<em>A Bomb for Personal Use</em>—an excerpt

Sliman Mansour.

5 DECEMBER 2025 • By Mirna Al-Mahdi Translated from Arabic by Rana Asfour

Set in 1948 amid the Nakba, this Arabic-language novel follows a cast of characters from diverse backgrounds, including Armenian refugees, living under occupation and political pressure.

Jerusalem, April 1948

1.
Jerusalem Anemone (Wild Red Poppy)

As Elias Khalil Al-Maqdisi faced his final hour on this Earth, his thoughts were consumed by the rich history of Hanoun Al-Quds restaurant. Like all the city’s residents, he was aware that its original owner, a Palestinian farmer who’d come to Jerusalem from Galilee with his wife, had painstakingly built it from stones sourced from a mountainous quarry, where the fragrant scent of wild thyme infused the very stone itself. However, when the British mandate began, an arrogant, blond general seized control of the establishment and renamed it the Jerusalem Poppy. And now, God alone knew what its new owner, the Polish Zionist who’d bought it from the British after the declaration of the partition, was going to call it.

What angered Elias the most as he sat in the restaurant now was how the recent thief had not only taken over the establishment but had completely stripped it of its identity and soul. The beautifully embroidered Galilean cushions that once graced the plush sofas, intricately made with mother-of-pearl inlays from Akka, had all been replaced with cold, dark wooden benches.

And it hadn’t stopped there. The new owner had exchanged the beloved Palestinian musicians for a Jewish jazz band. Elias longed for the days when he used to hum along to the familiar melodies of Al-Alayi, Al-Awf, Al-Ataba, and Al-Mijana while he puffed away at his narghileh.

Despite Elias’s strong dislike for the changes that had tarnished his family’s treasured memories of Sunday lunches spent in this old restaurant, he reflected on how the settler’s poor taste actually turned out to be in Elias’s favor. Had the sofas not been replaced with these dark, rectangular, coffin-like wooden benches, he would not have been able to hide his bomb inside one of them. Moreover, the lively music from the Jewish band completely drowned out the ticking sound of the bomb, now nestled among at least forty members of the Irgun and Stern gangs, who were celebrating the aftermath of a massacre they had conducted in a small village a few days prior.


Sliman Mansour Wild Galilee Tulip 2020 courtesy of the artist
Sliman Mansour, “Wild Galilee Tulip,” 2020 (courtesy of the artist).

Elias’s train of thought was interrupted by the familiar chime of the door swinging open, a movement that struck the bell hanging above the eave. The blond, blue-eyed maître d’, dressed in a crisp white tuxedo and flashing a smile that highlighted his dimples every time he welcomed in a group of the gang members, also took notice. As Elias observed the scene, his gaze shifted to the open glass-fronted door of the restaurant. Outside, he noted a man in his fifties with a dark complexion casually leaning against the wall next to the entrance, eating what looked like a sesame bun. The man adjusted his fedora, which sat atop his shiny, slicked-back hair generously coated in a layer of Vaseline.

Just a few meters away from the man, he clocked a taxi with a driver who looked to be in his forties. The bearded man with black hair wore a silver band on his left hand paired with a small gold ring. While munching on a chocolate bar, he constantly shifted his attention between the side mirrors and the rearview mirror, as though making sure he had a clear view of both the road and the restaurant’s glass façade.

Elias looked at his gold watch, which hung from the elegant suit he’d had made in Majdala.

He had precisely 55 minutes remaining in his life.

The front door chimed again.

A young woman, probably in her late twenties, walked in, wearing a striking red dress that matched the fiery shade of her hair and the rosy glow of her cheeks.

Something caught his attention and he stopped… The ticking of a nearby bomb.

The maître d’ greeted her in Hebrew: “Madame, under what name do we have your reservation?”

“Ms. Ruth Schwartz,” she answered promptly.

“I see that the reservation is for two. Are you waiting for a member of the Irgun or Stern?”

“I have no ties to either. My guest will be here shortly,” she replied.

“I am sorry, Miss, but the restaurant is exclusively booked tonight for members of the Stern and Irgun.”

“Excuse me?”

“Miss, the restaurant is booked…”

“Commander Avraham Linman is the one who made this reservation with the restaurant owner directly. Are you going to show me to my table, or would you prefer to risk your job by continuing to talk back?” she interrupted him sharply.

The maître d’ suddenly broke into a broad smile. To Ruth, he appeared to be little more than a twenty-year-old.

“You’re with Commander Linman, then! My apologies. Please come this way.”

He guided her to the table beside Elias, where she took a seat, her eyes lingering on the maître d’ with a visible expression of annoyance even after he had stepped away to return to his station by the door.

She took a moment to scan the restaurant, her eyes gliding over every corner before finally landing on Elias. She barely acknowledged him, casting only a fleeting glance at his handsome features, her indifference as clear as her observation of the entrance, the exit doors, and the band members. In contrast, he found himself captivated by the allure of her kohl-rimmed blue eyes, the sprinkle of freckles along her delicate features, and the pearl necklace that adorned her slender neck. Realizing he was getting lost in her European allure, he quickly shook off the distraction — now was not the time for distractions.

Elias glanced once more at the restaurant’s glass door. The brown-skinned man in his fifties had polished off his bun and was now focused on lighting his pipe. Meanwhile, the taxi driver was tucking away the last bit of his chocolate bar into the front pocket of his white shirt.

Elias lit a cigarette, wrestling with the temptation to order a drink. His attention, however, was once again pulled toward the red-haired beauty sitting nearby, deeply engrossed in Joseph Conrad’s novella Heart of Darkness. This wasn’t, he noted, a run-of-the-mill edition; it was a personalized gem, with a green leather cover, the title embossed in gold letters, and a blue seal bearing the owner’s name. He had memorized the dedication and noticed that the bottom corner of the last page was dog-eared.

He was finding it impossible to peel his eyes off of her. At last, she looked up and noticed him.

She set the book down on the table in front of her and slid a cigarette into her sleek black holder. As she smoked, she regarded him with an air of steely disapproval, clearly unimpressed by his insolent bravado. The staring contest dragged on in silence until the door chimed once more, prompting them both to turn to inspect the new arrival. It was a stout man, dressed in a navy-blue suit with a red fez atop his head. On his chest sparkled a diamond pin shaped like a pomegranate.

The maître d’ asked about his reservation, and, as he responded, Elias noticed that the man appeared slightly out of breath and flushed, despite the short walk from his car to the entrance of the restaurant.

“Miss Ruth Schwartz,” he replied to the maître d’s’ question.

Something in the way he pronounced her name prompted the maître d’ to switch to Turkish. Just as he was about to guide him to Ruth, the man caught sight of her raising her hand, signaling for him to come over.

Making his way toward her, his eyes drank in her beauty. When he finally stood before her, he greeted her in German, saying, “Ah, Miss Schwartz, at last, we meet. Welcome to Jerusalem!”

He pressed an indulgent, lingering kiss on her outstretched hand before settling into the chair across from her.

“What made you change the date from Saturday to tonight?” he inquired. “Hold on, let me guess — it’s because you don’t have to work on Saturday, right?”

“Did you really figure out I was Jewish just from my name?” she replied.

“Rather, from your nose! That’s the giveaway for you people,” he said.

She chuckled, brushing off his casually racist remark, then stole one last glance at Elias, whose attention darted between her, the activity outside, and his watch.

He had exactly forty-five minutes left to live.

The Turk called the waiter over with an air of arrogance. “Boy, bring me my wine! Allow me to treat you to the finest vintage, Miss Ruth.”

The waiter promptly produced a half-full green bottle, poured two glasses, and then left it on the table before stepping away.

Ruth inhaled the rich aroma of the wine. She turned to the Turk and asked, “Murad Pasha, is this pomegranate wine?”

“Indeed, it’s from my hometown, Mardin. Won’t you try it?”

“Why don’t we first address what we came here for?”

“I laid out everything clearly in our correspondence. Now it’s up to you to propose a fair price for my property, keeping in mind that our deal must remain strictly confidential.”

“Wouldn’t the Sublime Porte prefer that the Jews trade with you in Palestine?”

“I am not selling the property on behalf of the Ottoman Empire; this is a personal matter. I’d like to wrap this up as quickly as possible.”

“Why the rush, Pasha? You’ve owned those lands for decades.”

One of the armed soldiers rose unsteadily and stumbled toward the band. He called out, urging them to play the anthem of the Stern: “Hayalim Almonim! Play Hayalim Almonim!”

The band obliged, and soon nearly everyone was on their feet, dancing and singing the poem that had become the gangs’ anthem and rallying cry. Murad Pasha let out a deep sigh and downed his wine in one gulp before refilling his glass.

“Investing in Palestine is no longer a wise decision. These drunken, armed fools are clear proof of that.”

“What are your plans after selling your property?”

“I will buy more land and real estate in Mardin.”

“What if I’m looking to buy one of your properties in Mardin, not in Jaffa?”

“But your letters mentioned that…”

“What about house number four?” she interjected. “It has five pomegranate trees in the garden, the door is painted a dark red, and it features striking black Forvogue windows. The balcony overlooks Anatolia, doesn’t it?”

“But, that’s my house!”

“But it isn’t yours, Murad Pasha. It’s the home of the Armenian composer Albon Partamian. Don’t you remember Albon, Miriam, and their two daughters?”

For the first time, Elias looked at Ruth, not with anger, but with a sense of dread. She stubbed out her cigarette and adjusted her silk gloves as the Turk flashed a sarcastic smirk.

“Are you related to Albon?” he asked.

“I’m his daughter.”

“Albon only had two daughters: Arin is six feet under, and Kanush is well past her forties. So, tell me, who are you really, young lady?”

“Nairy. The Armenian baby who survived a city where your soldiers were commanded to loot and kill.”

“Why, you’re alive because of me, then! I pardoned Kanush and granted her mercy to walk away with you and her son.”

“Dragging her on a death march was supposed to be an act of mercy? She nursed me on one side while cradling her lifeless son, who had succumbed under the relentless sun of the Syrian desert. Your thugs wouldn’t even let her stop to bury him.”

“And for that, your sister carved up three of my assistants in Munich.”

“Three miscreants for one and a half million Armenian souls butchered by your orders. Wouldn’t you agree that’s a fair exchange, Pasha?”

“You must be part of the Hayk gang then!”

“Damn my luck!” Elias grumbled under his breath as he signaled to the waiter and requested a plate of olives, in Hebrew.

The waiter nodded in acknowledgment and made his way to the kitchen. Meanwhile, the blond maître d’, intrigued by the comment he’d overheard from the handsome gentleman, watched as Elias stood up from his table and walked down the corridor toward the restroom, located near the employees’ back entrance. The maître d’ chose that moment to open the restaurant’s front door to call out to the man smoking his pipe: “Sir, it is forbidden for Arabs to loiter around the restaurant. Move along now.”

The smoker reflected on the remark for a moment before slowly making his way in the direction of the parked taxi, distancing himself from the restaurant as well as from the taxi driver’s view.

When the maître d’ was sure the man had left, he turned and called to his colleague.

“Cover for me, Ira. I’m off for a smoke.”

He weaved his way through the restaurant, passed the restrooms, and slipped through the busy kitchen door. He stepped out the back entrance, locking it behind him with a key. Outside, he found himself in an alleyway, enclosed by stone walls, with garbage bins lined up at the far end — each one a reminder of the restaurant’s nightly cleanup routine. Hidden beneath a pile of refuse in one of the bins, the restaurant’s actual maître d’ lay unconscious, incapacitated by a dose of chloroform. Earlier that evening, Jacir Jacir Jacir Al-Halabi had swiped the maître d’s uniform, disguising himself as a friend brought in to cover for the man, whom, he explained, was battling a severe case of bronchitis.

Jacir lit a cigarette, taking a deep drag before exhaling the smoke toward his clothes, hoping to mask his lie. He strolled down the alley until he found Elias, who was bent over picking up a piece of bread discarded on the ground. With gentle reverence, he kissed it twice and then placed it against the wall, protecting it from any foot that might crush this humble offering of God’s grace.

“It appears that Avraham Linman will not be coming tonight. Should I alter the plan, comrade?” Jacir asked Elias, his words rolling off his tongue in the rich cadence of the Aleppo Nabulsi dialect.

“What were you playing at seating that damned woman beside me?” answered Elias.

“I tried to stop her, but she said she was Avraham’s friend, so I figured she was a soldier, like the rest of them, or at the very least a Zionist.”

“She’s Albon Partamian’s daughter.”

Elias lit a cigarette and took a long drag, his hands trembling slightly. They soon heard footsteps approaching and quickly recognized Ayoub Zahran Al-Menoufy — the man who’d been hanging around at the front.

“I hope you’ve taken a moment out from the mission and risked us being seen together for something urgent!” he said, exhaling a puff of smoke from his pipe.

“There’s a civilian inside,” answered Jacir.

“A Zionist?” asked Ayoub

“Armenian. Kiraz’s niece.”

“What is the Khawaja’s relative doing in this Zionist establishment tonight of all nights? Jacir, wasn’t it your responsibility to check the reservation log? To ensure that all patrons were gang members? You fool,” said Ayoub.

“By God! How could I have ever anticipated that an Armenian woman would introduce herself as a German Jew? Do I come across as some kind of fortune teller?” Jacir exclaimed.

“I swear, anyone who puts their trust in you will end up selling their children!” said Ayoub

“I refuse to take the blame for this. Ever since that God-knows-who Iraqi joined our team, bad luck seems to be haunting us. He even sounds like a cawing crow — if not something even more ominous,” Jacir replied.

He cursed the past, the present, the future, life and death, the Ottomans, the English, the Zionists, and all those who were complicit.

Just then, Jacir’s words were abruptly interrupted by the sound of an engine rumbling as a car turned into the alley. The forty-something taxi driver stepped out of the parked vehicle. He cut a broad, towering figure, as if he were descended from giants. His thick black beard was complemented by a bushy mustache, flecked with strands of gray. Arms crossed tightly across his chest, he joined his three comrades.

Paying him no heed, Jacir continued: “It looks like this mission is set to fail like the others, Iraqi. That makes the fourth mission we’ve messed up this month. So, tell me, how long have you been part of our crew? About a month, right?”

The Iraqi fixed Jacir with a steady gaze, as he carefully contemplated his words. Gradually closing the distance between them, he suddenly grabbed Jacir by the armpits, lifting him toward the fence with surprising ease. Just as Jacir opened his mouth to shout in protest, Ayoub swiftly covered it with his hand to muffle any sound that could draw the attention of diners in the restaurant. With his other hand, he struggled to push the Iraqi away.

“Listen, comrade, it’s all about give and take. This guy isn’t suggesting you’re a traitor,” said Ayoub.

Jacir shoved Ayoub’s hand away from his mouth, his voice dropping to a hushed, incredulous tone as he replied, “Traitor?! Heaven forbid, comrade! I only meant to say you’re a jinx!”

The Iraqi locked eyes with him, his gaze as dark as the night, a spark of anger flickering in his eyes. As he took in Jacir’s words of apology and reassurances of his good intentions, that flame began to dim.

Elias chose not to get involved, letting out a frustrated sigh as he puffed on his cigarette. He glanced at his watch and spoke with a calmness that felt out of place amid the heated argument erupting behind him: “Men, the bomb is set to go off in thirty minutes.”

The Iraqi let go of Jacir, who, once back on his feet, straightened his clothes, wrinkled now as much as his self-esteem. Ayoub muttered about Jacir’s impulsiveness while he helped him smooth out his jacket. Meanwhile, the three stood beside Elias, deep in thought over Elias’ information. Ayoub was just about to share a plan to get the Armenian woman out of the restaurant before the bomb exploded when something caught his attention and he stopped…

The ticking of a nearby bomb.

Although Ayoub would be the first to admit that age had somewhat dulled his senses, his hearing remained as sharp as a bat’s in the dark. He could easily detect the ticking of the bomb timer echoing within their circle. Fighting the urge to shout, Ayoub whispered, “Which one of you fools has strapped themselves with explosives?”

“What do you mean?” Jacir asked, his body tensing with unease. “That was never part of the plan; the whole point was to…”

Before Jacir could finish his sentence, Ayoub’s hands moved quickly over Jacir’s chest and stomach, but found nothing. He repeated the search with the Iraqi, only to come up empty again. When Ayoub turned to Elias, the latter raised his arms, surrendering to the search without any fight. Once more, no dynamite or explosive belt was found.

“Unstrap the dynamite wrapped around your leg,” Ayoub commanded, standing in front of Elias and fixing him with an intense glare.

Jacir and the Iraqi glanced at Elias, and for a brief moment, silence hung in the air as they all heard the ominous ticking sound.

“You would really give up your life for these fuckers, comrade?” asked the Iraqi.

“Rather, for the sake of the four hundred brothers who were treacherously slaughtered in Deir Yassin,” answered Elias.

“We rigged the place because we are a people with a cause and stand for something bigger. But you, on the other hand, are just wearing an explosive belt to settle a personal score. The one you’re after isn’t coming,” said Ayoub.

“Ayoub, do you really think I would blow myself up for that vile low-life?” said Elias.

“Ayoub does not think, Ayoub knows. Take off your belt, Avraham is not coming,” said Ayoub.

“He may be late, but Abed assured us that he would come after…” insisted Elias.

“When? After your belt explodes and deprives your mother of the chance to bury you?” interjected Ayoub.

Elias looked towards the three other men searching for someone to support his position, but their silence was a sure sign of who they sided with. Al-Menoufy opened his fist and extended his hand towards Elias, pinning him with a firm, commanding look.

Elias caved. Sighing, he dropped his lighted cigarette, stomping it as he cursed the past, the present, the future, life and death, the Ottomans, the English, the Zionists, and all those who were complicit. He lifted the leg of his pants to reveal a belt lined with dynamite sticks and a timer secured around his leg. He unstrapped the device and disabled it before depositing the whole thing into Al-Menoufy’s open palm.

“Stash it in the trunk of the car,” Al-Menoufy instructed the Iraqi.

The Iraqi complied, opened the trunk, and placed the dynamite into a burlap sack, making sure the device was securely concealed before placing it beside a rifle and two pistols.

“If I didn’t share your bitterness, I would have made you spit out your teeth as punishment for this reckless move,” said Al-Menoufy. “None of us is permitted to act alone without consulting with all of us first. None is allowed to carry out personal vendettas at the expense of our collective mission. None may put the lives of any one of our comrades in danger. And, more importantly, none of you is allowed to die before me, you bastards. You are the youth I am relying on to one day carry my coffin, cry for me, and hold a funeral worthy of Ayoub Zahran Al-Menoufy. Do I make myself clear?”

The Iraqi nodded in agreement. Jacir gave him a reassuring pat on the shoulder, while Elias, eager to avoid Ayoub’s reproachful gaze, checked his watch and announced: “We’ve got twenty minutes to think of a way to get Kiraz’s relative out of that joint.”

“We could say she’s gotten a phone call from her uncle,” suggested Jacir.

“But that puts Kiraz at risk,” Elias countered.

“What if we knock her out with chloroform?” Ayoub proposed.

“In front of everyone?”

“No, I meant after we get her outside, Elias,” Ayoub clarified.

“And what if she refuses to leave?” asked Elias.

“We’ll just have to force her,” Ayoub replied.

“We don’t know how she’ll react. She’s clearly on a mission for the Hayk, and won’t leave before she’s finished off the Pasha.”

With a weary sigh, Al-Menoufy drew fiercely on his pipe, his eyes fixed on the Iraqi who was pulling out a half-eaten chocolate bar from his shirt pocket.

“Maybe it’s about time we heard your thoughts?” Al-Menoufy addressed the Iraqi.

The Iraqi simply shrugged and remained silent, eating his chocolate bar.

“Well, I have an idea that will save her from the explosion and save us from the gunfire of forty damned individuals,” announced Elias.

***

Mirna Al-Mahdi is from the Maadi district of Cairo. She graduated from Lycée El Horreya and then from Ain Shams University, where she focused on French and Spanish literature and translation. She has received several literary awards from the Canadian and French... Read more

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“Habib”—a story by Ghassan Ghassan

1 NOVEMBER 2024 • By Ghassan Ghassan
“Habib”—a story by Ghassan Ghassan
Art & Photography

The Palestinian Gazelle

1 NOVEMBER 2024 • By Manal Mahamid
The Palestinian Gazelle
Interviews

The Hybrid — The Case of Michael Vatikiotis

18 OCTOBER 2024 • By Rana Haddad
The Hybrid — The Case of Michael Vatikiotis
Essays

Palestine, the Land of Grapes and Wine

11 OCTOBER 2024 • By Fadi Kattan, Anna Patrowicz
Palestine, the Land of Grapes and Wine
TMR 45 • From Here, One Year On

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Art & Photography

Visuals and Voices: Palestine Will Not Be a Palimpsest

4 OCTOBER 2024 • By Malu Halasa
Visuals and Voices: Palestine Will Not Be a Palimpsest
Essays

Shamrocks & Watermelons: Palestine Politics in Belfast

4 OCTOBER 2024 • By Stuart Bailie
Shamrocks & Watermelons: Palestine Politics in Belfast
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Art

Activism in the Landscape: Environmental Arts & Resistance in Palestine

4 OCTOBER 2024 • By Katie Logan
Activism in the Landscape: Environmental Arts & Resistance in Palestine
Poetry

Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib

4 OCTOBER 2024 • By Nasser Rabah, Amanee Izhaq, Mai Al-Nakib, Wiam El-Tamami
Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib
Centerpiece

Mohammad Hafez Ragab: Upsetting the Guards of Cairo

6 SEPTEMBER 2024 • By Maha Al Aswad, Rana Asfour
Mohammad Hafez Ragab: Upsetting the Guards of Cairo
Books

“Kill the Music”—an excerpt from a new novel by Badar Salem

16 AUGUST 2024 • By Badar Salem
“Kill the Music”—an excerpt from a new novel by Badar Salem
Fiction

“Common Types of Melancholy”—fiction from Shalaw Habiba

9 AUGUST 2024 • By Shalaw Habiba, Savan Abdulrahman
“Common Types of Melancholy”—fiction from Shalaw Habiba
Film

World Picks from the Editors: AUGUST

2 AUGUST 2024 • By TMR
World Picks from the Editors: AUGUST
Book Reviews

Israel’s Black Panthers by Asaf Elia-Shalev—a Review

19 JULY 2024 • By Ilan Benattar
<em>Israel’s Black Panthers</em> by Asaf Elia-Shalev—a Review
Art & Photography

World Picks from the Editors: July 15 — August 2

12 JULY 2024 • By TMR
World Picks from the Editors: July 15 — August 2
Fiction

“The Cockroaches”—flash fiction

5 JULY 2024 • By Stanko Uyi Srsen
“The Cockroaches”—flash fiction
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Essays

A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance

24 MAY 2024 • By Nancy Kricorian
A Small Kernel of Human Kindness: Some Notes on Solidarity and Resistance
Art

Demarcations of Identity: Rushdi Anwar

10 MAY 2024 • By Malu Halasa
Demarcations of Identity: Rushdi Anwar
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Centerpiece

Memory Archive: Between Remembering and Forgetting

3 MAY 2024 • By Mai Al-Nakib
Memory Archive: Between Remembering and Forgetting
Art & Photography

Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines

3 MAY 2024 • By Gabriel Polley
Not Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Book Reviews

Palestinian Culture, Under Assault, Celebrated in New Cookbook

3 MAY 2024 • By Mischa Geracoulis
Palestinian Culture, Under Assault, Celebrated in New Cookbook
Art

Malak Mattar: No Words, Only Scenes of Ruin

26 APRIL 2024 • By Nadine Nour el Din
Malak Mattar: No Words, Only Scenes of Ruin
Opinion

Censorship over Gaza and Palestine Roils the Arts Community

12 APRIL 2024 • By Hassan Abdulrazzak
Censorship over Gaza and Palestine Roils the Arts Community
Art

Past Disquiet at the Palais de Tokyo in Paris

1 APRIL 2024 • By Kristine Khouri, Rasha Salti
<em>Past Disquiet</em> at the Palais de Tokyo in Paris
Essays

Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay

1 APRIL 2024 • By Sasha Moujaes, Jordan Elgrably
Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay
Book Reviews

Fady Joudah’s […] Dares Us to Listen to Palestinian Words—and Silences

25 MARCH 2024 • By Eman Quotah
Fady Joudah’s <em>[…]</em> Dares Us to Listen to Palestinian Words—and Silences
Book Reviews

How Fragile We Are: Hisham Matar’s My Friends

25 MARCH 2024 • By Adib Rahhal
How Fragile We Are: Hisham Matar’s <em>My Friends</em>
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Essays

The Story of the Keffiyeh

3 MARCH 2024 • By Rajrupa Das
The Story of the Keffiyeh
Essays

Messages from Gaza Now / 5

26 FEBRUARY 2024 • By Hossam Madhoun
Messages from Gaza Now / 5
Weekly

World Picks from the Editors: Feb 23 — Mar 7

23 FEBRUARY 2024 • By TMR
World Picks from the Editors: Feb 23 — Mar 7
Art & Photography

The Body, Intimacy and Technology in the Middle East

4 FEBRUARY 2024 • By Naima Morelli
The Body, Intimacy and Technology in the Middle East
Columns

Driving in Palestine Now is More Dangerous Than Ever

29 JANUARY 2024 • By TMR
Driving in Palestine Now is More Dangerous Than Ever
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Fiction

“New Reasons”—a short story by Samira Azzam

15 JANUARY 2024 • By Samira Azzam, Ranya Abdelrahman
“New Reasons”—a short story by Samira Azzam
Essays

Jesus Was Palestinian, But Bethlehem Suspends Christmas

25 DECEMBER 2023 • By Ahmed Twaij
Jesus Was Palestinian, But Bethlehem Suspends Christmas
Columns

Messages from Gaza Now / 2

18 DECEMBER 2023 • By Hossam Madhoun
Messages from Gaza Now / 2
Music

We Will Sing Until the Pain Goes Away—a Palestinian Playlist

18 DECEMBER 2023 • By Brianna Halasa
We Will Sing Until the Pain Goes Away—a Palestinian Playlist
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Fiction

“Twelve Angels”—fiction from Ahmed Salah Al-Mahdi

3 DECEMBER 2023 • By Ahmed Salah Al-Mahdi, Rana Asfour
“Twelve Angels”—fiction from Ahmed Salah Al-Mahdi
Books

My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa

13 NOVEMBER 2023 • By Naima Morelli
My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa
Arabic

Poet Ahmad Almallah

9 NOVEMBER 2023 • By Ahmad Almallah
Poet Ahmad Almallah
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Art

Vera Tamari’s Lifetime of Palestinian Art

16 OCTOBER 2023 • By Taline Voskeritchian
Vera Tamari’s Lifetime of Palestinian Art
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Books

Fairouz: The Peacemaker and Champion of Palestine

1 OCTOBER 2023 • By Dima Issa
Fairouz: The Peacemaker and Champion of Palestine
Book Reviews

The Mystery of Enayat al-Zayyat in Iman Mersal’s Tour de Force

25 SEPTEMBER 2023 • By Selma Dabbagh
The Mystery of Enayat al-Zayyat in Iman Mersal’s Tour de Force
Book Reviews

Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel Wild Thorns

25 SEPTEMBER 2023 • By Noshin Bokth
Saqi’s Revenant: Sahar Khalifeh’s Classic Nablus Novel <em>Wild Thorns</em>
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Book Reviews

What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?

21 AUGUST 2023 • By Jonathan Ofir
What’s the Solution for Jews and Palestine in the Face of Apartheid Zionism?
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

Literature Takes Courage: on Ahmet Altan’s Lady Life

24 JULY 2023 • By Kaya Genç
Literature Takes Courage: on Ahmet Altan’s <em>Lady Life</em>
Editorial

Stories From The Markaz, Stories From the Center

2 JULY 2023 • By Malu Halasa
Stories From The Markaz, Stories From the Center
Fiction

“The Agency”—a story by Natasha Tynes

2 JULY 2023 • By Natasha Tynes
“The Agency”—a story by Natasha Tynes
Fiction

We Saw Paris, Texas—a story by Ola Mustapha

2 JULY 2023 • By Ola Mustapha
We Saw <em>Paris, Texas</em>—a story by Ola Mustapha
Fiction

Rich and Poor People—fiction by Farah Ahamed

2 JULY 2023 • By Farah Ahamed
Rich and Poor People—fiction by Farah Ahamed
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Beirut

“The City Within”—fiction from MK Harb

2 JULY 2023 • By MK Harb
“The City Within”—fiction from MK Harb
Fiction

“The Burden of Inheritance”—fiction from Mai Al-Nakib

2 JULY 2023 • By Mai Al-Nakib
“The Burden of Inheritance”—fiction from Mai Al-Nakib
Fiction

STAMP ME—a monologue by Yussef El Guindi

2 JULY 2023 • By Yussef El Guindi
STAMP ME—a monologue by Yussef El Guindi
Fiction

Abortion Tale: On Our Ground

2 JULY 2023 • By Ghadeer Ahmed, Hala Kamal
Abortion Tale: On Our Ground
Fiction

On Ice—fiction from Malu Halasa

2 JULY 2023 • By Malu Halasa
On Ice—fiction from Malu Halasa
Fiction

Hayat and the Rain—fiction from Mona Alshammari

2 JULY 2023 • By Mona Al-Shammari, Ibrahim Fawzy
Hayat and the Rain—fiction from Mona Alshammari
Fiction

Tears from a Glass Eye—a story by Samira Azzam

2 JULY 2023 • By Samira Azzam, Ranya Abdelrahman
Tears from a Glass Eye—a story by Samira Azzam
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Essays

Alien Entities in the Desert

4 JUNE 2023 • By Dror Shohet
Alien Entities in the Desert
Featured Artist

Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023

4 JUNE 2023 • By TMR
Nasrin Abu Baker: The Markaz Review Featured Artist, June 2023
Books

The Markaz Review Interview—Leila Aboulela, Writing Sudan

29 MAY 2023 • By Yasmine Motawy
The Markaz Review Interview—Leila Aboulela, Writing Sudan
Book Reviews

How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town

15 MAY 2023 • By Karim Kattan
How Bethlehem Evolved From Jerusalem’s Sleepy Backwater to a Global Town
TMR Conversations

TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh

11 MAY 2023 • By Amal Ghandour, Raja Shehadeh
TMR CONVERSATIONS: Amal Ghandour Interviews Raja Shehadeh
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Art

The Gaze of the Sci-fi Wahabi

2 APRIL 2023 • By Sophia Al-Maria
The Gaze of the Sci-fi Wahabi
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Essays

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Traps and Shadows in Noor Naga’s Egypt Novel

20 JUNE 2022 • By Ahmed Naji
Traps and Shadows in Noor Naga’s Egypt Novel
Centerpiece

“Asha and Haaji”—a story by Hanif Kureishi

15 JUNE 2022 • By Hanif Kureishi
“Asha and Haaji”—a story by Hanif Kureishi
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Nektaria Anastasiadou: “Gold in Taksim Square”

15 JUNE 2022 • By Nektaria Anastasiadou
Nektaria Anastasiadou: “Gold in Taksim Square”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

“Turkish Delights”—fiction from Omar Foda

15 DECEMBER 2021 • By Omar Foda
“Turkish Delights”—fiction from Omar Foda
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Columns

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Latest Reviews

Shelf Life: The Irreverent Nadia Wassef

15 SEPTEMBER 2021 • By Sherine Elbanhawy
Shelf Life: The Irreverent Nadia Wassef
Weekly

Palestinian Akram Musallam Writes of Loss and Memory

29 AUGUST 2021 • By khulud khamis
Palestinian Akram Musallam Writes of Loss and Memory
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Weekly

Palestine in the World: “Palestine: A Socialist Introduction”

6 JUNE 2021 • By Jenine Abboushi
Palestine in the World: “Palestine: A Socialist Introduction”
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
Book Reviews

An American in Istanbul Between Muslim and Christian Worlds

15 NOVEMBER 2020 • By Anne-Marie O'Connor
An American in Istanbul Between Muslim and Christian Worlds
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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