“The Summer They Heard Music”—a short story by MK Harb
There are some long, languid and even dangerous summers that Beirutis can never forget, and this is one of them.
There are some long, languid and even dangerous summers that Beirutis can never forget, and this is one of them.
The latest breach of a cease fire agreement in Azerbaijan left Armenians in Artsakh with nothing to rely on, writes Seta Kabranian-Melkonian.
Aliyeh Ataei's new essay centers on a young woman exploring herself as a writer while choosing life in Paris.
London-based Iraqi playwright Hassan Abdulrazak enthuses on the 2023 Shubbak theatre arts extravaganza, June 23-July 9.
Writer-photographer Ara Oshagan mediates on the borders between North and South Korea and the blockaded enclave of Artsakh.
Seta Kabranian-Melkonian, author and widow of the late Monte “Avo” Melkonian, commander of the Artsakh War for Independence, recounts the tale.
Franco-Egyptian filmmaker Karim Goury reviews the new feature film from Franco-Israeli director Michael Boganim.
Karim Goury talks to the director of the new feature film on war, love and borders, Tel Aviv-Beirut.
Anam Raheem spent five years working in Gaza and the West Bank, and felt herself at home among the Palestinians who befriended her.
In this, the second of a three-part travel series on Israel/Palestine, Jenine Abboushi continues her dystopic journey.
In a new three-part travel series on Israel/Palestine, Jenine Abboushi lays bare the surveillance state.
Maisan Hamdan, a single Palestinian woman, attempts to survive in Berlin without a cell phone.
Mischa Geracoulis reviews dance music from the LA Armenian/Middle Eastern duo, Bei Ru and Krista Marina.
Melissa Chemam in her latest music column interviews Tunisian electro-world creator Imed Alibi.
Taline Voskeritchian reviews the latest film from Nora Martirosyan about the tiny country fought over by Armenia and Azerbaijan.