Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
1 NOVEMBER, 2021 • By Iason Athanasiadis
The Al-Hassan family in front of their caravan. They bake bread in an old barrel placed under the watchtower (all photos courtesy of Iason Athanasiadis).

In which our columnist flies up to Thessaloniki and visits the Diavata camp for refugees seeking European asylum — no one is illegal, everyone merits a better life.

 

Iason Athanasiadis

 

At the security screening of Athens’ International Airport’s Departures, police have pulled aside a group of migrants seeking to board a flight. The heterogeneous group of anxious, thwarted Arab, Iranian and African men, women and children stand out by a mile, especially when shoulder-to-shoulder with glossily confident white tourists, basking in the afterglow of a relaxing holiday. Even the non-white EU residents populating the queue have a First World sheen profoundly absent from the ragtag group. 

Among the migrants is an African woman. Clearly a regular at the airport, she yanks off an unlikely-looking wig while shouting at a policeman “It’s me, it’s me, yes it’s me!” Smiling, the officer offers her his arm in a parody of gallantry, to lead her towards the head-high metal enclosure into which the others have already been corralled. 

Unscriptedly, a Ralph Lauren-wearing, flush-faced American and his wife and son complacently follow the migrant crowd straight into the pen. Catching sight of the impending social awkwardness, an Arabic-accented man yells, “No, no, no, no!”, anxious to save these respectable people from veering off into some decidedly non-First World problems. The Americans return to the right queue, order is restored, and Athens returns to its traditional balancing role between East and West, rich and poor, insider and outsider: tourists, digital nomads and Golden Visa investors get to visit the Greece of their dreams, but for migrants and refugees the stay can get nightmarishly overextended.

The reinforced outside of the Diavata Camp, completed in the summer of 2021.


On the road to nowhere

I am headed to the northern port city of Thessaloniki to produce a documentary about the state of migration in Europe and the Middle East, after the Taliban’s summer reconquest of Kabul closed a twenty-year American parenthesis in Afghanistan. The expected migration flows have yet to pick up, but once they do, Thessaloniki — whose once-cosmopolitan port used to be the terminus for all Balkan trade in the first flush of late Ottoman industrialization — will be a transit area, covering that part of the migration route from the Turkish border to the Balkans. With winter closing in and Covid-related restrictions in force, flows of non-VIP refugees have still to manifest, although images from the Afghanistan-Pakistan border show thousands clustered there.

In the first half of the last century, Thessaloniki lost both its commercial hinterland to the Iron Curtain and its vast Jewish community to Nazism, plunging it into an isolating ethnic homogenization from which it is only just emerging. The tens of thousands of Pontian-origin Greeks who flocked to it after the collapse of the Soviet Union, turned it into a nationalist bastion, while a cosmopolitan-minded former mayor and upgrades to infrastructure resulted in growing tourism numbers and real-estate investment, much of it Israeli. The interest from Israel isn’t by chance: Thessaloniki’s onetime Jewish community made it known as the Jerusalem of the Balkans.

Covid, and low rates of vaccination, hit Thessaloniki particularly hard. A new wave is sweeping through during my visit, but celebratory liturgies in honor of the city’s patron saint on the anniversary of Thessaloniki’s conquest by the Greek army in 1912 and a military parade remain uncancelled.

But a few kilometers from the center’s heaving Byzantine churches, frantic nightlife and real-estate investments, lies another world. Diavata is a camp for asylum-seekers housed in a former military base lost amid characterless provincial roads, junkyards and two-storey apartment blocks. Nearby are a major prison, an industrial zone, and a Roma settlement.

Camp children play in Casa Basa, an NGO that distributes food and medicine just alongside the Diavata Camp.

Its population is currently at an all-time low of 700 individuals (from a height of 1,600), following the current government’s acceleration of the asylum process and severing of financial aid, and the right to free food to all those whose process concludes. A turgid futility floats over a formerly chaotic and often violent camp. Its current director, a motorcycle-riding policeman, tamed it through a mix of consultations, threats, intermediation using community elders, and expulsions.

Named after the Greek word for “crossing,” Diavata concentrates within its three-meter-high cement-and-steel walls the dissidents and runaways of a dysfunctional region. I meet an Afghan husband-and-wife couple who worked in the police force since the era of the USSR’s Communist proxy government. They first escaped the Taliban in 1996 to spend four years in Iran, before fleeing them again, this time for good. Now they spend their days searching for news of their colleagues who remained behind.

There’s an Algerian dancer sporting a cross earring who converted to Christianity and claims Salafi extremists kidnapped and abused her before she fled to Turkey. There, she married a Moroccan (a former vagrant from Fes) whom she met in a forest after they’d both been pushed back from Greece. In Diavata, the camp residents refer to them as “the Christians”; she and her husband along with their months-old daughter were the victims of a mini-pogrom, they claim.

Then there is Sima, a single Hazara mother of two boys from eastern Afghanistan’s Jaghori province. Taken by a local man as his second wife, she had to fend off a coordinated campaign by the first wife and her mother-in-law. They eventually succeeded in ejecting her from the house. “My father refused to accept me back, as a bride’s return to her house is shameful in our culture,” she told me.

Sima looks out from her caravan window on another day waiting for a reply.

Sima was forced to live for some months in derelict buildings, preyed upon by men offering her protection, until she could sell her bridal gold and get a passport allowing her and her two boys to cross, first into Iran, then Turkey, then across the Aegean Sea till they ended up in Lesbos island’s notorious Mória Camp. They moved to Diavata a month before Moria burned down in September 2020, missing the opportunity to be one of the 1,000 refugees accepted by Germany. Now, they spend endless days between the camp’s playground, its laundry facility and their caravan, waiting for an official resolution to their claim.

Another family I met who fled due to the toxic mix of cultural mores and conflict were the Al-Hassans from Syria’s Deir Ezzor. Khaled Al-Hassan’s family members were forced to leave their town after an Islamic State fighter came knocking for his nine-year-old daughter, in whom he’d discerned bride material. After punching him, Khaled immediately fled with his family across the Euphrates to a succession of troubled towns. For years they lived under the threat of bombardment from the air, and car-bombs at street-level.

The religiously conservative Al-Hassan had been a construction and restaurant entrepreneur in the nether-regions between Syria and Iraq. In Diavata, he carved out a role as an elder for a diminishing Arabic-speaking community by representing its members in disputes with the burgeoning Afghans. He baked and sold Arabic bread to the camp residents, sent his eldest son off to harvest fruit and his daughter to attend a nearby NGO, where volunteers empowered her in a female-only space by coaching her in English. Life moved on, even for those mired in an extended pause.

A glittering dead-end

Back in Thessaloniki, the sea sparkles in the autumnal sunlight but the city has long lost its cosmopolitan glint as the exit point for Balkan trade and one of the Mediterranean’s busiest ports. The wounds of coexistence are either visible in the vandalized Orthodox frescoes inside churches since Ottoman times, and tensions between nationalists and leftists, or remain eloquently out-of-sight in long-since toppled minarets and demolished synagogues, the thousands of architectural artworks replaced by modern apartment blocks, and the Jewish cemetery buried under the Aristotle University campus.

Inside its wood-panelled library is academic Yiorgos Angelopoulos. The former Syriza government official worked hard for years to integrate refugee children into Greek schools, something made harder both by Greece’s exceptionalist creation-myth (which leaves little space for non-Christian Easterners), and the asylum-seekers’ disinterest in staying here (having sized up Greece, they often express their desire to “continue onto Europe”).

“The government is imposing obstacles in these children’s ability to attend schools,” Angelopoulos said. “It’s a lose-lose situation, because both we as a society are losing something and so are these children who won’t be able to acquire the tools for integration.”

The day I left Thessaloniki, thousands of residents were out on the streets cheering a military parade commemorating Greece’s refusal to surrender to the Italians at the start of the Second World War. Proud fathers held up their children as tanks trundled down the coastal road, while sophisticated fighter jets and helicopters performed barrel-rolls and fly-bys. “We must prepare for war in order to continue living in peace,” one young man said. Another nationalist, Dimitris Ziabazis, the founder of a group called United Macedonians and organizer of a controversial 2019 BBQ featuring pork kebabs and beers prepared outside the Diavata camp (he claims it was a publicity stunt intended to focus attention on the regional marginalization that he chooses to blame on asylum-seekers), believed that a country with a militarily-assertive Turkish neighbor needs such parades to keep patriotism acute.

On my return home, taking off from Thessaloniki, the airplane rose above the Gulf of Salonica and I caught a glimpse of Diavata sprawling in the haze. Soaring past Mount Olympus after an intense week of stories and encounters, the height and distance exerted a diminishing effect on the concerns, hopes and fears packed down there. I was back in the accelerated First World Greece which most of the people I had met would only ever encounter if the EU opened its gates to them. It was a reminder that distance can function dehumanizingly, people who don’t suit our narrative can be parked out of sight, and that only interaction, by living alongside each other in cities and the countryside, can achieve integration.

 

Iason Athanasiadis

Iason Athanasiadis, Iason Athanasiadis is a Mediterranean-focused multimedia journalist based between Athens, Istanbul, and Tunis. He uses all media to recount the story of how we can adapt to the era of climate change, mass migration, and the misapplication of distorted modernities.... Read more

Iason Athanasiadis is a Mediterranean-focused multimedia journalist based between Athens, Istanbul, and Tunis. He uses all media to recount the story of how we can adapt to the era of climate change, mass migration, and the misapplication of distorted modernities. He studied Arabic and Modern Middle Eastern Studies at Oxford and Persian and Contemporary Iranian Studies in Tehran. He was a Nieman fellow at Harvard before working for the United Nations between 2011 and 2018. He received the Anna Lindh Foundation’s Mediterranean Journalism Award for his coverage of the Arab Spring in 2011 and its 10th-anniversary alumni award for his commitment to using all media to tell stories of intercultural dialogue in 2017. He is a contributing editor of The Markaz Review.

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Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER, 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER, 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Book Reviews

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

22 AUGUST, 2022 • By Rana Asfour
After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST, 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST, 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY, 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Columns

World Refugee Day — What We Owe Each Other

20 JUNE, 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE, 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY, 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Book Reviews

Joumana Haddad’s “The Book of Queens”: a Review

18 APRIL, 2022 • By Laila Halaby
Joumana Haddad’s “The Book of Queens”: a Review
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL, 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Columns

Music in the Middle East: Bring Back Peace

21 MARCH, 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH, 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH, 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH, 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Art & Photography

On “True Love Leaves No Traces”

15 MARCH, 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH, 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY, 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY, 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY, 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY, 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY, 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY, 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY, 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY, 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY, 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER, 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER, 2021 • By Nouha Homad
Three Levantine Tales
Columns

The (Afghan) Writer Who Sold His Book Collection to Pay the Rent

13 DECEMBER, 2021 • By Angeles Espinosa
The (Afghan) Writer Who Sold His Book Collection to Pay the Rent
Essays

Syria Through British Eyes

29 NOVEMBER, 2021 • By Rana Haddad
Syria Through British Eyes
Fiction

The Promotion (a short story from Saudi Arabia)

22 NOVEMBER, 2021 • By Waqar Ahmed
The Promotion (a short story from Saudi Arabia)
Columns

Burning Forests, Burning Nations

15 NOVEMBER, 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER, 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER, 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Art

Guantánamo—The World’s Most Infamous Prison

15 OCTOBER, 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
Fiction

“The Passion of Evangelina”—fiction from Anthoney Dimos

15 OCTOBER, 2021 • By Anthoney Dimos
“The Passion of Evangelina”—fiction from Anthoney Dimos
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER, 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER, 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER, 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Essays

Attack the Empire and the Empire Strikes Back: What 20 Years of American Imperialism Has Wrought

15 SEPTEMBER, 2021 • By Omar El Akkad
Attack the Empire and the Empire Strikes Back: What 20 Years of American Imperialism Has Wrought
Essays

Voyage of Lost Keys, an Armenian art installation

15 SEPTEMBER, 2021 • By Aimée Papazian
Voyage of Lost Keys, an Armenian art installation
Columns

20 Years Ago This Month, 9/11 at Souk Ukaz

15 SEPTEMBER, 2021 • By Hadani Ditmars
20 Years Ago This Month, 9/11 at Souk Ukaz
Columns

Afghanistan Falls to the Taliban

16 AUGUST, 2021 • By Hadani Ditmars
Afghanistan Falls to the Taliban
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST, 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY, 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Latest Reviews

No Exit

14 JULY, 2021 • By Allam Zedan
No Exit
Essays

Sailing to Gaza to Break the Siege

14 JULY, 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY, 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Fiction

“Pakistani Bureaucrats & The Booze Permit”—a story by Tariq Mehmood

14 JUNE, 2021 • By Tariq Mehmood
“Pakistani Bureaucrats & The Booze Permit”—a story by Tariq Mehmood
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE, 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY, 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Editorial

Why WALLS?

14 MAY, 2021 • By Jordan Elgrably
Why WALLS?
Essays

We Are All at the Border Now

14 MAY, 2021 • By Todd Miller
We Are All at the Border Now
Fiction

A Home Across the Azure Sea

14 MAY, 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY, 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY, 2021 • By Rana Asfour
TMR 7 • Truth?

Allah and the American Dream

14 MARCH, 2021 • By Rayyan Al-Shawaf
Allah and the American Dream
Essays

Poet in Pakistan: the Flamboyant Carolyn Kizer

14 MARCH, 2021 • By Marian Janssen
Poet in Pakistan: the Flamboyant Carolyn Kizer
Columns

Memory and the Assassination of Lokman Slim

14 MARCH, 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH, 2021 • By Mohja Kahf
The Freedom You Want
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY, 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY, 2021 • By Robert Solé
Ten Years of Hope and Blood
Book Reviews

The Polyphony of a Syrian Refugee Speaks Volumes

25 JANUARY, 2021 • By Farah Abdessamad
The Polyphony of a Syrian Refugee Speaks Volumes
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY, 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY, 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Hassan Blasim’s “God 99”

14 DECEMBER, 2020 • By Hassan Blasim
Hassan Blasim’s “God 99”
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER, 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER, 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar

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