Sudden Journeys: Israel’s Intimate Separations—Part 1

Hosh El-Shawish, Old City, Jerusalem (all photos courtesy Jenine Abboushi).

26 SEPTEMBER 2022 • By Jenine Abboushi
Hosh El-Shawish, Old City, Jerusalem (all photos courtesy Jenine Abboushi).
Cameras From Tel Aviv to Jerusalem

 

Dear Civil Sirs, I regret to inform you that I may have fallen in love with the wrong person…

 

Jenine Abboushi 
                                                                                                               

 

A Thousand Plateaus: Capitalism and Schizophrenia

A hundred years must have slipped by since I last returned to Palestine with my children. Israel’s feverish colonization has created unreal cities, settlements, and “territories.” And for all inhabitants in this small land, one or more of these realms is unattainable in every sense. Whoever tries to pass through Israel’s complex barricades experiences how physically separated and yet entwined Palestinian and Israeli lives have become. Israeli encroachment on Palestinian land, water, towns and villages, especially from Hebron to Nablus, navigating through Jerusalem and Bethlehem, is so intense that the Israelis are now living on top of the Palestinians, often quite literally. And the measures Israel takes to marginalize and conceal Palestinian worlds from international, and especially Israeli citizens’, view,­ have created ever more untenable alignments of space and peoples. For all its inhabitants, Israeli and Palestinian, it is a land of proliferating divisions (by restrictions, regulations, blockades) that require micro-managing to a repressive degree, like “cancerous” bodies without organs — the result of an ambitious human experiment gone south, like the one that philosophers Deleuze and Guattari envision in A Thousand Plateaus: Capitalism and Schizophrenia.

With ever harsher restrictions, Israeli policy divides Palestinians into many categories, and each category into curious subclassifications. One category — on the margins of the news at the moment — is Israeli border control of “foreigners,” or what Israel calls Palestinians like me, who have no hawiya, the identity card required to reside in the West Bank, and formerly also Gaza before the Israeli withdrawal and blockade (Israel had cut off all national and residential rights to Palestinians who were abroad in 1967). The “foreign” Palestinians likely to face even more restrictions are those who confess to amorous relationships with West Bank Palestinians (or who are proven to be in relationships), or who have immediate family living there, or who own property or stand to inherit property, or who were previously barred from entry into the country, and so on. In other words, we now have different statuses within the category of “foreign” Palestinians.

Before flying to Tel Aviv in late June of this year, I had to wade through the new border regulations for such “foreigners.” Mystified by the restrictions I read in a 97-page document titled “Activities in the Territories File of Standing Orders,” I solicited interpretations from journalist friends and even travel agents. I was trying to find out if I could fly into Tel Aviv, or whether I would be forced to cross the Allenby Bridge from Jordan to Jericho, at 381 meters below sea level, and at what cost. Ibrahim, a classmate from my Ramallah Friends School days who now practices law in Boston, studied the document and confirmed that the new regulations are deliberately convoluted. Eventually itakalna 3la Allah, as we say, hoping for the best, our plan was to all meet in Ramallah, implausibly and cheekily, for a class reunion.

Waiting for the Barbarians by J.M. Coetzee.

But until the day we were to travel to Tel Aviv airport or by land to Jericho over the Jordan River, we continued to try to decipher the more alarming travel requirements, such as the possibility of being ordered to surrender large sums of money (7,000 and 20,000 euros) to the Israelis at the border. “The Head of the Population Registry Unit at the Civil Administration is authorized to require a guaranty of up to 25,000 shekels,” and “The Head of the Documentation and Registration Department at COGAT is authorized to require a guaranty of up to 70,000 shekels,” and finally, raising the amount to indefinite heights, the “Head of the Operations Department at COGAT is authorized to require a guaranty of more than 70,000 shekels” (COGAT, or the Coordination of Government Activities in the Territories, is the “civil” Israeli administration in the Palestinian territories). After we leave the country (“we” being whoever had such money to spare), the said sum would be returned to us by mail if the Israeli authorities judged us to have followed all regulations during our stay; otherwise, they would “confiscate” the amount, offering us 45 days to appeal and prove their assessment erroneous.

Ironically, Israel enacted these new regulations in pursuit of its goal that Israeli citizens be allowed to enter the United States with no visa requirement. The US government (probably with pressure from Palestinian American advocacy movements) asks that that Israel cease to harass Palestinian Americans trying to enter the West Bank to visit family, study, teach at the universities, and pursue professional activity. The Israelis promised the Americans to clarify their policy in (the ancient kingdoms of) “Judea and Samaria,” their archaic term for the West Bank. The biblical name of course is part of a settler-colonial project to fabricate indigeneity, and to efface over 2,000 years of subsequent civilizations. It is also akin to fundamentalist imaginings of others, like those who attempt to dress and behave like a prophet and live in his times. More frequently, Israel’s new border regulations refer to what land remains of the West Bank, where over three million Palestinians live today, as “The Area” (using the language of dystopian sci-fi). Palestinians are either “residents” or not of “The Area.” Most of the document’s references to people and places resemble those of novelist J.M. Coetzee in his imagined exemplar of all empires — the abstract, unnamed, and unlocatable “empire of pain” of Waiting for the Barbarians.

Almost perversely, then, instead of “clarifying” their regulations for the US government, the Israelis added many restrictions and requirements that did not previously exist, making border crossing for Palestinian Americans, for example, even more difficult than it was before, and in many cases impossible. The newest version of the Israeli regulations has been reduced from 97 to 90 pages, thanks to minor revisions. The European Union (which has some sway over the Israelis because they benefit from exceptional amounts of Erasmus funding), in addition to the Biden administration, made the Israelis remove the quotas for “foreign” students and teachers allowed in. But both the Europeans and Americans seemed to have no problem, for example, with the guaranties the Israelis can require at the border, or the harassing and unintentionally hilarious applications for entry, through which the Israelis vet student and faculty credentials like wannabe Ivy League universities. The Israelis also apparently had to take out the designated 30-day deadline — as it appears in the first version of the document — that is given to “foreigners” to inform COGAT should they start a relationship with a West Bank Palestinian. If this is the case, these minor revisions will unfortunately abort artistic projects-in-the-making — video or letter confessionals to the authorities, as in, “Dear Civil Sirs, I regret to inform you that I may have fallen in love with the wrong person…” 

 

I filled out an online form and received permission to land in Tel Aviv airport — but with no guarantee, stipulates the authorization, of entry into the country.

Before I flew into Tel Aviv, I already knew from my trip with the children in 2015 that I had better reserve a hotel room in Jerusalem for the first few nights before going to Ramallah, so that I would not run the risk of getting barred from the West Bank, or from Jerusalem and the rest of the country (entry rules differ). It is expensive for Palestinians to travel, as they cannot take convenient flights (like the direct El Al one I, with my foreign passport, could have taken, but did not — not wanting the guaranteed strip-search and foul interrogation in a French airport before even boarding). To travel, West Bank Palestinians have to fly out of Amman, taking a laborious and costly two-part trip.

I filled out an online form and received permission to land in Tel Aviv airport — but with no guarantee, stipulates the authorization, of entry into the country. Walking to and fro in the airplane aisle, I was unsurprised to observe that I was perhaps the only Palestinian on board. Upon arrival I found that the airport was unrecognizable, fully renovated since I had last entered, with no special lines for the natives, and no apparent infrastructure to interrogate and strip-search us (because Palestinians with hawiyas have for years been prohibited from flying into Tel Aviv, and can only enter the West Bank over the bridge from Jordan). It turned out that the new regulations were suspended until September 5, and now, as I write, until October. I may soon be barred from flying into Tel Aviv, despite my foreign passport, and consequently have to travel over the bridge, especially if I stand to inherit property, or if I couple up with a hawiya type.

Surveillance Camera Tree, Nablus Road, Jerusalem.

But my border-crossing this time was different. Once in Tel Aviv airport, we inched down an attractively designed slope to passport control, in an unattractively lengthy line, for what I estimated was a three-hour wait. A moving walkway right next to this line allows those who just showed up to cut ahead of everyone. This illogical organization, and the oppressive wait, was somewhat reassuring to me, as I hoped to slip through the gaps. And sure enough, soon a border policewoman arrived to pass out a stack of small, magic blue papers, asking each person the purpose of their visit before passing them a blue slip. She looked me in the eye and handed me one without a word and without even glancing at my passport. I could just leave. I wondered if I had already been identified, by means of the biometric controls used before and after passport control, which take headshots repeatedly with a camera that seems to pierce the eyes, or by the pre-travel online application. Probably I was fully identified, and the police did not bother investigating at that border, perhaps because I have long passed the age of invincibility.

I rode the train to the central bus station in West Jerusalem. The tram that takes travelers from the bus station to a stop near Damascus Gate was not working. I asked a young woman about the bus, but she had never heard of the Old City, or Damascus Gate. Later I thought perhaps she could have directed me to the Wailing Wall. Her ignorance of anything outside of her world and just down the road made my surroundings feel even more unreal and disorienting. 

During that first evening in Jerusalem, I walked all over the old city with a friend, who remarked that Palestinian resistance is finished in the Old City because of the surveillance cameras, with the exception of the Bab Hutta neighborhood adjacent to Al-Aqsa Mosque. As we walked through the Old City, he pointed out the unimaginable number of surveillance cameras. It is as if the city now serves as a display window for Israel’s global business in security systems (which for decades has also included training many countries’ police, military, and various secret services in torture, surveillance, racial profiling techniques, and forcibly dispersing demonstrations). If any Palestinians attempt acts of resistance and flee, disguising themselves, the chains of computerized surveillance cameras throughout the city reconstruct images of their body parts captured on camera during the getaway. A young man tried to stab an Israeli that day in the Old City, barely wounding him. “How long will he be imprisoned?” “About 18 years.”

We chat as we wind along. The Israelis have their eyes on big properties in the Old City, and offer Palestinian owners vast sums of money for them, my friend explains. Several such Palestinians have sold their homes to Israelis. But if someone tracks down just one person who sells property to the Israelis and then makes off to the US to hide out with their riches, there would likely be no more sales to the Israelis. For now, these new resident Israelis move into the heart of the Old City to live in their militarized outposts, behind thick metal doors, surrounded by unwanted neighbors. The Israeli residents hire private security guards, excessively armed, to walk them to their bunkers, and even escort their children. I saw an ultra-Orthodox man under heavy guard pass into Hosh el-Shawish alleyway carrying bags of toilet paper, vegetables, and bananas, and passing in front of us as we drank coffee right up against his metal door. The Palestinian who runs the little café, stuck in an elbow of this narrow path, described to me the inside of their massive space. He knows it well, as every week the families who live behind the metal door ask him to come in and turn off, and then on, the lights before and after their Sabbath. They live in intimate exchange, to say the least. And with the tens of thousands of surveillance cameras strung throughout a Jerusalem teeming with soldiers, informants, and troops of private security guards, all is well! And the Palestinians grow more dispossessed by the month.

In the late evening, we got some mint tea in paper cups from a cart in Musrara, just across from Damascus Gate, run by a vendor nicknamed El-Dawi (and he lights our way!). We sat on the stairs of Damascus Gate. As the evening and the city spread out before us, we felt this fortress of Suleiman the Magnificent become a Palestinian living room. We partook in the gathering, conversation, and sahra, in our soft evening together. The Israeli soldiers in heavy gear, hovering in their ugly implantations at the top of the stairs and at the entrance to Damascus Gate, did not drag off any young people to beat and arrest that evening. No one paid them any heed.

The Palestinians of the Old City are increasingly impoverished, living in cramped quarters, so the cool night and beauty of the city felt refreshing. A father played with his little boy on the steps, hugging and wrestling him right next to us, as he conversed with his wife. We felt we were invited into their home. Two young teens this family knows called out in glee from atop Damascus Gate, the center battlement, arms raised gallantly, and they are the kings of Jerusalem! Jerusalem belongs to them.

 

Read the continuation of this column in Part 2: From Jerusalem to Ramallah and Ein Qinya, coming October 31, 2022.

Jenine Abboushi

Jenine Abboushi

Jenine Abboushi is a Palestinian American writer, freelancer, and traveler, especially around home. She lived for many years in the United States, Palestine, Morocco and Lebanon, and now makes her home in Marseille. A TMR contributing editor and senior writer, you can follow her on Twitter @jenineabboushi.

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Essays

Lament For My Dear Cousin and Friend in Tulkarm

3 OCTOBER 2025 • By Thoth
Lament For My Dear Cousin and Friend in Tulkarm
Columns

Longing for Love in a Time of Genocide

26 SEPTEMBER 2025 • By Souseh
Longing for Love in a Time of Genocide
Fiction

Diba’s House

26 SEPTEMBER 2025 • By Sara Masry
Diba’s House
Featured article

Together for Palestine — Truly Historic

19 SEPTEMBER 2025 • By TMR
Together for Palestine — Truly Historic
Book Reviews

How the Media Fails Armenia and Palestine

19 SEPTEMBER 2025 • By Gabriel Polley
How the Media Fails Armenia and Palestine
Uncategorized

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Film Reviews

New Documentaries from Palestine, Sudan, Afghanistan, and Iran

12 SEPTEMBER 2025 • By Yassin El-Moudden
New Documentaries from Palestine, Sudan, Afghanistan, and Iran
Film

Once Upon a Time in Gaza Wants to Be an Indie Western

29 AUGUST 2025 • By Karim Goury
<em>Once Upon a Time in Gaza</em> Wants to Be an Indie Western
Essays

From Stitch to Symbol: The Power of Palestinian Tatreez

22 AUGUST 2025 • By Joanna Barakat
From Stitch to Symbol: The Power of Palestinian Tatreez
Uncategorized

Amal Doesn’t Even Know What a Banana Is: Child Malnutrition in Gaza

1 AUGUST 2025 • By Asem Al Jerjawi
Amal Doesn’t Even Know What a Banana Is: Child Malnutrition in Gaza
Essays

“A Love That Endures”: How Tamer and Sabreen Defied War and Death

25 JULY 2025 • By Husam Maarouf
“A Love That Endures”: How Tamer and Sabreen Defied War and Death
Art & Photography

August World Picks from the Editors

25 JULY 2025 • By TMR
August World Picks from the Editors
Featured article

“Silence is Not the Way”—Arab Writers Against Israel’s Genocide

18 JULY 2025 • By Jordan Elgrably
“Silence is Not the Way”—Arab Writers Against Israel’s Genocide
Essays

Unwritten Stories from Palestine

4 JULY 2025 • By Thoth
Unwritten Stories from Palestine
Book Reviews

Palestine’s Places and Memorials Are Not Forgotten

4 JULY 2025 • By Gabriel Polley
Palestine’s Places and Memorials Are Not <em>Forgotten</em>
Essays

A Voice That Defied Silence: The Legacy of Dr. Refaat Al-Areer

4 JULY 2025 • By Taqwa Ahmed Al-Wawi
A Voice That Defied Silence: The Legacy of Dr. Refaat Al-Areer
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Essays

Doaa: From a Dreamworld to the Ashes of Displacement

30 MAY 2025 • By Taqwa Ahmed Al-Wawi
Doaa: From a Dreamworld to the Ashes of Displacement
Books

Editors’ 2025 Palestinian Lit List

15 MAY 2025 • By TMR
Editors’ 2025 Palestinian Lit List
Books

Poet Mosab Abu Toha Wins Pulitzer Prize for Essays on Gaza

9 MAY 2025 • By Jordan Elgrably
Poet Mosab Abu Toha Wins Pulitzer Prize for Essays on Gaza
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Art

Neither Here Nor There

2 MAY 2025 • By Myriam Cohenca
Neither Here Nor There
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Poetry

Three Poems by Najwan Darwish

22 APRIL 2025 • By Najwan Darwish
Three Poems by Najwan Darwish
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Essays

A Conversation Among My Homeland’s Trees

7 MARCH 2025 • By Alia Yunis
A Conversation Among My Homeland’s Trees
Art

Finding Emptiness: Gaza Artist Taysir Batniji in Beirut

21 FEBRUARY 2025 • By Jim Quilty
Finding Emptiness: Gaza Artist Taysir Batniji in Beirut
Book Reviews

Omar El Akkad & Mohammed El-Kurd: Liberalism in a Time of Genocide

14 FEBRUARY 2025 • By Rebecca Ruth Gould
Omar El Akkad & Mohammed El-Kurd: Liberalism in a Time of Genocide
Centerpiece

Ravaged by Fire

7 FEBRUARY 2025 • By Francisco Letelier
Ravaged by Fire
Book Reviews

Memories of Palestine through Contemporary Media

7 FEBRUARY 2025 • By Malu Halasa
Memories of Palestine through Contemporary Media
Essays

Flight Plans: From Gaza to Singapore

7 FEBRUARY 2025 • By Chin-chin Yap
Flight Plans: From Gaza to Singapore
Cuisine

“Culinary Palestine”—Fadi Kattan in an excerpt from Sumud

31 JANUARY 2025 • By Fadi Kattan
“Culinary Palestine”—Fadi Kattan in an excerpt from <em>Sumud</em>
Arabic

Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza

17 JANUARY 2025 • By Yasmeen Hanoosh, Huda Fakhreddine
Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza
Book Reviews

Radwa Ashour’s Classic Granada Now in a New English Edition

17 JANUARY 2025 • By Guy Mannes-Abbott
Radwa Ashour’s Classic <em>Granada</em> Now in a New English Edition
Book Reviews

Maya Abu Al-Hayyat’s Defiant Exploration of Palestinian Life

20 DECEMBER 2024 • By Zahra Hankir
Maya Abu Al-Hayyat’s Defiant Exploration of Palestinian Life
Art & Photography

Palestine Features in Larissa Sansour’s Sci-Fi Future

6 DECEMBER 2024 • By Larissa Sansour
Palestine Features in Larissa Sansour’s Sci-Fi Future
Books

Susan Abulhawa at Oxford Union on Palestine/Israel

6 DECEMBER 2024 • By Susan Abulhawa
Susan Abulhawa at Oxford Union on Palestine/Israel
Essays

A Fragile Ceasefire as Lebanon Survives, Traumatized

29 NOVEMBER 2024 • By Tarek Abi Samra
A Fragile Ceasefire as Lebanon Survives, Traumatized
Art

Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek

22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Essays

A Jewish Meditation on the Palestinian Genocide

15 NOVEMBER 2024 • By Sheryl Ono
A Jewish Meditation on the Palestinian Genocide
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Memoir

“The Ballad of Lulu and Amina”—from Jerusalem to Gaza

1 NOVEMBER 2024 • By Izzeldin Bukhari
“The Ballad of Lulu and Amina”—from Jerusalem to Gaza
Art & Photography

The Palestinian Gazelle

1 NOVEMBER 2024 • By Manal Mahamid
The Palestinian Gazelle
Opinion

Should a Climate-Destroying Dictatorship Host a Climate-Saving Conference?

25 OCTOBER 2024 • By Lucine Kasbarian
Should a Climate-Destroying Dictatorship Host a Climate-Saving Conference?
Book Reviews

The Walls Have Eyes—Surveillance in the Algorithm Age

18 OCTOBER 2024 • By Iason Athanasiadis
<em>The Walls Have Eyes</em>—Surveillance in the Algorithm Age
Book Reviews

The Hybrid—The Case of Michael Vatikiotis

18 OCTOBER 2024 • By Rana Haddad
The Hybrid—The Case of Michael Vatikiotis
Essays

Palestine, the Land of Grapes and Wine

11 OCTOBER 2024 • By Fadi Kattan, Anna Patrowicz
Palestine, the Land of Grapes and Wine
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Art

Visuals and Voices: Palestine Will Not Be a Palimpsest

4 OCTOBER 2024 • By Malu Halasa
Visuals and Voices: Palestine Will Not Be a Palimpsest
Essays

Shamrocks & Watermelons: Palestine Politics in Belfast

4 OCTOBER 2024 • By Stuart Bailie
Shamrocks & Watermelons: Palestine Politics in Belfast
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Art

Activism in the Landscape: Environmental Arts & Resistance in Palestine

4 OCTOBER 2024 • By Katie Logan
Activism in the Landscape: Environmental Arts & Resistance in Palestine
Poetry

Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib

4 OCTOBER 2024 • By Nasser Rabah, Amanee Izhaq, Mai Al-Nakib, Wiam El-Tamami
Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib
Essays

Meta’s Community Standards as a Tool of Digital/Settler-Colonialism

6 SEPTEMBER 2024 • By Omar Zahzah
Meta’s Community Standards as a Tool of Digital/Settler-Colonialism
Books

“Kill the Music”—an excerpt from a new novel by Badar Salem

16 AUGUST 2024 • By Badar Salem
“Kill the Music”—an excerpt from a new novel by Badar Salem
Film

World Picks from the Editors: AUGUST

2 AUGUST 2024 • By TMR
World Picks from the Editors: AUGUST
Book Reviews

Israel’s Black Panthers by Asaf Elia-Shalev—a Review

19 JULY 2024 • By Ilan Benattar
<em>Israel’s Black Panthers</em> by Asaf Elia-Shalev—a Review
Art & Photography

World Picks from the Editors: July 15 — August 2

12 JULY 2024 • By TMR
World Picks from the Editors: July 15 — August 2
Fiction

“The Cockroaches”—flash fiction

5 JULY 2024 • By Stanko Uyi Srsen
“The Cockroaches”—flash fiction
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Essays

A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance

24 MAY 2024 • By Nancy Kricorian
A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance
Art

Demarcations of Identity: Rushdi Anwar

10 MAY 2024 • By Malu Halasa
Demarcations of Identity: Rushdi Anwar
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Centerpiece

Memory Archive: Between Remembering and Forgetting

3 MAY 2024 • By Mai Al-Nakib
Memory Archive: Between Remembering and Forgetting
Art & Photography

Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

3 MAY 2024 • By Gabriel Polley
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Book Reviews

Palestinian Culture, Under Assault, Celebrated in New Cookbook

3 MAY 2024 • By Mischa Geracoulis
Palestinian Culture, Under Assault, Celebrated in New Cookbook
Art

Malak Mattar: No Words, Only Scenes of Ruin

26 APRIL 2024 • By Nadine Nour el Din
Malak Mattar: No Words, Only Scenes of Ruin
Opinion

Equating Critique of Israel with Antisemitism, US Academics are Being Silenced

12 APRIL 2024 • By Maura Finkelstein
Equating Critique of Israel with Antisemitism, US Academics are Being Silenced
Opinion

Censorship over Gaza and Palestine Roils the Arts Community

12 APRIL 2024 • By Hassan Abdulrazzak
Censorship over Gaza and Palestine Roils the Arts Community
Art

Past Disquiet at the Palais de Tokyo in Paris

1 APRIL 2024 • By Kristine Khouri, Rasha Salti
<em>Past Disquiet</em> at the Palais de Tokyo in Paris
Essays

Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay

1 APRIL 2024 • By Sasha Moujaes, Jordan Elgrably
Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay
Book Reviews

Fady Joudah’s […] Dares Us to Listen to Palestinian Words—and Silences

25 MARCH 2024 • By Eman Quotah
Fady Joudah’s <em>[…]</em> Dares Us to Listen to Palestinian Words—and Silences
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Essays

The Story of the Keffiyeh

3 MARCH 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Book Reviews

Love Across Borders—on Romance, Restrictions and Happy Endings

4 FEBRUARY 2024 • By Lina Mounzer
<em>Love Across Borders</em>—on Romance, Restrictions and Happy Endings
Columns

Driving in Palestine Now is More Dangerous Than Ever

29 JANUARY 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Fiction

“New Reasons”—a short story by Samira Azzam

15 JANUARY 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Columns

Messages from Gaza Now / 2

18 DECEMBER 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Book Reviews

The Fiction of Palestine’s Ghassan Zaqtan

13 NOVEMBER 2023 • By Cory Oldweiler
The Fiction of Palestine’s Ghassan Zaqtan
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Arabic

Poet Ahmad Almallah

9 NOVEMBER 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

The Failure of Postcolonial Modernity in Siddhartha Deb’s Light

17 JULY 2023 • By Anis Shivani
The Failure of Postcolonial Modernity in Siddhartha Deb’s <em>Light</em>
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
Book Reviews

A Debut Novel, Between Two Moons, is set in “Arabland” Brooklyn

15 MAY 2023 • By R.P. Finch
A Debut Novel, <em>Between Two Moons</em>, is set in “Arabland” Brooklyn
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

Nabeul, Mon Amour

5 MARCH 2023 • By Yesmine Abida
Nabeul, Mon Amour
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Art & Photography

Becoming Palestine Imagines a Liberated Future

27 FEBRUARY 2023 • By Katie Logan
<em>Becoming Palestine</em> Imagines a Liberated Future
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Featured article

The Greek Panopticon, Where Politicians Spy on Democracy

15 DECEMBER 2022 • By Iason Athanasiadis
The Greek Panopticon, Where Politicians Spy on Democracy
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 2

31 OCTOBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 2
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Columns

Unapologetic Palestinians, Reactionary Germans

15 SEPTEMBER 2022 • By Abir Kopty
Unapologetic Palestinians, Reactionary Germans
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Columns

A Palestinian Musician Thrives in France: Yousef Zayed’s Journey

22 AUGUST 2022 • By Melissa Chemam
A Palestinian Musician Thrives in France: Yousef Zayed’s Journey
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Columns

Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album

18 JULY 2022 • By Melissa Chemam
Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Essays

“Disappearance/Muteness”—Tales from a Life in Translation

11 JULY 2022 • By Ayelet Tsabari
“Disappearance/Muteness”—Tales from a Life in Translation
Book Reviews

Poems of Palestinian Motherhood, Loss, Desire and Hope

4 JULY 2022 • By Eman Quotah
Poems of Palestinian Motherhood, Loss, Desire and Hope
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Opinion

Israel and Palestine: Focus on the Problem, Not the Solution

30 MAY 2022 • By Mark Habeeb
Israel and Palestine: Focus on the Problem, Not the Solution
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY 2022 • By Mischa Geracoulis
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

Ma’moul: Toward a Philosophy of Food

15 APRIL 2022 • By Fadi Kattan
Ma’moul: Toward a Philosophy of Food
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Centerpiece

Climate Disasters Hasten the Advent of a World Refugee Crisis

15 NOVEMBER 2021 • By Omar El Akkad
Climate Disasters Hasten the Advent of a World Refugee Crisis
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Book Reviews

Poetry: Mohammed El-Kurd’s Rifqa Reviewed

15 OCTOBER 2021 • By India Hixon Radfar
Poetry: Mohammed El-Kurd’s <em>Rifqa</em> Reviewed
Columns

The Story of Jericho Sheikh Daoud and His Beloved Mansaf

15 OCTOBER 2021 • By Fadi Kattan
The Story of Jericho Sheikh Daoud and His Beloved Mansaf
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Interviews

Q & A with Nili Belkind on “Music in Conflict” in Palestine-Israel

27 JUNE 2021 • By Mark LeVine
Q & A with Nili Belkind on “Music in Conflict” in Palestine-Israel
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Editorial

Why WALLS?

14 MAY 2021 • By Jordan Elgrably
Why WALLS?
Essays

The Wall We Can’t Tell You About

14 MAY 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Art

Beautiful/Ugly: Against Aestheticizing Israel’s Separation Wall

14 MAY 2021 • By Malu Halasa
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba

2 MAY 2021 • By Eman Quotah
In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
Book Reviews

Falastin, Sami Tamimi’s “Palestinian Modern”

15 OCTOBER 2020 • By N.A. Mansour
Falastin, Sami Tamimi’s “Palestinian Modern”
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

1 thought on “Sudden Journeys: Israel’s Intimate Separations—Part 1”

Leave a Comment

Your email address will not be published. Required fields are marked *

sixteen − nine =

Scroll to Top