Alien Entities in the Desert

View of the Negev desert. All images by Dror Shohet, 2023.

4 JUNE 2023 • By Dror Shohet
The Camel vs the State of Israel?

 

Dror Shohet

 

It is twilight. The desert landscape on both sides of the car seems otherworldly, like we’re on the moon.

For miles now, we’re the only car on the road. Hafez (anonymity pseudonym) spots something and stops the car. I don’t see anything. He gets out and bends down, close to the ground. I’m looking at him curiously as he returns to the car. It was camel feces he took a good look at — a fresh batch, apparently. He gently turns off the road and into the desert, switching off the car lights. It’s essential that the park rangers don’t see us. After 200 meters of mindful driving, he hides the car behind a big bush. We step out into the wilderness; it’s that special time of fleeting light. We start walking. Soon after Hafez start calling them, “Rjad, rjad, rjad!”

“I can hear them. Can you hear them?” he asks. No, I can’t. I think to myself that my senses must be dull, and how I would be scared if I were here alone at twilight. But I feel totally safe because Hafez knows the desert — its every curve and plant — like I know the streets of Tel Aviv. It’s hard to see the ground and I use the flashlight on my phone. Hafez asks me to turn it off, and I feel foolish that I might have made us noticeable. I actually can see better without it when I’m looking far ahead into the distance. I just need to trust the ground to catch me. When I spend time with Hafez, it sinks in a bit more how disconnected and afraid our society is, so helpless in wild nature, especially after sunset. We’re so used to soft buffers to protect us from the raw, thorny, sweaty outside, accustomed to our AC, comfy shoes and sunglasses. There’s so much separation from the earth and it’s just so boringly normal.

“I think I’m hearing them now, but then maybe I’m imagining it,” I say. The smile on Hafez’s face remains cheeky. He is very proud of how he was brought up as a semi-nomad wandering the desert, always learning from it. “This was my school,” he says. He calls it “the desert senses.” And then, before I know it, they arrive, a bunch of them, standing in rows, gigantic looking, reminding me of weird mythological animals. They are brightly colored, almost glowing in the approaching night. I’m so impressed that these large wild animals can be so attentive and connected to Hafez, recognizing and following his voice from afar. It feels legendary, like a one-of-a-kind moment that I’ll cherish forever. They’re approaching us to say hello, and a mixture of fear and excitement catches me. They’re so adorable in a clumsy yet elegant way.

Camels in the Negev desert.

After a warm exchange of greeting gestures, Hafez doesn’t miss a beat. “They’re thirsty,” he says, “we must give them water.” He finds some part of a hose on the ground and we continue walking for ten minutes or so, Hafez, me and behind us, thirty majestic camels. They are surprisingly quiet. Every now and then I turn around to see if they’re still there. Meanwhile, Hafez keeps calling to them, “Rjad, rjad – rrrrrr.”

We reach water taps and hoses locked behind a fence. These belong to the national water company. I don’t remember how Hafez managed to get inside, or how he opened the locked faucet. I just remember him saying something like, “If they’re playing games, I too know how to play games.” A camel shoves her head just behind my shoulder, maybe to see the action. Bonded by the close proximity to her face, I want to stroke her, but I am afraid.

“They’re very thirsty, they can smell the water,” he says. Clearly it isn’t Hafez’s first time, because it’s not long before we hear the shrieking sound of the water pressure and the water starts streaming — a huge relief. He fills up a barrel and the camels gather around and drink in turns. It is very satisfying to see their long necks decorated with water droplets, looking like they are smiling.

Fauna Politics

The reason for this unusual chain of events, which seems like a scene from an action film, is far from exciting. Since the state of Israel was established 75 years ago, the government has been actively pushing the Bedouins from the desert. By doing so, it has transformed the Bedouin life and ancient traditions beyond repair.

As it happens, the area all around Hafez’s village was declared a nature reserve three decades ago. Believe it or not, it is illegal to herd camels there. This raises many questions around an animal which used to live in ecological balance, in the same place for millennia, yet is no longer considered “natural” and is now seen even harmful to nature.

Camels grazing in the Negev desert.

The absurd plot thickens when you learn that one of the problems authorities have with the camels is that they are drinking the water of the Somali wild asses. The Somali wild ass is one of the animals included in a wider project of the Israel Nature Reserve and National Parks Authority to bring back endangered and locally extinct animal species mentioned in the Bible. The asses were brought to the Negev (an-Naqab in Arabic) around the mid-1980s, and are allowed to roam freely in nature reserves. They are even provided with water troughs. It is heinous, to say the least, how the regime is politicizing nature and using it to enforce a settler colonial mentality. How can one animal be better than another? Why are some people privileged, while others don’t seem to matter?

The nightmarish joke is that about two-thirds of the Negev desert and some of its nature reserves have become designated firing zones for the Israeli army. You can most definitely see a jeep crossing a nature reserve or even spot a tank crawling on the hills; you may even hear soldiers being trained how to shoot; but camels are considered an alien entity in the desert. They are the ones that are seen to be harmful to the environment.

View of the Negev desert landscape.

The disappearance of camels from the landscape is apparent. There are ten times fewer camels today than there were in the 1960s. Furthermore, the camel has no legal status under Israeli law; it is neither a farm animal nor a wild one, so most Bedouins have given up camel herding altogether. Ironically, when it comes to souvenir shops, camel dolls and tee-shirts are very popular.

Government interference in Bedouin life did not start or end with the control of camels. Since 1948 there has been wide dispossession of Bedouin lands. Many Bedouins have been displaced, herded into a restricted area. This has caused them to give up their nomadic life style and settle in unrecognized villages, where they now face the demolition of their homes. In the 1950s, similar to the camel issue, the herding of black goats, which remains a large part of Bedouin tradition and culture, was banned from nature reserves. (Recently, however, the benefits of the black goats to the natural habitat have been recognized, which may result in a change in the law.)

purple desert mountains - dror shohet
View at sunset.

There have been several urbanization projects to resettle Bedouins to townships, where their ancient desert-dwelling knowledge ceases to be relevant, and they find themselves living on the fringes of modern, industrial Israeli society.

It pains me beyond measure that my country is taking an active part in the destruction of Bedouin culture, which should rather be treated as a national treasure worth preserving. I cannot stand by while this way of life is pushed out of its natural environment, forcing a rare and ancient culture to gradually go extinct.

 

Safinat al Sachra (The Desert Ship)

I met Hafez a decade ago, and became fascinated with the semi-nomadic way of life he had until he was 14, living as one with nature, sustained by seasonal farming, goat herding and the use of herbal medicine. His family, like many other Bedouin families, had very few possessions, which were carried on camelback during the family’s seasonal migration between Mount Negev in the summers and the Arava in the winters. They had an immense appreciation for the earth, water, wind, plants and mountains; they were not trying to control the desert,  instead they knew how to “stroke” it, they coexisted with it. Contrary to our stressed and ruthless capitalist world, there is something spiritual in the Bedouins’ way of life and desert landscape. Walking on the exposed terrain, you can feel the vastness. It’s almost a shock when you see a courageous tiny flower sprout from the harsh land.

Desert clifftops are stunning.
View of desert clifftop, Negev desert.

I remember the first time I spent the night in the desert under a million stars. I couldn’t believe that I’d missed this amazing sight until then. I had no idea the sky could look like that — as if I could feel the whole cosmos, a humbling experience. It is unbelievable the lengths we need to go to just to be close to nature, and yet how simple it really is.

When Hafez herds his camels, he is preserving a unique and ecological way of life, which dates back before the ancient days of Abraham. In his own way, Hafez is a messenger of a wisdom and intelligence that is beyond the reach of written law. I don’t want to live in a world where this way of living is being pushed from its natural environment and is being erased from the map. In a country that uses “nature preservation” to rule with its Jewish supremacist ideology, it prohibits something as rooted to the history and identity of this land as camel herding in the desert. It is this act that is leading to the disappearance of Bedouin culture as we know it.

 

Dror Shohet

Dror Shohet Dror Shohet is an independent filmmaker and a multidisciplinary artist based in London. Her work explores the intersection of political and ecological conflict through the genre of poetic documentary. She is working on her first full-length film, a journey in... Read more

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Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Art

Olafur Eliasson’s Curious Desert Contrasts Qatar and Iceland

4 JUNE 2023 • By Safae Daoudi
Olafur Eliasson’s <em>Curious Desert</em> Contrasts Qatar and Iceland
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Poetry

Three Poems by Mona Kareem

2 MAY 2023 • By Mona Kareem
Three Poems by Mona Kareem
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Art & Photography

Becoming Palestine Imagines a Liberated Future

27 FEBRUARY 2023 • By Katie Logan
<em>Becoming Palestine</em> Imagines a Liberated Future
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Columns

Moroccans Triumph at World Cup While Press Freedom Suffers

15 DECEMBER 2022 • By Samia Errazzouki
Moroccans Triumph at World Cup While Press Freedom Suffers
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Columns

Unapologetic Palestinians, Reactionary Germans

15 SEPTEMBER 2022 • By Abir Kopty
Unapologetic Palestinians, Reactionary Germans
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Poetry

Poet Faiz Ahmed Faiz’s “Dasht-e-Tanhai”—A Desert Soundscape

25 JULY 2022 • By Mara Ahmed
Poet Faiz Ahmed Faiz’s “Dasht-e-Tanhai”—A Desert Soundscape
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Featured excerpt

Bakhtiyar Ali: “The Prisoner and the Plague”

15 JUNE 2022 • By Bakytiyar Ali
Bakhtiyar Ali: “The Prisoner and the Plague”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Fiction

Karim Kattan: “The Gravedigger”

15 JUNE 2022 • By Karim Kattan
Karim Kattan: “The Gravedigger”
Opinion

Israel and Palestine: Focus on the Problem, Not the Solution

30 MAY 2022 • By Mark Habeeb
Israel and Palestine: Focus on the Problem, Not the Solution
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY 2022 • By Mischa Geracoulis
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Art & Photography

Traveling in Contentious Spaces — Saudi Arabia

22 NOVEMBER 2021 • By Deborah Williams
Traveling in Contentious Spaces — Saudi Arabia
Fiction

The Promotion (a short story from Saudi Arabia)

22 NOVEMBER 2021 • By Waqar Ahmed
The Promotion (a short story from Saudi Arabia)
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Interviews

Interview: Maria Armoudian on “Lawyers Without Borders”

25 OCTOBER 2021 • By Mischa Geracoulis
Interview: Maria Armoudian on “Lawyers Without Borders”
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

The Wall We Can’t Tell You About

14 MAY 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
Opinion

Women Battle for the Soul of America

15 OCTOBER 2020 • By Maryam Zar
Women Battle for the Soul of America
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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