Gaza, You and Me

"My ID" — Palestinian passport, paper and ink on canvas, 255 X 26cm, 2019 by Gazan artist Mohammed Musallam (courtesy of the artist).

14 JULY, 2021 • By Abdallah Salha

Two Palestinians write together about the recent events in Gaza, to interrogate their memories of the events as well as how they affect their understanding of their Palestinian identities. “Gaza, You and Me” revolves around a Palestinian from the Gaza Strip stuck in the conflict, and a Palestine from the West Bank who is currently living in the USA trying to escape even thinking about it. Both Palestinians in this essay are really the same, if it weren’t for the age and location differences — you might say NG is the future Abdallah and Abdallah is the past NG.

 

NG Mahfouz* & Abdallah Salha

 

Holding my head tightly, I sit on a couch trying to take in the moment — in denial. It is nine in the evening, and the electricity is gone for the day. The comfort of my bed and desk are only a room away from where I am sitting. I have voluntarily given them up to my younger cousins, thinking I could afford them a temporary “comfortable” resettlement. My laptop is in front of me now as its battery is running out — we are staring into each other, thinking we owe the world sharing this moment. Words, like everything in Gaza, start to slip away, losing form and substance.

Rockets and warplanes are whistling in the skies, filling an otherwise empty dark expanse, displacing even the mighty stars. War never felt okay to me; it has never given me any comfort. Rather, war always compounds loss and bereavement, imposing itself on my thinking and judgement. For all my life, I have lived through its endless vicious cycles, and every time, I have found myself in awe after losing parts of myself that I did not know exist. Sitting alone on the couch this evening, I surprise myself — again — when I entertain the morality of war and violence around me. Moral dilemmas keep creeping into my head, and I grant them more of my time than I can afford.

“Walk close to house walls,” my mom shouts at me as I leave to the closest grocery store, assuming the walls will keep me sheltered from post-explosion shrapnel. In this moment, I am reminded by Ghassan Kanafani’s admission of walking under the rain as a child, getting his head wet by the water descending from the drainpipes while walking next to house walls in a Yaffa neighborhood. I say this to my mother. She promptly rolls her eyes: She hears this joke from me often, and she is tired of it. “I do not want to lose you,” she says somberly. Everything feels real — on my skin and all over my body, I feel the potentiality of fulfilling my humanity and its possible extinguishment. It is quite late now, and I assess the safety of going to the store. I want to buy jibneh bayda, salty white cheese, so that we have sandwiches later tonight or early tomorrow morning.


I wake up in pain and sweat, too early. My stomach is in convulsion, spasmodically tearing into itself. My ears are empty infernos, echoes of each other. My eyes are salt deserts, refusing to open. In darkness, I sink into my bed of sorrows, trying to escape myself. Everything around me feels okay, but I am not. Everything around me feels real, but I am not.

I turn on the noisy window air conditioner both to cool my body and distract my mind. I hope its noise cancels the sounds of bombardment coming from Gaza more than five thousand miles away. In the material comfort of the United States of America, I often find myself at ease shutting out what does not comfort me. But almost a year after the George Floyd protests, I find myself having a harder time ignoring Gaza. I hear the bombardment, and I think of the incoming ground invasion, but it is too early in the morning, and I want to have my diluted American coffee.

I walk down the stairs slowly, my eyes barely open. I grind coffee beans, pour filtered water into the coffee machine, fill the gold-plated cone with the ground beans, and set the magic in motion. Soon, the coffee aroma permeates through the dense humid air, opening my eyes to the dimly lit house. I hear the birds waking up, vehicles traveling in the distance, even a favorite freight train. I prepare one large cup of coffee for myself.

It is hot, and it is very bitter. I always select bold on the machine, and evidently never choose the right coffee–water ratio. My coffee is not diluted enough; it is not American enough. The noisy bombardment of Gaza fills my head again.


As I walk outside, I continue to feel the heaviness of the war on my skin — everything feels more real now, including, especially, death. No matter, I hurry to the store. “The personal is political,” I often read. We always have to keep a facade of joy and resilience — of normalcy — and to preach to the world about peace, as if it starts within us, by us.

palestinian authority passport travel document.png

On my way back from the store, I feel trauma engulfing me. I hurry again, I almost run, and I tell myself, “You don’t have time to process any trauma now.” Processing trauma and dealing with it are post-survival activities, and I am yet to survive. Such is the denial of trauma while it is happening. Running Orders come late, I say loudly to myself, “and you may want to ignore them, but that doesn’t do you any good.” A Running Order feels superficially ethical — it seemingly spares some civilians by ordering them to run out of their homes merely minutes before a devastating bombing. Sometimes though, it does not get to them in time; other times, nobody bothers delivering it. All the time, it is neither fair nor moral to deprive anyone of their home, their livelihood, and all the memories of a lifetime. I wonder: If I do not have time to process my trauma, how do I have time to debate the morality of war?

I arrive back home; my mother breathes a sigh of relief. I leave the jibneh bayda on a table, and I immediately pack my papers and a change of clothes. I look at my Palestinian “passport”, a travel document that brings with it innumerable challenges at every frontier, and I feel the bitter injustice that I still cannot get a United States of America visa stamp to attend college — the forever blockade, the disruptive pandemic, and now this war. My mother kindly prepares my cheese sandwich and brings it to me. I take a big bite, and then I pause. I am eating this sandwich so that I can stay up all night: to witness the symphony of destruction at midnight. I have second thoughts: Maybe I should sleep tonight. I remember: To be awoken by the noise and shaking of bombs is worse. Waking up to fear clutching your gut and holding you from the neck is not fun. I quickly finish eating my sandwich. I lie on the couch, staring at the ceiling that may not be there tomorrow morning. Still, I cannot stop thinking about other Palestinians who are affected worse now, and Palestinians who left their houses during the Nakba to survive. In 1948, our Nakba started and has never ended.


I try to run away from the noise crowding my head. I open the door to catch fresh air.

Immediately, the noxious hydrogen sulfide polluting this post-industrial American city in a meteorological inversion shoves me inside again. I turn around, I go back to my bitter coffee on the table. The sounds from Gaza jump out of my head, filling the musty kitchen, dancing violently with the coffee aroma.

I attempt again. This time, I turn to Otis Redding’s “Cigarettes and Coffee” from The Soul Album released in 1966. Yes, it is early in the morning, but I am not talking to my muse over cigarettes and coffee. Indeed, I do not smoke at all. I turn the music off when he soulfully sings that he wants “another drink of coffee” — with “no cream and sugar” because he has his “darling.” With the noise filling my head and the space surrounding it, I continue to manically browse my smartphone for an escape. Wherever I look, I find imagery of the violence in Palestine. I carry my huge cup of coffee and take it to the living room nearby.

I find myself a short reprieve in the living room. I sit on the comfortable couch, with the hot cup of coffee in my hand. In this moment, I decide to drink my bitter coffee. The hot fluid flows down my throat, itching its bitterness all inside me and finally delivering a nauseating bomb to my stomach. My sharp stomachache intensifies. I extend my tired body over the couch, and I continue drinking my coffee. I feel the dense air around me, now invaded by the pungent hydrogen sulfide which smells like rotten eggs. With the noise all around me, I see the Gaza Strip in front me, a walled rectangle by the sea — with showers of white phosphorous raining fire. In a bird’s-eye view, I see a walled Garden of Eden surrounded by giant dinosaurs on three sides and Noah’s Deluge on the fourth. While the imprisoned human masses rush away from the phosphorous fireworks, I am unmoved in my living room, slowly drinking my coffee. White phosphorus burns midair, causing both severe burns upon skin contact and eye and respiratory irritation, not to mention its acrid odor. With images of phosphorus burning skin in front me, I start to fall asleep again.


Something does not smell quite right. I stand up to shut the window in the living room. Maybe it is tear gas coming with the east wind. I lie down again on my couch, and automatically shrink myself like a fetus, holding my smartphone. Its battery is almost gone. I hear my stomach churning — is it fear, anticipation, or just digestion?

I see an American friend of mine on social media, announcing taking time off because of the Gaza events. I wish I could do the same. This is a well-meaning friend who is sympathetic with and supportive of the Palestinian cause. Yet, I feel lost, abandoned, and sunken in fear — alone. Some friends contacted me when this new round of violence started, and for them, that was enough: I would be fine. Others have not bothered at all. Palestine does not fit their aesthetic. They support each and every plight for liberty, justice, and dignity, but Palestine is too complex, too controversial, too two-sided for them.

In slow motion, I pull my blanket to cover my body. I continue to cover my head. I find refuge hiding in its warmth. It shelters me from the bombs and losing a friend on social media, or at least, that is my magical thinking. I take my laptop and my smartphone under the blanket with me, grasping for every bit of warmth for us. I want to keep some charge in their batteries for tomorrow if I still make it. I fall asleep asking my blanket, “Will you keep holding me tomorrow if I am wrapped in rubble like the jibneh bayda in my cheese sandwich?”


Out of breath and confused, I wake up from my nightmare. I search for my smartphone, but I cannot find it. I call for it, “Where are you?” Its robotic voice comes from under the bed, “Here!” It is three in the morning, and the world has not ended — there are no notifications on my lock screen. Abnormally for May, the weather is chilly outside: a serene spring morning with no foul smell of industrial odors. I take a deep breath, pushing my head back into the soft pillow.

I have a habit of forgetting my dreams and nightmares very shortly after I wake up. I start wondering if I can learn anything from my nightmare, if it has any subliminal messages. I sleepily lose my train of thought, and slowly turn left to my phone. I feel relieved that the person in my nightmare is not really me. In a place where my own national identity is continually challenged and erased, I feel relieved that I am still me — Palestinian in pain and in happiness, not trying to ignore the pain and suffering of my fellow Palestinians in Gaza. But at the same time, I also worry that is the apathetic person I will become as I continue living in the United States of America, caring less and less even about my own people half the world away.

More importantly, I feel relieved as I navigate to Abdallah’s profile on my phone, “Last seen today at 2:30.” I have only met Abdallah a few months prior, through our high school movement’s alumni network. I feel relieved he likely is still alive. I start typing a message to him, to say that I will be available should he like to talk. I stop myself, thinking he already knows that. Deeper, I feel ashamed that I cannot be there for him, that I cannot do more to help him and other Palestinians. In Abdallah, I see a version of my younger self: full of vitality and eagerness to change the world. I worry for his youthful energy and hope as he embarks on his journey. For now though, I feel good about his safety and how our friendship takes me closer to my Palestinian roots.

 

ng-mahfouz and abdalla salha.jpg

 

* NG Mahfouz, a Palestinian from the West Bank, holds a doctorate in engineering and has been living in the United States of America for more than ten years, currently working as a research scientist at an academic institution.

Abdallah Salha

Abdallah Salha, Abdallah Salha, a Palestinian, is witnessing the story of his blockaded, starved and multiple time-displaced family in North Gaza. He co-authored two pieces for TMR in 2021 while stuck in blockaded Gaza as he looked forward to starting college in... Read more

Abdallah Salha, a Palestinian, is witnessing the story of his blockaded, starved and multiple time-displaced family in North Gaza. He co-authored two pieces for TMR in 2021 while stuck in blockaded Gaza as he looked forward to starting college in the US after finishing high school in Norway and spending a gap year in Senegal and then a Covid year in Gaza.
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Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH, 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Essays

The Story of the Keffiyeh

3 MARCH, 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY, 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY, 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY, 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY, 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY, 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Columns

Driving in Palestine Now is More Dangerous Than Ever

29 JANUARY, 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY, 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Essays

Nothing out of the Ordinary: A Journalist’s West Bank Memories

22 JANUARY, 2024 • By Chloé Benoist
Nothing out of the Ordinary: A Journalist’s West Bank Memories
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY, 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Fiction

“New Reasons”—a short story by Samira Azzam

15 JANUARY, 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Art

Palestinian Artists

12 JANUARY, 2024 • By TMR
Palestinian Artists
Essays

Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit

25 DECEMBER, 2023 • By Malu Halasa
Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER, 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER, 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Columns

Messages from Gaza Now / 2

18 DECEMBER, 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER, 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
Columns

Messages From Gaza Now

11 DECEMBER, 2023 • By Hossam Madhoun
Messages From Gaza Now
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER, 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Editorial

Why Endings & Beginnings?

3 DECEMBER, 2023 • By Jordan Elgrably
Why Endings & Beginnings?
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER, 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER, 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Opinion

What’s in a Ceasefire?

20 NOVEMBER, 2023 • By Adrian Kreutz, Enzo Rossi, Lillian Robb
What’s in a Ceasefire?
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER, 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Arabic

Poet Ahmad Almallah

9 NOVEMBER, 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER, 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER, 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER, 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER, 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Book Reviews

What We Write About When We (Arabs) Write About Love

23 OCTOBER, 2023 • By Eman Quotah
What We Write About When We (Arabs) Write About Love
Editorial

Palestine and the Unspeakable

16 OCTOBER, 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER, 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER, 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER, 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER, 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER, 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER, 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER, 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER, 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER, 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST, 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST, 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST, 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY, 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

The Failure of Postcolonial Modernity in Siddhartha Deb’s Light

17 JULY, 2023 • By Anis Shivani
The Failure of Postcolonial Modernity in Siddhartha Deb’s <em>Light</em>
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY, 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Essays

Being Without Belonging: A Jewish Wedding in Abu Dhabi

2 JULY, 2023 • By Deborah Kapchan
Being Without Belonging: A Jewish Wedding in Abu Dhabi
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY, 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE, 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE, 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE, 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE, 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY, 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY, 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL, 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH, 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH, 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH, 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH, 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Poetry

Poet Erik Lindner, Words Are the Worst

5 MARCH, 2023 • By Erik Lindner
Poet Erik Lindner, <em>Words Are the Worst</em>
Fiction

“Holy Land”—short fiction from Asim Rizki

27 FEBRUARY, 2023 • By Asim Rizki
“Holy Land”—short fiction from Asim Rizki
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY, 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY, 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER, 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER, 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER, 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER, 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER, 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER, 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER, 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Book Reviews

Changing Colors — Reflections on The Last White Man

15 NOVEMBER, 2022 • By Jordan Elgrably
Changing Colors — Reflections on <em>The Last White Man</em>
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER, 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER, 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER, 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER, 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER, 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY, 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE, 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE, 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE, 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE, 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE, 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

Selma Dabbagh: “Trash”

15 JUNE, 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY, 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL, 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Book Reviews

Joumana Haddad’s “The Book of Queens”: a Review

18 APRIL, 2022 • By Laila Halaby
Joumana Haddad’s “The Book of Queens”: a Review
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL, 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Green Almonds in Ramallah

15 APRIL, 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL, 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH, 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH, 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH, 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY, 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Art

Atia Shafee: Raw and Distant Memories

15 FEBRUARY, 2022 • By Atia Shafee
Atia Shafee: Raw and Distant Memories
Essays

“Where Are You From?” Identity and the Spirit of Ethno-Futurism

15 FEBRUARY, 2022 • By Bavand Karim
“Where Are You From?” Identity and the Spirit of Ethno-Futurism
Art

Silver Stories from Artist Micaela Amateau Amato

15 FEBRUARY, 2022 • By Micaela Amateau Amato
Silver Stories from Artist Micaela Amateau Amato
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER, 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

Three Levantine Tales

15 DECEMBER, 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER, 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Featured article

Killing Olive Trees Fails to Push Palestinians Out

15 NOVEMBER, 2021 • By Basil Al-Adraa
Killing Olive Trees Fails to Push Palestinians Out
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER, 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER, 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER, 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Fiction

“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”

15 SEPTEMBER, 2021 • By Karima Ahdad
“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST, 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST, 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY, 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY, 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY, 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY, 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY, 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY, 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY, 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY, 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY, 2021 • By Abdallah Salha
Gaza, You and Me
Columns

Gaza’s Catch-22s

14 JULY, 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Making a Film in Gaza

14 JULY, 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY, 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY, 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY, 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Essays

Sailing to Gaza to Break the Siege

14 JULY, 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE, 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY, 2021 • By Fouad Mami
Editorial

Why WALLS?

14 MAY, 2021 • By Jordan Elgrably
Why WALLS?
Essays

The Bathing Partition

14 MAY, 2021 • By Sheana Ochoa
The Bathing Partition
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY, 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY, 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH, 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH, 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 7 • Truth?

Poetry Against the State

14 MARCH, 2021 • By Gil Anidjar
Poetry Against the State
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY, 2021 • By Robert Solé
Ten Years of Hope and Blood
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER, 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER, 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Book Reviews

Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?

15 NOVEMBER, 2020 • By Rebecca Allamey
Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER, 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER, 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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