The Hybrid—The Case of Michael Vatikiotis

Levantine fantasy map (courtesy Paradox Plaza).

18 OCTOBER 2024 • By Rana Haddad
How can someone of hybrid background and loyalties operate in multiple spheres including writing, journalism and politics, where narratives are very often set by people from mono-cultural backgrounds who belong more neatly in one camp or another?

 

Lives Between the Lines: A Journey in Search of the Lost Levant, by Michael Vatikiotis
Weidenfeld & Nicholson 2021
ISBN 9781474613224

 

Rana Haddad

 

In a world where identities are painted like lines on a football pitch, most of us are expected to pick a team if we want to belong. This seems even more true if one happens to be a journalist, historian or diplomat, who wants their books and ideas to be widely heard in the public sphere. But when you’re the grandson of multiple cultures, ethnicities and nations, you cannot believe and tell only one story, nor be a blindly loyal citizen to only one nation while remaining true to yourself. 

So how did Michael Vatikiotis, a man of a dizzyingly hybrid background, navigate the famously tricky worlds of journalism, historical writing (both fiction and nonfiction), and serve as a behind-the-scenes and back channel peace negotiator in some of the world’s most intractable conflicts? I was very curious to hear his story, given that I was a hyphenated writer myself, who had struggled to find solid footing in the world of British broadcast journalism. 

Lives Between the Lines Michael Vatikiotis cover
Lives Between the Lines is published by Weidenfeld and Nicolson.

I came to England from Syria with my family at the age of 15, after having only had an Arabic language education, with French on the side and no English. Being Syrian with a Greek Orthodox Christian father and a Dutch Armenian mother who was born and raised in Indonesia and Singapore, I found it difficult to explain my background to others in the largely mono-cultural country that was Britain in the 1980s. Yet in Syria, the heart of the Levant, where I had grown up, such multicultural identities seemed par for the course in a region that had been a cultural and religious melting pot for millennia.

After reading Michael Vatikiotis’ two major books on the Levant and South East Asia, I first got in touch with him for the first time a few years ago, when he was passing through Athens with his Mauritian wife Janick. I felt that I had met a long-lost relative, a cross between European, British, Southeast Asian and the Levantine worlds. Vatikiotis was a writer who had somehow found a way to investigate his own roots and the multitude of worlds he inhabits. He was someone from whom I had much to learn.

Vatikiotis was born in the United States in the late 1950s, in a small campus town in Indiana, where his Levantine father was teaching. He was raised and educated in the UK, living in the North London suburban fringe. From his early years Michael was confronted with the question, “Who are you and where do you come from?” If he had wanted to think of himself as American or British, it was impossible because of the regular questioning implying that he was not and that he must come from elsewhere. His Greek surname, his English accent, his American birth, and later on his taste for Batik shirts, as well as his fluency in Indonesian and Thai, were a cause of confusion, at a time during the last quarter of the 20th century when diversity and multiculturalism were still in their infancy, particularly in the UK, and especially migration from the Middle East, as the majority of British migrants at that time came from the Indian subcontinent, Africa or the Caribbean (the Commonwealth). 

In 2015, while he was watching the flow of refugees from the Middle East to Europe, Michael was moved to begin researching his own family history. The resulting book, Lives Between the Lines: A Journey in Search of the Lost Levant, was first published in 2021. In his search, he discovered that the influx of refugees taking place today from East to West had occurred in reverse during the 19th and early 20th centuries, and that his own Greek and Italian Jewish grandparents had fled wars at home and found safety and prosperity in Egypt and Palestine under Ottoman, and later British rule. They lived in cosmopolitan, multi-religious communities and prospered at a time when the Suez Canal made Egypt the center of the world — a time when cities such as Cairo, Port Said and Alexandria were the equivalent of metropolises like Dubai or Hong Kong, London or New York today. Italian and French architects built homes, palaces and opera houses there, and the ruler appointed by the Ottomans was an Albanian. 

Egypt was a heaving cosmopolitan melting pot where Muslims, Christians of all denominations and Jews co-existed, each community thriving while collaborating in business and pleasure. Jews at that time and since their expulsion from Spain, before the creation of the state of Israel, were safer in the Middle East than in Europe. 

The Ottoman Empire had mastered the art of blending religions, ethnicities and nations. Vatikiotis discovered that this system, cosmopolitanism, had been inherited by the Ottomans from the Byzantine Empire and before it the Roman, and had been created and initiated by Alexander the Great. No group was required to melt into the whole, but rather, each lived and thrived side by side, and this had been the norm for thousands of years. A strange thought, given that in the West today the idea of diversity and cosmopolitanism is being touted as some sort of European innovation.

His half Welsh, half Italian Jewish mother was born in Port Said, his Greek and Palestinian Arabic-speaking father in Jerusalem; his mother’s family was expelled from Egypt after independence and after the growth of the ideal of ethnically based “nation states.” An idea that had ironically evolved in Europe, particularly during the fascist and Nazi eras, where large numbers of non-ethnically or religiously compliant groups were expelled, most egregiously European Jews. 

Michael Vatikiotis’ Greek-Palestinian, Eastern orthodox father left Palestine after the establishment of the State of Israel in 1948. Suddenly the lines (arbitrary and artificial as they were) were drawn, and people who did not belong to one group became homeless “citizens of the world,” in search of a new home, new myths and stories with which to identify. But how could their stories of origin ever fit in with the stories of their new adopted homes? Would they have to forget in order to adapt, taking on their new nations’ myths and narratives and convenient half-truths?

One could argue that Michael Vatikiotis is an early version of the growing number of children born today in the increasingly multicultural west. Sons and daughters with a particular passport and identity papers, but whose emotional and cultural loyalties are divided between the country of their birth, their mother and their father’s countries of birth and even their grandparents.’

How can such children describe themselves? To whom do they owe their loyalty and allegiance? Should anyone be blindly loyal to any one nation? And if not, how can they function in a world defined by often blind “us and them” loyalties, especially during times of war and crisis?

A person of hybrid cultural identities like Michael Vatikiotis has the gift of seeing the same issues from a multiplicity of perspectives. That gift of seeing in the round is not one that nations in times of war want to encourage. In times of rising international conflict and tension, how does a journalist like Vatikiotis, who sees issues from multiple perspectives, manage to have a career? Trying to tell the truth in a world of media soundbites must have become increasingly untenable, and I wondered how he found a path where his skills of seeing and communicating on a variety of cultural planes could make a difference? 

Is this why he was driven to write so many books of fiction and nonfiction, a longer, deeper form that allows for more nuance and expression of the in-between worlds, the liminal and uncharted? And how did he balance his work as an author with the world of politics, armed conflict resolution and private diplomacy, a path he has been pursuing since 2005 when he began working for the Geneva-based Centre for Humanitarian Dialogue, something most writers would not manage to juggle with a prolific writing output.


Michael’s daughter Chloe and son Stefan with his wife Janick were born in Indonesia and educated in French schools. They now live in France and Singapore where their own children were born. Michael is the grandfather to children whose ethnicity and sense of belonging encompasses the entire planet and not one nation in particular. They are part of a new generation of hybrids growing in number that may bring the answers that the west in particular is still grappling with, after millennia of little genetic or cultural mixing with nations habitually perceived as “enemies” or “subject people.” Perhaps it is these hybrid children and grandchildren, born part “us” and part “them” who will refuse to live according to these old perceptions and will find the words and concepts for something new.


Michael Vatikiotis paternal grandmother and maternal Palestinian great-grandmother - center - courtesy of the author
Michael Vatikiotis’ paternal grandmother and maternal Palestinian great-grandmother, center (courtesy of the author).

The Ideas Interview

Did you struggle to fit into the mainstream media when you started your career at the BBC World Service in London, and later became a foreign correspondent, and is this why you finally moved from the West back to the East, though not the Middle East where your ancestors had set up home, but further east: Indonesia, Thailand, Hong Kong and Malaysia?

I was raised in the Anglo-Saxon world, which is highly conformist. Not least because of the primacy of the English language. Once you have passed all the exams and achieved a certain professional status you are as good as integrated. So that’s why I felt a certain release when I moved to Asia. I felt I could embrace my identity as a perpetual outsider.  

Being a grandson multiple ethnicities, do you pay a price for your inability to see the story from only one point of view, and is it no wonder that you have dedicated the second part of your life to armed conflict mediation, as well as developing a prolific writing career trying to bridge gaps in perception?

I have come to recognize that I bear all the personality traits of a classic Levantine — I can never really decide on my precise identity. At the same time, this endows me with the ability to see everyone’s perspective and point of view.  This makes for an ability to easily forge rapport and trust, which is the key to mediation.  

How can a writer or politician or diplomat of diverse background manage to express themselves, if their understanding of reality does not align with the narratives of the state in which they are resident, or the state media or governments they are working for? Are they not in danger of becoming the modern equivalent of the janissaries, or being used as pawns in a game against their own people, if they comply? Or be sidelined if they refuse to?

There’s always the risk of being instrumentalized as a journalist and even private diplomat. I believe that my complex identity insures me against this, because the different aspects of my identity are always arguing, which prevents me from landing on one side or another.  

Do you think that writers, and policy makers and politicians of diverse background could hold the key to world peace, if their true points of view are given full expression rather than having to be censored and or/hidden, in order for them not to commit career suicide or be considered ungrateful or treacherous? 

Idealistically speaking, the world could be saved by hybrids who refuse to be corralled into tribal or one-sided camps.  Sadly, our world is dividing more and more. Polarization prevails and being a hybrid feels like being an outsider.  On Israel and Palestine, for example, I can relate to the aspirations of Jews and Palestinians. But there is no middle ground on this issue. No one seems to be interested in a solution that finds a pathway that permits both Israelis and Palestinians to cohabit and mingle in a plural setting. You feel isolated and shut out because you can’t take a side.   

Has the west become confused by the modern concept of identity, and do you think identity is being weaponized to highlight our differences in recent decades, in a sort of modern ‘divide and rule’? Is there an abuse of the term of diversity?

I was born into the Baby Boomer generation, which put a premium on the ability to succeed through one’s educational and professional ability and proficiency. I find it hard to understand the use of identity as a means of getting ahead of others, of establishing an exclusive right to a role or position. But then my generation is privileged and enjoyed more opportunity: today there are fewer opportunities, and identity has become a means of getting ahead.  

Is there a sort of mock tolerance within western societies that is used to cover up deeper and larger scale crimes perpetrated on the world stage? And do you think the media and politicians can see the irony in their defence of tolerance at home for people whom they portray as enemies abroad?

There has been a decline in the overall influence of Europe and the United States, which has generated a reflexive defence of norms and values that were once considered universal, but which are now questioned in many parts of the world. At the same time, Europe and the United States have become much less tolerant places with the rise of anti-migrant sentiment that is fueling far-right politics. 

In your opinion, why are the voices for war always so much louder than the voices for peace?

We have generally become immune to the effects of war. There was a period from the mid-1970s until the mid-1990s — almost two decades, during which we dreamt of the end of the war. In the three decades since, war has been waged somewhere almost perpetually. These forever wars are mostly in remote places from which people can feel a distance and disconnection. The technology used to wage these wars involves fewer people, more targeted strikes with the overall effect that even as civilians die in their hundreds of thousands, they seem like scores in a video game, somehow not real and not affecting us. This changed dramatically with the war in Gaza, which has etched the tragic human impact of warfare onto our consciousness. 

Do you consider yourself more American than British, more Greek than American and/or British, more Italian, more Asian (after all these years in the far east), or something else?

I consider myself a classic Levantine: broadly a Canaanite, a hotchpotch of DNA flung around desert caravanserais mingled with that of weary Iberian Sephardic outcasts and wild Ottoman janissaries scything their way through the Balkans. I am neither a proper Jew, nor an observant Eastern Christian; a mixed heritage rooted in the historical blending of DNA and culture when there were no fixed boundaries across large swathes of the Middle East and Europe. Instead, there was a premium on cosmopolitan coexistence and collaboration. In Asia, my position as a sympathetic outsider has helped win trust and confidence among groups mistrustful of one another, creating space for a disinterested outsider.

How does your hybrid background help and/or hinder your career as a writer, journalist and diplomat?

Not possessing a singular identity is a great asset for promoting understanding of the other. It imbues me with a chronically malleable stance on almost anything, devoid of orthodoxy and always considering the context carefully before offering a view. These are classic Levantine characteristics, in which outcomes invariably depend on circumstances. The British novelist Eric Ambler described the Levantine mind as a committee always arguing over what to decide.

What drew you to Southeast Asia and what do you think that part of the world has to offer the rest of the world?

As an undergraduate I was drawn initially to the Middle East and studied Islamic History and basic Arabic language in Egypt and London. But I was somewhat repelled by the intractable nature of the region’s conflicts, and by my father’s dominant position in the academic field of Arab studies. So, I pivoted to Southeast Asia, learning two of its languages in university and conducting doctoral research in the region as a post-graduate. As I reflect on more than four decades in Southeast Asia, I think what the region offers the rest of the world is a narrative of social and economic progress overcoming ideological polarization, strongman abuse of power and profound inequality to emerge as one of the more prosperous regions of the developing world.

What are the main differences culturally and politically that you’ve found during your peace mediation work in Southeast Asia vs the Middle East?

There are profound differences in the nature of conflicts in the two regions. Southeast Asia is characterized by intra-state conflicts rooted in the struggle for autonomy and self-determination in the face of state-driven centralization and assimilation. In the Middle East, key conflicts are either rooted in deep enmity driven by historical grievances over the loss of land and identity, as in the case of Palestine, or communal cleavages and enduring inequality reinforced by autocratic rule. In Southeast Asia there is a greater receptiveness to dialogue and a willingness to compromise; in the Middle East there is almost no incentive to negotiate, reinforced by ingrained hatred and external proxy interference.

How do you balance your work as a diplomat, journalist and novelist — I mean how do these careers feed into each other, and how can you manage to be so productive in all of them, while traveling so much and raising a family?

I inherited a strong sense of discipline from my father, who hated to see anyone “wasting time.” His father had been a railway official for the Palestine Railway. Life at their home in Haifa was run with the precision of a train timetable. This was passed onto me in an intellectual context — reading and writing perpetually and managing to multitask effectively. No time wasted. My training as a journalist imbued me with a strong discipline to meet deadlines and trained me to write at speed. I find that the best way to write books is to plough on and never find an excuse to stop and reflect. I am often asked how I can manage to write and pursue my career. I always reply that if I had all the time to write, I would end up procrastinating.

Is there a figure in your life who has been a role model to you?

My father was a distant but commanding figure in my life. He died in 1997, some ten years after I had moved to Asia, so I missed the opportunity to spend time with him in later life. In researching my family’s history in the Levant and Egypt, I got a stronger sense of who he was and this has deeply affected me. Although ostensibly a scholar, he was deep down a committed activist. He desperately wanted to see a solution to the Israel-Palestine conflict, though he never really wrote about it. I learned much later in life, only recently in fact, that much like me today, he positioned himself to offer good offices as a sympathetic insider-outsider to the conflict parties — both Israelis and Palestinians. He died three years after the Oslo Accords and would have been devastated to learn they came to nothing.

Why do you live in Southeast Asia? 

Asia has a greater tolerance for ethnic diversity, even if there are conservative cultural  peculiarities with regard to race and language. Historically, outsiders are regarded as an asset, natural intermediaries. There is no pressure to assimilate, simply to observe and respect cultural boundaries. Whereas what I see happening in the western world — partly because of misplaced notions of identity and guilt — there’s an increasing notion of color and race in the way people define themselves, even if it’s not a factor.

Do you consider yourself an exile from the West?

Not really. The longer I have lived outside the West, the more I realize that I am not really a Westerner and have embraced my hybrid identity.   

What can the Middle East learn from Asia?

Primarily that conflict is too costly to sustain and all means should be explored to find a path to compromise and peace. Southeast Asia has not seen inter-state conflict in more than half a century. One reason is that all the states have created a regional framework for ensuring peace and security, despite the underlying tensions and prejudices.  

Yet you have written that Southeast Asia has become the frontline for two of the most important global conflicts: the struggle between a declining West and a rising China, and another between religious tolerance and extremism? How do you see these conflicts panning out?

I see the possibility of a conflict between China and the United States, which will badly affect the Asia region — a likely flashpoint being over Taiwan.  I believe the great religious divide has been somewhat neutralized by Saudi Arabia’s shift from providing support for Wahabi inspired Salafist movements in Asia.  What remains to be seen is how the growing influence of the Muslim Brotherhood, increasingly aligned with Shia Iran, will play out in the region.

What are the half-truths that make it so seemingly impossible to build peace in the Middle East?

Primarily the fallacy that it is possible for Israel in its current political context to accommodate a Palestinian state, which allows Europe and the US to pretend they support a resolution of the Middle East conflict, while in fact, at best, the West desires containment facilitated by Israel’s unsurpassed military might.

Secondly, that Arab states support a peaceful outcome and resolution of the Palestinian issue, when in fact they thrive on and profit from outsourcing their security to external security partners and could care less about the Palestinians. 

How do you balance your fiction writing with nonfiction?

Fiction is a great training ground for compelling and readable narrative non-fiction. Good storytelling starts with a fertile imagination and the ability to weave a compelling narrative without the benefit of fact or reality.  I would feel less accomplished and fulfilled as a writer if I was unable to write fiction.

What advice do you have for writers, politicians, and diplomats of hybrid backgrounds like you? How can they use this difference to build peace, rather than add to the division? What skills of mind, attitude and communication do they need to work on?

The world needs people of hybrid identity to shore up the ability to understand the value of tolerance and diversity and avoid the complete takeover of humanity by tribal identity. As resources shrink and humanity struggles to survive, fear of the other is a growing determinant of behavior. As we have turned inward, so we have become desensitised to the suffering of others, which in turn has undermined the basic values of humanity.  People with multiple reference points of origin and identity can help reinforce the understanding and empathy needed to preserve these basic human values.

 

Rana Haddad

Rana Haddad grew up in Latakia in Syria, moved to the UK as a teenager, and read English Literature at Cambridge University. She lived in London and worked as a journalist for the BBC, Channel 4, and other broadcasters. Rana has also... Read more

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3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Centerpiece

Memory Archive: Between Remembering and Forgetting

3 MAY 2024 • By Mai Al-Nakib
Memory Archive: Between Remembering and Forgetting
Art & Photography

Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

3 MAY 2024 • By Gabriel Polley
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Book Reviews

Palestinian Culture, Under Assault, Celebrated in New Cookbook

3 MAY 2024 • By Mischa Geracoulis
Palestinian Culture, Under Assault, Celebrated in New Cookbook
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26 APRIL 2024 • By Nadine Nour el Din
Malak Mattar: No Words, Only Scenes of Ruin
Opinion

Censorship over Gaza and Palestine Roils the Arts Community

12 APRIL 2024 • By Hassan Abdulrazzak
Censorship over Gaza and Palestine Roils the Arts Community
Art

Past Disquiet at the Palais de Tokyo in Paris

1 APRIL 2024 • By Kristine Khouri, Rasha Salti
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Art & Photography

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR
Bani Khoshnoudi: Featured Artist for PARIS
Essays

Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay

1 APRIL 2024 • By Sasha Moujaes, Jordan Elgrably
Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay
Book Reviews

Fady Joudah’s […] Dares Us to Listen to Palestinian Words—and Silences

25 MARCH 2024 • By Eman Quotah
Fady Joudah’s <em>[…]</em> Dares Us to Listen to Palestinian Words—and Silences
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Essays

The Story of the Keffiyeh

3 MARCH 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Columns

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29 JANUARY 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

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22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Fiction

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15 JANUARY 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Columns

Messages from Gaza Now / 2

18 DECEMBER 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Arabic

Unshackling Language in Arabic Children’s Literature

3 DECEMBER 2023 • By Nada Sabet
Unshackling Language in Arabic Children’s Literature
Arabic

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9 NOVEMBER 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Arabic

ADONIS in Translation—Kareem Abu-Zeid with Ivan Eubanks

9 NOVEMBER 2023 • By Kareem James Abu-Zeid, Ivan Eubanks
ADONIS in Translation—Kareem Abu-Zeid with Ivan Eubanks
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
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Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Art

Memory Art: Water and Islands in the Work of Hera Büyüktaşçıyan

18 SEPTEMBER 2023 • By Arie Amaya-Akkermans
Memory Art: Water and Islands in the Work of Hera Büyüktaşçıyan
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Arabic

The End of Arabic and the Dumbing Down of America

28 AUGUST 2023 • By Jordan Elgrably
The End of Arabic and the Dumbing Down of America
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Fiction

“The Burden of Inheritance”—fiction from Mai Al-Nakib

2 JULY 2023 • By Mai Al-Nakib
“The Burden of Inheritance”—fiction from Mai Al-Nakib
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Interviews

The Artist at Work—a Conversation with Souad Massi

1 MAY 2023 • By Jordan Elgrably
The Artist at Work—a Conversation with Souad Massi
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Book Reviews

To Receive Asylum, You First Have to be Believed, and Accepted

5 MARCH 2023 • By Mischa Geracoulis
To Receive Asylum, You First Have to be Believed, and Accepted
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Arabic

The Markaz Review Interview—Hisham Bustani

5 MARCH 2023 • By Rana Asfour
The Markaz Review Interview—Hisham Bustani
Columns

TMR’s Multilingual Lexicon of Love for Valentine’s Day

13 FEBRUARY 2023 • By TMR
TMR’s Multilingual Lexicon of Love for Valentine’s Day
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Poetry Markaz

Poet Mihaela Moscaliuc—a “Permanent Immigrant”

5 FEBRUARY 2023 • By Mihaela Moscaliuc
Poet Mihaela Moscaliuc—a “Permanent Immigrant”
Music

Berlin-Based Palestinian Returns to Arabic in new Amrat Album

23 JANUARY 2023 • By Melissa Chemam
Berlin-Based Palestinian Returns to Arabic in new <em>Amrat</em> Album
Columns

Sudden Journeys: Morocco Encore

9 JANUARY 2023 • By Jenine Abboushi
Sudden Journeys: Morocco Encore
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Fiction

Beautiful Freedom For Sale, a short story

15 DECEMBER 2022 • By Nektaria Anastasiadou, Anonymous
<em> Beautiful Freedom</em> For Sale, a short story
Featured article

The Greek Panopticon, Where Politicians Spy on Democracy

15 DECEMBER 2022 • By Iason Athanasiadis
The Greek Panopticon, Where Politicians Spy on Democracy
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

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12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Book Reviews

Changing Colors — Reflections on The Last White Man

15 NOVEMBER 2022 • By Jordan Elgrably
Changing Colors — Reflections on <em>The Last White Man</em>
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Poetry

Faces Hidden in the Dust by Ghalib—Two Ghazals

16 OCTOBER 2022 • By Tony Barnstone, Bilal Shaw
<em>Faces Hidden in the Dust by Ghalib</em>—Two Ghazals
Poetry

We Say Salt from To Speak in Salt

15 OCTOBER 2022 • By Becky Thompson
We Say Salt from <em>To Speak in Salt</em>
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Essays

Translating Walter Benjamin on Berlin, a German-Arabic Journey

15 SEPTEMBER 2022 • By Ahmed Farouk
Translating Walter Benjamin on Berlin, a German-Arabic Journey
Art & Photography

Two Women Artists Dialogue with Berlin and the Biennale

15 SEPTEMBER 2022 • By Viola Shafik
Two Women Artists Dialogue with Berlin and the Biennale
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Featured excerpt

Libyan Stories from the novel “Bread on Uncle Milad’s Table”

18 JULY 2022 • By Mohammed Alnaas, Rana Asfour
Libyan Stories from the novel “Bread on Uncle Milad’s Table”
Columns

Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album

18 JULY 2022 • By Melissa Chemam
Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Essays

“Disappearance/Muteness”—Tales from a Life in Translation

11 JULY 2022 • By Ayelet Tsabari
“Disappearance/Muteness”—Tales from a Life in Translation
Art & Photography

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15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Fiction

Rabih Alameddine: “Remembering Nasser”

15 JUNE 2022 • By Rabih Alameddine
Rabih Alameddine: “Remembering Nasser”
Essays

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15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
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15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
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Dima Mikhayel Matta: “This Text Is a Very Lonely Document”

15 JUNE 2022 • By Dima Mikhayel Matta
Dima Mikhayel Matta: “This Text Is a Very Lonely Document”
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Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Fiction

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15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
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Can the Bilingual Speak?

15 MAY 2022 • By Anton Shammas
Can the Bilingual Speak?
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
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On “True Love Leaves No Traces”

15 MARCH 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Essays

Taming the Immigrant: Musings of a Writer in Exile

15 JANUARY 2022 • By Ahmed Naji, Rana Asfour
Taming the Immigrant: Musings of a Writer in Exile
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
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From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Fiction

“The Passion of Evangelina”—fiction from Anthoney Dimos

15 OCTOBER 2021 • By Anthoney Dimos
“The Passion of Evangelina”—fiction from Anthoney Dimos
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)

15 SEPTEMBER 2021 • By Brahim El Guabli
My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Latest Reviews

Beginnings, the Life & Times of “Slim” aka Menouar Merabtene

15 AUGUST 2021 • By Menouar Merabtene
Beginnings, the Life & Times of “Slim” aka Menouar Merabtene
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
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Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
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Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
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Fever Dreams / Gold Fever

17 APRIL 2021 • By gethan&myles
Fever Dreams / Gold Fever
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“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
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A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Weekly

To Be or Not to Be, That is Not the Question

12 DECEMBER 2020 • By Niloufar Talebi
To Be or Not to Be, That is Not the Question
TMR 3 • Racism & Identity

Why is Arabic Provoking such Controversy in France?

15 NOVEMBER 2020 • By Melissa Chemam
Why is Arabic Provoking such Controversy in France?
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

2 thoughts on “The Hybrid—The Case of Michael Vatikiotis”

  1. Giorgia Stavropoulos

    Most artists and writers are “claimed” by some kind of community. How do you contextualize your work when the fictions of identity have lost their spell?

    1. That’s an important question. It’s very difficult for writers to be visible if their work doesn’t resonate with the collective unconscious of a particular tribe, unless they find a voice and theme that can transcend tribalism and express something universal and common to us all, but they must somehow not alienate the gatekeepers. Many skills required to achieve that. I will ask Michael to answer you.

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