzak
Censorship over Gaza and Palestine Roils the Arts Community
Art

Past Disquiet at the Palais de Tokyo in Paris

1 APRIL 2024 • By Kristine Khouri, Rasha Salti
<em>Past Disquiet</em> at the Palais de Tokyo in Paris
Essays

Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay

1 APRIL 2024 • By Sasha Moujaes, Jordan Elgrably
Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay
Book Reviews

Fady Joudah’s […] Dares Us to Listen to Palestinian Words—and Silences

25 MARCH 2024 • By Eman Quotah
Fady Joudah’s <em>[…]</em> Dares Us to Listen to Palestinian Words—and Silences
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Featured excerpt

The Legacy of the CIA, from Graveyard Empire

3 MARCH 2024 • By Emran Feroz
The Legacy of the CIA, from <em>Graveyard Empire</em>
Art & Photography

Artists Exploring Libya’s History, Cultural Resilience and Rebirth

3 MARCH 2024 • By Naima Morelli
Artists Exploring Libya’s History, Cultural Resilience and Rebirth
Essays

The Story of the Keffiyeh

3 MARCH 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Columns

Driving in Palestine Now is More Dangerous Than Ever

29 JANUARY 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

War Weariness & Absurdity in Jamaluddin Aram’s Debut Novel

15 JANUARY 2024 • By Rudi Heinrich
War Weariness & Absurdity in Jamaluddin Aram’s Debut Novel
Fiction

“New Reasons”—a short story by Samira Azzam

15 JANUARY 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Columns

Messages from Gaza Now / 2

18 DECEMBER 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“Kabul’s Haikus”—fiction from Maryam Mahjoba

3 DECEMBER 2023 • By Maryam Mahjoba, Zubair Popalzai
“Kabul’s Haikus”—fiction from Maryam Mahjoba
Essays

The Paranda Network—Afghan Women Writing

3 DECEMBER 2023 • By Lillie Razvi
The Paranda Network—Afghan Women Writing
Essays

Days of Oranges—Libya’s Thawra

3 DECEMBER 2023 • By Yesmine Abida
Days of Oranges—Libya’s Thawra
Essays

Demolition and Recreation in Benghazi: Interview with Sarri Elfaitouri

3 DECEMBER 2023 • By Naima Morelli
Demolition and Recreation in Benghazi: Interview with Sarri Elfaitouri
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Books

My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa

13 NOVEMBER 2023 • By Naima Morelli
My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa
Arabic

Poet Ahmad Almallah

9 NOVEMBER 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Essays

The Floods of Derna: Historical Parallels to Libya’s Crisis

5 NOVEMBER 2023 • By Lama Elsharif
The Floods of Derna: Historical Parallels to Libya’s Crisis
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Fiction

“The Afghan and the Persian”—a short story by Jordan Elgrably

2 JULY 2023 • By Jordan Elgrably
“The Afghan and the Persian”—a short story by Jordan Elgrably
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Columns

Afghan Cuisine’s Rice Dishes—Delectables of the Silk Road

12 JUNE 2023 • By Sumaira Akbarzada
Afghan Cuisine’s Rice Dishes—Delectables of the Silk Road
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Poetry Markaz

Zara Houshmand, Moon and Sun

4 JUNE 2023 • By Zara Houshmand
Zara Houshmand, <em>Moon and Sun</em>
Art & Photography

Garden of Africa: Interview with Rachid Koraïchi

4 JUNE 2023 • By Rose Issa
Garden of Africa: Interview with Rachid Koraïchi
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Opinion

Tunisia’s Crisis Amidst Denial of Anti-Black Racism in the Maghreb

8 MAY 2023 • By Sarah Ben Hamadi
Tunisia’s Crisis Amidst Denial of Anti-Black Racism in the Maghreb
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Art & Photography

Going Home—a photo essay by Jassem Ghazbanpour

5 MARCH 2023 • By Jassem Ghazbanpour
Going Home—a photo essay by Jassem Ghazbanpour
Book Reviews

To Receive Asylum, You First Have to be Believed, and Accepted

5 MARCH 2023 • By Mischa Geracoulis
To Receive Asylum, You First Have to be Believed, and Accepted
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Fiction

“The Truck to Berlin”—Fiction from Hassan Blasim

5 FEBRUARY 2023 • By Hassan Blasim
“The Truck to Berlin”—Fiction from Hassan Blasim
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Poetry

Three Poems by Tishani Doshi

15 DECEMBER 2022 • By Tishani Doshi
Three Poems by Tishani Doshi
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Film Reviews

Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy

7 NOVEMBER 2022 • By Sarah Eltantawi
Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy
Featured article

Thousands of Tunisians Are Attempting the “Harga”

31 OCTOBER 2022 • By Sarah Ben Hamadi
Thousands of Tunisians Are Attempting the “Harga”
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Poetry

We Say Salt from To Speak in Salt

15 OCTOBER 2022 • By Becky Thompson
We Say Salt from <em>To Speak in Salt</em>
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Centerpiece

“What Are You Doing in Berlin?”—a short story by Ahmed Awny

15 SEPTEMBER 2022 • By Ahmed Awny, Rana Asfour
“What Are You Doing in Berlin?”—a short story by Ahmed Awny
Fiction

“Another German”—a short story by Ahmed Awadalla

15 SEPTEMBER 2022 • By Ahmed Awadalla
“Another German”—a short story by Ahmed Awadalla
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Essays

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Book Reviews

Al-Koni’s Tuareg Perspective on Islam’s Conquest of North Africa

5 SEPTEMBER 2022 • By Iason Athanasiadis
Al-Koni’s Tuareg Perspective on Islam’s Conquest of North Africa
Book Reviews

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

22 AUGUST 2022 • By Rana Asfour
After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Fiction

Mohammed al-Naas—a Young Libyan Novelist to Watch

18 JULY 2022 • By Ghazi Gheblawi
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Centerpiece

“Asha and Haaji”—a story by Hanif Kureishi

15 JUNE 2022 • By Hanif Kureishi
“Asha and Haaji”—a story by Hanif Kureishi
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Book Reviews

Siena and Her Art Soothe a Writer’s Grieving Soul

25 APRIL 2022 • By Rana Asfour
Siena and Her Art Soothe a Writer’s Grieving Soul
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Book Reviews

Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants

18 APRIL 2022 • By Saliha Haddad
Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Columns

The (Afghan) Writer Who Sold His Book Collection to Pay the Rent

13 DECEMBER 2021 • By Angeles Espinosa
The (Afghan) Writer Who Sold His Book Collection to Pay the Rent
Columns

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Day of the Imprisoned Writer — November 15, 2021

8 NOVEMBER 2021 • By TMR
Day of the Imprisoned Writer — November 15, 2021
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Art

Guantánamo—The World’s Most Infamous Prison

15 OCTOBER 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Essays

Attack the Empire and the Empire Strikes Back: What 20 Years of American Imperialism Has Wrought

15 SEPTEMBER 2021 • By Omar El Akkad
Attack the Empire and the Empire Strikes Back: What 20 Years of American Imperialism Has Wrought
Columns

20 Years Ago This Month, 9/11 at Souk Ukaz

15 SEPTEMBER 2021 • By Hadani Ditmars
20 Years Ago This Month, 9/11 at Souk Ukaz
Columns

Afghanistan Falls to the Taliban

16 AUGUST 2021 • By Hadani Ditmars
Afghanistan Falls to the Taliban
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Latest Reviews

Libya’s Exiled Satirist, Hasan “Alsatoor” Dhaimish

15 AUGUST 2021 • By TMR
Libya’s Exiled Satirist, Hasan “Alsatoor” Dhaimish
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Art & Photography

Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia

14 MAY 2021 • By Claudia Wiens
Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Book Reviews

Three North African Novels Dance Between Colonial & Postcolonial Worlds

25 APRIL 2021 • By Rana Asfour
Three North African Novels Dance Between Colonial & Postcolonial Worlds
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
Book Reviews

The Polyphony of a Syrian Refugee Speaks Volumes

25 JANUARY 2021 • By Farah Abdessamad
The Polyphony of a Syrian Refugee Speaks Volumes
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels
Columns

Why Non-Arabs Should Read Hisham Matar’s “The Return”

3 AUGUST 2017 • By Jordan Elgrably
Why Non-Arabs Should Read Hisham Matar’s “The Return”

1 thought on “Broken Home: Britain in the Time of Migration”

  1. Be reasonable, doesn’t Britain do enough sending countless tons of arms (and cash?) to Ukraine? Isn’t it more important to kill people than to save their lives? I can’t believe I used to admire “Great” Britain. But that was long ago and in another country.

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