Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

Dome of Sheikh Lotf Allah Mosque, Isfahan, Iran (photo Javarman).

2 MAY 2025 • By Raha Nik-Andish
Not even escalating tensions between Israel and Iran could stop one wayward Iranian from returning home.

 

Raha Nik-Andish

 

I tilted my head, waiting for the medication prescribed by my doctor to trickle down into my ear. But before it did, my landlady started shouting, “Raha! Venez voir ça ! L’Iran a attaqué Israël!”

Two weeks had passed since I’d bought my ticket back to Iran. Since then, the news had been flooded with images of missiles and drones launched by Iran in retaliation for an Israeli attack. However, my decision had been made. Fourteen years in broom closet-size rooms, putting up with eccentric landlords, and unending, repetitive job interviews leading nowhere had exhausted me.

Also, I was worried about my father; his Alzheimer’s had worsened. From our frequent phone conversations I could tell that soon, even speaking to me would become difficult for him. I remembered one day, years ago, when his illness had already started taking its toll. I found him wandering around the house, searching for something. “What are you looking for?” I asked.

“Myself,” he replied.

Maybe that was another reason I was going back to my country — to find myself.


Usually flights from Paris to Iran arrived around midnight, but with a change in schedule, due to the escalating tensions between Iran and Israel, I was flying over my hometown of Isfahan at midday. Outside the window, the bright sunlight illuminated the dry, cracked land surrounding the city like the wrinkles on an old man’s face. Isfahan had once been considered the fairest of Iranian cities because of its gardens and farms. Yet, despite the arid dustiness, it still moved me; I felt a mixture of love, fear, and hope.

My brother picked me up from the airport. It was late September. Even from a distance, Isfahan looked calm and familiar, with its blue domes that came to me in my dreams. The Zayandeh Rood river, once a symbol of the city’s gracious charm, was now a desiccated riverbed that wound its way through the city’s withered heart. People walked through the streets, heads down, seemingly lost in thought. My hand outside of the open car window caressed the warm breeze. It smelt like home, in spite of the sadness.

My mother had rented out the house where I had spent my childhood and moved to a safer neighborhood. When she opened the door, I noticed that she had shrunk, her face more worn since the last time I saw her a year ago when I’d visited Iran for two weeks.

My father was sitting in his usual chair. He showed no reaction to my arrival.

“Salam,” I greeted him.

Momentarily he lifted his head, and responded warmly, as was his usual habit. Then just as quickly, he lowered his head again.

My first week back was mostly spent visiting my brothers and sisters and, of course, fixing my teeth.

Our family dentist isn’t known for being the best in his field, but his warmth and personality have made him incredibly popular. His clinic is always packed. He works double shifts, assisted by young, cheerful women who share an easy camaraderie with him. One said, “I’m getting a lip piercing today.” The doctor glanced at her, and then looked down at me in the dentist’s chair. With a grin he asked, “Weren’t you scared to come back to Iran when they’re sending water heaters disguised as missiles toward Israel?”

With his implements in my mouth, I could only nod — a gesture that could mean both yes and no.

I had already told him that I planned to move back to Tehran in a month, so he needed to finish my dental work before I left. He charged me five million tomans ($50) for a crown.

Afterwards my mother told me, “Considering how quickly he gave you an appointment, that’s a good price.”

 

“Weren’t you scared to come back to Iran when they’re sending water heaters disguised as missiles toward Israel?”

 

Six years ago, I had returned to Iran for a year and a half, and worked at an advertising agency, but the country’s economy was collapsing. The dollar exchange rate had jumped from 2,000 tomans to 12,000 tomans. Now on coming back for good, the economy was in free fall. By late 2024, it was 56,000 tomans to one dollar. Since then, it has skyrocketed to 99,000.

I had always wanted to teach at a university, but my bachelor’s degree wasn’t enough for Iran’s University of Art. So, I applied to a master’s program at the Paris University of the Arts, got accepted, and left Iran again. Before I finished my studies, COVID hit, and two years slipped by. By the time I realized that five years had passed, I figured it was time to try to realize my dream of teaching art in Iran.

This time, I had a master’s degree — with distinction. All I needed to do was talk to the head of the art department at the university. In Tehran, a meeting was arranged and I met with two departmental heads at my friend’s café. They were enthusiastic about my degree and the possibility of me teaching. We then moved onto the topic of payment. I was stunned. University lecturers earn 35,000 tomans or 35 cents an hour — not even enough to cover transportation costs. Essentially, I’d be working for free. And the strangest part? Many people were already doing just that.

I turned to one of the professors, and said, “If you ask a handyman to change a light bulb in your house, he’ll charge you 500,000 ($5) for an hour’s work. But a university professor is 35,000?”

He shrugged, “That’s the standard rate for freelance lecturers in all the universities across the country.”

By then, night had fallen, and the three of us noticed glowing objects moving across the sky.

A loud voice in the café quipped, “Looks like Iran is launching more missiles toward Israel.”

But no one seemed too concerned. A quick glance, a passing comment, and then everyone went back to drinking their tea.


The next morning, I walked through my old neighborhood in Tehran. It was alive, full of middle-class families. It had been one of the most politically active areas during protests against the government. I decided to reach out to old friends. Some had distanced themselves over the years, assuming I was living comfortably in France, far removed from their struggles. But most were happy to meet up again. 

Two of them ran an advertising agency, and one told me that he made $1,500 to $2,000 per month — a great income for Iran. He had also invested in real estate and was making money from his rental properties. He was obviously living comfortably and could even afford to travel abroad.

On the opposite end of the spectrum was Zeina, a painter I’ve known for 30 years. She had never managed to afford even a small apartment, and she blamed her husband for their economic situation. Six years ago when I was back in the country, I’d sensed that her feelings for him had faded, but then she didn’t have the courage to leave him. This time, when we met, she proudly showed me the stamp in her ID, and announced, “Two weeks ago, I got divorced.” 

To secure it, she had waived her mehrieh, a cash payment to the wife in religious marriages, which made it easier for her husband to agree to a legal separation. However, due to the soaring cost of rent, the two of them were still living under the same roof.

Even she was unable to answer my question, “How does someone make a living in the arts?”

Two universities invited me to speak about my experiences abroad. The atmosphere on campus was nothing like it was when I was a student. Twenty years ago, young men and women had separate staircases. Now, I saw women attending classes without their mandatory hijabs, freely socializing with their male classmates.

After my lecture I received an invitation from a department head to teach art history there. But the pay was the same — 35,000 tomans an hour. 

Interestingly, what struck me about this department head was that despite his religious background, he was openly against the government. “If a student wants to create art on campus,” he told me, “we have to submit an official request.” He also said that during the Woman, Life, Freedom protests, many of his students had been beaten up by the security forces.

According to him, permanent faculty members on the university’s payroll earned between 30 to 40 million tomans ($300 to $400) per month, which considering Iran’s high living costs wasn’t a living wage. When I asked him if there was any possibility of getting a permanent position at the university, he sighed before admitting, “I’ve been teaching here for 20 years, and I’m still on a temporary contract.” Every year he has to sign a new contract.

 

Maybe I was going back to Iran to find myself. 14 years of tiny rooms, eccentric landlords, and unending job interviews had exhausted me.

 

In Iran, I had only a couple of chances at securing stable employment and both times I failed the religious screening because I answered questions honestly. These hiring committees are often run by people with Taliban-like mindsets. I still remember my father’s advice from back then: “Forget about getting hired — find another career for yourself.” So, I did. I jumped from job to job, eventually found work in advertising as a graphic designer.

Back in my university days, my old college flame, Laila, would call my dorm once a week, which led to my expulsion from student housing. Years later, we both failed the employment screening interviews. When we met up recently after 30 years, she told me she had started looking for a job again and shared her experiences. 

“This time, the process felt different,” she explained, “Back then, I was young and naïve — I didn’t understand the system. Even though I wore a long manteau coat, a headscarf maghna” — a formal cover with a simple design that fully covers the head and neck mostly worn by women who work in government institutions — “and no makeup, they treated me horribly. But this time, I realized that the people handling the employment screenings are stuck in their own little world. They give you forms full of religious and ideological questions, and you have to answer them in a way that doesn’t raise suspicions.”

She continued, “My sister who has been through countless job interviews coached me on what to say. I lied about almost everything — I wrote that I don’t have an Instagram account; I don’t own a passport, and so on. The most surprising part was that woman in charge of my interview smiled warmly as she took my papers and said, ‘I’m so happy to have met you.’

Laila shook her head and added, “I was puzzled until I realized why — because I was wearing a full headscarf maghna, covering all my hair. It’s funny … 30 years ago, we were afraid. I remember all my classmates wore chadors to job interviews. Back then my simple headscarf wasn’t considered a ‘proper hijab.’ And now? The other professors being interviewed weren’t taking mandatory hijab seriously. Many of them had bold makeup. One even wore ripped jeans and bright red lipstick! Compared to them, I looked modest and old-fashioned — so, of course, the recruiter treated me well.”

Walking with Laila through Tehran, it was impossible not to notice that most young women no longer bothered with headscarves. Just a few years ago, they were prohibited from cycling, and now some of them speed through the city streets, with the wind in their hair.


 Autumn is the season of art in the city, and the galleries opened new exhibitions one right after the other. I had gone with another friend to northern Tehran to see an exhibition. On the way, in a taxi, I could see how the city had changed. New highways had been built yet the traffic was as suffocating as ever. A trip that should have taken 30 minutes dragged on for hours. The traffic app showed a sea of red lines, as the veins of the metropolis throbbed with congestion.

As we waited in the traffic, my friend and I talked about the US elections and our concerns over the possibility of Trump’s re-election. Suddenly, the taxi driver interrupted our conversation. “Don’t worry, sir!” he said, “Things can’t possibly get worse than this. Maybe Trump is actually the Mahdi himself, here to save the world from misery!”

Making jokes about religious figures in Iran can be a risky business, but Iranians have always found humor in even the darkest situations. On our way to the exhibition, I was struck by the towering shopping malls that lined the streets — gleaming glass facades, symbols of wealth and modernity. Despite sanctions and inflation, these massive buildings continued to rise.

Later out of curiosity, I visited a mall and took the escalator to the cinemas and cafés. At the entrance to a theatre, young men and women stood in line, waiting for a performance to start. I approached a woman working at the door and asked if anyone could attend.

“No,” she replied. “This is a private theater performance.”

What caught my attention wasn’t just the exclusivity of the event — it was the audience itself. Not only was every single woman in line unveiled, some wore crop tops that revealed bare midriffs. In a country where women had been forced to cover their hair for decades, here they dressed as they pleased, defying the official religious rules meant to control them.

That evening, I met up with another old friend, and he told me about his 17-year-old son, who had been arrested during the Woman, Life, Freedom protests. The security forces had hacked into his son’s phone and sent messages to the boy’s friends to lure them into a trap. Everyone was arrested. After days of frantic searching, my friend finally discovered where his son was being held.

During the trial, the judge told him that his son had a serious case against him and not only for protesting, but because the boy’s phone was filled with anti-government slogans mocking Islam and Iran’s Supreme Leader. For three weeks, my friend daily visited the courts, desperately searching for a way to save his son from a lengthy prison sentence.

Eventually, with the right connections and plenty of pleading, he found an officer willing to erase the data from his son’s phone and return it to him. This is what saved him. 

In the negotiations with the boy’s father, the officer also revealed something chilling. “During the protests,” he told my friend, “our forces walk among the crowds wearing special wristwatches with hidden cameras, recording everything. That’s how we identify and arrest people later.”

The next day in Enqhelab Square, the streets were eerily empty, most of the shops closed. I stopped by a newspaper stand and asked the vendor why everything was shut. “Because of air pollution!” he replied.

The pollution was intense. I could feel a burning sensation in my lungs. Every two weeks Tehran shut down because of the hazardous air quality. Even restrictions like the traffic control plan had failed to make a difference. Power outages too occurred nearly every other day, and schools, banks, and government offices were closed. The official reasons were either energy shortages or government-imposed shutdowns to save electricity. This hadn’t been the case six years ago.

 

Making jokes about religious figures in Iran can be a risky business, but Iranians have always found humor in even the darkest situations.

 

That night my brother called from Isfahan to tell me that my father had fallen ill during the night and had been taken to the hospital. I rushed back as quickly as I could, and found my mother, distressed, standing by his bed. She said the doctor had diagnosed him with a severe bloodstream infection and that he needed to be transferred to the ICU. But no beds were available. If we moved him to another hospital, the bed he currently occupied would be lost.

I told my family I would stay with him that night and that they should go home and return in shifts the next day. When I asked a nurse if there was any possibility of transferring my father to the ICU, she pointed to another patient in my father’s ward and said, “That man has been waiting for days, and there’s still no free bed. If we had one, he would have gone first.”

By afternoon the next day, my siblings arrived. We decided I should go home to rest and return later that night. In the evening, my mother and brother changed my father’s diaper while I emptied his urine bag in the bathroom.

A half hour later I was alone by his bedside. I stared at his face and hands. His muscles had wasted away, leaving only skin and bones. He was on oxygen, his vitals monitored on a screen. 

Suddenly, shouting erupted from the main hall. The patient who had been scheduled for an ICU bed before my father and transferred there was being returned to the ward. His furious son was yelling, “This man is a war veteran! He was injured in a chemical attack! And this is how you treat him?” He and his brother had traveled from a nearby town and had been waiting for four days. They took turns sleeping in their car.

The hospital staff wheeled this man’s bed next to my father’s. Waves of exhaustion swept over me. Earlier in the day I had gone home to rest but was unable to sleep. Around 1 a.m., my father suddenly began to tremble violently. His teeth clenched, his eyes rolled back. I called to him, but he didn’t respond.

The nurses’ station in the ward was empty. I ran into the main hall. No one was there. I shouted for someone. Finally, a nurse emerged from a room. Desperate, I told her my father was having a seizure. We ran back together. When she saw him, she immediately went for help. Other nurses returned with her. They rolled my father onto his side and injected him with medication. Slowly, his convulsions eased, his breathing heavy and ragged.

One nurse said, “His lungs are full of fluid.” They inserted a suction tube into his mouth, and I could hear the sound of liquid being drawn out. Finally a doctor arrived and examined him. 

I asked the nurse what had caused my father’s seizure, and she said it might have been a reaction to the antibiotics they were giving him for the infection. She replaced the oxygen tubes in his nose with a plastic mask. The nurses turned off the lights and left. The relatives of other patients, who had been disturbed by all the commotion, dozed off once again in their chairs.

I remained awake and watchful, fearful that my father might have another seizure. He kept pulling his blanket off, and I repeatedly covered him up. He also kept removing his oxygen mask, which I continually adjusted. We went back and forth like this for the next two hours until he suddenly had another violent seizure.

I ran back to the main hall to get a nurse. She came back with me, and added a sedative into my father’s IV. He finally fell into a deep sleep.

At 6 a.m., the cleaning staff arrived to mop the floors. A nurse walked through the ward and straightened the patients’ blankets. “The morning shift will be here soon,” she said to no one in particular, “and everything has to look neat and clean.”

I was extremely tired when my mother and brother arrived mid-morning. In passing my brother said, “On my way here I ran into a doctor I know. I think he’s in charge of the ICU.” 

It was an opportunity we dared not miss for my father’s sake. “Please, if you can, ask him to transfer Dad to the ICU. He’s been paying insurance for years and has every type. If we don’t use it now, when will we? Use the connection, please ask,” I urged. As I left the hospital, I wondered for how long would this horrible situation go on? 

I arrived back at the hospital that evening. Fortuitously my brother called to say he had spoken with the doctor and that the hospital was going to transfer Dad to the ICU. After my mother and one of my brothers arrived the next morning, two nurses started moving my father’s bed toward the elevator.  When we tried to go with him, they stopped us and explained: “Only one person can accompany us, and visiting days are limited to two days a week, with only two people allowed in at a time.”

Since I had spent the night with Dad, I told my mother and brother to go ahead while I waited outside. When they returned from the ICU, my brother said, “He’s breathing 50 percent with a machine, and his blood pressure is very low.”

On the days when visiting hours weren’t allowed, we called in to check on him. The next time any of us were allowed to visit was on Tuesday, and my mother, another of my brothers, and I went to hospital. Again I let my mother and brother go into the ICU. However, I asked the security guard if I could see my father for just a few seconds. He said it was impossible since only two family members were allowed in.

I had to wait until Sunday. On Friday, when we called the hospital, the nurse said, “Your father is almost better, he opened his eyes, and should be discharged soon.” Our happiness was tinged with concern: considering his condition how were we going to take care of him once he was discharged? My brother called the doctor who was familiar with my father’s case, and he reassured my brother that it wasn’t yet time for Dad to be discharged; we shouldn’t worry.

Sunday came, and to enter the ICU, I changed into protective attire. The unit was full of beds. A nurse showed me my father’s. I called out to him, but he was unable to turn his head. So I moved to the bed’s other side so he could see me. I greeted him, “How are you?”

His eyes filled with tears and panic. It was so hard to see him in so much pain. I felt as though he was hanging over a cliff, waiting for the moment he would let go and fall into an abyss. This was perhaps the saddest moment of my life.

The hospital called us the next Sunday morning and told us to bring the necessary papers. It was a sign: this visit was to be our final goodbye. Dad was now completely dependent on a machine to breathe, and his heart rate had dropped significantly.

Around 8 p.m. that evening, we received the call that he had passed away. We had to come next morning and pick up his body. The hospital where I had been born was the very place my father had died.

That night, we decided to bury him next to his father, in a plot our family has had permission to use for the past 30 years. The cost of buying a new one was exorbitant.

During the burial ceremony, I realized that many people buy a grave in a cemetery before they die. Graves have become an investment because land, for the living and the dead in Iran, has become increasingly expensive over time. A friend told me that he needed an eye for his mother, and was told that a cemetery worker, who washes bodies before burial, sold eyes of the recently deceased. After several visits, he managed to obtain an eye from a corpse for his mother. 

 

Raha Nik-Andish

Raha Nik-Andish is an Iranian art historian and translator in Isfahan. He left his country fourteen years ago and returned last year.

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Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
Book Reviews

Rotten Evidence: Ahmed Naji Writes About Writing in Prison

12 FEBRUARY 2024 • By Lina Mounzer
<em>Rotten Evidence</em>: Ahmed Naji Writes About Writing in Prison
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Book Reviews

The Fiction of Palestine’s Ghassan Zaqtan

13 NOVEMBER 2023 • By Cory Oldweiler
The Fiction of Palestine’s Ghassan Zaqtan
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

The Yellow Birds Author Returns With Iraq War/Noir Mystery

29 MAY 2023 • By Hamilton Cain
<em>The Yellow Birds</em> Author Returns With Iraq War/Noir Mystery
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Cities

Home is a House in Oman

5 MARCH 2023 • By Priyanka Sacheti
Home is a House in Oman
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Fiction

“Holy Land”—short fiction from Asim Rizki

27 FEBRUARY 2023 • By Asim Rizki
“Holy Land”—short fiction from Asim Rizki
Art & Photography

Becoming Palestine Imagines a Liberated Future

27 FEBRUARY 2023 • By Katie Logan
<em>Becoming Palestine</em> Imagines a Liberated Future
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Art

Displacement, Migration are at the Heart of Istanbul Exhibit

13 FEBRUARY 2023 • By Jennifer Hattam
Displacement, Migration are at the Heart of Istanbul Exhibit
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Columns

Music for Tomorrow: Iranians Yearn for Freedom

15 DECEMBER 2022 • By Nazanin Malekan
Music for Tomorrow: Iranians Yearn for Freedom
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Art

An Interview with with Graphic Memoirist Malaka Gharib

15 NOVEMBER 2022 • By Rushda Rafeek
An Interview with with Graphic Memoirist Malaka Gharib
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Columns

Unapologetic Palestinians, Reactionary Germans

15 SEPTEMBER 2022 • By Abir Kopty
Unapologetic Palestinians, Reactionary Germans
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Book Reviews

Poems of Palestinian Motherhood, Loss, Desire and Hope

4 JULY 2022 • By Eman Quotah
Poems of Palestinian Motherhood, Loss, Desire and Hope
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Art

Book Review: “The Go-Between” by Osman Yousefzada

13 JUNE 2022 • By Hannah Fox
Book Review: “The Go-Between” by Osman Yousefzada
Opinion

Israel and Palestine: Focus on the Problem, Not the Solution

30 MAY 2022 • By Mark Habeeb
Israel and Palestine: Focus on the Problem, Not the Solution
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY 2022 • By Mischa Geracoulis
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Essays

The Wall We Can’t Tell You About

14 MAY 2021 • By Jean Lamore
The Wall We Can’t Tell You About
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

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