9 MAY 2021 • By Rana Asfour


<

“Untitled” by Beirut native Huguette Caland.


The Arsonists’ City
, a novel by Hala Alyan
Houghton Mifflin Harcourt, March 2021
ISBN 9780358126553

Rana Asfour

“Tonight the man will die … the city already seems resigned to it.” 

Novelist Hala Alyan kicks off The Arsonists’ City with a prologue that unspools a decades-long multigenerational family saga. The killing is an assassination in revenge for another committed for no reason “other than that people were hurting people.” The year is 1978 and the capital city of Lebanon, Beirut, is three years into the throes of a raging civil war sparked by battles between Palestinian and Christian militias and other actors that will last another twelve years, claiming more than a hundred thousand lives. In response, Syrian army personnel have set up shop in the city. They will “overstay their welcome by about three decades” before finally withdrawing in 2005. Amongst all the destruction and uncertainty, two people — rising Syrian theatre actress Mazna who harbors dreams of Hollywood, and the flamboyant wealthy Lebanese Idris — are falling in love. Threatened by the assassination and fearing Idris may be the next target, the couple marries and set off to “Amrika” in pursuit of the American Dream.  


The Arsonists' City-hala alyan-9780358126553 - 800p.jpg<

Decades rumble by.  The year is 2018. Ava, a biologist married to Nate with whom they share two children, is Mazna and Idris’s eldest daughter. She receives a phone call from her mother fuming at Idris’s decision to sell the family’s defunct ancestral home in Beirut. She is demanding that her eldest “sensible” daughter travel with them to Beirut in the summer and convince Mimi, Ava’s younger brother, who lives in Austin, to join them. Together with their younger sister Naj, in Beirut, they are to help Mazna save “the last family house that belongs to us.” Despite finally succumbing to her mother’s wishes, Ava remains sceptical of her motives to rescue the property; for one, Mazna hasn’t set foot in Beirut for close to thirty years, and besides, the only names on the deed are those of Idris and his sister Sarah, who never left the city.  

By the time all the Nasr members reunite in Beirut, readers have a somewhat clearer mosaic of who they are as individuals, their relationship with each other and their legacy, as well as their feelings about returning to Beirut: eldest Ava who is juggling a shaky marriage as well as the demands of motherhood, and whose career is caught up between feelings of inadequacy and frustration for not fitting in with her white American husband’s Hampton friends, where she feels “outside of life instead of in it” and guilt for being a “fake Arab” when it comes to her family’s heritage; thirty-five-year-old, “almost rock star” Mimi, who manages a restaurant in Austin where he lives with his girlfriend Harper and performs in an obscure rock band, “in which he is the oldest by a decade,” and hasn’t laid eyes on his grandfather’s house in twenty years. Nevertheless, despite the pressures of contending with his mother’s outright condescension of Harper’s middle class background, his father’s disapproval of his money-draining hopeless musical pursuits, and his resentment of his sister Naj’s celebrity status, he discovers that his childhood summers with his grandfather and “a city he knows only in heat” remain etched in his memory.  

The house is over a hundred years old, and the rooms are sunny and narrow. The house isn’t just a house – it’s a House. After all of Beirut’s grubby buildings, Mazna hadn’t expected something so hidden, so pretty. This is like traveling back in time, the courtyard in front tiled, a canopy of branches overhead, the peaked roof.

It is Naj though, the famous pop singer fronting “quiet but ferocious nods to queerness” that feels most attached to the ancestral home since relocating to Beirut and the only one, besides Idris, to attend their grandfather’s official funeral. Perturbed at the family’s descent upon a city she has come to regard as keeper of her secrets, deeply missing her grandfather, and grappling with the painful memories after a chance meet up with a former girlfriend, she feels that the family’s visit could not have come at a worse time. 

Readers at this point are treated to Mazna and Idris’s backstory that will lift the lid on Mazna’s decision to put a distance between her and a city she once adored. With that, the cartoonish caricature of a stereotypical elder Middle Eastern couple, portrayed affectionately bickering at the start of the novel, splinters at the seams, exposing a gritty tale of a marriage that has had to weather its fair share of adversity, pain and sacrifice not only to assimilate and persevere but also to thrive and flourish on foreign soil.  

And so ultimately it comes as no surprise that a few days into the family reunion, the fragile bonds between its members begin to unravel and all the old resentments, secrets and lies simmering beneath the surface threaten to implode, as the family quickly settles into a routine that reminds the siblings uncomfortably of their childhood. That said, it becomes interesting to note that while the novel progresses along with shifting perspectives and plot twists that contribute to the richness of the story, bringing to the forefront a tumultuous time in Lebanese history, it is the familial bonds, fraught as they are, that sustain the characters and bring them back together again. 

Alyan’s decision to anchor her sophomore novel around an heirloom is not a new one. Her debut novel Salt Houses, published in 2017 and winner of the Dayton Literary Peace Prize and the Arab American Book Award, follows the story of four generations of a fictional Palestinian middle class family, the Yacoubs, in which Alyan masterfully conveys the sentimentality of objects, particularly within displaced immigrant communities, as symbols for invaluable stories of family history, memories and places that no longer exist.  

All aside, it is the city of Beirut that vies for and takes center stage as a “city of multiple reincarnations” mired in contradictions and paradoxes.  Beirut is the maternal city welcoming its prodigal children returning to its fold. It is as well a sanctuary for refugees fleeing from a seventh year of civil war in neighbouring Syria. It is the place where the absence of architectural planning has rendered the landscape an amalgam hodgepodge in which state of the art luxury apartments built with Gulf money crop up side by side with “scruffy neighbourhoods with plain facades and crumbling architecture.” It is a city that boasts art galleries, film and music festivals, gay bars, overpriced teashops, yoga studios and Uber. A secure city where “friends don’t lock their apartments even if it isn’t always safe” due to car bombs, invasions, and roads blocked by week-long protests. 

With one foot in the East and another in the West, the author insists on portraying a city intent on pushing back against its infamous reputation as one where everything is fleeting, no one is there to stay, and no one is quite sure where they belong. In one interview Alyan described the city as “fragmented in the imagination: either exotified or fretted over, a place condensed into devastating headlines. But those who love that city (and country) know it to be brimming with contradictions and capable of holding multiple, at times painful realities and truths.”  


Novelist and poet Hala Alyan.<

Novelist and poet Hala Alyan.

I shed my first tears for a city when as a young Jordanian I was about to leave Beirut after four years at the American University of Beirut (AUB). In my memory, Beirut nestles in a precious compartment, one from which I retrieve the images of my first rock concert, my early explorations into the limits of my independence and the first intake of breath when I opened my eyes to an expansive view of the Mediterranean from my bedroom window. Beirut was also the place where for the first time I learned about navigating through a city peppered with roadblocks and checkpoints run by an occupying army. I got my first taste of political unrest when my dorm building shook and my windows shattered following an explosion that rocked the campus, bringing down its landmark College Hall early one dawn — my first awakening to the history and politics of an entire region I belong to.

Ironically, The Arsonists’ City ends in 2019, just a year shy of the tragedy that catapulted Beirut back into worldwide headlines when on August 4, 2020, a staggering 2,700 tons of ammonium nitrate stored at Beirut’s port exploded, causing, by most estimates, at least 210 deaths, 7,500 injuries, and US$15 billion in property damages, bringing Beirut’s economy to a standstill at its worst possible time, when massive inflation and Covid are the order of the day. 

As the novel crescendos to its dramatic vibrant finale, the author covers swathes of de jour global and region-specific issues regarding identity and legacy, immigration, sexuality, race, feminism, and colonialism. The result is a new understanding of family, home and belonging and an appreciation of humankind’s capacity for compassion, healing and perseverance. The Arsonists’ City is a character-driven novel, intricately structured and layered with suggestions from the author’s own life as a six-year resident of Beirut, when she was a student at AUB; as an immigrant who travelled with her parents from Kuwait to the US after Saddam Hussein’s invasion of the country in 1990 cost them their home; and as a clinical psychologist, trained in the art of bringing together fragmented experiences in order to create a cohesive picture, rendering the narrative at once familiar and universal.   

Hala Alyan is also a poet with four award-winning collections to her name, most recently  The Twenty-Ninth Year. Her poetry collection Atrium was awarded the 2013 Arab American Book Award in Poetry, while her collection Hijra was selected as a winner of the 2015 Crab Orchard Series in Poetry. Therefore, it comes as no surprise when the prose reads lyrical in places contributing to the assumption that given the length of The Arsonists’ City at just under 450 pages, it is in fact one writer’s indulgent, languid ode to a city she carries much affection for and a network of people that make a place far more than its architecture and infrastructure ever will. And in the few places where the novel’s electric charge may wobble or its structure shouldn’t work and yet does, that too seems in tandem with a place where nothing works as it should and yet people succumb, lulled by the magic and the promise.   

And then they return time and time again even when it all goes up in flames, because “Fuck it, it’s Beirut.” 

<

 

Rana Asfour

Rana Asfour is the Managing Editor at The Markaz Review, as well as a freelance writer, book critic, and translator. Her work has appeared in such publications as Madame Magazine, The Guardian UK, and The National/UAE. She chairs TMR's English-language Book Club,... Read more

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16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Film

Lebanon in a Loop: A Retrospective of “Waves ’98”

15 JULY 2022 • By Youssef Manessa
Lebanon in a Loop: A Retrospective of “Waves ’98”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

Rabih Alameddine: “Remembering Nasser”

15 JUNE 2022 • By Rabih Alameddine
Rabih Alameddine: “Remembering Nasser”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Dima Mikhayel Matta: “This Text Is a Very Lonely Document”

15 JUNE 2022 • By Dima Mikhayel Matta
Dima Mikhayel Matta: “This Text Is a Very Lonely Document”
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Art & Photography

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

13 JUNE 2022 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Art & Photography

Ghosts of Beirut: a Review of “displaced”

11 APRIL 2022 • By Karén Jallatyan
Ghosts of Beirut: a Review of “displaced”
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Essays

The Alexandrian: Life and Death in L.A.

15 FEBRUARY 2022 • By Noreen Moustafa
The Alexandrian: Life and Death in L.A.
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

Sudden Journeys: From Munich with Love and Realpolitik

27 DECEMBER 2021 • By Jenine Abboushi
Sudden Journeys: From Munich with Love and Realpolitik
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

Lebanon at the Point of Drowning in Its Own…

15 DECEMBER 2021 • By Raja Abu Kasm, Rahil Mohsin
Lebanon at the Point of Drowning in Its Own…
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Music Reviews

Electronic Music in Riyadh?

22 NOVEMBER 2021 • By Melissa Chemam
Electronic Music in Riyadh?
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Book Reviews

Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War

18 OCTOBER 2021 • By A.J. Naddaff
Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Latest Reviews

Shelf Life: The Irreverent Nadia Wassef

15 SEPTEMBER 2021 • By Sherine Elbanhawy
Shelf Life: The Irreverent Nadia Wassef
Weekly

Palestinian Akram Musallam Writes of Loss and Memory

29 AUGUST 2021 • By khulud khamis
Palestinian Akram Musallam Writes of Loss and Memory
Weekly

Reading Egypt from the Outside In, Youssef Rakha’s “Baraa and Zaman”

24 AUGUST 2021 • By Sherifa Zuhur
Reading Egypt from the Outside In, Youssef Rakha’s “Baraa and Zaman”
Columns

Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility

8 AUGUST 2021 • By Anonymous
Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility
Book Reviews

Egypt Dreams of Revolution, a Review of “Slipping”

8 AUGUST 2021 • By Farah Abdessamad
Egypt Dreams of Revolution, a Review of “Slipping”
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Art & Photography

Gaza’s Shababek Gallery for Contemporary Art

14 JULY 2021 • By Yara Chaalan
Gaza’s Shababek Gallery for Contemporary Art
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

Review: Open Gaza: Architectures of Hope

14 JULY 2021 • By Hadani Ditmars
Review: <em>Open Gaza: Architectures of Hope</em>
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Weekly

“Hot Maroc” Satirizes Marrakesh, Moroccan Society

11 JULY 2021 • By El Habib Louai
“Hot Maroc” Satirizes Marrakesh, Moroccan Society
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Columns

Lebanon’s Wasta Has Contributed to the Country’s Collapse

14 JUNE 2021 • By Samir El-Youssef
Lebanon’s Wasta Has Contributed to the Country’s Collapse
Columns

Lebanese Oppose Corruption with a Game of Wasta

14 JUNE 2021 • By Victoria Schneider
Lebanese Oppose Corruption with a Game of Wasta
Latest Reviews

Wasta on Steroids: Speculative Finance & the Housing Market

14 JUNE 2021 • By Mischa Geracoulis
Wasta on Steroids: Speculative Finance & the Housing Market
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

Spare Me the Empathy Tantrum: Rafia Zakaria’s “Against White Feminism”

6 JUNE 2021 • By Myriam Gurba
Spare Me the Empathy Tantrum: Rafia Zakaria’s “Against White Feminism”
Weekly

Palestine in the World: “Palestine: A Socialist Introduction”

6 JUNE 2021 • By Jenine Abboushi
Palestine in the World: “Palestine: A Socialist Introduction”
Weekly

Arab Women and The Thousand and One Nights

30 MAY 2021 • By Malu Halasa
Arab Women and The Thousand and One Nights
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Book Reviews

I was a French Muslim—Memories of an Algerian Freedom Fighter

23 MAY 2021 • By Mischa Geracoulis
<em>I was a French Muslim</em>—Memories of an Algerian Freedom Fighter
Weekly

Midnight in Cairo: The Divas of Egypt’s Roaring 20s

16 MAY 2021 • By Selma Dabbagh
Midnight in Cairo: The Divas of Egypt’s Roaring 20s
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Weekly

Why Mona Eltahawy Wants to Smash the Patriarchy

2 MAY 2021 • By Hiba Moustafa
Why Mona Eltahawy Wants to Smash the Patriarchy
Weekly

In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba

2 MAY 2021 • By Eman Quotah
In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba
Book Reviews

Three North African Novels Dance Between Colonial & Postcolonial Worlds

25 APRIL 2021 • By Rana Asfour
Three North African Novels Dance Between Colonial & Postcolonial Worlds
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
Book Reviews

Being Jewish and Muslim Together: Remembering Our Legacy

28 MARCH 2021 • By Joyce Zonana
Being Jewish and Muslim Together: Remembering Our Legacy
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
TMR 7 • Truth?

Secrets, Leaks, and the Imperative of Truth and Transparency

14 MARCH 2021 • By Stephen Rohde
Secrets, Leaks, and the Imperative of Truth and Transparency
TMR 7 • Truth?

Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue

14 MARCH 2021 • By Farah Abdessamad
Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 7 • Truth?

Allah and the American Dream

14 MARCH 2021 • By Rayyan Al-Shawaf
Allah and the American Dream
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Weekly

Faïza Guène’s Fight for French Respectability

7 MARCH 2021 • By Melissa Chemam
Faïza Guène’s Fight for French Respectability
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
Book Reviews

The Polyphony of a Syrian Refugee Speaks Volumes

25 JANUARY 2021 • By Farah Abdessamad
The Polyphony of a Syrian Refugee Speaks Volumes
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 3 • Racism & Identity

Find the Others: on Becoming an Arab Writer in English

15 NOVEMBER 2020 • By Rewa Zeinati
TMR 3 • Racism & Identity

Isabel Wilkerson on Race and Caste in the 21st Century

15 NOVEMBER 2020 • By Monique El-Faizy
Isabel Wilkerson on Race and Caste in the 21st Century
Book Reviews

An American in Istanbul Between Muslim and Christian Worlds

15 NOVEMBER 2020 • By Anne-Marie O'Connor
An American in Istanbul Between Muslim and Christian Worlds
TMR 3 • Racism & Identity

Is White Feminism the De Facto Weapon of White Supremacy?

15 NOVEMBER 2020 • By TMR
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
The Red and the Blue

The “Surreal Hell” That Made Tahar Ben Jelloun a Writer

15 OCTOBER 2020 • By Rana Asfour
The “Surreal Hell” That Made Tahar Ben Jelloun a Writer
The Red and the Blue

Arabs & Race in America through the Short Story Prism

15 OCTOBER 2020 • By Malu Halasa
Arabs & Race in America through the Short Story Prism
Book Reviews

Falastin, Sami Tamimi’s “Palestinian Modern”

15 OCTOBER 2020 • By N.A. Mansour
Falastin, Sami Tamimi’s “Palestinian Modern”
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Art

Beirut Comix Tell the Story

15 SEPTEMBER 2020 • By Lina Ghaibeh & George Khoury
Beirut Comix Tell the Story
Editorial

Beirut, Beirut

15 SEPTEMBER 2020 • By Jordan Elgrably
Beirut

It’s Time for a Public Forum on Lebanon

15 SEPTEMBER 2020 • By Wajdi Mouawad
It’s Time for a Public Forum on Lebanon
Beirut

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>
Book Reviews

Poetic Exploration of Illness Conveys Trauma

14 SEPTEMBER 2020 • By India Hixon Radfar
Poetic Exploration of Illness Conveys Trauma
Book Reviews

Algiers, the Black Panthers & the Revolution

1 OCTOBER 2018 • By TMR
Algiers, the Black Panthers & the Revolution

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