Getting to the Other Side: a Kurdish Migrant Story

Two detained Iraqi Kurds squat in a secured area of the Igoumenitsa port shortly after being discovered trying to smuggle themselves onto trucks making the crossing across the Adriatic Sea from Greece to Italy.

15 JANUARY 2022 • By Iason Athanasiadis
Two detained Iraqi Kurds squat in a secured area of the Igoumenitsa port, shortly after being discovered trying to smuggle themselves onto trucks crossing from Greece to Italy (photos courtesy Iason Athanasiadis).
From armed struggle on the mountains of the Iran-Iraq border to sneaking onto trucks in a port on the European periphery, a Kurdish guerrilla’s efforts to change his fate collide with Fortress Europe.

 

Iason Athanasiadis

Τhe rain hasn’t stopped for two weeks: snow coats the higher peaks of the Pindos mountain range; huge quantities of water sleet from the sky to flood the fields. Just above the port of Igoumenitsa, smoke rises from a soaked, thickly-wooded hill. At its foot lies a waterlogged cemetery, and a ribbon of highway — backed up with trucks waiting to enter the port — is all that separates the port’s high walls from the forest’s denizens. 

As the setting sun drags its light from the city into the sea, gaunt figures emerge from the undergrowth to eyeball the port. They are here, on Greece’s northwesternmost edge, to play the Game, a high-stakes effort at smuggling themselves onto boats heading to Italy. Success means arrival at the Italian ports of Bari and Brindisi, from where it is a home stretch through uninterrupted Schengen territory to a northern European country. Failure entails discovery and a few days of detention or — worse — grievous bodily damage should the joyriders lose their grip on the truck’s axle, or be crushed by driving vibrations.   

Bahoz is standing at the edge of the treeline, scanning the port below for tree-cover and weak points in the chain link fence topped with loops of barbed wire. Three weeks ago, he left another mountain range, on the Iranian-Iraqi border, on which he lived and fought the Islamic Republic of Iran for three years as a guerrilla for Komala, a revolutionary Kurdish party.

Bahoz was guaranteed hardship at birth. Descended from a village outside the Kurdish-majority city of Marivan, in one of Iran’s most underdeveloped and conflict-ridden regions, his scant options in life boiled down to submitting to local mores and getting a humble farming job, or becoming a smuggler of electrical products and alcohol across the snowy passes of the inhospitable border with Iraq. But his father (“one of the two most influential people in my life”) introduced him to Foad Mostafa Soltani, a Marxist revolutionary and the founder of Komala, whose teachings developed his political conscience and eventually prompted him to join the guerrillas in the mountains. 

“Up on the mountain I’ve been bombarded, fought, and faced the Islamic Republic’s bullets, so I’m used to hardship and surviving on little,” he said. “But at some point I realized that there was a greater game being played above our heads, and that we were just the pawns, and we wouldn’t get anywhere however much we struggled.”

Dismay prompted him to consider leaving the guerrillas and joining the brotherhood of migrants crossing borders in search of a better life. Penniless, and coming from a collapsed economy under massive sanctions pressure, Bahoz made it across Turkey, over the Evros river into Greece, and to this rough frontier port carved out of the mountains where human, drugs and arms smuggling networks intersect with trade and tourism. A Kurdish smuggling ring currently controls the vantage point over the port. It earned its dominance (and associated revenues) through a bloody 2018 battle against Afghan and Syrians that yielded two dead. Now, Kurdish migrants consider Igoumenitsa a friendly port, while other nationalities direct themselves to Patra, Greece’s other western port. 

Under the trees’ thick cover, about twenty migrants gather around smoky fires, brewing tea and biding their time till dusk. Those with some money fortify themselves with sandwiches and pizzas, which local businesses know to deliver to the cemetery at the foot of the hill. Those without cash limit themselves to eating once every two days, or gnawing away at potatoes.

Khalo is the boss, a rotund-but-agile Kurdish man in his fifties, with a vast self-regard and a tendency to snap easily. He orders his migrant charges around, and bullies or beats them when they get out of order. He has represented the smuggling network on the hill for seven years, and claims his work getting migrants onto boats feeds four children in Arbil. The Greek security services know him, and depend on him to keep the hill in order. 

A truck driver opens up his truck to be inspected by Greek police for migrants seeking to smuggle themselves across in the boats making the Greece to Italy crossing.


The Game

Once darkness settles, Bahoz heads down through the trees to the trucks backed up on the highway. Khalo and his partners are already running around, opening truck doors and stuffing in their migrant clients. Spotters for the smuggling network are spread throughout town, probing the port security’s weak points. One of them is an Afghan huddled in a cluster of trees abutting the rig-littered carpark. He informs a puffing Khalo how many port workers are out patrolling and where. 

There are also Turkish, Romanian and Greek truck drivers in the carpark, clustered in inebriated, sometimes aggressive groups. They refer to the migrants as “Talibans” and relish confronting them and banishing them from their trucks. The migrants, fearful of being beaten or stoned, avoid the drivers and bide their time, waiting for the police inspection to finish. 

Bahoz wants to avoid the inspection area, which involves an almost insurmountable series of obstacles. The police open truck after truck, searching each with dogs, flashlights and even an X-ray truck whose rays penetrate through walls and contents to betray the best-hidden migrants. Bahoz knows to bide his time till the inspected trucks are driven onto the ship, then vault the barbed wire-topped chainlink fence, and rush a truck preparing to board the boat without being noticed.

Midnight finds Bahoz crawling through a secret tunnel running with seawater. By 1 a.m. he has hauled himself up onto the tower of a dark construction site abutting the light-flooded port. Police cars and a couple of sniffer-dogs are patrolling the port side. Chances of clearing the fence and making it onto the boat undetected are slim. But the risk of discovery is also not prohibitive, beyond a few hours or days spent in detention. The worst the police usually does is to round up a group, drive them 30km or so into the Greek countryside, and release them there in what the migrants describe as “being deported.” Sometimes their mobile phones aren’t returned, setting up a tiring, mapless hike back to their hill in Igoumenitsa. But almost always this is not enough to discourage them from taking another crack at the Game.

By midnight, the police have caught half a dozen migrants, among them Bahoz, hiding inside a dry-cleaning van. By this point, his face is so familiar that he is simply led to a fenced enclosure and left unhandcuffed to await the police van that will take him to the station.

“Even if I’m caught, I’ll continue trying to get to the other side,” he says, his adrenaline driving him to manically pace the enclosure, “by sea or by land, again and again and again and again.”

Bahoz is released a few hours later and reascends the hill, back to his sleeping bag, some clothes, and the group of comrades who didn’t make it to the other side tonight.

“We’re not defeated people who should be pitied, but fighters,” Bahoz later told me in a series of voice messages. “We struggle in the way of achieving a better life; this doesn’t make us pitiable creatures.”

Nevertheless, things are deteriorating. After racking up several failed attempts, Bahoz falls and twists his ankle. Simultaneously, another group on the Hill fights with his group, and he loses most of his money. His comrades carry him to an exposed kiosque by the port, where he seeks to recuperate his strength.

As Christmas nears, the trucks lessen, even as his foot doesn’t improve. Up on the hill, the migrants shiver around their fires, waiting for the traffic to pick up again. It increasingly looks like Bahoz will have to seek shelter, so he retreats to the cement megalopolis of Athens in search of a roof, and a vagrant condition beset by new threats. He will bide his time … “before I can play the Game again.”

Epilogue

A few weeks after Christmas, I meet up with Bahoz in Kypseli, where he is staying in the dilapidated house of a Kurdish friend of a friend, who passed through the city on his way west a few months ago. Bahoz’s foot had healed, but his face is gaunt and he walks the streets gingerly, shivering in his open slippers and worried that the police might stop him. A lover of history, he feels privileged to be in Athens, but hasn’t even glimpsed the Acropolis from a distance. Although some of his comrades managed to reach Italy, Igoumenitsa, and the prospect of making it through on a truck, seem distant.

 

Iason Athanasiadis

Iason Athanasiadis Iason Athanasiadis is a Mediterranean-focused multimedia journalist based between Athens, Istanbul, and Tunis. He uses all media to recount the story of how we can adapt to the era of climate change, mass migration, and the misapplication of distorted modernities.... Read more

Iason Athanasiadis is a Mediterranean-focused multimedia journalist based between Athens, Istanbul, and Tunis. He uses all media to recount the story of how we can adapt to the era of climate change, mass migration, and the misapplication of distorted modernities. He studied Arabic and Modern Middle Eastern Studies at Oxford and Persian and Contemporary Iranian Studies in Tehran. He was a Nieman fellow at Harvard before working for the United Nations between 2011 and 2018. He received the Anna Lindh Foundation’s Mediterranean Journalism Award for his coverage of the Arab Spring in 2011 and its 10th-anniversary alumni award for his commitment to using all media to tell stories of intercultural dialogue in 2017. He is a contributing editor of The Markaz Review.

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“The Burden of Inheritance”—fiction from Mai Al-Nakib

2 JULY 2023 • By Mai Al-Nakib
“The Burden of Inheritance”—fiction from Mai Al-Nakib
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Art & Photography

The Ghost of Gezi Park—Turkey 10 Years On

19 JUNE 2023 • By Arie Amaya-Akkermans
The Ghost of Gezi Park—Turkey 10 Years On
Art & Photography

Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests

19 JUNE 2023 • By Arie Amaya-Akkermans
Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests
Book Reviews

Niki, Prize-Winning Greek Novel, Captures the Country’s Civil War

12 JUNE 2023 • By Nektaria Anastasiadou
<em>Niki</em>, Prize-Winning Greek Novel, Captures the Country’s Civil War
Book Reviews

Wounded Tigris: A River Journey Through the Cradle of Civilisation

12 JUNE 2023 • By Nazli Tarzi
<em>Wounded Tigris: A River Journey Through the Cradle of Civilisation</em>
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Poetry Markaz

Zara Houshmand, Moon and Sun

4 JUNE 2023 • By Zara Houshmand
Zara Houshmand, <em>Moon and Sun</em>
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

The Yellow Birds Author Returns With Iraq War/Noir Mystery

29 MAY 2023 • By Hamilton Cain
<em>The Yellow Birds</em> Author Returns With Iraq War/Noir Mystery
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Essays

Beautiful Ghosts, or We’ll Always Have Istanbul

27 MARCH 2023 • By Alicia Kismet Eler
Beautiful Ghosts, or We’ll Always Have Istanbul
Film

Hanging Gardens and the New Iraqi Cinema Scene

27 MARCH 2023 • By Laura Silvia Battaglia
<em>Hanging Gardens</em> and the New Iraqi Cinema Scene
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Columns

Letter From Turkey—Solidarity, Grief, Anger and Fear

27 FEBRUARY 2023 • By Jennifer Hattam
Letter From Turkey—Solidarity, Grief, Anger and Fear
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Columns

TMR’s Multilingual Lexicon of Love for Valentine’s Day

13 FEBRUARY 2023 • By TMR
TMR’s Multilingual Lexicon of Love for Valentine’s Day
Columns

Tiba al-Ali: A Death Foretold on Social Media

5 FEBRUARY 2023 • By Malu Halasa
Tiba al-Ali: A Death Foretold on Social Media
Featured excerpt

Fiction: Inaam Kachachi’s The Dispersal, or Tashari

5 FEBRUARY 2023 • By Inaam Kachachi
Fiction: Inaam Kachachi’s <em>The Dispersal</em>, or <em>Tashari</em>
Art

Lahib Jaddo—An Iraqi Artist in the Diaspora

5 FEBRUARY 2023 • By Mischa Geracoulis
Lahib Jaddo—An Iraqi Artist in the Diaspora
Interviews

Zahra Ali, Pioneer of Feminist Studies on Iraq

5 FEBRUARY 2023 • By Nada Ghosn
Zahra Ali, Pioneer of Feminist Studies on Iraq
Book Reviews

 The Watermelon Boys on Iraq, War, Colonization and Familial Love

5 FEBRUARY 2023 • By Rachel Campbell
<em> The Watermelon Boys</em> on Iraq, War, Colonization and Familial Love
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Fiction

Beautiful Freedom For Sale, a short story

15 DECEMBER 2022 • By Nektaria Anastasiadou, Anonymous
<em> Beautiful Freedom</em> For Sale, a short story
Featured article

The Greek Panopticon, Where Politicians Spy on Democracy

15 DECEMBER 2022 • By Iason Athanasiadis
The Greek Panopticon, Where Politicians Spy on Democracy
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Poetry

We Say Salt from To Speak in Salt

15 OCTOBER 2022 • By Becky Thompson
We Say Salt from <em>To Speak in Salt</em>
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Book Reviews

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

22 AUGUST 2022 • By Rana Asfour
After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

Mai Al-Nakib: “Naaseha’s Counsel”

15 JUNE 2022 • By Mai Al-Nakib
Mai Al-Nakib: “Naaseha’s Counsel”
Fiction

Nektaria Anastasiadou: “Gold in Taksim Square”

15 JUNE 2022 • By Nektaria Anastasiadou
Nektaria Anastasiadou: “Gold in Taksim Square”
Featured excerpt

Hawra Al-Nadawi: “Tuesday and the Green Movement”

15 JUNE 2022 • By Hawra Al-Nadawi, Alice Guthrie
Hawra Al-Nadawi: “Tuesday and the Green Movement”
Film Reviews

2022 Webby Honoree Documents Queer Turkish Icon

23 MAY 2022 • By Ilker Hepkaner
2022 Webby Honoree Documents Queer Turkish Icon
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Interviews

Conversations on Food and Race with Andy Shallal

15 APRIL 2022 • By Jordan Elgrably
Conversations on Food and Race with Andy Shallal
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Book Reviews

Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed

28 MARCH 2022 • By Sherine Elbanhawy
Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed
Art

Artist Hayv Kahraman’s “Gut Feelings” Exhibition Reviewed

28 MARCH 2022 • By Melissa Chemam
Artist Hayv Kahraman’s “Gut Feelings” Exhibition Reviewed
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Art & Photography

On “True Love Leaves No Traces”

15 MARCH 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Book Reviews

Nadia Murad Speaks on Behalf of Women Heroes of War

7 MARCH 2022 • By Maryam Zar
Nadia Murad Speaks on Behalf of Women Heroes of War
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Art

(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”

7 FEBRUARY 2022 • By Arie Amaya-Akkermans
(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

An Arab and a Jew Walk into a Bar…

15 DECEMBER 2021 • By Hadani Ditmars
An Arab and a Jew Walk into a Bar…
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Essays

A Street in Marrakesh Revisited

8 NOVEMBER 2021 • By Deborah Kapchan
A Street in Marrakesh Revisited
Columns

Day of the Imprisoned Writer — November 15, 2021

8 NOVEMBER 2021 • By TMR
Day of the Imprisoned Writer — November 15, 2021
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Art

Guantánamo—The World’s Most Infamous Prison

15 OCTOBER 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
Fiction

“The Passion of Evangelina”—fiction from Anthoney Dimos

15 OCTOBER 2021 • By Anthoney Dimos
“The Passion of Evangelina”—fiction from Anthoney Dimos
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Columns

Kurdish Poet and Writer Meral Şimşek Merits Her Freedom

4 OCTOBER 2021 • By Jordan Elgrably
Kurdish Poet and Writer Meral Şimşek Merits Her Freedom
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Columns

Afghanistan Falls to the Taliban

16 AUGUST 2021 • By Hadani Ditmars
Afghanistan Falls to the Taliban
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Latest Reviews

An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”

15 AUGUST 2021 • By Jenny White
An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

World Picks: July 2021

3 JULY 2021 • By TMR
World Picks: July 2021
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 7 • Truth?

Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue

14 MARCH 2021 • By Farah Abdessamad
Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Columns

The Truth About Iraq: Memory, Trauma and the End of an Era

14 MARCH 2021 • By Hadani Ditmars
The Truth About Iraq: Memory, Trauma and the End of an Era
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Interviews

The Hidden World of Istanbul’s Rums

21 FEBRUARY 2021 • By Rana Haddad
The Hidden World of Istanbul’s Rums
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
TMR 5 • Water

Iraq and the Arab World on the Edge of the Abyss

14 JANUARY 2021 • By Osama Esber
Iraq and the Arab World on the Edge of the Abyss
Columns

On American Democracy and Empire, a Corrective

14 JANUARY 2021 • By I. Rida Mahmood
On American Democracy and Empire, a Corrective
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Weekly

Academics, Signatories, and Putschists

20 DECEMBER 2020 • By Selim Temo
Academics, Signatories, and Putschists
TMR 4 • Small & Indie Presses

Hassan Blasim’s “God 99”

14 DECEMBER 2020 • By Hassan Blasim
Hassan Blasim’s “God 99”
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
Weekly

Kuwait’s Alanoud Alsharekh, Feminist Groundbreaker

6 DECEMBER 2020 • By Nada Ghosn
Kuwait’s Alanoud Alsharekh, Feminist Groundbreaker
Weekly

Breathing in a Plague

27 NOVEMBER 2020 • By TMR
Breathing in a Plague
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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