Fragile Freedom, Fragile States in the Muslim World

Jaha 80x120cm acrylic on canvas 2020 - reem mouasher - the markaz review.jpg

24 OCTOBER 2022 • By I. Rida Mahmood
“Jaha” by artist Reem Mouasher, acrylic on canvas, 80x120cm, 2020 (courtesy Reem Mouasher).

 

Opinions published in The Markaz Review reflect the perspective of their authors and do not necessarily represent TMR. 

 

I. Rida Mahmood

 

For weeks, the streets of dozens of Iranian cities, including Tehran, have been set ablaze with demonstrations and clashes with police. The spark that ignited the protests was the death of 22-year-old Mahsa Amini, who reportedly died in custody following her arrest by the inaptly named “morality police.” Her crime? Showing too much hair. Unsurprisingly, officials from the Iranian government denied responsibility for the young woman’s death.

The incident came to light just one month after several Iranian media outlets gloated over the attack on Salman Rushdie. And, as I am writing this, a death verdict is still pending against Jamshid Sharmahd, a dissident German-Iranian journalist who was kidnapped from California and forcibly brought back to Iran and put on trial.

These incidents and many recent others have revived the conversation over civil liberties, chief among them freedom of speech, in the so-called Muslim world. In the context of criticizing Islam, opponents of free speech are quick to point out that nothing about Islam makes it inherently more fragile, more susceptible to insult than other Abrahamic religions; they all prescribe harsh penalties for blasphemy: “And whoever blasphemes the name of the LORD shall surely be put to death” (Leviticus 24:16).

Indeed, the scriptures have not been changed. The verses prescribing mediaeval punishments for acts of blasphemy remain well-preserved in the Holy Books. What has changed in most of the West, however, is the establishment of strong, effective, transparent public institutions on a secular foundation — theoretically, at least. In the United States, for example, the separation of church and state, as laid out by the Founding Fathers in the first clause in the Bill of Rights, is one of the greatest wins for the civil rights movement. It is probably the reason why, in recent history, no one has been charged with blasphemy for producing an artistic expression poking fun at Jesus Christ.

Across the Middle East, on the other hand, the marriage between religion and power is still going strong. A recurrent renewal of vows is observed at random, in the form of a theatrical display of cruelty against an unlucky individual for allegedly offending Islam.

Such a haphazard use of power is, in fact, one of the hallmarks of a weak state — a “fragile” state if you will. By being unpredictable and overly dramatic, the state is overcompensating for its low capacity to govern effectively, reflecting the lamentable condition of its public institutions. Khomeini’s fatwa against Salman Rushdie in 1989 is a perfect illustration of the phenomenon.

In a recent column in the New Yorker, Robin Wright astutely points out that Khomeini, who never even read Rushdie’s novel, “often capitalized on issues that distracted public attention from the [Iranian] Revolution’s fissures and failures.”

“At the time [of the fatwa],” she goes on, “the young Islamic Republic was emerging from existential challenges: an eight-year war with Iraq that produced at least a million casualties; widespread domestic discontent; deepening political rifts among the clergy; a flagging economy that had rationed basic food and fuel; and a decade of diplomatic isolation.”

A parallel example comes to mind, one that yours truly is old enough to remember vividly: Saddam Hussein’s so-called “Faith Campaign” of 1993. The conspicuous timing of the campaign points directly to the grave political, economic, and social implications of the Second Gulf War. At the time, with no more cards left in the deck, the twice-as-beat Iraqi regime decided that granting more freedom to radical Islamist groups was the most viable and economical option to mitigate a looming uprising against the Ba’athists, who had previously prided themselves on pioneering secular values. Though it did not particularly target blasphemers, the Iraqi dictator’s “Faith Campaign” aimed at promoting fundamental Islamic discourse while stifling secular forms of expression, which the decaying state decided were no longer acceptable.

Histrionic, haphazard displays of cruelty against free speech are still abundant across the region. The story of a Saudi woman, Salma Al-Shehab, who was given a 34-year prison sentence for using Twitter broke out just four days after the cowardly attack on Rushdie — so much for MBS’s attempts to propagate an image of a modernizing Saudi regime.

Many Muslim opponents of free expression acknowledge the fragility of their countries of origin. They admit that they make a daily effort to adapt to the deplorable condition of personal liberties in their communities, living their lives in a permanent state of self-censorship. The phrase “the walls have ears” is commonly thrown around during friendly gatherings as soon as someone lets loose and dares to broach a hot topic.

Yet the acknowledgment is quickly followed by a torrent of outrage against the western world:

    • Call them oppressive, but the current regimes are only relics of a painful colonial past, still casting its long shadow onto the present and well into the future of the region…
    • Westerners’ criticism and mockery of Islam are another form of neocolonialism…
    • Missionaries and Crusades of modern times…
    • The ravages of neo-imperialism still reverberate throughout Iraq, Afghanistan, and Palestine…
    • Westerners criticize and mock Islam only to dehumanize people of color, who constitute the majority of the faith’s followers…
    • They want to clear their conscience of exploiting our resources…
    • Westerners have always timed voicing concerns about human rights abuses in Islam very conveniently ahead of a planned intervention in the region, to build consensus around an upcoming attack overseas or passing of a racist bill domestically…

In short, westerners’ criticism and mockery of Islam is almost never viewed by Muslims as a sheer intellectual activity, but as a means to an end with malicious intentions, despite their attempts to shroud these actions within practicing their right to free speech or advocacy for human rights. Residents of Amman, Jordan may still remember a British documentary on the life of Afghan women under the barbaric, fundamentalist regime of the Taliban, which aired on Jordan TV in 2002. People across the Arab world also may still remember the horrific videos of the tortures in Saddam Hussein’s jail cells, which were publicized in 2003 — the timing says it all.

As uncomfortable as it may be, the above allegations emphasize an urgent need to address a deep-seated lack of trust, stemming from transgenerational traumas, daily observations of global inequality, and a prevalent sense of indignity and disappointment.

Improving accountability at home is a good place to start. Theocrats and dictators love to counter allegations by pointing out the persistent aspects of injustice in the West. Acquitted racial violence, for example, when exercised or incited by state officials and public workers in the US, is a “godsend” to a Middle Eastern autocrat and his cronies. The same is true about violations of the rights of other historically marginalized groups. The old maxim about glass houses and stone throwing applies here.

A more vigorous push for equality — not censorship à la Cancel Culture — can go a long way toward disarming opportunist tyrants across the globe.

 

I. Rida Mahmood

I. Rida Mahmood

Ibtihal Rida Mahmood is a Jordanian American writer and translator based in New England.

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Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Essays

Rebels of the Alpujarras: a House in Granada

2 JULY 2023 • By Doreen Metzner
Rebels of the Alpujarras: a House in Granada
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Columns

Afghan Cuisine’s Rice Dishes—Delectables of the Silk Road

12 JUNE 2023 • By Sumaira Akbarzada
Afghan Cuisine’s Rice Dishes—Delectables of the Silk Road
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Poetry Markaz

Zara Houshmand, Moon and Sun

4 JUNE 2023 • By Zara Houshmand
Zara Houshmand, <em>Moon and Sun</em>
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Art & Photography

Going Home—a photo essay by Jassem Ghazbanpour

5 MARCH 2023 • By Jassem Ghazbanpour
Going Home—a photo essay by Jassem Ghazbanpour
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Book Reviews

Salman Rushdie’s Victory City: a Novel in Search of an Empire

20 FEBRUARY 2023 • By Anis Shivani
Salman Rushdie’s <em>Victory City</em>: a Novel in Search of an Empire
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Columns

Music for Tomorrow: Iranians Yearn for Freedom

15 DECEMBER 2022 • By Nazanin Malekan
Music for Tomorrow: Iranians Yearn for Freedom
Poetry

Three Poems by Tishani Doshi

15 DECEMBER 2022 • By Tishani Doshi
Three Poems by Tishani Doshi
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Columns

Letter From Tehran: From Hair to Hugs, Times Are Changing

28 NOVEMBER 2022 • By TMR
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Film

Orientalism and the Erasure of Middle Easterners in Black Adam

7 NOVEMBER 2022 • By Mireille Rebeiz
Orientalism and the Erasure of Middle Easterners in Black Adam
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Columns

Women Are the Face of Iran’s Leaderless Revolution

24 OCTOBER 2022 • By Mahmood Karimi Hakak
Women Are the Face of Iran’s Leaderless Revolution
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Columns

What the Iran Protests Mean for Us—Kamin Mohammadi

15 OCTOBER 2022 • By Kamin Mohammadi
What the Iran Protests Mean for Us—Kamin Mohammadi
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Poetry

“I Will Write”—Homage to Ángel Guinda and Mahsa Amini

15 OCTOBER 2022 • By Sholeh Wolpé
“I Will Write”—Homage to Ángel Guinda and Mahsa Amini
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Book Reviews

A Miscarriage of Justice in the Case of Mahmood Hussain Mattan

7 MARCH 2022 • By Rana Asfour
A Miscarriage of Justice in the Case of Mahmood Hussain Mattan
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Art

Silver Stories from Artist Micaela Amateau Amato

15 FEBRUARY 2022 • By Micaela Amateau Amato
Silver Stories from Artist Micaela Amateau Amato
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Columns

An Arab and a Jew Walk into a Bar…

15 DECEMBER 2021 • By Hadani Ditmars
An Arab and a Jew Walk into a Bar…
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Columns

The (Afghan) Writer Who Sold His Book Collection to Pay the Rent

13 DECEMBER 2021 • By Angeles Espinosa
The (Afghan) Writer Who Sold His Book Collection to Pay the Rent
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Art

Guantánamo—The World’s Most Infamous Prison

15 OCTOBER 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Essays

Attack the Empire and the Empire Strikes Back: What 20 Years of American Imperialism Has Wrought

15 SEPTEMBER 2021 • By Omar El Akkad
Attack the Empire and the Empire Strikes Back: What 20 Years of American Imperialism Has Wrought
Columns

20 Years Ago This Month, 9/11 at Souk Ukaz

15 SEPTEMBER 2021 • By Hadani Ditmars
20 Years Ago This Month, 9/11 at Souk Ukaz
Columns

Afghanistan Falls to the Taliban

16 AUGUST 2021 • By Hadani Ditmars
Afghanistan Falls to the Taliban
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Book Reviews

Being Jewish and Muslim Together: Remembering Our Legacy

28 MARCH 2021 • By Joyce Zonana
Being Jewish and Muslim Together: Remembering Our Legacy
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
Interviews

The Hidden World of Istanbul’s Rums

21 FEBRUARY 2021 • By Rana Haddad
The Hidden World of Istanbul’s Rums
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Weekly

Arabs and Muslims on Stage: Can We Unpack Our Baggage?

24 NOVEMBER 2020 • By TMR
Arabs and Muslims on Stage: Can We Unpack Our Baggage?
Book Reviews

Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?

15 NOVEMBER 2020 • By Rebecca Allamey
Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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