The AI Struggle for Middle Earth in the U.S.-Israel War on Iran

Iason Athanasiadis, "Shia Endurance" (courtesy Iason Athanasiadis).

13 MARCH 2026 • By Iason Athanasiadis

Just how how did the products of a suite of defense tech companies named after Tolkien characters come to vie for control of Eurasia?

On the third day of the U.S.-Israeli attack on Tehran, something novel in the annals of warfare happened. Iranian rockets struck Amazon data centers in the United Arab Emirates and Bahrain. They had already struck the Gav-Yam Technology Park in Israel, housing the Israeli army’s C4I communications headquarters, in June 2025.

There was nothing random about targeting these apparently non-military facilities. Sprawling, energy-intensive data centers have become the logistical juice lines so critical to the conduct of modern warfare. They form an invisible infrastructure that armies require for an artificial intelligence-enhanced battlefield edge that provides their living soldiers or autonomous killer robots with target lists at machine speed through processing enormous amounts of surveillance data, culled from sensor arrays. 

“Iran striking the Amazon data centers shows the modern face of war,” argues Anthony Loewenstein, an Australian journalist and author of The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World. “They know that without those data centers Israel and the U.S. are pretty blind.”

In a war whose first week resembled a chess game between engineers applying mathematical models, Iranian missiles also struck Fujeira in the United Arab Emirates and Salalah and Duqm in Oman, the only ports beyond the straits of Hormuz with an oil-exporting capacity. Oil promptly registered its single largest one-week price spike in history. But the greatest setback was prompted by the bombing of powerful U.S. AN/TPY-2 and FPS-132 radars in the Emirates, Kuwait, and Jordan. This inconceivable blow largely blinded the Americans and Israelis over Iranian missile launches, reduced incoming missile alerts from fifteen minutes to five, and even restricted their fighter jets’ ability to accurately bomb Iran from beyond the range of its air defenses.

This is the first three-way war in human history where every participant uses AI.

“The targeting logic Iran applied here is the most technically sophisticated strike of the war,” said Shanaka Perera, a Sri Lankan analyst and author of The Ascent Begins: The World Beyond Empire. “The focus has been on the interceptor count, launch rates, and salvo volumes, but Iran focused on the sensor architecture. So if the interceptor is the fist, then the radar is the eye; and they blinded that eye.”

The radar and data center strikes took out two essential components in the chain facilitating AI-enabled warfare. The radars are among thousands of ground, air, and space-based sensors feeding the algorithm the information it needs to select targets. The data centers provide the petabytes of storage necessary to absorb the colossal volumes of data and high-definition video required for this new kind of warfare. 

These and other hits were almost certainly engineered by artificial intelligence algorithms adopted by the Iranian army during its years of preparation for an attack by the U.S. and Israel, making this the first three-way war in human history where every participant uses AI. The technology’s novelty can prompt horrific mistakes, claims Iranian analyst Trita Parsi, such as the bombing of the completely civilian Police Park in Tehran, simply because no human bothered to determine what an AI-proposed targeting suggestion was.

“One week in, the fighting has centered on aerial and missile exchanges, cyber disruptions, and AI-driven targeting, with minimal ground involvement so far,” said Omid Souresrafil, an Iranian analyst and author of Revolution in Iran: The Transition to Democracy. “This engineer-centric war leverages AI for rapid targeting and simulations, compressing decision-making cycles from weeks to hours.”


Palantir headquarters in Palo Alto Silicon Valley; Palantir Technologies is a private American software company that specializes in big data analytics Andrei Stanescu.jog
Palantir headquarters in Palo Alto, Silicon Valley; Palantir Tehcnologies is a private American software company that specializes in big data analytics (photo Andrei Stanescu).

Unwilling to commit soldiers to an invasion of Iran’s impenetrable geophysical features, the U.S. and Israel have also failed to incite the ethnic and social groups within Iran into an uprising. This has only augmented AI’s role in the ongoing conflict. But as military targets segued into civilian ones, and the Israeli-American joint force bombed Iranian hospitals, schools, and refineries, it became clear that AI’s superhuman targeting ability replaces gradualism with an uncontrollable climactic spiral. 

“Three nations are building three separate AI kill chains in real time, each shaped by its own constraints, and none of them fully control what they have built,” said Perera, who believes that Israeli targeting systems developed for Gaza are being enabled by Claude, an LLM (Large Language Model) developed by the U.S. company Anthropic, whose Pentagon contract was controversially rescinded on the eve of the war because its company insisted that a human always be involved in target execution. Perera explained, “America compresses the kill chain from days to hours; Iran compresses the cost of attack below the cost of defense; China compresses the information advantage that made American power projection possible since 1945.”

What Shanaka Perera is referencing are the different ways in which each state has shaped AI usage to its own military’s priorities and capacities. Overwhelming U.S. firepower dictates that American AI systems produce a multitude of targets that can deliver stunning initial shock doctrines while accelerating the pace of battle. By contrast, Iran’s ambition to extend the conflict into a protracted war of attrition prioritizes target selections that reduce the power imbalance with its foes by forcing them into battlespace cost inequalities. China, which is widely believed to be offering Iran background support, is further reducing the U.S.’s overwhelming advantage in space by publishing satellite intelligence on the internet to which Iran otherwise would not have access. 

“There are two thresholds to the technofeudal war machine,” said Yanis Varoufakis, a Greek economist and author of an upcoming book titled War and Peace in the Technofeudal Age. “The sheer volume of targets selected and destroyed means that any human involvement is delegated to some lowly officer who suddenly acquires discretionary powers even the president never had; but also that to work, drones and robots need to be cut loose from human operators and become autonomous as the other side becomes increasingly adept at jamming the radio link between them.”

So how did we arrive at an apparently doomsday scenario whereby two nuclear-armed powers and a nuclear-aspirant one deploy artificial intelligence to slug it out in the world’s energy center? And how did it all start in the world’s digital tech capital, Silicon Valley?


The Shajareh Tayyebeh School for girls in Minab, Iran, was struck by Tomahawk missiles on Feb. 28, 2026 in a double tap operation that was the result of the US military's use of AI. The attack amounts to a war crime.
The Shajareh Tayyebeh School for girls in Minab, Iran, was struck by Tomahawk missiles on Feb. 28, 2026 in an attack resulting from the US military’s use of AI. Most of the 170 killed were girls seven to 12 years of age. The bombing is a war crime.

Reagan-era beginnings and the post-9/11 AI boom

Korean American film student Koohan Paik-Mander got a front-row seat to the first stirrings of Silicon Valley in 1986, during a heady, drug-fueled period she describes as an “oddly amoral time of my youth.” She was married to an early AI developer working on missile defense research at Carnegie Mellon University for U.S. President Ronald Reagan’s Strategic Defense, commonly dubbed Star Wars. When she first met her husband-to-be, a self-portrait she saw in his Malibu house caught her eye. It depicted a stream of color shooting out of the top of his head, “like a rainbow fountain arcing into a small rectangle floating in space.” When asked about it, he explained that it was a depiction of him “downloading my brain onto a chip.” It may be the first recorded example of a close encounter of the transhumanist kind.

Already in the 1980s, the developer was regaling Paik-Mander with tales of a future that he considered tangible but which seemed impossibly sci-fi to her. He described situations of remote collaboration that, 35 years later, we recognize as the Metaverse. But his charm soon wore off as Paik-Mander discovered an amoralism in how he approached his work on national security-related projects that are the precursors, she says, of today’s “globally-networked, cloud-based command and control center, overseen by the Space Force and built jointly by Amazon, Google, Oracle and Microsoft.” Over the years, Paik-Mander became aware that the first stirrings of what she had witnessed would “enable the ability to summon unmanned military forces to rain terror down on any spot in the world – a swarm of drones, hypersonic missiles, submarine torpedoes, and bombers – all with the ease of calling an Uber.”

AI first emerged out of the Star Wars era: Reagan’s Cold War swan song to develop a system of missile interception requiring faster-than-human reaction speeds. Massive state funding boosted research and the technology entered the 1990s with the rise of the “intelligent agent,” improvements in speech recognition, the dawn of Big Data, reinforcement learning, and neural networks. The year 1997 marked an important milestone when IBM’s Deep Blue computer beat world chess champion Gary Kasparov. But it was not until the September 11 attacks, as the security state sought to centralize all information in real time and connect the dots between potential threats, that AI development received renewed, massive government funding. The emergence of lethal drones around the same time (the CIA carried out the first drone-borne assassination in Yemen in 2002) set the scene for AI to fuse with autonomous vehicles, culminating in the infamous “signature strikes,” whereby innocents in countries targeted in the War on Terror were executed for engaging in behavior deemed “irregular” by AI software.

Out of this new need came the controversial 2002 Total Information Awareness (TIA) project. It aimed at creating a centralized system that could sift through vast digital archives: whether financial transactions, travel and medical records, educational data, or social networks. 

“That’s why AI was invented, because there’s too much data out there for humans to sift through,” Paik-Mander told The Markaz Review. “The Internet is the most comprehensive surveillance system in history.”

“The East Germans and the Stasi could only have dreamed of the kind of abilities of mass surveillance that now exist,” Antony Loewenstein said in an interview with The Markaz Review. “One of the deeply concerning things about this tech is that there’s no transparency about how it is being used and, without any kind of regulation, what’s being deployed now against Iranians and Palestinians will not stay overseas but inevitably come home.”

Public outcry over TIA’s invasiveness resulted in Congress shutting down the project in 2003. Although privacy and human rights advocates breathed a sigh of relief, a decade later whistleblower Edward Snowden would reveal that the research had only gone undercover to the private sector and the NSA. One of its main architects was a man named Peter Thiel.

Thiel, Palantir, and Anduril

Thiel is a billionaire tech financier who made his fortune somewhere between the national security state and a Silicon Valley that had dropped its pretext of morality. The son of a Nazi officer, he grew up in Swakopmund, a Namibian port in German Africa to which ex-Nazis flocked after World War Two. It was a small town where people would greet each other in the street with Sieg Heils and the Nazi flag fluttered from the tallest building, in celebration of Hitler’s birthday, as late as 1989. Thiel’s father ran a nearby uranium mine related to apartheid South Africa’s nuclear program till 1977, when the family moved to the U.S.

At Stanford University, Thiel developed a “deviant philosophy” focused on technological salvationism at the expense of popular democracy. He met Alex Karp, a hyper-energetic fellow student, with whom he went on to build Palantir, the world’s largest AI-enabled surveillance company. 

“Thiel’s concept of ‘AI-enabled massive acceleration’ is a hyper-optimistic vision of what will counter the ‘Great Stagnation,’” Varoufakis told The Markaz Review. “His point is that, for decades, progress in the physical world — in areas like air transport, energy, and medicine — has stalled, and AI is what will help restart it and vault humanity into a new era of transformative growth.”

Nor is Thiel shy about expressing elitist viewpoints. In one article, he proposed the replacement of “the United Nations, filled with interminable and inconclusive parliamentary debates that resemble Shakespearean tales told by idiots,” with “Echelon, the secret coordination of the world’s intelligence agencies, as the decisive path to a truly global pax Americana.”  

Otherwise known as “Five Eyes,” Echelon is a worldwide surveillance network comprising the five Anglosaxon nations: Australia, Canada, New Zealand, the U.K., and the U.S.

His creation of Palantir, a company that “defends the West” through surveillance software-enabled AI warfare, appears to be the consummation of this thought. Funded by In-Q-Tel, the CIA’s venture-capital arm, Palantir’s first six years were absorbed in working exclusively for the CIA. It then moved on to offering other government departments and a mostly foreign state clientele a menu of AI-enabled based battlefield advantages, including the ability to track targets and integrate them into what CEO Alex Karp calls the “digital kill-chain.” Today, Palantir’s half-trillion dollar capitalization makes it the world’s largest surveillance company.

“They are the AI arms dealer of the 21st century,” says Jacob Helberg, a national-security expert who serves as an outside policy adviser to Karp. 

Named after the palantir “seeing-stones” in J.R.R. Tolkien’s Lord of the Rings trilogy, the company branded itself as the purveyor of an all-seeing, analytical tool for datasets too large for human analysts to sift through. Thiel went on to fund the creation of a number of other companies with Tolkien-derived names, such as Mithril, Valar, Erebor, Rivendell, and Athelas. The most prominent is Anduril, a new breed of defense hardware companies run like tech startups that challenge traditional defence heavyweights like Raytheon and Lockheed Martin for government business. 

Anduril is run by Hawaiian-shirted, flipflop-wearing Californian named Palmer Luckey, who invented the Oculus VR helmet when he was 19. Despite his apolitical appearance, Luckey declares himself both patriotic and a “radical Zionist.” His Roadrunner drone interceptors and Lattice AI software are being considered as potential counters to the saturating waves of Iran’s low-cost missiles and drones. 

Luckey, whose love of controversy led him to quip “I love killer robots,” also stands out for believing that guardrails between autonomous drones and human operators should be removed. “If you really say that robots shouldn’t be able to decide which target to strike, that means that to stop you all somebody has to do is jam your signal,” he said in an interview with Bari Weiss. “I don’t really want the balance of power in the entire world to be decided by who has better RF frequency radio engineers. That’s why you need autonomy.”

Examples of the maximalist advantage bestowed on the U.S. and Israeli armies by this tech are increasingly on show, despite the top-secret nature of much of the technology. Members of the Delta Force team that detained Nicolás Maduro allegedly wore Augmented Reality-enabled visors that integrated night vision and heat signatures, and allowed them to work as a hive-mind, monitoring people hiding behind obstacles and surveying the battlespace from the perspective of overflying drones. In South Lebanon, Israel has 3D-mapped every last building, tree, and elevation using Lidar technology, enabling AI algorithms to identify underground tunnels and hostile activity. In Ukraine, Palantir scans the battlefield through satellites, drones, and thermal sensors, digitally tracing ordnance curvatures and allowing soldiers to instantly target the source of firing. Target-selection programs called Lavender and Maven have maximized the death-count in Gaza, Yemen, and Iran. 

Luckey’s pro-Israel stance is typical of a tech culture where contracts and collaborations with the Israeli state and high-tech industry are normalized. Silicon Valley has received an influx of some 1,500 Israeli workers, many of whom are former members of Israeli military technology units 81 and 8200. Paik-Mander finds Silicon Valley’s pro-Zionist turn problematic, because “those who control this technology control the world.” 

“AI is a force multiplier,” Paik-Mander argues. She is writing a book titled Digitizing the Sacred: How Silicon Valley Weaponizes Existence. “Silicon Valley and Israel are now merged, largely thanks to [Jeffrey] Epstein, who got Palantir to open an office in Israel. The result is accelerated momentum toward an Israeli/U.S. war on Iran.”

The relationship between Silicon Valley and the Israeli security-intelligence apparatus started flowering around the time that disgraced financier Jeffrey Epstein introduced Ehud Barak to Peter Thiel in 2014. Epstein later pitched Barak’s company to Thiel’s venture capital fund which eventually invested in it, before it was sold to Axon, a taser and body-camera manufacturer, that is majority-owned by Vanguard and Blackrock. Epstein was also instrumental in founding Israel’s tech collaboration with the UAE, by introducing Barak to his friend, the now-resigned Dubai Ports World director, Sultan Ahmed bin Sulayem. Sulayem invested in Barak’s company, several years before the Abraham Accords’ trade normalization resulted in intense UAE-Israel security collaborations on a multinational security system, a joint intelligence platform, and technology transfers.

Paik-Mander continues watching the development of Silicon Valley and the tech age from her perch in Hawaii. She fears that AI-enabled cognitive warfare is realizing an agenda of endless war. “If you can eliminate soldiers, you can feasibly achieve endless war, which means endless profits,” she said, recalling Julian Assange’s remark that the Afghanistan war was about leeching funds from the U.S. tax-base and laundering them into profits for the military-industrial complex.

“Data is the new oil and AI is ‘the oil refinery,’” she told The Markaz Review. “A push is on to continually extract our data during every moment of our existence. AI is meaningless without the data. As long as the data flows, active surveillance grows exponentially.”

As if to confirm her appraisal, this week Iran moved from presiding over a blocked Straits of Hormuz and rocket-struck oil tankers to threatening to strike U.S. companies servicing the U.S. military, naming Google, Microsoft, Palantir, IBM, Nvidia, and Oracle as their next targets.

Iason Athanasiadis

Iason Athanasiadis is a Mediterranean-focused multimedia journalist based between Athens, Istanbul, and Tunis. He uses all media to recount the story of how we can adapt to the era of climate change, mass migration, and the misapplication of distorted modernities. He studied... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Essays

The AI Struggle for Middle Earth in the U.S.-Israel War on Iran

13 MARCH 2026 • By Iason Athanasiadis
The AI Struggle for Middle Earth in the U.S.-Israel War on Iran
Columns

Lebanon’s Fate in Our Current World Calamity

13 MARCH 2026 • By Amal Ghandour
Lebanon’s Fate in Our Current World Calamity
TMR 58 • MOTHER TONGUE

Ojalá: Toward an Illiteracy of Liberation

6 MARCH 2026 • By Sarah Aziza
<em>Ojalá</em>: Toward an Illiteracy of Liberation
Book Reviews

Art and Disillusionment in Saleem Haddad’s Floodlines

20 FEBRUARY 2026 • By Layla AlAmmar
Art and Disillusionment in Saleem Haddad’s <em>Floodlines</em>
Book Reviews

Two New Books Show How Gaza Changed the World

13 FEBRUARY 2026 • By Rebecca Ruth Gould
Two New Books Show How Gaza Changed the World
Columns

On Legal Victories and Human Healing

13 FEBRUARY 2026 • By Amal Ghandour
On Legal Victories and Human Healing
Columns

Small Moments and Their Much Larger Meaning

30 JANUARY 2026 • By Amal Ghandour
Small Moments and Their Much Larger Meaning
Art

Behind the Seen: Mona Hatoum on Art and Palestine

30 JANUARY 2026 • By Arie Amaya-Akkermans
<em>Behind the Seen</em>: Mona Hatoum on Art and Palestine
Essays

How Can Palestinians and Israelis Live Together?

30 JANUARY 2026 • By Raja Shehadeh
How Can Palestinians and Israelis Live Together?
Film Reviews

With Hasan in Gaza: Salvaged Palestine

30 JANUARY 2026 • By Jim Quilty
<em>With Hasan in Gaza</em>: Salvaged Palestine
TMR 57 • PALESTINE

In Two New Books, Palestinian Writing Bears Witness

30 JANUARY 2026 • By Gabriel Polley
In Two New Books, Palestinian Writing Bears Witness
Book Reviews

You Must Live: A Collection of Palestinian Poetry

30 JANUARY 2026 • By Sholeh Wolpé
<em>You Must Live</em>: A Collection of Palestinian Poetry
TMR 57 • PALESTINE

Letter from Gaza: Our Long Wait for Gas

30 JANUARY 2026 • By Esraa Abo Qamar
Letter from Gaza: Our Long Wait for Gas
TMR 57 • PALESTINE

Letter from Gaza: Stuck in Place

30 JANUARY 2026 • By Mariam Mushtaha
Letter from Gaza: Stuck in Place
Columns

Beyond Black and White: Notes from Tehran

23 JANUARY 2026 • By M. Nateqnuri
Beyond Black and White: Notes from Tehran
Opinion

What Shirin Neshat Taught Me About Iran

16 JANUARY 2026 • By Hassan Abdulrazzak
What Shirin Neshat Taught Me About Iran
Columns

Trump, The Liberator! (and the Fear Wagons)

16 JANUARY 2026 • By Amal Ghandour
Trump, The Liberator! (and the Fear Wagons)
Film Reviews

If You See Something—an Iraqi Film on Asylum

12 DECEMBER 2025 • By Alex Demyanenko
<em>If You See Something</em>—an Iraqi Film on Asylum
Fiction

“Tahmina”—a story from Iran

5 DECEMBER 2025 • By Abdollah Nazari
“Tahmina”—a story from Iran
Film

10 Noir Films from the Arab world, Iran, and Turkey

5 DECEMBER 2025 • By TMR
10 Noir Films from the Arab world, Iran, and Turkey
Film Reviews

The Woman Who Wouldn’t Break—Cutting Through Rocks’ Sara Shahverdi

28 NOVEMBER 2025 • By Alex Demyanenko
The Woman Who Wouldn’t Break—<em>Cutting Through Rocks’</em> Sara Shahverdi
Book Reviews

Terms of Servitude and the Threats of Digital Settler Colonialism

28 NOVEMBER 2025 • By Maura Finkelstein
<em>Terms of Servitude</em> and the Threats of Digital Settler Colonialism
Book Reviews

Contemporary Kurdish Writers in the Diaspora

14 NOVEMBER 2025 • By Matt Broomfield
Contemporary Kurdish Writers in the Diaspora
Interviews

Novelist Jadd Hilal on Being French and Palestinian

7 NOVEMBER 2025 • By Lara Vergnaud
Novelist Jadd Hilal on Being French and Palestinian
Centerpiece

The Grammar of Power: On Journalism, Grief, and the Stories That Break Us

7 NOVEMBER 2025 • By Adam Makary
The Grammar of Power: On Journalism, Grief, and the Stories That Break Us
Poetry Markaz

Adedayo Agarau presents The Years of Blood

1 NOVEMBER 2025 • By Adedayo Agarau
Adedayo Agarau presents <em>The Years of Blood</em>
Film

In Raoul Peck’s Orwell: 2+2=5, Truth is Revolutionary

17 OCTOBER 2025 • By Alex Demyanenko
In Raoul Peck’s <em>Orwell: 2+2=5</em>, Truth is Revolutionary
Essays

Blue, The Arabian Red Fox

3 OCTOBER 2025 • By Noura Ali-Ramahi
Blue, The Arabian Red Fox
Fiction

War and War

26 SEPTEMBER 2025 • By Hussain A. Ayoub
War and War
Featured article

Together for Palestine — Truly Historic

19 SEPTEMBER 2025 • By TMR
Together for Palestine — Truly Historic
Book Reviews

How the Media Fails Armenia and Palestine

19 SEPTEMBER 2025 • By Gabriel Polley
How the Media Fails Armenia and Palestine
Uncategorized

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Film Reviews

New Documentaries from Palestine, Sudan, Afghanistan, and Iran

12 SEPTEMBER 2025 • By Yassin El-Moudden
New Documentaries from Palestine, Sudan, Afghanistan, and Iran
Essays

Remaining in Light: Iranians Search for Solace and Well-Being

5 SEPTEMBER 2025 • By Malu Halasa
Remaining in Light: Iranians Search for Solace and Well-Being
Editorial

Why Out of Our Minds?

5 SEPTEMBER 2025 • By Lina Mounzer
Why <em>Out of Our Minds</em>?
Centerpiece

Trauma After Gaza

5 SEPTEMBER 2025 • By Joelle Abi-Rached
Trauma After Gaza
Film

Once Upon a Time in Gaza Wants to Be an Indie Western

29 AUGUST 2025 • By Karim Goury
<em>Once Upon a Time in Gaza</em> Wants to Be an Indie Western
Essays

Amal Doesn’t Even Know What a Banana Is: Child Malnutrition in Gaza

1 AUGUST 2025 • By Asem Al Jerjawi
Amal Doesn’t Even Know What a Banana Is: Child Malnutrition in Gaza
Essays

“A Love That Endures”: How Tamer and Sabreen Defied War and Death

25 JULY 2025 • By Husam Maarouf
“A Love That Endures”: How Tamer and Sabreen Defied War and Death
TMR Interviews

Aida Šehović on the 30th Anniversary of the Srebrenica Genocide

18 JULY 2025 • By Claudia Mende
Aida Šehović on the 30th Anniversary of the Srebrenica Genocide
Fiction

Hiding From Dragons—a short story set in Gaza

18 JULY 2025 • By Richie Billing
Hiding From Dragons—a short story set in Gaza
Featured article

“Silence is Not the Way”—Arab Writers Against Israel’s Genocide

18 JULY 2025 • By Jordan Elgrably
“Silence is Not the Way”—Arab Writers Against Israel’s Genocide
Art

Taqi Spateen Paints Palestine Museum Mural of Aaron Bushnell

11 JULY 2025 • By Hadani Ditmars
Taqi Spateen Paints Palestine Museum Mural of Aaron Bushnell
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Poetry

Nasser Rabah on Poetry and Gaza

4 JULY 2025 • By Nasser Rabah
Nasser Rabah on Poetry and Gaza
Fiction

“My Choices Are My Downfall”—a short story by Fadi Zaghmout

4 JULY 2025 • By Fadi Zaghmout, Rana Asfour
“My Choices Are My Downfall”—a short story by Fadi Zaghmout
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Columns

Afraid for Our Children’s Future, How Do We Talk About War?

20 JUNE 2025 • By Lina Mounzer
Afraid for Our Children’s Future, How Do We Talk About War?
Book Reviews

The Evin Prison Bakers’ Club — Review

6 JUNE 2025 • By Hannah Kaviani
The Evin Prison Bakers’ Club — Review
Essays

Doaa: From a Dreamworld to the Ashes of Displacement

30 MAY 2025 • By Taqwa Ahmed Al-Wawi
Doaa: From a Dreamworld to the Ashes of Displacement
Interviews

23 Hours Inside State Dept. Press Briefings on the Gaza Genocide

23 MAY 2025 • By Malu Halasa
23 Hours Inside State Dept. Press Briefings on the Gaza Genocide
Featured article

Arrested and Rearrested: Palestinian Women in the West Bank

16 MAY 2025 • By Lynzy Billing
Arrested and Rearrested: Palestinian Women in the West Bank
Books

Algerian-French Author Kamel Daoud on the Defensive

16 MAY 2025 • By Lara Vergnaud
Algerian-French Author Kamel Daoud on the Defensive
Film Reviews

Contretemps, a Bold Film on Lebanon’s Crises

16 MAY 2025 • By Jim Quilty
Contretemps, a Bold Film on Lebanon’s Crises
Books

Poet Mosab Abu Toha Wins Pulitzer Prize for Essays on Gaza

9 MAY 2025 • By Jordan Elgrably
Poet Mosab Abu Toha Wins Pulitzer Prize for Essays on Gaza
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Essays

A Kashmiri in Cashmere

2 MAY 2025 • By Nafeesa Syeed
A Kashmiri in Cashmere
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Literature

The Pen and the Sword — Censorship Threatens Us All

2 MAY 2025 • By Anna Badkhen
The Pen and the Sword — Censorship Threatens Us All
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Advice

Dear Souseh: Existential Advice for Third World Problems

4 APRIL 2025 • By Lina Mounzer
Dear Souseh: Existential Advice for Third World Problems
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Centerpiece

Love and Resistance in Online Persian Dating Shows

7 MARCH 2025 • By Malu Halasa
Love and Resistance in Online Persian Dating Shows
Fiction

Manifesto of Love & Revolution

7 MARCH 2025 • By Iskandar Abdalla
Manifesto of Love & Revolution
Art & Photography

Afghanistan’s Histories of Conflict, Resistance & Desires

7 MARCH 2025 • By Jelena Sofronijevic
Afghanistan’s Histories of Conflict, Resistance & Desires
Art

Finding Emptiness: Gaza Artist Taysir Batniji in Beirut

21 FEBRUARY 2025 • By Jim Quilty
Finding Emptiness: Gaza Artist Taysir Batniji in Beirut
Book Reviews

Omar El Akkad & Mohammed El-Kurd: Liberalism in a Time of Genocide

14 FEBRUARY 2025 • By Rebecca Ruth Gould
Omar El Akkad & Mohammed El-Kurd: Liberalism in a Time of Genocide
Editorial

Memoir in the Age of Narcissism

7 FEBRUARY 2025 • By TMR
Memoir in the Age of Narcissism
Centerpiece

Ravaged by Fire

7 FEBRUARY 2025 • By Francisco Letelier
Ravaged by Fire
Art & Photography

Mostafa Nodeh: Featured Artist Interview

7 FEBRUARY 2025 • By Mostafa Nodeh
Mostafa Nodeh: Featured Artist Interview
Book Reviews

Memories of Palestine through Contemporary Media

7 FEBRUARY 2025 • By Malu Halasa
Memories of Palestine through Contemporary Media
Essays

Flight Plans: From Gaza to Singapore

7 FEBRUARY 2025 • By Chin-chin Yap
Flight Plans: From Gaza to Singapore
Books

“Culinary Palestine” — Fadi Kattan in an excerpt from Sumud

31 JANUARY 2025 • By Fadi Kattan
“Culinary Palestine” — Fadi Kattan in an excerpt from <em>Sumud</em>
Book Reviews

Yassini Girls—a Powerful Yet Flawed Account of Historical Trauma

31 JANUARY 2025 • By Natasha Tynes
<em>Yassini Girls</em>—a Powerful Yet Flawed Account of Historical Trauma
Film Reviews

My Favorite Cake, Iranian Cinema’s Bittersweet Ode to Love

17 JANUARY 2025 • By Karim Goury
<em>My Favorite Cake</em>, Iranian Cinema’s Bittersweet Ode to Love
Arabic

Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza

17 JANUARY 2025 • By Yasmeen Hanoosh, Huda J. Fakhreddine
Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza
Book Reviews

In Killing Gilda Yahya Gharagozlou Tells an Intriguing Iranian Tale

10 JANUARY 2025 • By Azadeh Moaveni
In <em>Killing Gilda</em> Yahya Gharagozlou Tells an Intriguing Iranian Tale
Uncategorized

Malu Halasa and Jordan Elgrably publish Sumūd: a New Palestinian Reader

4 JANUARY 2025 • By TMR
Malu Halasa and Jordan Elgrably publish Sumūd: a New Palestinian Reader
Art & Photography

Mounir Fatmi—Where Art Meets Technology

28 DECEMBER 2024 • By Sophie Kazan Makhlouf
Mounir Fatmi—Where Art Meets Technology
Book Reviews

Criticizing a Militaristic Israel is not Inherently Antisemitic

20 DECEMBER 2024 • By Stephen Rohde
Criticizing a Militaristic Israel is not Inherently Antisemitic
Poetry

Annahita Mahdavi West: Two Poems

19 DECEMBER 2024 • By Annahita Mahdavi West
Annahita Mahdavi West: Two Poems
Opinion

Susan Abulhawa at Oxford Union on Palestine/Israel

6 DECEMBER 2024 • By Susan Abulhawa
Susan Abulhawa at Oxford Union on Palestine/Israel
Essays

A Fragile Ceasefire as Lebanon Survives, Traumatized

29 NOVEMBER 2024 • By Tarek Abi Samra, Lina Mounzer
A Fragile Ceasefire as Lebanon Survives, Traumatized
Essays

A Jewish Meditation on the Palestinian Genocide

15 NOVEMBER 2024 • By Sheryl Ono
A Jewish Meditation on the Palestinian Genocide
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Film

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Art & Photography

Palestinian Artists Reflect on the Role of Art in Catastrophic Times

1 NOVEMBER 2024 • By Nina Hubinet
Palestinian Artists Reflect on the Role of Art in Catastrophic Times
Centerpiece

“Habib”—a story by Ghassan Ghassan

1 NOVEMBER 2024 • By Ghassan Ghassan
“Habib”—a story by Ghassan Ghassan
Books

“The Ballad of Lulu and Amina” — from Jerusalem to Gaza

1 NOVEMBER 2024 • By Izzeldin Bukhari
“The Ballad of Lulu and Amina” — from Jerusalem to Gaza
Essays

The Felines that Leave Us, and the Humans that Left

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
The Felines that Leave Us, and the Humans that Left
Books

November World Picks from the Editors

25 OCTOBER 2024 • By TMR
November World Picks from the Editors
Book Reviews

The Walls Have Eyes—Surveillance in the Algorithm Age

18 OCTOBER 2024 • By Iason Athanasiadis
<em>The Walls Have Eyes</em>—Surveillance in the Algorithm Age
Film

Freedom is a Combat Sport: On Tatami

11 OCTOBER 2024 • By Karim Goury
Freedom is a Combat Sport: On <em>Tatami</em>
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Art & Photography

Visuals and Voices: Palestine Will Not Be a Palimpsest

4 OCTOBER 2024 • By Malu Halasa
Visuals and Voices: Palestine Will Not Be a Palimpsest
Featured article

Censorship and Cancellation Fail to Camouflage the Ugly Truth

4 OCTOBER 2024 • By Jordan Elgrably
Censorship and Cancellation Fail to Camouflage the Ugly Truth
Essays

Shamrocks & Watermelons: Palestine Politics in Belfast

4 OCTOBER 2024 • By Stuart Bailie
Shamrocks & Watermelons: Palestine Politics in Belfast
Essays

Depictions of Genocide: The Un-Imaginable Visibility of Extermination

4 OCTOBER 2024 • By Viola Shafik
Depictions of Genocide: The Un-Imaginable Visibility of Extermination
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Book Reviews

Don’t Look Left: A Diary of Genocide by Atif Abu Saif

20 SEPTEMBER 2024 • By Selma Dabbagh
<em>Don’t Look Left: A Diary of Genocide</em> by Atif Abu Saif
Book Reviews

Tragic Consequences — On Western Meddling in the Middle East

13 SEPTEMBER 2024 • By Dina Rezk
Tragic Consequences — On Western Meddling in the Middle East
Featured Artist

Featured Artists: “Barred From Home”

6 SEPTEMBER 2024 • By Malu Halasa
Featured Artists: “Barred From Home”
Book Reviews

Egypt’s Gatekeeper — President or Despot?

6 SEPTEMBER 2024 • By Elias Feroz
Egypt’s Gatekeeper — President or Despot?
Fiction

“Fragments from a Gaza Nightmare”—fiction from Sama Hassan

30 AUGUST 2024 • By Sama Hassan, Rana Asfour
“Fragments from a Gaza Nightmare”—fiction from Sama Hassan
Essays

Beyond Rubble — Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble — Cultural Heritage and Healing After Disaster
Poetry

Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach

15 JULY 2024 • By Erfan Mojib, Gary Gach
Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach
Fiction

“Firefly”—a short story by Alireza Iranmehr

5 JULY 2024 • By Alireza Iranmehr, Salar Abdoh
“Firefly”—a short story by Alireza Iranmehr
Books

The Mourning Diaries of Atash Shakarami

5 JULY 2024 • By Poupeh Missaghi
The Mourning Diaries of Atash Shakarami
short story

“Deferred Sorrow”—fiction from Haidar Al Ghazali

5 JULY 2024 • By Haidar Al Ghazali, Rana Asfour
“Deferred Sorrow”—fiction from Haidar Al Ghazali
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Interviews

Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)

7 JUNE 2024 • By Mehrnaz Daneshvar, Salar Abdoh
Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)
Art & Photography

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Essays

The Elephant in the Box

3 MAY 2024 • By Asmaa Elgamal
The Elephant in the Box
Featured Artist

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR, Jordan Elgrably
Bani Khoshnoudi: Featured Artist for PARIS
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Editorial

Why “Burn It all Down”?

3 MARCH 2024 • By Lina Mounzer
Why “Burn It all Down”?
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Poetry

Brian Turner: 3 Poems From Three New Books

14 JANUARY 2024 • By Brian Turner
Brian Turner: 3 Poems From Three New Books
Art

Palestinian Artists

12 JANUARY 2024 • By TMR
Palestinian Artists
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Essays

Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit

25 DECEMBER 2023 • By Malu Halasa
Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Featured excerpt

Almost Every Day—from the novel by Mohammed Abdelnabi

3 DECEMBER 2023 • By Mohammed Abdelnabi, Nada Faris
<em>Almost Every Day</em>—from the novel by Mohammed Abdelnabi
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Art

Hanan Eshaq

3 DECEMBER 2023 • By Hanan Eshaq
Hanan Eshaq
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Opinion

What’s in a Ceasefire?

20 NOVEMBER 2023 • By Adrian Kreutz, Enzo Rossi, Lillian Robb
What’s in a Ceasefire?
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Art & Photography

Adel Abidin, October 2023

1 OCTOBER 2023 • By TMR
Adel Abidin, October 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Poetry

Three Poems from Pantea Amin Tofangchi’s Glazed With War

3 AUGUST 2023 • By Pantea Amin Tofangchi
Three Poems from Pantea Amin Tofangchi’s <em>Glazed With War</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
A Day in the Life

A Day in the Life: Cairo

24 JULY 2023 • By Sarah Eltantawi
A Day in the Life: Cairo
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

Leave a Comment

Your email address will not be published. Required fields are marked *

8 + eight =

Scroll to Top