“Tarragon”—a short story

Amani Abeid, Untitled (detail).

8 MAY 2026 • By Erfan Mojib

In a wartime childhood shaped by scarcity and ritual, a pair of twins become obsessed with a plant their grandfather cannot grow.

Grandpa didn’t think growing tarragon was possible. He grew all sorts of other herbs that filled the plastic container in the fridge year-round: basil, dill, parsley, coriander, peppermint, chives, spring onions, chilies, tiny radishes that Grandma turned into little red roses with two quick cuts of her sharp knife. When guests came over, she shaped spring onions into white hyacinths. With all those colors, Grandma’s herb container looked like the Garden of Eden. 

Tarragon was different. It was exotic, hard to find, harder to grow. One spring, Ahmad, a colleague of Grandpa’s, brought him a box of tarragon from the countryside. He tried propagating the cuttings in different pots, applying every farming trick he knew. None of them took. Everyone knew he had a green thumb, but tarragon defeated him. 

After that, he stopped trying. Instead, we bought tarragon from the Friday market. Merchants brought it from the south, near the warfront where Father served and which Grandma added to her Garden of Eden. She loved anything that came from the south, believing it carried Father’s smell. We examined the dark green leaves with awe. Grandpa looked at them with frustration. Grandma always saved a couple of batches of tarragon for the winter. She dried it on a big copper tray and stored it in jam jars, sealing the checkered lids to preserve their magic aroma.

And tarragon did work magic. A tiny amount was enough to turn a mediocre lamb stew sublime. On its own, it smelled divine. It was only later, after everything, that I learned it derived its name from the Greek word for dragon. A green dragon in a pot. Grandma knew its power, only adding a pinch to certain dishes. Tarragon was treated almost like saffron, with dignity and respect. 

When touched, our hands bore its scent for hours. We thought someone ought to make tarragon perfume. We didn’t know if anyone had because we knew little about the world, at least beyond the single television channel our small town received, or the pictures in Grandpa’s darkroom: black-and-white photographs of him in bell-bottom pants, posing at famous landmarks and beside exotic animals.

Until it happened, I hadn’t realized that Tara and I were two different people. We had always run after the same ball, dressed and undressed the same doll, pulled the trigger of the same toy gun. We wore blue, we wore pink. We were a creature with four lungs, breathing in the same air.

We were a creature with four lungs, breathing in the same air.

When southern tarragon arrived from the Friday market, preparing it became a ritual. Grandma spread a floral chador in the middle of the living room. The sun fell in a trapezoid onto the silk carpet, and that is where she sat, carefully stripping each stem. Because of the war, school was closed most of the time. We had to be kept busy, so we sat down and watched as Grandma’s fingers gently moved along the stem until all the lanceolate leaves fell into a sieve. When we did go to school, the radio was on in the principal’s office all the time. When a red alert was broadcast, the alarms went off and classes were evacuated. We pushed each other hard. Had no mercy. Like on the battlefront. They sent us down to the shelter, an ugly bunker dug in the yard, with an entrance behind the handball court. It smelled like feces, was full of cockroaches and rats. We sat there as the jets whistled above. We came out with our heads full of questions, childish but serious. There was a kid in our class whose father was a jet pilot. We asked him lots of questions, too. He knew some answers, but fabricated others.

Grandpa sometimes joined us on the chador. But Grandpa was not good with delicate things, and tarragon was delicate. Hurting the leaves made them go bad too soon, made them rot before all other herbs. Grandpa was good with shovels, with lifting heavy things, with watching the news while keeping his eyes void of all sentiment, with hiding the occasional teardrops that formed in his ever-squinting eyes. 

The other herbs were less elegant. Chives were muddy and dull, leaving our fingers stained green and smelling of onion. Dill was better, because we could eat the pale green buds and the firm stems around the roots. We chewed these secretly as we sat on the chador. If Grandma caught us, she scolded us for not washing them first. Afterward, when we belched, a dilly taste filled our mouths, lovely and disgusting all at once. It lingered for hours, clinging to the resin we chewed instead of the imported chewing gum we rarely got because of the war.

Grandma said too much dill could blind you. She said that about nearly everything. Coriander made us dumb. Cheese was bad for memory. Yogurt with pickles caused vitiligo. Bread was safe. Bread made you big and strong, ready for war. It filled you up for cheap. During the war, every meal was eaten with bread. Cheese with bread, meat with bread, yogurt with bread, Russian salad with bread — Tara’s favorite. Like all things Russian, that salad was an object of desire. Rich people called it salade Olivier, and everyone knew that anything with a French name was luxurious. We ate Olivier salad only at birthday parties (they were luxurious too). Tara loved it so much that she first finished her bread and then ate the salad on its own so the taste would linger in her mouth unspoiled. I always ate the salad first and was left with the bread. Nothing was free during the war. Nothing was easy. Everything had a price and nobody could believe anything. We lived in a world where children could get dumb by eating too much coriander. There were innocent lies like that everywhere. But when the truth is mixed with lies, nobody can trust anything.

Grandma was not to blame for the war. If anyone was, it was the generals, the arms dealers, those who kept a nation in line with the fear of a foreign enemy. Some said it could have ended in the fourth year, but the generals wanted to reach the holy land, to revive the empire, to “fight, fight until all the earth’s evils are wiped out.” The air was thick with all that. All the time, people talked. In taxis, long bread queues, barber shops, and under the “No Political Discussion!” signs that multiplied in public places. 

Grandma was not to blame for the war. If anyone was, it was the generals, the arms dealers, those who kept a nation in line with the fear of a foreign enemy.

Grandma didn’t care about any of that. She didn’t care about the raids, the missiles, the arms trafficking scandals, the frogmen found in a mass grave with tied hands, with all the identity tags that came back wrapped in flags stained with blood. At least, that’s what she said. She had more important things to focus on: a house to manage, tarragon leaves to pick, and answering two grandchildren who asked many questions. She had to pray for her son to come back alive, too. She said she prayed for everybody, but we all knew that everybody was her son.


Amani Abeid oil on canvas 200x150cm 2024 courtesy Tewas Art Gallery
Amani Abeid, Untitled, oil on canvas, 200x150cm, 2024 (courtesy Tewas Art Gallery)

Asking Grandma and Grandpa about Mother was not encouraged. It always made them uncomfortable, brought about tears. All Tara and I knew was that she went out for a protest and never came back. Grandma said she was in Paradise, where things were far better. But if Mother was so happy in Paradise, why did Grandma cry every time we asked about her?

Tara and I were always asking questions. Grandpa and Grandma divided up the task of answering them. When we wanted to know where babies came from, we were sent to Grandma. She knew how to conceal, to sugarcoat, to euphemize, to make children’s versions of things. For questions about the war, she sent us to Grandpa, even though he had never fought a war in his life. He was just a retired taxi driver, but he lived like a war hero. Living sometimes means fighting a war. We asked him how many Kalashnikovs were needed to destroy the enemy’s tanks. How many Katyusha rocket launchers it took to bring down American-made stealth bombers. 

Grandpa told us that the Americans and the Russians were fighting a cold war. We imagined them fighting in snow, under raids of frozen rain and sleet. In our minds, American soldiers looked like those in the dubbed Rocky and Rambo movies — muscular men with sunglasses and camouflage uniforms. We imagined the Russians as tall, skinny, shadowy men with cunning eyes. We asked Grandpa if the American fighter jets were more efficient than the Russian ones. Grandpa said this did not concern us. He believed our troops fought with their hearts, not with their guns. 

One day, we asked him what happened when a person stepped on a landmine. How did a person explode? What happened to their face, to their legs and intestines? Where did all the flesh and bone go? Grandpa told us about the mules that were sent to the minefields to clear the ground before the troops, but he didn’t know how many pieces a mule was torn into when it stepped on a landmine. 

One day, I asked Grandpa a tough question. 

“How is tarragon grown?” 

For a long time, he had avoided this question. Now, he nodded and asked us to bring him his reading glasses. Every request was a competition between us: to be the first, to be the center of attention, the most loyal. It must have been like that on the front too. Did the troops race each other to go to the minefields? Did the mules?

We handed him the heavy glasses. Grandpa put them on and pulled out the Darjeeling tea box, which he kept in a drawer in the TV cabinet. Embossed on the tin box was an image of an elegant woman entwined with an albino python. A crimson headscarf partially covered her brown hair, her right breast uncovered. I stared at her breasts whenever I could. Seeing it gave me a weird sensation. One day, Grandpa caught me looking. He didn’t say a word. I dropped the box and left the room, my chest tight with shame. The next time I checked, the woman’s breast was covered with duct tape.

Now, he opened the box. Inside were little packages of seeds. Each was wrapped in newspaper, labeled, and tied with a rubber band. Grandpa opened one in front of us. Inside were small round capsules, like chickpeas, only smaller, with a softer surface, hollow and light. They rattled in his palm. He squeezed one between his fingers. The capsule broke with a crack, revealing dark grey seeds. Grandpa put some of the seeds in our sweaty palms. We sniffed them like inquisitive dogs. They were odorless.

“What do you call them, Grandpa?” we asked.

“Esfand. The last month of the year.”

Esfand was used to repel bad omens, to fight the evil eye. It was the stuff Grandma put on a small brazier and moved around to spiritually cleanse the house. It made our eyes water. Esfand was the stuff the neighbors burned when Father returned for the first time. He had walked with a limp, talked with a heaviness, and grown three wrinkles on his forehead in just eight months. 

When Grandma saw Father walking like that, she’d started shaking. Then she burst into tears, cried like a generous cumulonimbus in the spring. Grandpa cried too, he couldn’t help it. It was the first time. Even when Mother died, he hadn’t cried. Everybody thought he was crying because he was happy to see his son alive. But we didn’t think so. It was clear even to us that he was crying out of sadness, out of desperation, out of helplessness. 

To celebrate Father’s return, the army had sent a butcher to sacrifice a lamb for him. It was protocol, a gesture of appreciation. We couldn’t watch. As soon as we saw the shining of the blade amidst the glorifying chanting and singing, we hid behind the wooden power pole, holding hands. The lamb was calm, before and after. According to Grandpa, that was how lambs were: calm in the meadow, calm in the cauldron. Blood gushed down the asphalt, finding its way to the slanted pomegranate tree opposite our house. Looking at the warm stream, we wondered where all the blood at the front went. What fruit it reddened. To this day, I can’t eat pomegranates.

The meat was sent back to the battlefront. At the time, I wondered if slaughtering the lamb was what Father wanted. Hadn’t he seen enough blood? A month later, he left. They said being in war was addictive.

We looked at the tiny dark seeds in our hands.

“But you said tarragon didn’t have seeds?” 

“I wish it were as easy as that, kids.” Grandpa smiled like the wise man he was. We wriggled like earthworms in the sun, couldn’t wait to find out.

“Tarragon is a hybrid plant,” Grandpa said. “Hybrid is a mix of two beings, two plants, two animals, like mules.” 

“Like the mules that tread on landmines?” 

“Yes. They are bred from male donkeys and female horses.” 

Grandpa explained the process, said that turnips were involved. We had no idea what he was saying. What did tarragon have to do with Esfand or turnips?

“To grow tarragon, we need to cut turnips into halves, then hollow each half with a brass spoon,” he said, emphasizing the word brass. “Then we place a few Esfand seeds into each half and bury them. The turnips act like the uterus, the recipient of the seeds.” 

Grandma noticed our confusion and stepped in to clarify. “The turnips are the mother and the Esfand seed the father.” Then she lowered her voice and said, “Rumor has it that soaking Esfand seeds in vinegar results in a stronger crop.”

Grandma went to the kitchen and returned with a couple of turnips, a brass teaspoon, and a sharp kitchen knife. She cut the turnips in half, and together we filled each half with two Esfand seeds. With a half turnip in each of our hands, we headed to the field attached to our backyard. We were so excited we couldn’t think straight. Grandma dug a few holes in the ground. We were about to bury them when Grandpa remembered his Lubitel camera and wanted to capture the great occasion. He asked us to fetch the camera. He sounded like a commander, the type who sends the mules before his troops. 

The alarm was loud and shameless. It came slightly too late. 

Normally, the two of us would have raced each other to the attic. But like the time when I ate all the Olivier salad and was left with the bread, I couldn’t move. The excitement paralyzed me. Tara, always more patient, rushed to the attic herself. She said that we shouldn’t touch anything until she returned. She must have been looking for the camera when the alarm went off. Perhaps she had been bending over the big wooden chest, holding the lid with one hand, rummaging through the contents with the other, her long chestnut hair falling forward, framing both sides of her face. The alarm was loud and shameless. It came slightly too late. We heard the whistle of the jets and then an explosion. Thick smoke bloomed from the front door, the roof, the windows. Shoals of dust. Schools of smoke. Someone screamed and the earth shook. The three of us stood in the orchard with the turnips in our hands, like mules on the edge of a minefield. We could smell the terror: gunpowder, charred plastic, burned wood, roasted flesh.

Tears fell on the turnip halves, on the unsoaked Esfand seeds, like vinegar in the soil. From them would rise dark, lush tarragon, fragrant and stubborn leaves that I could crush between my fingers and breathe in — enough to turn two lungs into four.

Erfan Mojib

Erfan Mojib was born in the desert city of Yazd in central Iran. He holds a degree in Comparative Literature from the University of Malaya (Malaysia) and an MFA in Creative Writing from the University of New Brunswick, Canada. He has published... Read more

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Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Poetry

Brian Turner: 3 Poems From Three New Books

14 JANUARY 2024 • By Brian Turner
Brian Turner: 3 Poems From Three New Books
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Art

Hanan Eshaq

3 DECEMBER 2023 • By Hanan Eshaq
Hanan Eshaq
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Interviews

My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa

13 NOVEMBER 2023 • By Naima Morelli
My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Art & Photography

Adel Abidin, October 2023

1 OCTOBER 2023 • By TMR
Adel Abidin, October 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Fiction

“Sweet Tea”—a classic Kurdish story by Hussein Arif

3 SEPTEMBER 2023 • By Hussein Arif, Jiyar Homer
“Sweet Tea”—a classic Kurdish story by Hussein Arif
Poetry

Three Poems from Pantea Amin Tofangchi’s Glazed With War

3 AUGUST 2023 • By Pantea Amin Tofangchi
Three Poems from Pantea Amin Tofangchi’s <em>Glazed With War</em>
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Book Reviews

Literature Takes Courage: on Ahmet Altan’s Lady Life

24 JULY 2023 • By Kaya Genç
Literature Takes Courage: on Ahmet Altan’s <em>Lady Life</em>
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Editorial

Stories From The Markaz, Stories From the Center

2 JULY 2023 • By Malu Halasa
Stories From The Markaz, Stories From the Center
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“The Agency”—a story by Natasha Tynes

2 JULY 2023 • By Natasha Tynes
“The Agency”—a story by Natasha Tynes
Film

We Saw Paris, Texas—a story by Ola Mustapha

2 JULY 2023 • By Ola Mustapha
We Saw <em>Paris, Texas</em>—a story by Ola Mustapha
Fiction

Rich and Poor People—fiction by Farah Ahamed

2 JULY 2023 • By Farah Ahamed
Rich and Poor People—fiction by Farah Ahamed
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei
“My Mother is a Tree”—a story by Aliyeh Ataei
Beirut

“The City Within”—fiction from MK Harb

2 JULY 2023 • By MK Harb
“The City Within”—fiction from MK Harb
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Fiction

“The Burden of Inheritance”—fiction from Mai Al-Nakib

2 JULY 2023 • By Mai Al-Nakib
“The Burden of Inheritance”—fiction from Mai Al-Nakib
Fiction

STAMP ME—a monologue by Yussef El Guindi

2 JULY 2023 • By Yussef El Guindi
STAMP ME—a monologue by Yussef El Guindi
Fiction

Abortion Tale: On Our Ground

2 JULY 2023 • By Ghadeer Ahmed, Hala Kamal
Abortion Tale: On Our Ground
Fiction

Hayat and the Rain—fiction from Mona Alshammari

2 JULY 2023 • By Mona Al-Shammari, Ibrahim Fawzy
Hayat and the Rain—fiction from Mona Alshammari
Fiction

On Ice—fiction from Malu Halasa

2 JULY 2023 • By Malu Halasa
On Ice—fiction from Malu Halasa
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
TMR Interviews

The Markaz Review Interview—Leila Aboulela, Writing Sudan

29 MAY 2023 • By Yasmine Motawy
The Markaz Review Interview—Leila Aboulela, Writing Sudan
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Art

The Gaze of the Sci-fi Wahabi

2 APRIL 2023 • By Sophia Al-Maria
The Gaze of the Sci-fi Wahabi
Cities

“The Icarist”—a short story by Omar El Akkad

2 APRIL 2023 • By Omar El Akkad
“The Icarist”—a short story by Omar El Akkad
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Book Reviews

Traps and Shadows in Noor Naga’s Egypt Novel

20 JUNE 2022 • By Ahmed Naji
Traps and Shadows in Noor Naga’s Egypt Novel
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Centerpiece

“Asha and Haaji”—a story by Hanif Kureishi

15 JUNE 2022 • By Hanif Kureishi
“Asha and Haaji”—a story by Hanif Kureishi
Fiction

Nektaria Anastasiadou: “Gold in Taksim Square”

15 JUNE 2022 • By Nektaria Anastasiadou
Nektaria Anastasiadou: “Gold in Taksim Square”
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Fiction

“Turkish Delights”—fiction from Omar Foda

15 DECEMBER 2021 • By Omar Foda
“Turkish Delights”—fiction from Omar Foda
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
Book Reviews

An American in Istanbul Between Muslim and Christian Worlds

15 NOVEMBER 2020 • By Anne-Marie O'Connor
An American in Istanbul Between Muslim and Christian Worlds

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