“Mother Remembered”—Fiction by Samir El-Youssef

Lebanon 1982 (courtesy Yan Morvan Archives).

5 MARCH 2023 • By Samir El-Youssef

Samir El-Youssef

 

On the 12th of June, 1982, I realized the simple yet searingly painful truth that Mother didn’t give a damn about us. It was on that day (and how could I ever forget that day?)  Father had a heart attack and died.

We were running, the three of us, Father, my brother Ziad, and I, when he stopped in the middle of an utterly barren area. A few moments later, Father dropped to the ground. Ziad and I watched him writh­­­ing. Soon after, we came to the conclusion that Mother did not care about us one bit. It was I who first reach­ed this conclusion, after which I made sure that Ziad was in accord.

“She hates us.”

“Who?” he asked innocently.

“Who? Don’t you know?”

Now, when I remember it all, after so many years, I realize Mother’s attitude was not altogether a surprise. I’d always suspected that she preferred her brothers to us. However, I’d never imagined she preferred them to the point that she was willing to put our lives at risk, simply to ensure that they didn’t feel more worried or lonely than they would otherwise or, on that cursed day, that we would be sent to join Uncle Rasem and his family, and possibly Uncle Nabeel, who, for some strange reason, our bloody mother was certain would be there, too.

“Is he so stupid that he would return to Lebanon as things are?” Father had tried to reason with her.

“You don’t know Nabeel, you don’t know my brother,” she replied, her voice ringing with pride, which was an added aggravation when my brother and I could feel only fear and anxiety.

 


 

It was the first week of the Israeli invasion of Lebanon, and like most people we thought it would be safer to remain indoors. Mother, however, took things a step further and insisted that the three of us go north, to Uncle Rasem in Beirut.

“It’s safer there! When the Israelis come, they’ll arrest the men,” she admonished me when I protested angrily. “All the men are running away. You must get away too. Your uncle will look after you!”

I didn’t believe what she said, neither did Father nor Ziad, and so she tried a different approach: she said she was absolutely sure that our lives were in imminent danger. “It won’t be long,” she went on, “before the Israeli army secures control of the town, with soldiers ordering people to gather in the squares, where they’ll be interrogated and detained and possibly shot.”

Though knowing full well that we were scared stiff, Mother didn’t seem to mind making such terrifying predictions as long as they served her intention; and of course that is what must have contributed to our long-lasting hatred of her. The rhetoric she used, too: “I have it on good authority”— yes, she used words which one could never imagine a mother using — “the Israeli army has been carrying out large arrest and detention operations in towns and villages where their forces have established control.”

Father, in his turn, and probably provoked by the very expression on good authority, dismissed all that as mere rumor. In the hope of persuading her to give up her intention of sending us to Beirut, he concocted a few rumors of his own. He claimed that the Israelis had already reached the outskirts of Beirut, so there was no longer any point in trying to flee to the capital.

“Rumors! Sheer rumors!” she replied with a sneer, emphasizing that she was absolutely sure that the Israelis would take several weeks before they reached anywhere near Beirut. She was right, but that was not the point. She wanted us to go to Beirut and stay with her brothers so that their being surrounded by family would reassure them. My father knew this very well.

“You’ll be safer with your uncle!” she told Ziad and me whenever either of us objected, and even when we didn’t. She seemed to enjoy repeating herself just for the sake of it. Indeed, she enjoyed repeating any sentence in which her brothers were mentioned. A sudden joyous tone took over the moment she mentioned them, regardless of how casual or banal the context.

“You’ll be safer with your uncle!” she said while Father made a last attempt to make her see sense.

“There won’t be any taxi driver mad enough to take us all the way to Beirut,” he pointed out.

But Mother had already thought of that; she had arranged for us to be taken to Beirut by a neighbor who had decided to leave the area that very afternoon. I couldn’t help suspecting it was she who had convinced the neighbor that it was safer for him and his family to leave. I think both Father and Ziad had similar suspicions. But the neighbor had no vehicle other than the pick-up truck he used for work, so now we had another reason to oppose her plan.

“Yes, he has a truck.” Mother pretended not to understand the problem. The three of us grew more annoyed.

“Do you want us to go all the way to Beirut in a pick-up?” Ziad cried out, astonished that Mother could be so inconsiderate.

“What else can we do?” she replied, trying her best to sound helpless, but barely concealing the smell of victory; the argument was now over the trivial matter of means of transport. “I tried to hire a taxi but none was available,” she hurriedly added in that feigned sense of helplessness.

“You tried to hire a taxi before you even asked us?” Father protested, not that he expected either an explanation or an honest reply.

“I don’t want to go,” I cried out. I didn’t mean it, but I wanted to support Father.

“Neither do I,” Ziad added his voice to ours.

Mother made no response, falling silent in a manner that made it clear that our fate had been sealed and no more was to be said.

 


 

Remembering it now, after nearly 22 years, I find myself reliving the moment when I felt I wasn’t looking at a mother but at a heartless stranger who had coldly orchestrated everything so that we had no option other than the humiliation of getting into the back of that pick-up and being driven away to meet our frightful destiny. For at the very moment she fell silent, we heard the sound of a horn blast coming from the front of the house, from the very pick-up in which we were to be carried away.

I recall as if it were yesterday how we were in effect pushed into the back of that pick-up, but what I recall most is the look of satisfaction on my mother’s face as we were driven away. It was the look of someone who had suddenly managed to get rid of an obstacle to the peaceful days, to the days before the Israeli invasion, but probably also to the long gone days before any of the three of us came into her life.

But, to be fair, Mother wasn’t the only reason we left on that June day in 1982; it was fear, too. We were frightened, knowing that she had seized the opportunity to send us away.

The military invasion had taken over every aspect of our lives. There was no way to ignore or forget what was happening unless one was lucky enough to grab a few hours’ sleep. Israeli F-15s and F-16s roamed the sky all day long, there was continuous shooting and shelling, and whenever one dared to look out the window, usually peeping out through drawn curtains, there were tanks and army vehicles. We were under military occupation and throughout every waking moment we were so frightened that after all these years I remember it as vividly as if it were happening now.

To be honest, we were so intimidated that when Mother first suggested we go, I believe we must have felt grateful until we realized the truth behind her suggestion. For what it’s worth, such a suggestion must have engendered the only sense of relief in our daily existence, which was overshadowed by images of our ashen faces and long stretches of tense silence. No one dared to break such a silence, not even to make a comforting statement of any kind. We were so silently frightened that now, as I sit here thousands of miles from where it all happened and after some 22 years, I cannot remember anything that was said or done without recalling the whisper of fear that accompanied that time. Fear reigned over every minute of our lives and made us forget what we normally liked or disliked.

I recall in particular how one afternoon Ziad ate a whole bowl of a dessert that he’d never liked before. He emerged from the kitchen holding in one hand a bowl of rice pudding and in the other a spoon. He had already started devouring the pudding and had the expression of someone who had always eaten and enjoyed this particular dessert. We sat there staring at him. None of us said anything till he’d finished, not because we thought it was funny, but because we were so engrossed in our own worries that we didn’t think it was worth mentioning; if fear had made Ziad forget what he hated, it had also left us devoid of any sense of humor. When Mother eventually reminded him that he was eating something he’d always detested, it wasn’t said as a joke but as a reproach. Watching him enjoying his food, she probably assumed his usual dislike of her rice pudding had simply been a pretence intended to annoy her.

When Ziad had finished, he tried to make a joke of it.

“I wish you’d spoken earlier!” Ziad said, smiling and looking at both Father and me. “I honestly didn’t know what I was eating,” he added after a while, and then the smile vanished and he got up and left the room. We knew he was about to cry.

No, Mother didn’t force us to leave that day, but she manipulated our fear to have her own way. This is what makes my memory of that episode and of Mother so bitter. Except for her, we were all frightened. She was worried yet didn’t seem afraid. She worried about her brothers, both of them: the one who was living in Beirut and the other one who had been living in Germany.

“I understand why you’re worried about Rasem and his family,” Father told her. “They’re in Beirut, and fighting around the city is getting worse,” he said, referring to battles between pro-Israeli Lebanese militias on the one hand, and anti-Israeli Lebanese and Palestinian militias on the other. But why do you worry about Nabeel?”

She herself had often enough told us how happy Uncle Nabeel was living in Aachen, married to a German and with a child, all of which meant that he was far from danger. But no, now, in her mind, Uncle Nabeel must have left the safety of his life in the relaxed town of Aachen and returned to Lebanon.

“But how do you know that he is back? Who told you?”

“I know my brother,” she insisted. “If he hasn’t come back already, I’m sure he’s going to take the first plane to Beirut.”

“But why on earth would he do that? He’s not mad, is he?”

“No, he is not mad. Of course he is not mad!” She was getting angry. “You don’t know my brothers. You don’t know what a sense of loyalty they have. Nabeel will come back to be with his brother, to be with us, and it might surprise you to know he’d want to come back to join those who are fighting the invasion.”

“Sense of loyalty?” Father suspected that Mother had herself gone mad, but he kept on reasoning with her calmly. “You do realize that the airport is closed?”

“He’ll find a way. He’ll come through Syria; I know my brother.”  She insisted that Uncle Nabeel was too politically committed to stay away. Mother had never before mentioned my uncle’s so-called political commitment.

Enjoying a quiet life with his wife and child, Uncle Nabeel, however, wasn’t entertaining even the slightest thought of coming back at that time, or even at a less dangerous time. Years later when I visited him in Germany and told him how he’d been expected to come home to fight, he laughed his head off and translated for his German wife what I had said. Then they both laughed and said they must tell their friends about it.

I nearly joined them in considering the story of Mother’s baseless worry over her brother in peaceful Aachen a joke, and nearly laughed with them, but in the end I didn’t. Nothing that Mother had done, particularly during the day she sent us away, was funny. Watching them finding her innocent concern, as my uncle put it, a cause for merriment made me feel like telling them what had happened after we were pushed into that pick-up and sent to face our fate on a long hike through scrubland, in the midst of an ongoing war. “It’s not funny. Father died because of her innocent concern,” I wanted to say.

 


 

I recall it now while I am looking out the window of my flat, which overlooks Highgate tube station. I recall sitting in the pick-up truck, sweating and breathing heavily under the glowing June sun, though I don’t remember exactly how long it was before the vehicle stopped and the driver announced that he wouldn’t go any further. “It would be suicidal to continue while the fighting is going on,” he said. “We’d just be driving into the battlefield.”

“There can’t be fighting everywhere. There must be some safe areas we could cross?” Father tried to persuade the driver. “I promise you I’ll make it worth your while once we’ve reached Beirut.”

But he wouldn’t budge. The only place he was willing to drive us to was back home. “I’m going back. It’s wiser to take the risk of being arrested by the Israelis than to be caught in crossfire.” He added, “I’ll surrender to them if necessary.”

“Let’s go back,” I urged Father, encouraged by the driver’s attitude.

Though Father had never been keen on the idea of going to Beirut, he nevertheless couldn’t go back. He couldn’t go back to face Mother’s disapproving look, and she could give you the kind of look that made you feel you were useless and doomed to fail for the rest of your life. So he went on pleading with the driver. But the man had made up his mind; he wouldn’t go any further even if he were paid all the gold in the world.

“You should listen to your son and go back,” he urged my father, “and if you insist on taking your chances and decide to carry on, allow me to at least take the boys back with me.”

Father couldn’t look at the man. He was so angry. I thought that if the driver dared say one more word Father would hit him. The driver must have realized this, as he quickly got back into his truck and drove off.

We stood there not knowing where to go or what to do next. It was up to Father to decide, but in that situation the three of us were equally helpless. In the midst of that dusty road in no man’s land, and under the burning sun, it was too early to hope for a cool breeze and too late to try to reach the nearest town before dark. We stood there silently, feeling so powerless that hating someone was all we could do. Mother was the obvious candidate for such an emotion. I hated her then, and I have never stopped hating her since.

“I swear to God that she’ll never see our faces again!” Father muttered, out of the blue, in a bitter tone that was alien to him.

“Never!” he repeated, looking at us as if he were trying to gain our endorsement for his sinister intention.

“Yes, yes!” I confirmed, and wanted to add I hate her, we must all hate her. I looked at Ziad as if to urge him to agree, but poor Ziad looked as if didn’t know what was going on.

“I’ll take you away from her!” Father said, staring at us, and I nodded.

We were still standing there, waiting for him to decide on our next move. Eventually, and as if to avoid choosing between going forwards or backwards, he strode towards a winding pathway that led to nowhere we knew. But as if to assure him that we completely trusted his sense of direction, Ziad and I followed him without hesitation. We sensed that he was unwell and we didn’t want to linger there arguing with him. He began running, and we did the same. He did not stop, nor did we, even when we found ourselves climbing a steep hill.

Yet a few moments later, Father seemed surprised and disappointed that he had chosen this particular route. Now he stopped and gazed in different directions. “Her brothers! That’s all she cares about!” I heard him mumble. I was standing a few steps behind him. I felt he was so frustrated that he no longer knew, or even cared to know, where we were going. He was angry and was breathing heavily. He took a few steps forwards. “She’ll kill us all for the sake of her brothers,” he went on bitterly, an expression of utter despair on his face.

Ziad and I exchanged worried looks, suspecting that he’d finally realized he didn’t know where he was leading us and thus felt more terrible than before. I nearly suggested that we go back to save him the embarrassment of saying it himself. However, Father hadn’t stopped because he’d realized we had wandered off in the wrong direction, but because of a sudden crippling pain in his chest. He stood there gasping for breath and continuing to mutter what we thought were curses against Mother and her brothers. A few minutes later, he collapsed and died.

Father died that day and we came to the conclusion that Mother didn’t care about us. It was I who first reached this conclusion. “She hates us,” I said to Ziad.

“Who?”

“Who? Don’t you know?”

We swore not to forgive her. We actually decided, right there and then, to carry on with our Father’s resolve not to return home. We wanted to remain in that uninhabited area and deprive her of ever seeing us again. But we were still too young, and that very evening we went back home and remained with her until we reached the appropriate age to leave. We both left, one after the other, and never went back.

Over the years, whenever Ziad and I met, we rarely spoke of her. It was sort of an unacknowledged agreement between the two of us not to mention her unless absolutely necessary — for example, after she had fallen ill two years ago and had to move in with Uncle Rasem and his family in Beirut. She was too sick to remain living on her own, Ziad told me.

But now, when the news of her death has just reached me, I recall that June day in 1982, and I remember in particular the look of relief on her face the moment we were driven away. I remember that look, and I hope that it was a sign that her wish was fulfilled: the wish to go back to her youth, to the time before we came into her life, and back further to the time when she was a young girl, living with her family and spending all day in the company of her two brothers.

Well, Mother, I hope you’re happy wherever you are now! I, on the other hand, have never been happy; I have never loved anybody, not even my own brother, with whom I share the devastating memory of watching our father dying under the glaring sun of that summer day in that barren land. I’ve never loved anybody, Mother.

 

Samir El-Youssef

Samir El-Youssef Samir El-Youssef is a British-Palestinian writer, born in Al-Rashidia, a Palestinian refugee camp in Southern Lebanon, in 1964. He has lived in London since 1990, where he studied philosophy obtaining BA and MA degrees. In 2005 he won the Tocholusky... Read more

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14 AUGUST 2023 • By Albert Swissa, Gil Anidjar
Bound Together: My Longings for Ishmael
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Book Reviews

Arab American Teens Come of Age in Nayra and the Djinn

31 JULY 2023 • By Katie Logan
Arab American Teens Come of Age in <em>Nayra and the Djinn</em>
Theatre

Jenin’s Freedom Theatre Survives Another Assault

24 JULY 2023 • By Hadani Ditmars
Jenin’s Freedom Theatre Survives Another Assault
Beirut

“The City Within”—fiction from MK Harb

2 JULY 2023 • By MK Harb
“The City Within”—fiction from MK Harb
Cities

In Shahrazad’s Hammam—fiction by Ahmed Awadalla

2 JULY 2023 • By Ahmed Awadalla
In Shahrazad’s Hammam—fiction by Ahmed Awadalla
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Art & Photography

Newly Re-Opened, Beirut’s Sursock Museum is a Survivor

12 JUNE 2023 • By Arie Amaya-Akkermans
Newly Re-Opened, Beirut’s Sursock Museum is a Survivor
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Beirut

Remembering the Armenian Genocide From Lebanon

17 APRIL 2023 • By Mireille Rebeiz
Remembering the Armenian Genocide From Lebanon
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Beirut

War and the Absurd in Zein El-Amine’s Watermelon Stories

20 MARCH 2023 • By Rana Asfour
War and the Absurd in Zein El-Amine’s <em>Watermelon</em> Stories
Beirut

The Forced Disappearance of Street Vendors in Beirut

13 MARCH 2023 • By Ghida Ismail
The Forced Disappearance of Street Vendors in Beirut
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Book Reviews

Sabyl Ghoussoub Heads for Beirut in Search of Himself

23 JANUARY 2023 • By Adil Bouhelal
Sabyl Ghoussoub Heads for Beirut in Search of Himself
Art

On Lebanon and Lamia Joreige’s “Uncertain Times”

23 JANUARY 2023 • By Arie Amaya-Akkermans
On Lebanon and Lamia Joreige’s “Uncertain Times”
Fiction

Broken Glass, a short story

15 DECEMBER 2022 • By Sarah AlKahly-Mills
<em>Broken Glass</em>, a short story
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Art & Photography

Our Shared Future: Marwa Arsanios’ “Reverse Shot”

28 NOVEMBER 2022 • By Mariam Elnozahy
Our Shared Future: Marwa Arsanios’ “Reverse Shot”
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Music Reviews

From “Anahita” to Ÿuma, Festival Arabesques Dazzles Thousands

26 SEPTEMBER 2022 • By Angélique Crux
From “Anahita” to Ÿuma, Festival Arabesques Dazzles Thousands
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Book Reviews

After Marriage, Single Arab American Woman Looks for Love

5 SEPTEMBER 2022 • By Eman Quotah
After Marriage, Single Arab American Woman Looks for Love
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Fiction

Where to Now, Ya Asfoura?—a story by Sarah AlKahly-Mills

15 JULY 2022 • By Sarah AlKahly-Mills
Where to Now, Ya Asfoura?—a story by Sarah AlKahly-Mills
Film

Lebanon in a Loop: A Retrospective of “Waves ’98”

15 JULY 2022 • By Youssef Manessa
Lebanon in a Loop: A Retrospective of “Waves ’98”
Book Reviews

Between Illness and Exile in “Head Above Water”

15 JULY 2022 • By Tugrul Mende
Between Illness and Exile in “Head Above Water”
Essays

“Disappearance/Muteness”—Tales from a Life in Translation

11 JULY 2022 • By Ayelet Tsabari
“Disappearance/Muteness”—Tales from a Life in Translation
Book Reviews

Poems of Palestinian Motherhood, Loss, Desire and Hope

4 JULY 2022 • By Eman Quotah
Poems of Palestinian Motherhood, Loss, Desire and Hope
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Fiction

Rabih Alameddine: “Remembering Nasser”

15 JUNE 2022 • By Rabih Alameddine
Rabih Alameddine: “Remembering Nasser”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Dima Mikhayel Matta: “This Text Is a Very Lonely Document”

15 JUNE 2022 • By Dima Mikhayel Matta
Dima Mikhayel Matta: “This Text Is a Very Lonely Document”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Art & Photography

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

13 JUNE 2022 • By Arie Amaya-Akkermans
Film Review: “Memory Box” on Lebanon Merges Art & Cinema
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Columns

On the Streets of Santiago: a Culture of Wine and Empanadas

15 APRIL 2022 • By Francisco Letelier
On the Streets of Santiago: a Culture of Wine and Empanadas
Art & Photography

Ghosts of Beirut: a Review of “displaced”

11 APRIL 2022 • By Karén Jallatyan
Ghosts of Beirut: a Review of “displaced”
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

Sudden Journeys: From Munich with Love and Realpolitik

27 DECEMBER 2021 • By Jenine Abboushi
Sudden Journeys: From Munich with Love and Realpolitik
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

Lebanon at the Point of Drowning in Its Own…

15 DECEMBER 2021 • By Raja Abu Kasm, Rahil Mohsin
Lebanon at the Point of Drowning in Its Own…
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Music Reviews

Electronic Music in Riyadh?

22 NOVEMBER 2021 • By Melissa Chemam
Electronic Music in Riyadh?
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Book Reviews

Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War

18 OCTOBER 2021 • By A.J. Naddaff
Racha Mounaged’s Debut Novel Captures Trauma of Lebanese Civil War
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility

8 AUGUST 2021 • By Anonymous
Beirut Drag Queens Lead the Way for Arab LGBTQ+ Visibility
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Art & Photography

Gaza’s Shababek Gallery for Contemporary Art

14 JULY 2021 • By Yara Chaalan
Gaza’s Shababek Gallery for Contemporary Art
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Columns

Lebanon’s Wasta Has Contributed to the Country’s Collapse

14 JUNE 2021 • By Samir El-Youssef
Lebanon’s Wasta Has Contributed to the Country’s Collapse
Columns

Lebanese Oppose Corruption with a Game of Wasta

14 JUNE 2021 • By Victoria Schneider
Lebanese Oppose Corruption with a Game of Wasta
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
Film

Threading the Needle: Najwa Najjar’s “Between Heaven and Earth”

14 DECEMBER 2020 • By Ammiel Alcalay
Threading the Needle: Najwa Najjar’s “Between Heaven and Earth”
TMR 3 • Racism & Identity

Find the Others: on Becoming an Arab Writer in English

15 NOVEMBER 2020 • By Rewa Zeinati
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
Beirut

An Outsider’s Long Goodbye

15 SEPTEMBER 2020 • By Annia Ciezadlo
An Outsider’s Long Goodbye
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Art

Beirut Comix Tell the Story

15 SEPTEMBER 2020 • By Lina Ghaibeh & George Khoury
Beirut Comix Tell the Story
Editorial

Beirut, Beirut

15 SEPTEMBER 2020 • By Jordan Elgrably
Beirut

It’s Time for a Public Forum on Lebanon

15 SEPTEMBER 2020 • By Wajdi Mouawad
It’s Time for a Public Forum on Lebanon
Beirut

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

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