Les âmes du peuple guerrier

Dia Al Azzawi, « Widows of General's Wars », huile sur toile, 2023 (détail).

3 APRIL 2026 • By Ayça Çubukçu

Select Other Languages English.

La suprématie civilisationnelle de l’Occident est menacée, insistait le secrétaire d’État américain Marco Rubio dans un discours prononcé à Munich.

Je suis à nouveau hantée par The Souls of White Folk, en français Les âmes du peuple blanc. Vous savez, les âmes en guerre du peuple blanc dont parlait le grand sociologue W. E. B. Du Bois en 1920 dans un texte poétique et incisif. L’essai avait été publié dans l’après-coup de la Première Guerre mondiale – cette période aujourd’hui décrite comme celle des guerres impériales et du partage colonial du monde – alors qu’il était déjà convaincu qu’une deuxième allait suivre. Assise à Londres au bord d’une autre guerre mondiale (et encore, peut-être sommes-nous déjà en plein dedans – enfin, « nous »… et laquelle déjà, la troisième, à peine ?), je rejoue mentalement les observations sarcastiques, les exclamations qui rythment Les âmes du peuple blanc.

Je répète intérieurement ces scènes silencieuses de manière compulsive depuis que j’ai entendu le discours prononcé par le secrétaire d’État américain Marco Rubio à la Conférence de Munich sur la sécurité. Ce jour-là, le 14 février 2026, pour être précise, Rubio a appelé « l’Europe et l’Amérique » à combattre ensemble pour « des milliers d’années de civilisation occidentale »*. « C’est cela que nous défendons », déclarait Rubio à Munich, « une grande civilisation qui a toutes les raisons d’être fière de son histoire ». Et de rappeler d’un ton élogieux à ses amis européens : « Pendant cinq siècles, l’Occident n’a cessé de s’étendre. Ses missionnaires, ses pèlerins, ses soldats, ont quitté ses côtes pour traverser les océans, coloniser de nouveaux continents et bâtir de vastes empires à travers le globe. »

Si Rubio, fier produit de la civilisation occidentale, s’est bien gardé de prononcer le mot « blanc » pendant ce discours célébrant l’histoire coloniale et le « destin » partagé de l’Europe et des États-Unis, l’imagerie très vivante de ses missionnaires, pèlerins, soldats et explorateurs bien-aimés, de ces empires et de ces colons mettant la main sur les terres du monde entier, a parlé d’elle-même. Au même instant, cette exclamation de Du Bois a résonné dans mon esprit : « La blanchité, c’est la possession de la terre pour toujours et à jamais. Amen ! »**

La fierté civilisationnelle, décomplexée, est la condition du « partenariat » pour la restauration de la domination de l’Occident.

Toutefois, le glorieux récit du secrétaire d’État n’en est pas resté là – il avait  ses coups d’éclat et ses revers, ses héros et ses méchants. Rubio regrettait qu’en 1945, après la Seconde Guerre mondiale et « pour la première fois depuis l’époque de Christophe Colomb », l’Occident ait « commencé à se se contracter » : « Les grands empires occidentaux [sont] entrés dans une phase de déclin irréversible, [un déclin] accéléré par les révolutions communistes athées et les soulèvements anticolonialistes qui allaient transformer le monde ». Et alors que, depuis lors, « beaucoup en sont venus à croire que l’ère de domination de l’Occident [est] révolue », Rubio a promis que les États-Unis se chargeraient de la restaurer : « Les États-Unis d’Amérique entreprendront de nouveau la tâche du renouveau et de la restauration, guidés par une vision d’avenir aussi fière, souveraine et vitale que le passé de notre civilisation ». Bien que les États-Unis soient prêts, si nécessaire, à assumer seuls cette tâche, « notre préférence et notre espoir est de le faire avec vous, nos amis ici en Europe », a poursuivi Rubio à Munich. Quelques semaines avant ce discours, les forces spéciales américaines avaient enlevé le président Nicolás Maduro au Venezuela, accélérant ainsi la dissolution d’un « ordre international fondé sur des règles », déjà fragilisé par le génocide israélien en Palestine. Ravis, les amis européens de Rubio – politiciens et bureaucrates des plus hauts rangs – ont répondu par une standing ovation. À leur grand soulagement, ce que W.E.B. Du Bois appelait « le droit des Blancs à posséder l’univers » pouvait encore être revendiqué.


Dia Al Azzawi Widows of General's Wars 2023
Dia Al Azzawi, « Widows of General’s Wars », huile sur toile, 2023 (avec l’aimable autorisation de azzawiart.com).

Mais le secrétaire d’État n’était pas venu sans exigences pour les âmes des peuples européens à qui il s’alliait ainsi à Munich. « Nous voulons des alliés qui soient fiers de leur culture et de leur héritage, qui comprennent que nous sommes les héritiers d’une même civilisation grande et noble », a insisté Rubio. « Nous ne voulons pas que nos alliés soient entravés par la culpabilité et la honte. » La fierté civilisationnelle, décomplexée, est la condition du « partenariat » pour la restauration de la domination de l’Occident ; elle est nécessaire pour restaurer ce que Rubio a qualifié de « plus grande civilisation de l’histoire humaine ». Fort bien. « Ces surhommes et ces demi-dieux maîtres du monde », a encore résonné Du Bois. « Voilà une civilisation qui s’est beaucoup vantée. Ni les Romains, ni les Arabes, ni les Grecs, ni les Égyptiens, ni les Perses, ni les Mongols n’ont jamais jugé de leur perfection ni d’eux-mêmes avec un sérieux aussi déconcertant que l’homme blanc moderne. »

La suprématie civilisationnelle de l’Occident était menacée, insistait Rubio à Munich. Si la désindustrialisation avait signifié la perte de « l’indépendance » et de la « souveraineté sur les chaînes d’approvisionnement », c’est l’immigration de masse que Rubio a désignée comme la « menace urgente pour le tissu même de nos sociétés et pour la survie de notre civilisation ». Au sujet des institutions internationales, il déclarait finalement : « Nous ne pouvons plus placer le prétendu ordre mondial au-dessus des intérêts vitaux de nos peuples et de nos nations ». À Gaza, ce n’était pas l’ONU mais le leadership américain, affirmait-il, qui avait « libéré les captifs des barbares et permis une trêve fragile ». Les barbares menaçant la gloire de l’Occident – les Palestiniens, les militants anticoloniaux, les migrants, le « dictateur narcoterroriste » du Venezuela – ils devaient apparaître dans cette épopée civilisationnelle.

Et en effet, ils sont apparus dans l’appel aux armes du secrétaire d’État. « Les religieux chiites radicaux de Téhéran », a souligné Rubio, avaient été contraints l’été précédent non pas par les Nations unies, mais bien par les bombes larguées depuis les bombardiers américains B-2. « Nous ne voulons pas d’alliés qui rationalisent le statu quo » représenté par l’ONU, a-t-il affirmé. « Nous, Américains, n’avons aucun intérêt à être les gardiens polis et ordonnés du déclin contrôlé de l’Occident. » À la place, le secrétaire d’État a appelé à une alliance qui ne soit pas « paralysée » par la « peur de la guerre », une alliance qui ne demanderait pas « la permission avant d’agir ». Et ainsi en a-t-il été. Deux semaines plus tard, sans la « permission » de l’ONU, les bombes ont recommencé à tomber sur l’Iran, alors que les États-Unis, avec Israël, lançaient l’opération Fureur épique le 28 février. Et aujourd’hui encore, du génocide en Palestine à la tentative de destruction de l’Iran et du Liban, nous voyons à l’œuvre ce que Du Bois appelait « notre principale industrie : celle du combat », dans laquelle la toute-puissante civilisation de Rubio excelle. « Ceci n’est pas aberration ni folie », écrivait Du Bois à propos de la Première Guerre mondiale, « cette Terreur apparente est l’âme véritable de la culture blanche – support de toute culture – aujourd’hui mise à nu et visible ». Et ses mots résonnent encore : « La blanchité, c’est la possession de la terre pour toujours et à jamais. Amen ! »

Aujourd’hui, personne ne sait de quoi l’avenir sera fait. Les commentateurs relèvent la faiblesse de l’effort rhétorique déployé par les États-Unis pour justifier leur guerre contre l’Iran. D’autres notent « l’inutilité » des apologistes libéraux face aux rares tentatives américaines de moraliser la guerre menée aux côtés d’Israël – « la droite ne cherche plus à satisfaire ses cautions libérales, et n’en a plus besoin ». Avec ou sans la complicité de ses amis européens debout pour l’acclamer, Rubio a prononcé à Munich un discours qui pourrait bien constituer le présage idéologique d’un ordre mondial à venir, défini par la toute-puissance aveugle des bombes, nucléaires ou non. En quoi un tel ordre se distinguerait-il du précédent, bâti sur de la violence et sur des guerres – légales ou illégales – menées au nom de la domination impériale et du partage colonial du monde ? Karl Marx l’avait bien compris : à droits égaux, c’est toujours la force qui tranche. Pendant ce temps, les fières âmes des peuples guerriers n’attendent aucune permission et ne présentent aucune excuse.

* N. d. T. : Toutes les citations du discours de Rubio sont issues de la traduction du discours complet par la revue Le Grand Continent.

** N. d. T. : Toutes les citations de l’essai de W. E. B. Du Bois sont issues de cette traduction de Nicole Martin-Breteau, titrée Les âmes du peuple blanc. Je vous conseille d’aller y jeter un coup d’œil et de ne pas négliger les notes de la traductrice, notamment celles concernant le choix d’alterner les termes blancheur et blanchité pour rendre compte du terme whiteness.

Traduit de l’anglais par Alice Nalpas

 

Ayça Çubukçu

Ayça Çubukçu is the author of For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania, 2018) and of numerous articles in South Atlantic Quarterly, Contemporary Political Theory, Law, Culture, and the Humanities, The Journal of Genocide Research, and... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Interviews

Creating Art in Times of War

10 APRIL 2026 • By TMR
Creating Art in Times of War
Opinion

Apples and Oranges, or Why the US Supports Israel

3 APRIL 2026 • By Jason Hickel
Apples and Oranges, or Why the US Supports Israel
Essays

The Souls of War Folk

3 APRIL 2026 • By Ayça Çubukçu
The Souls of War Folk
Essays

“Iran After the Fire”—a Speculative Ethnography

3 APRIL 2026 • By Shahram Khosravi
“Iran After the Fire”—a Speculative Ethnography
Columns

A Fight to The Death (the Rest of Us In-Between)

27 MARCH 2026 • By Amal Ghandour
A Fight to The Death (the Rest of Us In-Between)
Columns

Dear Souseh: Distressed (& More) by War

27 MARCH 2026 • By Lina Mounzer
Dear Souseh: Distressed (& More) by War
Opinion

Iranian Visions of Democracy from the Ruins

20 MARCH 2026 • By Nojang Khatami
Iranian Visions of Democracy from the Ruins
Essays

The AI Struggle for Middle Earth in the U.S.-Israel War on Iran

13 MARCH 2026 • By Iason Athanasiadis
The AI Struggle for Middle Earth in the U.S.-Israel War on Iran
Columns

Lebanon’s Fate in Our Current World Calamity

13 MARCH 2026 • By Amal Ghandour
Lebanon’s Fate in Our Current World Calamity
Book Reviews

Two New Books Show How Gaza Changed the World

13 FEBRUARY 2026 • By Rebecca Ruth Gould
Two New Books Show How Gaza Changed the World
Art

Behind the Seen: Mona Hatoum on Art and Palestine

30 JANUARY 2026 • By Arie Amaya-Akkermans
<em>Behind the Seen</em>: Mona Hatoum on Art and Palestine
Columns

Beyond Black and White: Notes from Tehran

23 JANUARY 2026 • By M. Nateqnuri
Beyond Black and White: Notes from Tehran
Opinion

What Shirin Neshat Taught Me About Iran

16 JANUARY 2026 • By Hassan Abdulrazzak
What Shirin Neshat Taught Me About Iran
Columns

Trump, The Liberator! (and the Fear Wagons)

16 JANUARY 2026 • By Amal Ghandour
Trump, The Liberator! (and the Fear Wagons)
Film Reviews

If You See Something—an Iraqi Film on Asylum

12 DECEMBER 2025 • By Alex Demyanenko
<em>If You See Something</em>—an Iraqi Film on Asylum
Fiction

“Tahmina”—a story from Iran

5 DECEMBER 2025 • By Abdollah Nazari
“Tahmina”—a story from Iran
Book Reviews

White Collar Noir: How John Roberts Corrupted the U.S. Supreme Court

5 DECEMBER 2025 • By Stephen Rohde
White Collar Noir: How John Roberts Corrupted the U.S. Supreme Court
Film

10 Noir Films from the Arab world, Iran, and Turkey

5 DECEMBER 2025 • By TMR
10 Noir Films from the Arab world, Iran, and Turkey
Film Reviews

The Woman Who Wouldn’t Break—Cutting Through Rocks’ Sara Shahverdi

28 NOVEMBER 2025 • By Alex Demyanenko
The Woman Who Wouldn’t Break—<em>Cutting Through Rocks’</em> Sara Shahverdi
Book Reviews

Contemporary Kurdish Writers in the Diaspora

14 NOVEMBER 2025 • By Matt Broomfield
Contemporary Kurdish Writers in the Diaspora
Poetry Markaz

Adedayo Agarau presents The Years of Blood

1 NOVEMBER 2025 • By Adedayo Agarau
Adedayo Agarau presents <em>The Years of Blood</em>
Fiction

War and War

26 SEPTEMBER 2025 • By Hussain A. Ayoub
War and War
Essays

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Essays

Remaining in Light: Iranians Search for Solace and Well-Being

5 SEPTEMBER 2025 • By Malu Halasa
Remaining in Light: Iranians Search for Solace and Well-Being
Editorial

Why Out of Our Minds?

5 SEPTEMBER 2025 • By Lina Mounzer
Why <em>Out of Our Minds</em>?
Centerpiece

Trauma After Gaza

5 SEPTEMBER 2025 • By Joelle Abi-Rached
Trauma After Gaza
Essays

“A Love That Endures”: How Tamer and Sabreen Defied War and Death

25 JULY 2025 • By Husam Maarouf
“A Love That Endures”: How Tamer and Sabreen Defied War and Death
TMR Interviews

Aida Šehović on the 30th Anniversary of the Srebrenica Genocide

18 JULY 2025 • By Claudia Mende
Aida Šehović on the 30th Anniversary of the Srebrenica Genocide
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Poetry

Nasser Rabah on Poetry and Gaza

4 JULY 2025 • By Nasser Rabah
Nasser Rabah on Poetry and Gaza
Essays

Syrian Asylees in the US Risk Everything Going Home

4 JULY 2025 • By Rana Alsoufi
Syrian Asylees in the US Risk Everything Going Home
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Columns

Afraid for Our Children’s Future, How Do We Talk About War?

20 JUNE 2025 • By Lina Mounzer
Afraid for Our Children’s Future, How Do We Talk About War?
Book Reviews

The Evin Prison Bakers’ Club — Review

6 JUNE 2025 • By Hannah Kaviani
The Evin Prison Bakers’ Club — Review
Film Reviews

Contretemps, a Bold Film on Lebanon’s Crises

16 MAY 2025 • By Jim Quilty
Contretemps, a Bold Film on Lebanon’s Crises
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Centerpiece

Love and Resistance in Online Persian Dating Shows

7 MARCH 2025 • By Malu Halasa
Love and Resistance in Online Persian Dating Shows
Art & Photography

Afghanistan’s Histories of Conflict, Resistance & Desires

7 MARCH 2025 • By Jelena Sofronijevic
Afghanistan’s Histories of Conflict, Resistance & Desires
Art

Finding Emptiness: Gaza Artist Taysir Batniji in Beirut

21 FEBRUARY 2025 • By Jim Quilty
Finding Emptiness: Gaza Artist Taysir Batniji in Beirut
Art & Photography

Mostafa Nodeh: Featured Artist Interview

7 FEBRUARY 2025 • By Mostafa Nodeh
Mostafa Nodeh: Featured Artist Interview
Film Reviews

My Favorite Cake, Iranian Cinema’s Bittersweet Ode to Love

17 JANUARY 2025 • By Karim Goury
<em>My Favorite Cake</em>, Iranian Cinema’s Bittersweet Ode to Love
Arabic

Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza

17 JANUARY 2025 • By Yasmeen Hanoosh, Huda J. Fakhreddine
Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza
Book Reviews

In Killing Gilda Yahya Gharagozlou Tells an Intriguing Iranian Tale

10 JANUARY 2025 • By Azadeh Moaveni
In <em>Killing Gilda</em> Yahya Gharagozlou Tells an Intriguing Iranian Tale
Poetry

Annahita Mahdavi West: Two Poems

19 DECEMBER 2024 • By Annahita Mahdavi West
Annahita Mahdavi West: Two Poems
Essays

A Jewish Meditation on the Palestinian Genocide

15 NOVEMBER 2024 • By Sheryl Ono
A Jewish Meditation on the Palestinian Genocide
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Film

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Essays

The Felines that Leave Us, and the Humans that Left

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
The Felines that Leave Us, and the Humans that Left
Film

Freedom is a Combat Sport: On Tatami

11 OCTOBER 2024 • By Karim Goury
Freedom is a Combat Sport: On <em>Tatami</em>
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Book Reviews

Tragic Consequences — On Western Meddling in the Middle East

13 SEPTEMBER 2024 • By Dina Rezk
Tragic Consequences — On Western Meddling in the Middle East
Essays

Forget Social Media—Government is the Real Threat to Freedom

6 SEPTEMBER 2024 • By Stephen Rohde
Forget Social Media—Government is the Real Threat to Freedom
Poetry

Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach

15 JULY 2024 • By Erfan Mojib, Gary Gach
Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach
Fiction

“Firefly”—a short story by Alireza Iranmehr

5 JULY 2024 • By Alireza Iranmehr, Salar Abdoh
“Firefly”—a short story by Alireza Iranmehr
Books

The Mourning Diaries of Atash Shakarami

5 JULY 2024 • By Poupeh Missaghi
The Mourning Diaries of Atash Shakarami
short story

“Deferred Sorrow”—fiction from Haidar Al Ghazali

5 JULY 2024 • By Haidar Al Ghazali, Rana Asfour
“Deferred Sorrow”—fiction from Haidar Al Ghazali
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Interviews

Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)

7 JUNE 2024 • By Mehrnaz Daneshvar, Salar Abdoh
Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)
Art & Photography

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Featured Artist

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR, Jordan Elgrably
Bani Khoshnoudi: Featured Artist for PARIS
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Poetry

Brian Turner: 3 Poems From Three New Books

14 JANUARY 2024 • By Brian Turner
Brian Turner: 3 Poems From Three New Books
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Art

Hanan Eshaq

3 DECEMBER 2023 • By Hanan Eshaq
Hanan Eshaq
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Art & Photography

Palestinian Artists & Anti-War Supporters of Gaza Cancelled

27 NOVEMBER 2023 • By Nada Ghosn
Palestinian Artists & Anti-War Supporters of Gaza Cancelled
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Opinion

Palestine’s Pen against Israel’s Swords of Injustice

6 NOVEMBER 2023 • By Mai Al-Nakib
Palestine’s Pen against Israel’s Swords of Injustice
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

On Fathers, Daughters and the Genocide in Gaza 

30 OCTOBER 2023 • By Deema K Shehabi
On Fathers, Daughters and the Genocide in Gaza 
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Art & Photography

Adel Abidin, October 2023

1 OCTOBER 2023 • By TMR
Adel Abidin, October 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Poetry

Two Poems, Practicing Absence & At the Airport—Sholeh Wolpé

3 SEPTEMBER 2023 • By Sholeh Wolpé
Two Poems, Practicing Absence & At the Airport—Sholeh Wolpé
Essays

September 11, 1973 and Ariel Dorfman’s The Suicide Museum

3 SEPTEMBER 2023 • By Francisco Letelier
September 11, 1973 and Ariel Dorfman’s <em>The Suicide Museum</em>
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Poetry

Three Poems from Pantea Amin Tofangchi’s Glazed With War

3 AUGUST 2023 • By Pantea Amin Tofangchi
Three Poems from Pantea Amin Tofangchi’s <em>Glazed With War</em>
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Fiction

STAMP ME—a monologue by Yussef El Guindi

2 JULY 2023 • By Yussef El Guindi
STAMP ME—a monologue by Yussef El Guindi
Art & Photography

Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests

19 JUNE 2023 • By Arie Amaya-Akkermans
Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Book Reviews

Salman Rushdie’s Victory City: a Novel in Search of an Empire

20 FEBRUARY 2023 • By Anis Shivani
Salman Rushdie’s <em>Victory City</em>: a Novel in Search of an Empire
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Poetry Markaz

Poet Mihaela Moscaliuc—a “Permanent Immigrant”

5 FEBRUARY 2023 • By Mihaela Moscaliuc
Poet Mihaela Moscaliuc—a “Permanent Immigrant”
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

The Greek Panopticon, Where Politicians Spy on Democracy

15 DECEMBER 2022 • By Iason Athanasiadis
The Greek Panopticon, Where Politicians Spy on Democracy
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 2

31 OCTOBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 2
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Latest Reviews

American Theocracy and Failed States

15 JULY 2022 • By Ani Zonneveld
American Theocracy and Failed States
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

The Promotion (a short story from Saudi Arabia)

22 NOVEMBER 2021 • By Waqar Ahmed
The Promotion (a short story from Saudi Arabia)
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

Leave a Comment

Your email address will not be published. Required fields are marked *

four × one =

Scroll to Top