Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

Hassan Jouni Bus, 2015 Painting - acrylic 90 x 140 cm - the markaz review

15 JUNE 2022 • By Sulafa Zidani 15 JUNE 2022 • By Sulafa Zidani
Hassan Jouni, “Bus,” acrylic on canvas, 90 x 140 cm, 2015 (courtesy Artsper).
 


Line 19 – Mount Scopus to Mahne Yehuda

 

Sulafa Zidani

 

I took Bus 19 frequently when I studied for my MA in Jerusalem. My first stop was on Mount Scopus, הר הצופים – the Mount of the Onlookers, or perhaps The Mount of Surveillance, the main campus of my alma mater, the Hebrew University of Jerusalem. In my China Studies program, I was the only Palestinian in classrooms full of IDF soldiers.

 

Mount Scopus Theater. Photo credit: DiggerDina (courtesy Wikipedia Commons).

 

When my friend Rachel visited from the US, she remarked that the campus looked like a stone spaceship that landed on our planet. Out of place, indeed, my university on our stolen land.

At the amphitheater behind the law library, you could cast your gaze all the way to the shores of the Dead Sea.

Step off campus and you find on one side the Mount of Olives, جبل الزيتون Land seized in 1967 and converted into a military base. And on the other side, a microcosm of the Israeli carceral state: the heavily policed neighborhood of Isawiyya.

In a few stops, Line 19 rudely arrives in Sheikh Jarrah. It makes fewer stops in this East Jerusalem neighborhood that now the whole world knows.

I’ve been to one of these homes once. I must have been 18 or 19 when my activist friends took me along to visit a house half-occupied by settlers. The Palestinian family lived in the other half. And this was supposed to be “ordinary.” We sat and shared tea. Mostly quiet like in a vigil.

Photo taken in East Jerusalem (courtesy nawres.net).

Line 19 then crosses the freeway that slits “East Jerusalem” from “West Jerusalem.”  The bus drives by Jerusalem’s downtown, where I once encountered a swarm of settler youth chanting “death to Arabs!” waving Israeli flags to mark “Jerusalem Day,” the day in 1967 when Israel completed the occupation of the eastern part of the city. My roommate grabbed my forearm and pulled me to an alley. We hid there for a while until the crowd looked smaller and the chants less audible. 

The bus passes by an Italian hospital, an Ethiopian church, and the Anglican school my brother briefly went to before my family returned to Haifa. When I asked his white European school principal what made her decide to live in Jerusalem, she said Jesus had called on her to do so. 

I lived in so-called “West Jerusalem,”  near the Mahne Yehuda Market that I frequented on my way home to get inspiration for cooking and to be interrogated about my ethnicity. Can I just pay you for the tomatoes on the vine and keep moving? 

 

Mahane Yehuda Market (photo Emilio Garcia).

This was a predominantly Jewish neighborhood. At first, my landlord, Nissim, a middle aged Yemeni Jewish man, did not want to rent to me. Fine, I retorted. I didn’t want to give my money to a racist anyway. But the Israeli filmmaker who was breaking his lease to move out was desperate. So, Nissim agreed to interview me. This involved me taking a train to Tel Aviv where I sat in Nissim’s home with his wife and sister. “My sister is intuitive” he told me “she looked into your eyes and she saw that you’re a good person.” I wondered if she could sense that they made me feel unsafe. “But,” he added, “you can’t have an Arab roommate.”

I told Nissim I wouldn’t beg him, and that he either counts on me or he doesn’t. “Fine,” he said, “but your name has to be the only one on the lease.” I lived there for two years, and Nissim started lying to me and to himself. “You know it was never me, but the neighbors…they didn’t want Arabs in the building.” Nissim began to see himself as a peacemaker and hero. I brushed it off. What’s the point.

 
 

Line 940 – Jerusalem-Haifa

Haifa. Photo taken from the lookout outside Stella Maris Monastery (photo courtesy Sulafa Zidani).

 

Walking distance from my apartment in Mahne Yehuda was the main bus station in Jerusalem. Here, I could conveniently escape this abusive city to return to my Mother’s in Haifa, to breathe the air blowing in from the open horizon of the Mediterranean Sea, and to eat some of my grandmother’s food.

Screenshot from google maps showing the route of line 940, marking the West Bank to show its geographical proximity.
 

I usually took the bus on Thursdays, since the Israeli weekend is centered around Shabbat (Friday night till Saturday night, there is no public transportation and everything is closed). Thursday also happened to be the day many soldiers got to go home for the weekend. Regardless of your age, gender, or cuteness, these soldiers would aggressively shove you aside on their way in. I missed the bus at least twice because of this. I told myself that I had to make my elbow game strong. Once, a soldier tried to flirt with me. Honestly, I have nothing else to say about that. I shut it down pretty quick.

Olive oil sent to the writer by her father (photo taken by the writer in Los Angeles).

Line 940 took the new freeway called Highway Six, much of which Israel built by seizing Palestinian olive groves. The same type of olive trees whose bountiful harvest provides the olive oil my dad sends me once a year in recycled Coca Cola bottles all the way to the U.S. I am still not sure if this is just his way to say he loves me, or if it’s his way of reminding me to stay connected to the Palestinian earth, to our culture, and to our clan. The Zidanis are a proud bunch, I’ll tell you that. We love reminding people that we are descendants of Thaher el Omar el Zaydani, an independent Palestinian leader who resisted Ottoman rule.

The bus lurches to a stop at the main terminal. And like many of the buildings in the area, the terminal was there because the British decided. At least it was next to the sea.

 

Line X – Haifa to Beirut?

 

There was a time when a bus line ran between Haifa and Beirut (this image is commonly found on social media).

 

I usually spent my weekends in Haifa, doing laundry, eating my mother’s food, and hanging out with my sister and friends. Then I took line 940 back to Jerusalem to get ready for another week of school.

But this is a bus line that I’ve never taken. Images often circulate of this bus line between Haifa and Beirut, or other bus lines that, for now, no longer exist: Kuwait, Lebanon, Syria, Palestine. My generation has never been on this bus ride, but it is part of our past, and, living in the uncertainty of the present, the future we nostalgically dream of.

My Uncle Hameed used to drive to Lebanon all the time in the late 1970s. Auntie Fatima, who became his wife, lived there after her family was displaced in the 1948 Nakba. While we sip coffee in my father’s village in the Galilee, Auntie reminisces to us: “Yes, I would sit on the swing outside my house every weekend waiting for Hameed to come see me.”

The writer with her maternal grandfather, Mohammed (Abu Saeed) Sindawi.

Last week, I was talking to a mentee who has family in the West Bank and Gaza. She asked me what the oppression of Palestinians looks like in Haifa. We are all oppressed differently; like our towns, our dispossession is fragmented. Cut off.

My British stepsister was in Beirut during the Second Lebanon War. She had been taking Arabic classes at the AUB when the war broke. Months later, my Israeli college friend Shai would tell me he can’t sleep because he still has nightmares from his military service during the war. Sadly yet unsympathetically, I responded: “That’s what your government does to you, Shai, and you have choices.”

My grandpa and his cousin went to a boarding school in Lebanon in the 1940s. In 1948 they came back to their village Jish to check on their family. They found them all massacred and their house in ruins. His dad, Radwan. His mother, Sharifeh, who was pregnant at the time. His two sisters, Khadra and Mariam. And his two brothers, Grandma said she will check in the cemetery to see what their names were next time she’s in Jish. He and his cousin were the only two left. Why did I only hear about this in 2009, six years after my grandpa’s death?

A photo of the writer’s sisters chasing each other in her uncle Abu Ali’s strawberry field, Kufr Manda, Galilee.

On the outskirts of Jish, there’s a hill called تلّة الصرخة—Screaming Hill. Since the village is close to the Lebanese border, families who were partitioned by the war would go to that hill and scream to each other from across the border. What were the conversations that could never be uttered on Screaming Hill?

I want bus lines that connect our bookstores, our record stores, our artists. I want to commute from my home to a film debut or music show. I want bus lines where people won’t move seats when they hear me speak Arabic.

I want to ride a bus without soldiers, without the remnants of scorched and uprooted olive trees — bus routes that Uncle Hameed could take to visit Auntie Fatima on the swing. I want a bus that connects home to Palestinian home, a bus that traces over the fragmentation, and sketches out the fullness of the land I call home.

 

Sulafa Zidani

Sulafa Zidani

Sulafa Zidani is a Palestinian writer, speaker, and educator. She is based in Boston, where she is a professor of global civic media at the Massachusetts Institute of Technology. You can follow her on Twitter @sulafaz.

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5 MARCH 2023 • By Yesmine Abida
Nabeul, Mon Amour
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

On Lebanon and Lamia Joreige’s “Uncertain Times”

23 JANUARY 2023 • By Arie Amaya-Akkermans
On Lebanon and Lamia Joreige’s “Uncertain Times”
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Book Reviews

Cassette Tapes Once Captured Egypt’s Popular Culture

10 OCTOBER 2022 • By Mariam Elnozahy
Cassette Tapes Once Captured Egypt’s Popular Culture
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Columns

A Palestinian Musician Thrives in France: Yousef Zayed’s Journey

22 AUGUST 2022 • By Melissa Chemam
A Palestinian Musician Thrives in France: Yousef Zayed’s Journey
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Essays

“Disappearance/Muteness”—Tales from a Life in Translation

11 JULY 2022 • By Ayelet Tsabari
“Disappearance/Muteness”—Tales from a Life in Translation
Book Reviews

Poems of Palestinian Motherhood, Loss, Desire and Hope

4 JULY 2022 • By Eman Quotah
Poems of Palestinian Motherhood, Loss, Desire and Hope
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Dima Mikhayel Matta: “This Text Is a Very Lonely Document”

15 JUNE 2022 • By Dima Mikhayel Matta
Dima Mikhayel Matta: “This Text Is a Very Lonely Document”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Art & Photography

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

13 JUNE 2022 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

Ma’moul: Toward a Philosophy of Food

15 APRIL 2022 • By Fadi Kattan
Ma’moul: Toward a Philosophy of Food
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Book Reviews

Poetry: Mohammed El-Kurd’s Rifqa Reviewed

15 OCTOBER 2021 • By India Hixon Radfar
Poetry: Mohammed El-Kurd’s <em>Rifqa</em> Reviewed
Columns

The Story of Jericho Sheikh Daoud and His Beloved Mansaf

15 OCTOBER 2021 • By Fadi Kattan
The Story of Jericho Sheikh Daoud and His Beloved Mansaf
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

Voyage of Lost Keys, an Armenian art installation

15 SEPTEMBER 2021 • By Aimée Papazian
Voyage of Lost Keys, an Armenian art installation
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Interviews

Q & A with Nili Belkind on “Music in Conflict” in Palestine-Israel

27 JUNE 2021 • By Mark LeVine
Q & A with Nili Belkind on “Music in Conflict” in Palestine-Israel
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Art

Beautiful/Ugly: Against Aestheticizing Israel’s Separation Wall

14 MAY 2021 • By Malu Halasa
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba

2 MAY 2021 • By Eman Quotah
In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
Editorial

Why TRUTH? الحقيقه

15 MARCH 2021 • By Jordan Elgrably
Why TRUTH? الحقيقه
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
Book Reviews

Falastin, Sami Tamimi’s “Palestinian Modern”

15 OCTOBER 2020 • By N.A. Mansour
Falastin, Sami Tamimi’s “Palestinian Modern”
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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