Ripped from <em>Memoirs of a Lebanese Policeman</em>

Policemen stand alert during a protest in Beirut on Dec. 20, 2019, when thousands of demonstrators came out against the appointment of Hassan Diab as prime minister (photo Bilal Jawich).

5 JULY 2024 • By Fawzi Zabyan
The entire Lebanese state, from lowliest clerk to highest minister had turned up and was waiting for Ghazaleh to finish his defense so they could shower him with congratulations and salutations.

  

Translator’s note: 

Novelist Fawzi Zabyan served in the Lebanese Internal Security Forces for nineteen years, during which time he also earned a degree in philosophy. Memoirs of a Lebanese Policeman (2024), a translated excerpt of which reads below, is his eighth book, recounting his experience as a police officer from the years 1993-2012. The book is not only a rare — both literary and cynically funny — look into the internal workings of the security apparatus, it is also a historical document of a tumultuous time, detailing the political functioning of the country during the Syrian military occupation and in the aftermath of their ousting.

Original edition of Memoirs of a Lebanese Policeman cover
Original edition of Memoirs of a Lebanese Policeman.

From 1976 until 2005, Lebanon was under Syrian military occupation. Originally dispatched as a “peacekeeping force” during the Lebanese civil war, Syrian forces stayed on after it ended in 1990, and during the post-war period Syria became the de-facto authority in the country, with significant military, political, and economic influence on Lebanon. During this time, there were Syrian military checkpoints all over the country and Lebanese politicians went out of their way to prove their fealty to the Syrian regime. This means that Syria was the de-facto ruler of Lebanon, with Syrian soldiers able to exercise jurisdiction over the Lebanese security apparatus and the Lebanese state essentially being governed by whoever was head of Syrian military intelligence: first, Ghazi Kanaan, then Rustom Ghazaleh.

Finally, note that, as in many Francophone countries, especially former French colonies, the police force in Lebanon is in fact a gendarmerie. That is, an armed military force, the part of the larger security apparatus that is charged with maintaining internal security.

 

Fawzi Zabyan

Translated by Lina Mounzer

 

CHAPTER 49

I woke up to the intermittent sounds of a saxophone floating up from the floor right below the station, which housed the conservatory for higher studies in music. That’s right, the Ramlet El Bayda police station and barracks occupied the second story of a building whose first floor was occupied by the conservatory of music and which overlooked the UNESCO building on its eastern side. The sound didn’t bother me in the least, in fact it relaxed me in a way I didn’t expect.

I’d once asked about the enrollment fees at the conservatory, thinking about studying the saxophone, except and unfortunately my days were so chaotic and jam packed that they led me far away from that goal, and to this day I regret having failed myself in this regard specifically… Nietzsche, one of my companions both in philosophy and in life says that without music, the world would be a terrible mistake, and I agree.

The sound of the saxophone competed for my attention with a commotion seeping in from under the bedroom door, and then the door was flung open roughly and in a hurried manner while I was still in a state between waking and sleeping.

Staff Sergeant Pincher gestured that I should get up quickly and put on my military uniform. His name wasn’t actually Pincher but he’d earned the moniker when one day another officer suddenly walked in on him in the lavatory and caught him pinching his neck raw. Pincher didn’t have as much luck attracting girls as his fellow policemen, so he’d come up with a way to trick people into believing that he had a hot and heavy relationship with a wild woman who bit him all over his neck and body when they had sex… and from that moment on he was known as Pincher.

He was furious when he found out his colleague had exposed his secret and stopped pinching himself after that, but the nickname stuck and obliterated all memory of his real name and now no one knew him as anything but Staff Sergeant Pincher.

I threw my clothes on quick as lightning and, along with a group of other officers from the barracks, was led by the Major in charge of the station to my university, to the actual faculty I attended, the Faculty of Arts!

The faculty was jam-packed with cars, way more than usual, and there were all these politicians flocking to the place in crazy numbers… “What the hell is going on?” muttered the Major, as though musing out loud to himself. I had no clue what was happening either; the whole time I’d been attending the university as a student of philosophy I’d never seen the place so crowded with people and cars and Range Rovers with tinted windows.

The Major hadn’t told us anything about the nature of our assignment, and his face clearly revealed that all this was an unexpected surprise to him… Very well then, we learned that Brigadier-General Rustom Ghazaleh was defending his doctoral thesis in history right here at the Faculty of Arts, in the Nizar Al-Zain Lecture Hall in the middle of the university, which was crammed with Lebanese politicians and clergymen who’d shown up in startling numbers to attend Ghazaleh’s thesis defense.

Books in Arabic by Fawzi Zabyan
Books in Arabic by Fawzi Zabyan.

A bunch of youth from the Association of Islamic Charitable Projects, better known as the Ahbash party, were helping direct traffic and park cars and everything was a mess of confusion and chaos.  “… I swear sir, I had no idea, nobody told me.” The Major spoke into his walkie talkie, trying to justify his late arrival with his squadron, and I had no idea who was on the other end of the line, maybe the Brigadier General of the Beirut Police or the Director General of the Internal Security Forces or maybe even the Minister of Interior himself.

After his dressing down, the Major exchanged his mutterings with curses, barking at us to deploy quickly throughout the site.

All the classes at the university that day had been disrupted, and there were crowds of people pacing back and forth on the pavement outside since the lecture hall couldn’t fit everyone who’d come. The entire Lebanese state, from lowliest clerk to highest minister had turned up and was waiting for Ghazaleh to finish his defense so they could shower him with congratulations and salutations. There were those waiting in their cars and those waiting in the inner lobby leading to the lecture hall and those who shuffled on the sidewalks with faces as repulsive as the soles of their shoes, and there’s no exaggeration in that description at all.

“Man, fuck this country,” said one of my fellow officers as he sipped coffee out of a plastic cup, to which I replied, gazing at all the loathsome aspects of the clerics and politicians and media personalities, “Fuck it to hell.”

Out of curiosity I tried to sneak into the hall where Ghazaleh was presenting and where his shitass PhD supervisor and the rest of the defense committee were sitting but some of the Ahbash members stopped me and politely asked me to wait outside on the main road. Indifferently, I complied.

I found the Major sitting in his military vehicle slurping his coffee with clear irritation, the humiliation he’d been subjected to still evident in his features. My leftist friends from the faculty spotted me and began poking fun at me, and one of my friends from the anarchist group loudly exclaimed as she walked by “Aww, look at brave Mr. Officer boy keeping our occupiers safe!”

“Blow me,” I snickered back.

I don’t remember how long the presentation went on, but I do remember that my discomfort that day grew until it was nearly suffocating. As much as I could, I avoided even coming to campus with my police uniform on, let alone that I was coming on this shitty assignment related to this shitty thesis defense attended by an overwhelming number of shitty politicians and clergymen…

And so that day which began with the beautiful whisper of a saxophone proved to be one of the supremely shitty days of my life as a policeman.

 

Fawzi Zabyan

Fawzi Zabyan Fawzi Zabyan is a Lebanese novelist, journalist and former policeman. He has a graduate degree in philosophy. Since 2005 he has published eight novels in Arabic and a story that appeared in a French anthology published by Inculte.

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

RELATED

Fiction

A Day In Damascus

3 OCTOBER 2025 • By Sanad Tabbaa
A Day In Damascus
Art

Sara Shamma — Cleaving the World in Two

5 SEPTEMBER 2025 • By Jordan Elgrably
Sara Shamma — Cleaving the World in Two
Art & Photography

Ali Cherri’s show at Marseille’s [mac] Is Watching You

15 AUGUST 2025 • By Naima Morelli
Ali Cherri’s show at Marseille’s [mac] Is Watching You
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Essays

Syrian Asylees in the US Risk Everything Going Home

4 JULY 2025 • By Rana Alsoufi
Syrian Asylees in the US Risk Everything Going Home
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Essays

Imagining Ghanem—My Return to Lebanon

6 JUNE 2025 • By Amelia Izmanki
Imagining Ghanem—My Return to Lebanon
Book Reviews

An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s A Spring that Did Not Blossom 

30 MAY 2025 • By Rebecca Ruth Gould
An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s <em>A Spring that Did Not Blossom</em> 
Arabic

Jawdat Fakreddine Presents Three Poems

20 MAY 2025 • By Jawdat Fakhreddine, Huda Fakhreddine
Jawdat Fakreddine Presents Three Poems
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Art

Going Home to South Lebanon: Abdel Hamid Baalbaki

2 MAY 2025 • By Karina El Helou
Going Home to South Lebanon: Abdel Hamid Baalbaki
Essays

A Letter To My Cruel Lover: Tripoli

2 MAY 2025 • By Lara Kassem
A Letter To My Cruel Lover: Tripoli
Essays

The anger and sadness I brought back from Damascus. And the urge to shave my head

2 MAY 2025 • By Batoul Ahmad
The anger and sadness I brought back from Damascus. And the urge to shave my head
Art

On Forgiveness and Path—an Exhibition in Damascus

18 APRIL 2025 • By Robert Bociaga
On Forgiveness and <em>Path</em>—an Exhibition in Damascus
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Opinion

The Western Way of Genocide

14 FEBRUARY 2025 • By Chris Hedges
The Western Way of Genocide
Essays

The Closed Door—Return to Syria

7 FEBRUARY 2025 • By Odai Al Zoubi, Rana Asfour
The Closed Door—Return to Syria
Essays

Chronicles of a Boy Manqué

7 FEBRUARY 2025 • By Rana Haddad
Chronicles of a Boy Manqué
Essays

Three Nights in Free Syria

24 JANUARY 2025 • By Yasmin Fedda, Daniel Gorman
Three Nights in Free Syria
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
Book Reviews

30 Recommended Books on Syria

13 DECEMBER 2024 • By TMR
30 Recommended Books on Syria
Art

Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek

22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Beirut

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Art

Beyond Our Gaze: Rethinking Animals in Contemporary Art

1 NOVEMBER 2024 • By Naima Morelli
Beyond Our Gaze: Rethinking Animals in Contemporary Art
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Fiction

The Last Millefeuille in Beirut

4 OCTOBER 2024 • By MK Harb
The Last Millefeuille in Beirut
Opinion

Lebanon’s Holy Gatekeepers of Free Speech

6 SEPTEMBER 2024 • By Joumana Haddad
Lebanon’s Holy Gatekeepers of Free Speech
Film

Soudade Kaadan: Filmmaker Interview

30 AUGUST 2024 • By Jordan Elgrably
Soudade Kaadan: Filmmaker Interview
Essays

Beyond Rubble—Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble—Cultural Heritage and Healing After Disaster
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Essays

Meditations on Palestinian Exile and Return

16 AUGUST 2024 • By Dana El Saleh
Meditations on Palestinian Exile and Return
Fiction

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Columns

Creating Community with Community Theatre

21 JUNE 2024 • By Victoria Lupton
Creating Community with Community Theatre
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Essays

Wajdi Mouawad’s “Controversial” Wedding Day

7 JUNE 2024 • By Elie Chalala
Wajdi Mouawad’s “Controversial” <em>Wedding Day</em>
Theatre

What Kind Of Liar Am I?—a Short Play

7 JUNE 2024 • By Mona Mansour
<em>What Kind Of Liar Am I?</em>—a Short Play
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Essays

Omar Naim Exclusive: Two Films on Beirut & Theatre

7 JUNE 2024 • By Omar Naim
Omar Naim Exclusive: Two Films on Beirut & Theatre
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Fiction

“I, Mariam”—a story by Joumana Haddad

26 APRIL 2024 • By Joumana Haddad
“I, Mariam”—a story by Joumana Haddad
Art

Paris, Abstraction and the Art of Yvette Achkar

1 APRIL 2024 • By Arie Amaya-Akkermans
Paris, Abstraction and the Art of Yvette Achkar
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Columns

The Day My Life Ended, It Began

3 DECEMBER 2023 • By Karim Shamshi-Basha
The Day My Life Ended, It Began
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Columns

Remembering Khaled Khalifa on the 40th Day

7 NOVEMBER 2023 • By Youssef Rakha
Remembering Khaled Khalifa on the 40th Day
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Art

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Books

In Praise of Khaled Khalifa—Friend, Artist, Humanist

16 OCTOBER 2023 • By Robin Yassin-Kassab
In Praise of Khaled Khalifa—Friend, Artist, Humanist
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Fiction

I, SOUAD or the Six Deaths of a Refugee From Aleppo

9 OCTOBER 2023 • By Joumana Haddad
I, SOUAD or the Six Deaths of a Refugee From Aleppo
Theatre

Hartaqât: Heresies of a World with Policed Borders

9 OCTOBER 2023 • By Nada Ghosn
<em>Hartaqât</em>: Heresies of a World with Policed Borders
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Film

“The Translator” Brings the Syrian Dilemma to the Big Screen

7 FEBRUARY 2022 • By Jordan Elgrably
“The Translator” Brings the Syrian Dilemma to the Big Screen
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Essays

Objective Brits, Subjective Syrians

6 DECEMBER 2021 • By Rana Haddad
Objective Brits, Subjective Syrians
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Latest Reviews

Lost in Marseille

17 APRIL 2021 • By Catherine Vincent
Lost in Marseille
Columns

The Truth About Syria: Mahmoud’s Story

14 MARCH 2021 • By Mischa Geracoulis
The Truth About Syria: Mahmoud’s Story
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Shahla Ujayli’s “Summer With the Enemy”

14 DECEMBER 2020 • By Shahla Ujayli
Shahla Ujayli’s “Summer With the Enemy”
TMR 4 • Small & Indie Presses

Shahla Ujayli’s “Summer With the Enemy”

14 DECEMBER 2020 • By Shahla Ujayli
Shahla Ujayli’s “Summer With the Enemy”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Beirut

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

Leave a Comment

Your email address will not be published. Required fields are marked *

17 + 6 =

Scroll to Top