Flight Plans: From Gaza to Singapore

The bombed-out remains of the former Gaza Airport, 2014 (photo Elana Golden).

7 FEBRUARY 2025 • By Chin-chin Yap
Imperial air routes from European capitals to their Asian colonies once connected Gaza and Singapore. Under occupation, Palestinians have repeatedly been denied their own civil aviation; this symbol of freedom, modernity and statehood is deeply connected to their quest for sovereignty.

 

Chin-chin Yap

 

The first people to fly from Gaza to Singapore were four Australian aviators in 1919. Ross Smith was a decorated Australian Flying Corps pilot; T. E. Lawrence, who flew in Smith’s plane on several occasions, declared that Smith “climbed like a cat up the sky.” (T.E. Lawrence, Seven Pillars of Wisdom, Apostrophe Books, 1935, Ch, CXIV). Ross’ brother Keith Smith was a British Royal Air Force veteran, and accompanying them were the mechanics James Bennett and Wally Shiers. The quartet was pursuing a prize of 10,000 Australian pounds offered by the Australian government to the first team to fly from England to Australia within 30 days. On November 12 the four men set out from Hounslow Heath in a Vickers Vimy, and on November 19 they departed Cairo and flew toward Palestine. Ross Smith recalled their approach: “El Arish, Rafah, Gaza — all came into being; then out over the brim of the world of sand. Gaza from the air is as pitiful a sight as it is from the ground. In its loneliness and ruin, an atmosphere of great sadness has descended upon it. On the site of a once-prosperous town stands war’s memorial — a necropolis of shattered buildings.” (R. Smith, 14000 Miles Through the Air, Macmillan, 1922, p. 55). Eight thousand kilometers later, on December 4, the Vimy touched down to great fanfare in Singapore. The British island colony did not yet have its own airport, and that day’s improvized airstrip was the Singapore horse racing course that doubled as a rifle range and golf course. Landing on the short strip required some unorthodox creativity; in Smith’s words, “just before we touched the ground Bennett clambered out of the cockpit and slid along the top of the fuselage down to the tail-plane. His weight dropped the tail down quickly, with the result that the machine pulled up in about `100 yards after touching the ground.”

Of course, neither Gaza or Singapore, my home country, were the true highlights of this historic England-Australia flight. Still, I love this story because it captures a very different time when civil aviation promised adventure and modernity, and when Palestine, especially Gaza, had not yet been brutally decoupled from the world. During the golden age of aviation, both Gaza and Singapore featured on the pioneering route maps of the British and Dutch flag carriers Imperial Airways and KLM, stalwart stops on eastern connections unfurling from London and Amsterdam to connect the sprawling conurbations of Cairo, Baghdad, Karachi, Delhi, Calcutta, Bangkok and Batavia. It was a time when Palestine and Singapore had not yet embarked upon the diverging paths that would give rise to the saying that Palestine, or Gaza, could have been the Singapore of the Middle East. This proposition, likely first articulated in 1988 in a New York Times letter to the editor, mainly services a neoliberal vantage point that faults Gaza’s leaders for deliberately eschewing a path of prosperity and stability, blithely ignoring the issue of Palestinian self-determination and a host of political factors. Nevertheless, this flawed Gaza-Singapore analogy stirred up unexpected emotions of empathy and curiosity in me, as if Gaza, that walled-off yet spectacularly mediatized source of suffering, was shedding its light afar upon my relatively fortunate country and myself.

Chin-chin Yap's new book is Palestine in the Air, published by Bloomsbury.
Chin-chin Yap’s new book is Palestine in the Air, published by Bloomsbury.

I traveled to Gaza and the West Bank thrice to research and produce documentaries on refugee issues,. Out of all the occupation’s material manifestations I found Israel’s elaborate obstacles to Palestinian mobility most absurd and cruel. To get on an airplane, Palestinians in the West Bank and East Jerusalem mostly travel to Amman to fly from Queen Alia International Airport; the few that fly through Israel’s Ben Gurion International Airport often endure humiliating security checks and invasive interrogations. After Hamas gained control of Gaza in 2006, Palestinians from Gaza would travel to Egypt and through the Sinai desert to take a plane from Cairo. The Rafah crossing to Egypt opened irregularly depending on political and security developments, and people often waited weeks or months for the necessary permits to exit for medical treatment, education, employment and business opportunities. Many Palestinians outside Gaza were also stuck waiting for the crossing to reopen so they could go home.

During my first trip to Gaza with the artist Ai Weiwei who was directing Human Flow, his documentary about the global refugee crisis, the Rafah crossing happened to open, and our local fixers rushed us there to film the assembling crowds. Leaving Gaza was a multi-stage process involving hours of waiting in consecutive locations: first in a repurposed basketball court, then in the checkpoint’s waiting premises, then in the bus terminal where buses departed to Egypt. After what seemed like hours, one fully packed bus departed through the compound gates, only to return shortly with the same busload of faces, now fallen and angry. “What happened?” I asked our fixer. He shrugged, resignedly. “Security.’” It had been a long day for our film crew, but it had taken months or even years for some Palestinians to get on that bus. Then, in one surreal moment, a young man leaned out of the bus window and excitedly shouted, “Hey — Ai Weiwei!” As the dejected passengers disembarked, the young man came over to chat with us, and it transpired that he was a Palestinian now living in New York and trying to return home! It was an unexpectedly poignant moment, this motley bunch of current and former New Yorkers finding each other at the Rafah crossing.

Imperial Airways, Gaza. Gaza Strip, ca. 1935. Photograph.
Aircraft Hanno, Imperial Airways, Gaza Strip, circa 1935 (courtesy Library of Congress).

Ground to Air

In fact, just over 100 years ago, Palestine already hosted purpose-built airstrips whereas Singapore had none. The military aerodromes throughout Palestine were first built by the Ottomans and taken over by Britain’s Royal Air Force as the First World War ended. The Allied powers carved up the Ottoman Empire’s territories, and the League of Nations would grant Britain the Mandate for Palestine. Eight thousand kilometers to the east, another strategically located imperial outpost celebrated its centenary as a British crown colony. Since 1819, Singapore, an island at the southernmost tip of the Malay Peninsula, had flourished as a port due to its prime location in the Malacca Straits, through which all marine traffic traveling from the South China Sea had to traverse to reach the Indian Ocean. In the following decade Britain, pressured by the United States’ waxing maritime power and Japanese expansionism in the Far East, decided to construct its main Pacific naval base in Singapore, which included Seletar Airfield as the RAF’s first regional base.

Although these early airstrips began for military purposes, the popular fascination with civil aviation in America and Europe spread eastward like wildfire. The first demonstration flight in Singapore was performed in 1911 by the Belgian aviator Joseph Christaens, whose Bristol Boxkite biplane had been specially shipped in for the occasion. Two years later, the French aviator Jules Védrines became the first pilot to land in Palestine in his Blériot monoplane during a historic 5,400 kilometer race from Paris to Cairo. And then, in 1919, the historic England-Australia flight by the Smiths, drawing a definitive line in the air between eight countries, and between Gaza and Singapore. In May 1933 the Dutch flag carrier KLM added Singapore to its 9,000-kilometer Amsterdam-Batavia flight route, which also included Gaza as a stopover. The journey took nine days in Fokker XII and XVIII planes that each seated four passengers and four crew. In December that same year, Britain’s Imperial Airways inaugurated its long-haul flying boat service from London to Singapore, which traversed 21 stops including Paris, Athens, Alexandria, Baghdad, Gaza, Karachi, Delhi, Calcutta and Bangkok. Clocking in at ten days, the trip was significantly shorter than the 19-day ocean journey from London to Singapore. The flying boats could hold 17 passengers who were treated to a full-service menu, wine pairings and cigarettes. 

The promising advent of these early air connections between Gaza and Singapore was soon aborted. In the next decades, their trajectories sharply diverged with the two nations’ political fortunes. Singapore was occupied by the Japanese from 1942 to 1945, joined the Federation of Malaysia in 1963 and left two years later become an independent state. Singapore’s Changi International Airport and its flag carrier Singapore Airlines are centerpieces of the city-state’s economic success story. As rapid advances in aviation technologies enabled the production of bigger and faster airplanes that required longer runways, Seletar Airport would soon be replaced by Kallang Airport in 1937, Paya Lebar Airport in 1955, and then Changi International Airport in 1981. In 1937 Wearne’s Air Service began the first domestic air service connecting Singapore to cities on the Malaysian peninsula. Singapore Airlines emerged from the corporate restructuring of Malaysian-Singapore Airlines in 1972 and went on to become one of Singapore’s most iconic brands with a 13 billion USD market capitalization.

Today, Changi Airport is an apt synecdoche for the city-state: a model of political life built upon concentrated and ceaseless flows of connectivity, transaction, consumption and surveillance. Every 80 seconds, a plane alights or departs; every flight is international since the island is too small for domestic flights. The silver lining of Singapore’s tiny geographical footprint is that many of its citizens are compelled to travel and learn about other cultures and systems; the young nation is an exquisitely managed model of the free market underpinned by selective state control, finely calibrated to exploit geopolitical and macroeconomic risks rippling from other ruptures of the world.

If we trace these ripples back through time, we see that even though Imperial Airways and KLM discontinued their empire routes decades ago, the neo-colonial tentacles of domination and extraction are still powerfully alive in contemporary guise. Gaza and Singapore, no longer visibly connected on aviation maps, have become waystations of another type—two different manifestations of late capitalism, reflecting dual outcomes of internationalized capital, accelerating inequality and mediatized hyperrealities. Mandatory Palestine’s civil aviation ended with the establishment of the State of Israel and the Nakba of 1948 in which 750,000 Palestinians were killed or forcibly displaced. For the next four decades, Palestinians were violently scattered in exile and in refugee camps, their political factions operating from Jordan, Lebanon and Tunisia. In 1993 and 1995 the Oslo Accords between Israel and the PLO created a blueprint for limited Palestinian autonomy in the Gaza Strip and West Bank, which included provisions for a Palestinian airport and airline. 

Yasser Arafat International Airport, 2008, Wikimedia Commons CC-BY-SA 2.0
Yasser Arafat International Airport, 2008 (photo Wikimedia Commons CC-BY-SA 2.0).

A Break in the Clouds

“You had a Palestinian passport … you feel you are a human. You fly from your own land, on your own airline.” Najib Abu Jobain, an Associated Press producer originally from Gaza, spoke for many Gazans who ecstatically welcomed the Gaza International Airport and Palestinian Airlines. The airport and airline were the most prominent symbols of Palestinian autonomy, promising to literally connect Palestinians with the world. Palestinian Airlines undertook its first flight in 1997 with just three planes in its fleet; the Gaza International Airport was inaugurated by Yasir Arafat and President Bill Clinton in 1998. This new epoch of Palestinian aviation only lasted a couple of years. When the second intifada broke out in 2000, Israel destroyed the Gaza airport and its runway; Palestinian Airlines was forced to relocate across the border to Egypt, where its business faltered and never recovered. Today, many children in Gaza have never seen a civilian flight crossing their skies. They are, however, intimately familiar with Israeli drones and warplanes enforcing the occupation, which they can identify simply based on sound.

That day at the Rafah crossing, I thought that except for an accident of birth, I could have been one of those crestfallen passengers on the returned bus. We had just interviewed Mona Khurraz, a young university student on the Gaza beach, who said wistfully, “My dream is to travel the world … I want to see the second world outside and how people are living, to see places other than Gaza. We love Gaza. But what are people like outside?” (W. Ai, Human Flow: Stories from the Global Refugee Crisis, Princeton University Press, 2020, p. 273) The bus was likely packed with people like her trying to get a glimpse of that “second world” — “outside.”

As part of the long-running and pervasive dehumanization of Palestinians, we have come to regard them as a people who aren’t entitled to an airport or airline, who should jump through convoluted bureaucratic and logistical hoops just to board a plane, who may be subjected without reprieve to mass executions by airstrikes and quadcopters live 24/7 on social media, like some gruesome reality show. In our cultural imagination of the last century, Palestinians are largely absent from the grand project of air connectivity that transformed our world with new exploits and explorations. We barely think of celebrated Palestinians in aviation, with the exception of a few such as Loay Elbasyouni, the NASA engineer who helped design the Mars Rover, Suleiman Baraka the NASA astrophysicist, or, somewhat ironically, Leila Khaled, the first female airplane hijacker whom The Guardian christened “the international pin-up of armed struggle.” More ominously, the occupied territories’ airspace has become Israel’s testing grounds for aerial technologies, which are then sold to foreign governments and militias as “battle-tested” weapons to be deployed on refugees and politically undesirable populations. How did we normalize human flight — our beloved, even primordial metaphor for adventure and connection — as a medium for so many ghoulish varieties of injustice and oppression?

But all this happened in the last 80 years, a blink of the eye in historical time. Some of those bus passengers could have proudly flown on Palestinian Airlines from the Gaza airport, or their parents from an airport in Mandatory Palestine. A pilot facing massing clouds knows that they will give way to blue sky. One fine day, when peace has settled upon us, there’ll be new air connections from Gaza, or Qalandia, not only to Singapore but to all the world’s capitals. Like Ross Smith chasing his prize, we’ll see Gaza rising, and fasten our seatbelts for the descent into Palestine.

 

Chin-chin Yap

Chin-chin Yap Chin-chin Yap is a Singaporean writer and filmmaker currently living in Lisbon. She is the author of Palestine in the Air: A Cultural History of Palestinian Aviation and co-editor of Human Flow: Stories from the Global Refugee Crisis. Her articles... Read more

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Why “Burn It all Down”?

3 MARCH 2024 • By Lina Mounzer
Why “Burn It all Down”?
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Essays

The Story of the Keffiyeh

3 MARCH 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Columns

Driving in Palestine Now is More Dangerous Than Ever

29 JANUARY 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Fiction

“New Reasons”—a short story by Samira Azzam

15 JANUARY 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Art

Palestinian Artists

12 JANUARY 2024 • By TMR
Palestinian Artists
Essays

Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit

25 DECEMBER 2023 • By Malu Halasa
Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Columns

Messages from Gaza Now / 2

18 DECEMBER 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Opinion

What’s in a Ceasefire?

20 NOVEMBER 2023 • By Adrian Kreutz, Enzo Rossi, Lillian Robb
What’s in a Ceasefire?
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Arabic

Poet Ahmad Almallah

9 NOVEMBER 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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