“Counter Strike”—a story by MK HARB

Image from the game Counter Strike.

5 MARCH 2023 • By MK Harb

MK Harb

 

Sundays in Beirut are empty with something more than quietness. This Sunday was no different. My grandmother, armed with flour and olive oil, kneaded the ajeen (dough) on the balcony table until it bent to her will. She flattened the center with her elbow and said: half of the city is at the beach and the other half are back in their villages, and you have the luck of being with me. Shuf, true Beirutis do not leave their home, even on Sunday. You never know who will squat in your house! My mother, sat on the couch in her green prayer gown, moved her neck left and right to end her salat and said: stop feeding Malek’s head with nonsense. We stay here on Sundays because we enjoy the calm of the city. Not out of fear of squatters!

“Uff, Nadine. You have the audacity to say this when your trip to Syria is next week. They occupied half the homes in Ras Beirut, including yours on Makdisi street and Hariri’s blood is still fresh. Allah Yerhamo, steheh!” my grandma responded.

“Khalas, Mama. We go to Syria every year. Zahi’s sister has been there for two decades, but each summer you make a fuss out of it. It’s not like Hend assassinated Hariri!” my mother replied. “Malek, go inside and call Ghaith. Ask him what they need us to bring down to Damascus,” she commanded —

I went to my teta’s room to get the handy, the phone I spent much of my life on. Twice a week I would call my friend, Maya, and we would imagine we were celebrities living in Beirut. We acted out the ego, the confidence and the drama, but we did not know what our profession was. One time she called and asked: did you send me those beautiful red flowers? The concierge just delivered them. Even though I was half asleep, I joined her act and said: No, I was sent some too. Do you think it’s an admirer?

I called Ogero and requested an international line to Damascus. After a few rings I heard an excited Ghaith say: Maloukkkk, shlonak habibi? — “Meshta’lak. I can’t wait to see you. Mom is asking what you want us to bring down from Beirut,” I replied. “Yes, I have the list here. Two packets of Tegretol 200 MG, Sara’s seizures are worse. A few Javel bleach, a couple of Pepsi and KitKat boxes, an Eastpak bag for Luna, soon in grade 10 at the German school and whatever new DVDs are available at NabilNet,” he said. “Tekram, is that all?” I asked. “Of course not. Don’t forget the McDonalds and KFC on the way. Get as many burgers as you can. We can sell them to the neighborhood boys for fifty lira per burger. And a few twister sandwiches to bribe the customs officers,” he said as he laughed. His chuckles now carried a pubescent tone, years ahead of mine. “Malouk this trip will be your favorite one. I made so many new friends in El Mazzeh and I told them all about you. Ramez, Moaz and Adam. We are hooked on this new game called Counter Strike. You get to fight like in the American war movies,” he said.

“Eh it’s popular in Beirut too, boys play it at NabilNet. Yala habibi I will see you in a week. My mom will come in and yell about the phone bill if we talk more,” I replied. When he hung up, a trepidation creeped up on me. Ghaith was my favorite cousin, the one who drove me around Qasyoun Mountain, buying me sobar (prickly pears) and shawarma from Abu El Meesh in Bab Touma. Now I had to share him and carry guns!

 


 

The next day, I woke up determined to fight. Not just for Ghaith’s attention, but the militias in Counter Strike. I gulped my Nescafe, ate the manakeesh, wore a military cap and marched over to NabilNet. Nabil, herculean built, with a face that refused to express any emotion, ate a kunefe sandwich behind his desk. He spoke with a confidence that asserted his godliness in Lebanon. Teenagers and old men alike scurried from across the country for his bootleg DVDs. Some movies like Shakespeare in Love had the best quality available, others were recorded in a cinema in Dearborn, Michigan, with theater goers walking across the screen while we watched. Once, during Vanilla Sky, I heard a movie goer eat popcorn, but I did not mind it, it was like being in the US.

“Ahlen Malouk. How was the Princess Diaries?” Nabil asked. “Oh, my mom and I loved it,” I replied. “I’m glad to hear. So, what are you in for this time?” Nabil said. “A two-hour internet card for Counter Strike,” I said, pulling out a ten thousand-lira bill. “It’s all the rage now. Making me more money than these DVDs. Are you sure you want to play with these jungleboyz?” he asked, nodding his nose to the middle of the café. It was Ramy, Omar and Jad, with their hairy legs sat in unison. Ramy was the worst of the jungleboyz, often squirting juice out of his nose to impress the girls of the neighborhood. Little did he know the girls called him Makhta, a snot. Omar, wearing his New York Yankees hat, the one he told me a million times his uncle brought back with him from Daytona Beach. And Jad, fourteen with the muscular frame of a body builder and the moustache of a bodega owner.

My recharge card was for computer 15 in a dimly lit corner that smelled like cum and sweat. The keyboards were sticky, dirtied with dust and cigarette buds. I logged in, chose “VerdunBoy23” as my username and found myself in an abandoned beige building in Havana. My fighter was already injured, he huffed and puffed in the manner of an asthmatic child. I clicked the red cross icon and brought him back to full health. Hearing the footsteps of other fighters, I ran across the stairs and ducked behind a yellow Mercedes from the eighties.

“Who the fuck is VerdunBoy23?” yelled Ramy. “No clue, but let’s take him out,” Omar replied as he switched his hat around. Weary of my imminent death, I ran to the basilica across the road, my legs shaking. I hid behind the alter and moved my focus left and right to catch any intruder. Ten minutes later I dashed out of the basilica only to hear a loud sniper shot and see my fighter collapse. “Khod! You think you can face the boys of NabilNet,” Jad yelled as he pounded his hand on the desk. “Bas wle, I will make you pay for that,” Nabil reprimanded him from across his office. I joined the yelling and said: Why did you kill me Jad? I stepped out of the dark room and continued to say: It was me. I am trying to learn the game and you guys just wasted a two-hour recharge card. “Malouk?” Jad said with a look of surprise. “Why didn’t you tell us it was you?” — “Eh Malek, why didn’t you tell us it was you? This is a game for men. You should join GTA and play as a stripper instead,” Ramy snickered while Omar laughed and blew air into his fist. Jad smacked Ramy’s head so hard his eyes jumped out of his face. “Kess emak, shut up Ramy! Malek, come sit next to me, I’ll show you how to play,” Jad said.

I watched Jad play for an hour, his arms out and his eyes sunken. The jungleboyz left the game, assuming the role of cheerleaders, drumming on the table and chanting: Jad with the goodkill. He was merciless, killing all sorts of fighters, one in Siberia, shooting him in the chest while he was camouflaged behind a tree and another in a post-nuclear Paris, standing on top of the Eiffel Tower, watching the city set ablaze, killing six men in a row. When he finished, ranking number four in Beirut, he unclenched his jaw and stretched his arms. His face was solemn like a statue, but a minute later, he exited his trance and said: ya hek ya bala. The jungleboyz jumped and Jad stood up, his large dick shaking between his baggy shorts.

That evening, I stayed longer at NabilNet, my parents were in the mountains and the jungleboyz scored more recharge cards through Omar’s Eid money. I watched their techniques, Omar skilled at ducking, Jad with a falcon’s eye and Ramy a patient observer, willing to wait out any opponent. At eight p.m., a tall boy flaunting a medallion of the Imam Ali entered the café. He asked for a one-hour recharge card and took the computer across from Jad. He looked at us and said: Shu shabeb? Anyone up for a fight?

“Umm, sure, you can join our tour. But be warned, I don’t show mercy to strangers,” Jad said.

“I don’t either,” Zaher replied.

Ramy inched closer to Omar and whispered: that’s the Shiite boy, Zaher, who moved here. His dad opened that bakery Pizza Hiba. They say they are Hezbollah spies. Ramy and Omar stayed out of the game, leaving Zaher and Jad to dual it out. The setting of this tour was vague, the fighters perched on the roof of an industrial building during a thunder storm. They shot at each other for thirty minutes, missing by a slight mark. Near the end of the game, Jad managed to shoot Zaher in the leg. Injured, Zaher ducked behind a collapsed satellite dish, clicking the red cross icon at a frenetic pace. Jad got closer and said: this will be a good kill. Omar and Ramy, noticing Nabil’s absence, stood up, drummed across the desk and sang: good kill, good kill, good kill, Jad with the good kill. Jad stood tall, wiped the swept off his face, looked at Zaher and said: coming here was a mistake. A minute later, a loud gunshot was heard and Jad, in disbelief fell. Zaher used a hand gun and surprised Jad with a sudden death. The game ended and Zaher was crowned king of NabilNet for the day.

The jungleboyz went quiet, packed their bags and shut off their computers. Zaher broke the silence and said: good game men. Anyone up for some shisha to celebrate?

“Nfokho,” Ramy yelled. “Come on boys, let’s have some ice cream away from this twat,” he continued to say. Zaher fiddled with his necklace, looked at me and said: are they always jerks?

“Ramy more so than others,” I replied. His sorrow-filled eyes saddened me, but in that very moment I knew that to be a great fighter I had to learn from him, not Jad. “Listen, I have a proposition for you,” I said. “I want to train in combat and you have what it takes. I have a tournament coming up. How about you teach me?” — “What’s in it for me?” Zaher asked. “I will pay for your recharge cards for a week,” I replied. “Add chips and two cans of Pepsi and we have a deal,” he said. “Manak hayen, yes, we have a deal,” I said. His face wore an impish smile and he replied: see you tomorrow.

 


 

At five p.m., I was at NabilNet. I bought two internet recharge cards, two bags of Fantasia chips and two cans of Pepsi. I took the corner computers again, away from the jungleboyz and waited for Zaher’s arrival. Ten minutes later, he walked in, ginger curls dangling from his head, delicious pecs imprinted on his shirt and long black lashes that caressed the air around him. He sat with his legs wide open and said: did you log in yet?

No, I haven’t.

Well before you do, you need to change your username.

What’s wrong with VerdunBoy23?

It sounds like a girl’s username. And we are men here! Pick a name that will strike fear in the heart of your enemies. Like Jaafar!

I went quiet for a few minutes and workshopped names in my head until I found it: Abdulrahman’s Sword. Inspired by my uncle Abed, a brutish man who after a few glasses of cognac spoke with a voice so loud it woke our neighbors. Zaher winked and said: now we’re talking. We logged in to our computers and got transported to a dusty Fallujah in the midst of a busy spice bazaar. Zaher stood behind one of the vendors and I stood at the entrance of a residential building. The floor was cracked, riddled with damaged rubber tree plants, a broken office chair and a collapsed frame of The Righteous Names of God. A woman wearing a green hijab hid her son behind her back. “Hey are you okay?” I asked. She did not respond and just breathed. Zaher squeezed my hand and said: focus and follow me. We ran towards an empty square surrounded by four palm trees, ash brown in color. “Don’t move,” he yelled. I heard gun shots and saw a man falling from behind one of the palms. Zaher elbowed me and said: stay behind me, I will protect you until you are strong enough to fight.

For a week, Zaher and I camped around computer fifteen and sixteen, inhaling and exhaling together, sharing Unica bars and Fantasia chips until at one point we found our hands inside the same salt and vinegar bag. Zaher laughed, took a few of the chips out and handed them to me. The jungleboyz ignored us except Jad who assailed me with his eyes, angry at my betrayal. Though I did not care. Zaher was all I needed. He taught me the thrill of the fight. One evening, he played for four hours straight, the boys pouring in from across Hamra and Verdun to witness his marvel. Nabil, never one to miss an opportunity, charged each one of them a watching fee of five thousand liras. I sat next to him, opening his fourth Pepsi can as he shot every fighter he came across. His rage was endless. He entered the fifth hour, it was getting dark, the boys tired from standing, left one after another, gifting NabilNet to Zaher and I. Catching a breath, he looked at me and said: feed me some chips. I reached for the cheese-flavored Fantasia and put some over his tongue and bits of my right finger entered his mouth. I repeated this act, until Zaher, satiated, said: khalas, thanks habibi. We neared the end of the game, he was overcome with excitement, his body hotter than the modem next to us. His right leg shook with an intensity that caused our chairs to move as if we were in an earthquake. I closed my eyes and took in this euphoria, shaking along with him. A voice then woke me up from my trance, it was Zaher yelling: EHHHHHH. His elated tone carried a feminine inflection within it. He ended the fight and moved his index finger across the screen, counting the nationwide rankings: Zaher number two. He stood up, championed his arms in the air and looked around the café only to realize it was just us and Nabil, having his falafel sandwich. I opened a Unica bar for him and said: who cares about these assholes?

He walked over to the door and yelled to the air: exactly, who cares about these assholes! He then looked at me and said: I’m glad my best bro was here with me. Hearing him say that, my heart jumped out of my chest. To celebrate, we walked over to Mahmaset Rabea, one of the few stores that imported green apple Airheads from the US. We sat in the parking lot of my building, under a Jacaranda tree, the leaves of which filtered out the light from the streetlamps, revealing red veins swimming inside Zaher’s green eyes. He ate the last of the Airheads, licking his tongue and making a loud bang sound. He fist bumped me and said: it’s time to find a service (taxi) home. “It’s not safe at this hour,” I said. “Oh please, I used to take taxis from Bent Jbeil to Beirut at the age of ten. See these guns, they’re all I need,” he said while he kissed his right bicep. I wished I could kiss them too.

Knocking my house door, teta greeted me with her inquisitive eyes, covered in a fume of double apple shisha. “Sorry I’m late. I didn’t realize the time,” I said. “I won’t tell your mom if you won’t tell her I’m feeding the snake,” she said, a term she loved to use when she smoked shisha. “No humidity tonight, thank god,” I said. “We are lucky to have this balcony. My mother, allah yerhama, was always in heat in Beirut. She came from the north and prayed that God shelters her from the humidity. And since that prayer, the breeze never left this house,” she said while smoking her shisha. “Listen, I’m happy you’re enjoying the summer with new friends, but I don’t want you to hang out with this Zaher kid so much. Jad’s mother told me about him,” she continued to say. “Why? He’s sweet and polite. And he’s teaching me some games,” I replied.

“I’m sure he is. But you know ever since Rafiq Al Hariri was assassinated, the situation is tense. And I heard from Latifa who heard from Abu Mahmud that Hezbollah is funding his father to open a bakery in our neighborhood. They are spies. Be careful,” she said while changing the coal over her shisha. A bit of the ash fell to the ground, she ignored it and said: I’ll clean it later.

“You’re watching too many movies, teta,” I replied. “Malek, you did not live through the war. Think about it. Now it’s time for bed, go inside and close the balcony door behind you,” she commanded. Sitting in bed, watching the ceiling fan spin out of control, the flowers carved on it dancing like dervishes, I replayed feeding Zaher chips in my head. I left my grandmother’s words on the balcony, what did she know!

 


 

It’s three days till Damascus, I was happy to see Ghaith, but sad to leave Zaher. My parents went to the mountains to clean and lock our house and my grandma went to her sister’s home in Zareef. Heading down to the taxi she yelled: Why can’t Sumayyah come here? That part of Beirut smells like Baharat (seven spices)! At five p.m. I was at NabilNet waiting for Zaher. He came in fifteen minutes later, this time his smell proceeded him. It was a strange fragrance, as if one drowsed a field of lilies with gasoline. “Nice perfume,” I said. “Man, this is all the rage. Fahrenheit by this brand called Dior. I know this woman Zainab who sells unbought testers from the airport duty free. Only fifty thousand liras!” he said, happy I noticed his scent. “I’ll buy you one next time I go to her shop,” he continued to say. This time I could not hide my explosive smile as I said: hey listen, my parents are out of town till ten p.m. You want to come over? We can take a break from Counter and watch the Comedy Channel. Why not? Do you have a shisha at home? Eh, my grandma smokes, but I don’t know how to make it. Bro, I’m the argileh king, I’ll make it.

Entering the house, Zaher took his shoes off, put them aside and went into the kitchen. He maneuvered his way around it with ease, as if he had been here many times before. I watched his feet dance around our blue and white terrazzo tiles and his long arms reach for the cupboards, conjuring an afternoon snack of Lays chips, janarek (sour green plums) and Pepsi. “You can call me Argaljeh,” he said. “I love calling you Zaher,” I said with a muffled tone. When he finished his shisha operation, he smiled and said: let’s smoke it on the balcony, it’s nicer with the breeze. I loved that he indulged himself in the manner of an Ottoman prince.

Sitting on the balcony, I was faced with my grandfather’s sepia portrait, with his almond-shaped eyes and his olive-colored suit. He had a black line painted over his head, a sign that someone was martyred. Though he was no martyr, in fact he was an infamous womanizer, who died in the arms of a prostitute who lived near the port of Beirut. Her name was Warde and she wore silk whenever she saw him. My grandfather spent three nights a week at Warde’s house, returning home, with a smile cast in iron, and smelling of rose water. My grandmother could not handle that he died in the arms of his mistress so she lied and added the black line.

Haifa Wehbe, the sultry Lebanese diva.

Zaher, sitting under my grandfather, smoked his shisha, pursed his lips together and blew large circles of smoke. At one point, he put his finger in the middle of a circle, bringing it back and forth, until the smoke dissipated. Watching him, the tingling sensation in my groin returned. My ears turned red and I felt as hot as Zaher’s computer during a game. “Come sit next to me and try it,” Zaher said. I jumped across to the couch with an attempt to hide my erection. “Ntebeh, you might break your grandma’s shisha,” he said while laughing. I sat quietly next to him for a few minutes, the pipe and its burly sounds between our legs. I broke the silence and said: I’m glad we became friends. “We’re not friends. We’re brothers,” he said, pressing his hairy arms around my back. I saw an erection coming out of his shorts and it was the sign I needed to know he’s comfortable. I reclined my head on his chest while he played with my hair and smoked his shisha, sending a double apple cloud out to the streets.

We stayed like that for ten minutes, in solitude like a Beirut Sunday, until Zaher, noticing my mother’s orange Nokia phone, said: damn is that a Nokia 5200?!

Eh, it’s my mom’s. She leaves it here when she goes to the mountains, in case I need to reach her. There’s no landline there.

Can I see it?

Sure, we can play Snake if you want.

Zaher reached for the phone, his face a hall of excited impressions. I helped him slide it up and we opened the game. He played a round of Snake, called my house phone as I answered and said: hello you’ve reached KFC Rouche and laughed.

I watched him play, mesmerized, but I wanted to get his attention again. “You can also send pictures to others via Bluetooth, my mom does that all the time,” I said. “Here, let me show you,” I continued to say.

I opened the Bluetooth gallery and when I clicked on the latest photo, my heart dropped to my knees. It was a meme of Hassan Nasrallah, Hezbollah’s spiritual and political leader, superimposed on Haifa Wehbe’s album cover, Bady Eeesh. Haifa, wearing pink silk, posing in a bout of ennui, with her right index finger in her mouth. Except this time, it was not the face of a seductress, it was the face of Hassan Nasrallah floating over her body.

Never mind, I said, I don’t think it’s working.

What’s wrong?

Nothing, ensa.

“Shu fee,” he exclaimed as he stole the phone and opened the gallery. It took him a minute to take it in and then he looked at me and smacked my chin with the phone, closing the slider. He stood up and said: you are just like those assholes at NabilNet.

It’s not me! It’s my mother’s phone, Zaher come on!

Fuck you. You were just using me to learn Counter and fit in with the rest of them.

He rushed to the door to wear his shoes.

“Zaher please I’m sorry,” I yelled.

He stood at the door and said: if you ever come near me again, I will break your legs. He smacked the door causing my neighbor Nada to open hers and yell: Shu fee!

I went back to the balcony, still smelling of double apple, cursing my luck. A bird came out of my grandma’s clock announcing it was ten p.m. My parents were almost home! I cleaned the shisha to the bone, took out the garbage and rubbed a few of the naphthalene balls on the couch.

When my mother arrived with a dust and drab look, she said: yih yih, I need a shower and rushed to the bathroom. I was relieved she did not have time to take notice of the house and I went to bed, with an anger festering towards her and her memes.

The next day, I camped out at NabilNet for hours. Sequestered in my dark room, I watched the door from the corners of computer fifteen and awaited his arrival with a bag of Airheads and Pepsi. An hour passed and so did the jungleboyz, who drenched the floor with their wet bathing suits, returning from their swim at the military beach. “Ya kleb! Go outside now. You think you can just come and play with your wet clothes like monkeys! La barra.” Nabil yelled. At eight p.m., during the call for prayer, I accepted my defeat and walked home. The athan sounded more melancholic today, slow and elongated pronunciations, like the prayer recital for the deceased. Entering the house, my grandma greeted me with a plate of lahm b ajeen. “Have some good food before you go to all that fat and lard in Syria,” she said. I had four of them, oily and crispy, with the taste of the minced meat waltzing inside my mouth. My grandma did not bother asking what happened, though reading my facial expressions, she assumed Zaher and I were no more and it made her happy.

 


 

During my last days in Beirut, I avoided walking by Pizza Hiba, taking the longer route to Hamra up the Koraytem hill. Zaher stopped coming to NabilNet, which made the jungleboyz happy, Ramy saying: back to southern Beirut where he belongs. If only they understood his beauty and the way he embraced me.

That summer in Damascus, Zaher’s words stayed with me: shift left. Duck. Walk slower. Shoot from the right side of the eye. Don’t hide behind cars. His training led me to the top five fighters list in Damascus, my cousin starstruck, showed me off in front of his friends. “I told you he was Kafou,” he said. Soon after, I forgot about Zaher. A few months later, playing at NabilNet, the jungleboyz, now my cheerleaders, applauded and drummed for me: Malek with the good kill. Jad stood next to me, proud that I was back in their terrain, and watched as I neared the end of the game. I saw the last remaining fighter, hiding behind a car, his gun peeping. “Amateur,” I shouted. As I pointed at him from across a town square, he ambushed me, shooting from beneath the car. I fell, the jungleboyz yelling: nooooooo. Jad comforted me and said: it happens to the best of us. I looked across the screen, curious to see who he was and the name said: Zaher.

 

MK Harb

MK Harb Mohamad Khalil (MK) Harb is a writer from Beirut. He received his graduate degree in Middle Eastern Studies from Harvard University in 2018 where he wrote an award-winning thesis on escapism in Beirut. MK served as Editor-at-Large for Lebanon at... Read more

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22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Beirut

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Beirut

Between Two Sieges: Translating Roger Assaf in California

8 NOVEMBER 2024 • By Zeina Hashem Beck
Between Two Sieges: Translating Roger Assaf in California
Art

Beyond Our Gaze: Rethinking Animals in Contemporary Art

1 NOVEMBER 2024 • By Naima Morelli
Beyond Our Gaze: Rethinking Animals in Contemporary Art
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Fiction

The Last Millefeuille in Beirut

4 OCTOBER 2024 • By MK Harb
The Last Millefeuille in Beirut
Opinion

Lebanon’s Holy Gatekeepers of Free Speech

6 SEPTEMBER 2024 • By Joumana Haddad
Lebanon’s Holy Gatekeepers of Free Speech
Film

Soudade Kaadan: Filmmaker Interview

30 AUGUST 2024 • By Jordan Elgrably
Soudade Kaadan: Filmmaker Interview
Essays

Beyond Rubble—Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble—Cultural Heritage and Healing After Disaster
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Essays

Meditations on Palestinian Exile and Return

16 AUGUST 2024 • By Dana El Saleh
Meditations on Palestinian Exile and Return
Art

Nabil Kanso: Lebanon and the Split of Life—a Review

2 AUGUST 2024 • By Sophie Kazan Makhlouf
Nabil Kanso: <em>Lebanon and the Split of Life</em>—a Review
Fiction

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Fiction

“We Danced”—a story by MK Harb

5 JULY 2024 • By MK Harb
“We Danced”—a story by MK Harb
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Columns

Creating Community with Community Theatre

21 JUNE 2024 • By Victoria Lupton
Creating Community with Community Theatre
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Essays

Wajdi Mouawad’s “Controversial” Wedding Day

7 JUNE 2024 • By Elie Chalala
Wajdi Mouawad’s “Controversial” <em>Wedding Day</em>
Theatre

What Kind Of Liar Am I?—a Short Play

7 JUNE 2024 • By Mona Mansour
<em>What Kind Of Liar Am I?</em>—a Short Play
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Essays

Omar Naim Exclusive: Two Films on Beirut & Theatre

7 JUNE 2024 • By Omar Naim
Omar Naim Exclusive: Two Films on Beirut & Theatre
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Fiction

“I, Mariam”—a story by Joumana Haddad

26 APRIL 2024 • By Joumana Haddad
“I, Mariam”—a story by Joumana Haddad
Art

Paris, Abstraction and the Art of Yvette Achkar

1 APRIL 2024 • By Arie Amaya-Akkermans
Paris, Abstraction and the Art of Yvette Achkar
Fiction

“Paris of the Middle East”—fiction by MK Harb

1 APRIL 2024 • By MK Harb
“Paris of the Middle East”—fiction by MK Harb
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Poetry

“The Scent Censes” & “Elegy With Precious Oil” by Majda Gama

4 FEBRUARY 2024 • By Majda Gama
“The Scent Censes” & “Elegy With Precious Oil” by Majda Gama
Essays

“Double Apple”—a short story by MK Harb

4 FEBRUARY 2024 • By MK Harb
“Double Apple”—a short story by MK Harb
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Books

Huda Fakhreddine’s A Brief Time Under a Different Sun

3 DECEMBER 2023 • By Huda Fakhreddine, Rana Asfour
Huda Fakhreddine’s <em>A Brief Time Under a Different Sun</em>
Fiction

“The Followers”—a short story by Youssef Manessa

3 DECEMBER 2023 • By Youssef Manessa
“The Followers”—a short story by Youssef Manessa
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Art

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Book Reviews

The Archaeology of War

23 OCTOBER 2023 • By Arie Amaya-Akkermans
The Archaeology of War
Art & Photography

Middle Eastern Artists and Galleries at Frieze London

23 OCTOBER 2023 • By Sophie Kazan Makhlouf
Middle Eastern Artists and Galleries at Frieze London
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Fiction

I, SOUAD or the Six Deaths of a Refugee From Aleppo

9 OCTOBER 2023 • By Joumana Haddad
I, SOUAD or the Six Deaths of a Refugee From Aleppo
Theatre

Hartaqât: Heresies of a World with Policed Borders

9 OCTOBER 2023 • By Nada Ghosn
<em>Hartaqât</em>: Heresies of a World with Policed Borders
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Beirut

“The City Within”—fiction from MK Harb

2 JULY 2023 • By MK Harb
“The City Within”—fiction from MK Harb
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Cities

In Shahrazad’s Hammam—fiction by Ahmed Awadalla

2 JULY 2023 • By Ahmed Awadalla
In Shahrazad’s Hammam—fiction by Ahmed Awadalla
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Art & Photography

Newly Re-Opened, Beirut’s Sursock Museum is a Survivor

12 JUNE 2023 • By Arie Amaya-Akkermans
Newly Re-Opened, Beirut’s Sursock Museum is a Survivor
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Beirut

Remembering the Armenian Genocide From Lebanon

17 APRIL 2023 • By Mireille Rebeiz
Remembering the Armenian Genocide From Lebanon
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Beirut

War and the Absurd in Zein El-Amine’s Watermelon Stories

20 MARCH 2023 • By Rana Asfour
War and the Absurd in Zein El-Amine’s <em>Watermelon</em> Stories
Beirut

The Forced Disappearance of Street Vendors in Beirut

13 MARCH 2023 • By Ghida Ismail
The Forced Disappearance of Street Vendors in Beirut
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Book Reviews

Sabyl Ghoussoub Heads for Beirut in Search of Himself

23 JANUARY 2023 • By Adil Bouhelal
Sabyl Ghoussoub Heads for Beirut in Search of Himself
Art

On Lebanon and Lamia Joreige’s “Uncertain Times”

23 JANUARY 2023 • By Arie Amaya-Akkermans
On Lebanon and Lamia Joreige’s “Uncertain Times”
Fiction

Broken Glass, a short story

15 DECEMBER 2022 • By Sarah AlKahly-Mills
<em>Broken Glass</em>, a short story
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Art & Photography

Our Shared Future: Marwa Arsanios’ “Reverse Shot”

28 NOVEMBER 2022 • By Mariam Elnozahy
Our Shared Future: Marwa Arsanios’ “Reverse Shot”
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Fiction

Where to Now, Ya Asfoura?—a story by Sarah AlKahly-Mills

15 JULY 2022 • By Sarah AlKahly-Mills
Where to Now, Ya Asfoura?—a story by Sarah AlKahly-Mills
Film

Lebanon in a Loop: A Retrospective of “Waves ’98”

15 JULY 2022 • By Youssef Manessa
Lebanon in a Loop: A Retrospective of “Waves ’98”
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Fiction

Rabih Alameddine: “Remembering Nasser”

15 JUNE 2022 • By Rabih Alameddine
Rabih Alameddine: “Remembering Nasser”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Dima Mikhayel Matta: “This Text Is a Very Lonely Document”

15 JUNE 2022 • By Dima Mikhayel Matta
Dima Mikhayel Matta: “This Text Is a Very Lonely Document”
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Art & Photography

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

13 JUNE 2022 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Art & Photography

Ghosts of Beirut: a Review of “displaced”

11 APRIL 2022 • By Karén Jallatyan
Ghosts of Beirut: a Review of “displaced”
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

Sudden Journeys: From Munich with Love and Realpolitik

27 DECEMBER 2021 • By Jenine Abboushi
Sudden Journeys: From Munich with Love and Realpolitik
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

Lebanon at the Point of Drowning in Its Own…

15 DECEMBER 2021 • By Raja Abu Kasm, Rahil Mohsin
Lebanon at the Point of Drowning in Its Own…
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Music Reviews

Electronic Music in Riyadh?

22 NOVEMBER 2021 • By Melissa Chemam
Electronic Music in Riyadh?
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Book Reviews

Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War

18 OCTOBER 2021 • By A.J. Naddaff
Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility

8 AUGUST 2021 • By Anonymous
Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Art & Photography

Gaza’s Shababek Gallery for Contemporary Art

14 JULY 2021 • By Yara Chaalan
Gaza’s Shababek Gallery for Contemporary Art
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Columns

Lebanon’s Wasta Has Contributed to the Country’s Collapse

14 JUNE 2021 • By Samir El-Youssef
Lebanon’s Wasta Has Contributed to the Country’s Collapse
Columns

Lebanese Oppose Corruption with a Game of Wasta

14 JUNE 2021 • By Victoria Schneider
Lebanese Oppose Corruption with a Game of Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 3 • Racism & Identity

Find the Others: on Becoming an Arab Writer in English

15 NOVEMBER 2020 • By Rewa Zeinati
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
Beirut

An Outsider’s Long Goodbye

15 SEPTEMBER 2020 • By Annia Ciezadlo
An Outsider’s Long Goodbye
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Art

Beirut Comix Tell the Story

15 SEPTEMBER 2020 • By Lina Ghaibeh & George Khoury
Beirut Comix Tell the Story
Editorial

Beirut, Beirut

15 SEPTEMBER 2020 • By Jordan Elgrably
Beirut

It’s Time for a Public Forum on Lebanon

15 SEPTEMBER 2020 • By Wajdi Mouawad
It’s Time for a Public Forum on Lebanon
Book Reviews

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

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