Lebanon’s Fate in Our Current World Calamity

Beirutis inspect a damaged car in the aftermath of an Israeli strike that killed eight displaced people on the beach in Ramlet al-Baida at the Corniche, in the midst of the U.S.-Israeli conflict with Iran. March 12, 2026 (photo Claudia Greco/REUTERS).

13 MARCH 2026 • By Amal Ghandour

Even as U.S.-Israel forces carpet bomb Tehran, Israel has bombed Aisheh Bakkar and Rawche, heavily Sunni areas in the heart of Beirut. They have also emptied Christian villages in the south. The official number of the displaced in Lebanon now stands at 700,000, in a country of five million.

In the reckoning that followed the 2023–2024 war between Israel and Hezbollah, stories began to circulate in private settings. The raconteurs were people close to the resistance movement, among them highly respected Palestinian field commanders of the old generation. There were more of them than one might think.

One particular account I heard concerned a conversation between Hassan Nassrallah, the leader of Hezbollah, and Ibrahim Aqil, the head of the elite Radwan Unit, the resistance’s “samurai.” As the story has it, Aqil urged Nassrallah to reconsider the tit-for-tat strategy against Israel. His reasoning was straightforward: the resistance movement was not built for low-grade warfare. Its military doctrine rested on two pillars: a thunderbolt invasion and capture of the Galilee and stealth ground defense.



Nassrallah had been the architect of Hezbollah’s Rolodex of identities. Under him, Hezbollah grew from a Lebanese resistance movement into a regional military force, a local political party, a non-state actor with a formidable presence within the state, and a social-services juggernaut. He thought the movement’s deterrence capabilities were strong and the risks manageable. In the end they clearly were not, and Hezbollah suffered a backbreaking defeat whose enormous costs were human, organizational, political, social, and material. Nothing gave more resonance to the devastating rout than the assassination of Nassrallah and his entire cohort of senior leaders and commanders, including Aqil and his team.

Over the past fifteen months, since the formal end of the war, the sprawling movement that Nassrallah built has struggled to cope with myriad vulnerabilities. Local politics have grown antagonistic, the regional map distinctly hostile. Once-abundant financial resources have dwindled. Assets and cadres have had to withstand almost daily Israeli assaults in clear violations of the ceasefire. Internal fractures have surfaced in awkward, often embarrassingly amateurish conduct. Entire communities across swathes of towns and cities have had neither respite nor even a semblance of normalcy since the end of 2024, most starkly in the wrecked south.

This is the backdrop against which Hezbollah decided to strike northern Israel in the early hours of March 2. It had neither military deterrence, nor political cover; neither social goodwill, nor official acquiescence. More poignant still for its people, there was neither warning, nor protection; neither insulation, nor shelter.

The timing of the attacks, which broke a year of silence, was revealing. They came only after Israel and the US had assassinated Iran’s Supreme Leader, Ayatollah Ali Khamenei, and forced an existential war on the Islamic Republic. Hezbollah’s strikes were timid in their reach and impact, but very bold in the Israeli reaction they meant to elicit. Negligible physical damage in the Galilee, in exchange for a formidable barrage of firepower unleashed on our south, our north, and our southern suburbs. A child could have predicted this Israeli response.

Tehran had given the nod. Such is the nature of the relationship between the Islamic Revolutionary Guard Corps (IRGC) and Hezbollah, especially in the aftermath of the latest war and Nassrallah’s demise. The movement’s action, which may yet be judged a blunder, has nonetheless positioned it where it has always felt ideologically most at home. For it has long been understood that when the hour was upon it, the party would rise to its ultimate mission. That it attacked the Jewish state in support of Iran at the most precarious moment for these two allies seems, at first glance, puzzling, but it may well be the point. Such is the age-old Karbala’i ethos: martyrdom and sacrifice in the face of injustice and existential peril.

It must be said, however, that the Islamic Republic and Hezbollah were dragged into this potentially ruinous decision kicking and screaming. This was not their war of choice, but Israel and America’s. Ironically, they are the revisionist powers seeking to overturn the region’s existing accommodations — accommodations in which the republic and the resistance were consenting, even if quarrelsome, participants. And what has been unfolding in the Middle East is of a piece with what has been playing out across the international system.

Eskandar Sadegh Boroujerdi gives eloquent expression to the trends in the London Review of Books:

The certainties of the United States’ hegemonic stewardship of the “international rules-based order” have been deformed beyond recognition by the Gaza genocide, but no alternative architecture has cohered in their place. Instead there is a politics of gangster imperialism that has neither international nor domestic consent.

There are now four belligerents in this war: one superpower, two hegemons, and the region’s largest non-state actor. The stakes for each side by turns converge and diverge. So do the definitions of victory and defeat. The weakest player is Hezbollah. The risks it faces carry the highest cost, including the breakup of its military apparatus and political diminishment in Lebanon. This would likely remain the case even if the Iranian regime were to survive intact, which is very likely and would amount to a form of defeat for the United States and Israel.

The sacrifice, though, is not that of the resistance alone. The fact is, the people — especially their own folks — will bear the brunt of this war’s cost, even if they wanted none of it to begin with. What kind of costs depends entirely on the Mephistophelean designs Israel has for the party and for Lebanon at large. The Jewish state’s predation has always been the most persuasive argument for Hezbollah’s existence. Likewise, the meager capabilities of the Lebanese army. Where the party’s ideology and method alienate and divide, Israel’s viciousness and territorial ambitions have worked to unite. For the longest time, this was in fact Hezbollah’s most powerful proposition: in the absence of a credible Lebanese defense, the resistance is the only buffer and deterrent against a malevolent Israeli enemy.

But that’s a proposition that is now meaningless to many of us Lebanese. Once upon a time, Hezbollah could boast of an achievement that was singular in the Arab world: the modest gap between rhetoric and deed, between promise and feat. In the shadow of the 2024 defeat, it no longer can.

I do not know what awaits us. I live in Ras Beirut, near al-Wasat, the heart of the capital. As I write, hundreds of thousands of people have been forced to evacuate their homes in the south and in Dahiyeh. In an unprecedented move, Israel sent out forced evacuation orders to a large part of southern Lebanon and the entirety of the southern suburbs of Beirut. Nearly half a million people have been displaced over the course of a single week. Dahiyeh is a little more than ten minutes away by car on a quiet Sunday, and yet it feels a world away. As I write, panic continues to spread, families continue to scatter, seeking shelter in different, safer parts of the country — meeting with welcome in some neighborhoods and hostility in others. As I write, the government has declared Hezbollah’s military wing illegal. The armed resistance is now, for all intents and purposes, rogue. As I write, Israel has begun land incursions and heliborne insertions. And Hezbollah fights back.

As I write, we are entering a new era whose contours, even in the vaguest sense, elude us and yet seem so utterly familiar.

On Another Note

In view of the exceptionally hazardous state of the Middle East, I thought I would share two papers and a podcast that offer lucid contextual analysis of unfolding events.

This is not the first time I share a podcast featuring Aslı Ü. Bâli, the Howard M. Holtzmann Professor of Law at Yale Law School. In the realm of international law, hers is a razor-sharp mind and a very compelling voice. Recently, she was in conversation with Peter Beinart about the topic of the moment, America’s Threat to the World, on the Jewish Currents podcast, On the Nose.   

To further illuminate Bâli’s argument on the Trump administration’s doctrine, I am sharing the piece she coauthored with Aziz Rana for the Boston Review.

Finally, The New Left Review’s interview with historian Ervand Abrahamian is a studied dissection of the modern history of Iran and the Islamic Republic.

If you need access to the interview, please email me, and I will be happy to gift it to you.


Amal Ghandour’s biweekly column, “This Arab Life,” appears in The Markaz Review every other Friday, as well as in her Substack, and is syndicated in Arabic in Al Quds Al Arabi.

Opinions published in The Markaz Review reflect the perspective of their authors and do not necessarily represent TMR.

Amal Ghandour

Amal Ghandour ’s career spans more than three decades in the fields of research, communication, and community development. She is an author (About This Man Called Ali; This Arab Life, A Generation’s Journey Into Silence) and a blogger (This Arab Life on... Read more

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Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
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13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 2

31 OCTOBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 2
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For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Book Reviews

Zoulikha, Forgotten Freedom Fighter of the Algerian War

15 OCTOBER 2022 • By Fouad Mami
Zoulikha, Forgotten Freedom Fighter of the Algerian War
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Film

“The Translator” Brings the Syrian Dilemma to the Big Screen

7 FEBRUARY 2022 • By Jordan Elgrably
“The Translator” Brings the Syrian Dilemma to the Big Screen
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

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15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Art

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14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
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Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Book Reviews

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

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