Diba’s House
Weekly
Fiction
short story

Diba’s House

Ismail Al Rifai, Untitled, acrylic on canvas, 180×180×5cm, 2018 (courtesy of the artist @ismailalrifai).

26 SEPTEMBER 2025 • By Sara Masry

The 2025 Azhar Writing Prize second-place short story about innocence lost begins in a 1945 Arab-Jewish village. The daughters of Diba’s neighbor disappear, sparking gossip and speculation. As she and her family prepare to flee during the Nakbah, a jolt of recognition only strengthens her resolve to return to her home.

April 1945. Mount Carmel, Haifa

The late afternoon sun shone lazily through the wrought iron grill of her kitchen windows as Diba grabbed the handle of the rakweh filled with bubbling coffee from the stove. She walked back to the wooden table where Amal sat waiting with unmasked impatience. Diba poured the steaming liquid into the two pre-set porcelain cups slowly and deliberately, utterly at odds with her neighbor’s disposition.

“Tayeb?!” Amal demanded. “Got any theories?”

Diba clicked her tongue to signify that no, she didn’t. While many women of the village relished such gossip sessions, Diba was not one of them. She was a rare breed who — in practice and not only in words — ascribed to the saying Allahuma la shamata. Do not gloat at the misfortune of others. The phrase was religious in origin, though it was no claim to religiosity that made Diba loathe to gossip. Rather it was a combination of her staunch empathy and her inability to countenance frivolous chitchat. She would sooner be discussing the latest activities of the Arab Women’s Union, which had just established the first prenatal clinic in Jerusalem. Diba did sometimes encounter women in the village interested in such discussions; Amal was not one of them.

“Wafaa thinks they’ve found themselves a couple of boyfriends in another town. But how is their mother  allowing this? And their brother?! Only Allah knows.” Amal spat out the last few words as though pondering the deeds of a mass murderer.

The subjects of Amal’s ire were the daughters of their Jewish neighbors, the Sahalons. Their house was just down the hill, clearly visible from the vantage point of both Diba and Amal’s. Over the last few weeks, villagers had noticed prolonged overnight absences on the part of the two girls, Laila and Maryam. Given they were of marriageable age, this was unheard of in the village. Amal took a pronounced sip of coffee, raising her eyebrows in eager anticipation. But she would be disappointed.

“Why judge something we haven’t the least idea about?” Diba half-asked, half-stated, knowing that nothing would quell Amal’s voracious curiosity.

Diba liked the Sahalons. Not close friends, but courteous neighbors. She enjoyed the short exchanges she had with Tamar, the mother of Laila and Maryam, when they crossed paths. Tamar’s son, Sulaiman, would sometimes kindly offer to carry Diba’s overflowing basket of vegetables when he would spot her walking back from the souq. He was a handsome young man, and Diba pretended not to notice when her own daughters subtly jostled over who would receive the basket from him at the doorway. Diba was confident that her girls knew better than to ever act upon such infatuations. Although this new generation did seem far more audacious than Diba was ever taught, or indeed allowed to be. It frightened her. She was all aboard with AWU’s talk of equal rights and increasing women’s participation in the workforce. But could she ever countenance her own Basima, Feryal, and Fadia becoming the gossip of the town over afternoon coffee?

Yalla, read it ya hakima, tell me what’s in store for me.” Amal handed over her empty coffee cup for Diba to read her fortune, a ritual that had grown between them over the years of companionship by proximity. “Or better yet — have a look for those girls and their secrets!”


Ismail Al Rafai, acrylic on canvas, 180x180cm 2018
Ismail Al Rafai, Untitled, acrylic on canvas, 180x180cm, 2018 (courtesy @ismailalrifai).


March 1948.

The sound of gunshots was ceaseless. Diba couldn’t tell how close they were, only that they made her jump every single time.

YALLA ya banat!” Diba called out to Feryal and Fadia as she haphazardly placed a ladder under the traditional sidde storage space, climbing it swiftly to grab some ma’amoul. She had no idea how long this journey might take and didn’t want to be at the mercy of circumstance. She could hear her daughters panicking; wailing; screaming; as they gathered what they could. Diba on the other hand was mostly silent, eerily calm, moving in a dreamlike state.

“But what about Baba, aren’t we waiting for him?” Fadia sobbed as she appeared in the kitchen, arms overflowing with thobes and useless trinkets. Diba’s husband, Sameer, had left the previous evening to join the Palestinian volunteers fighting the Carmeli Brigade of the Haganah, who had just initiated a full-scale attack on their village. She had no word from him. No idea if he was still alive, let alone coming back. She promptly swallowed the lump in her throat that threatened to surface and destroy her entire world. 

Yalla,” Diba repeated quietly but firmly as a speeding vehicle ground to a halt outside. She picked up the overstuffed case, hoping she’d made the right choices for both herself and Sameer, refusing to consider the possibility she had packed for a dead man. Marwan, her daughter Basima’s fiancé, managed to procure a truck to take the family to the port to escape to Lebanon — just until safety was restored. The three women hurried outside, but as Diba turned back to lock the door, she spotted Tamar walking up the hill flanked by what appeared to be two militiawomen. The sight of the uniforms and rifles slung across their chests sent an ice-cold chill down Diba’s spine, freezing her to the spot. As they came closer, her breath caught, the wind knocked out of her.

The militiawomen were none other than Laila and Maryam. They stood right in front of her, their mother in between. Diba was unable to move, to utter a word. But she didn’t have to.

“Unfortunately all your little gossip wasn’t true,” Tamar spoke with a new hardness, “The girls were not ‘having fun at the expense of our family’s honor.’ They were learning how to fight, to honor us. To build our country.”

Diba couldn’t help but look directly at Laila and Maryam. She remembered them as little girls, racing each other up the hills. Helping during the olive harvest alongside Diba’s daughters. The youngest, Laila, met her eyes momentarily but immediately looked down. Maryam looked straight back at her, her eyes impenetrable.

Salam,” said Tamar before all three turned to walk back down the hill. Fighting back tears of rage and grief on fire, Diba locked the door with shaking hands and walked her family to the waiting truck.

Having stowed their belongings, Marwan beckoned the four women to get in the cargo bed. Diba glanced back at the house as her daughters climbed in. She turned to follow them and didn’t look back again. She didn’t need to. She knew they would be coming back.

 

“Diba’s House” is a fictionalized retelling of true events that occurred in Sara Masry’s ancestral village of Wadi Salib, which her great-grandmother, Diba, passed down through oral histories. 

Sara Masry

Sara Masry is a UK-based actor, writer, and filmmaker of Saudi, Palestinian, and Yemeni heritage. Her previous writing includes a socio-political blog documenting her travels and studies in Iran, and more recently poetry inspired by the struggle for Palestinian liberation. She is... Read more

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Saeed Taji Farouky: “Strange Cities Are Familiar”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Art

Fouad Agbaria: Featured Artist

15 MAY 2022 • By TMR
Fouad Agbaria: Featured Artist
Essays

We, Palestinian Israelis

15 MAY 2022 • By Jenine Abboushi
We, Palestinian Israelis
Interviews

Palestinian Rapper Tamer Nafar Goes the Distance: An Interview

15 MAY 2022 • By Sheren Falah Saab
Palestinian Rapper Tamer Nafar Goes the Distance: An Interview
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Book Reviews

Being There, Being Here: Palestinian Writings in the World

15 MAY 2022 • By Brett Kline
<em>Being There, Being Here: Palestinian Writings in the World</em>
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Columns

Ma’moul: Toward a Philosophy of Food

15 APRIL 2022 • By Fadi Kattan
Ma’moul: Toward a Philosophy of Food
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Film

“Breaking Bread, Building Bridges”: a Film Review

15 APRIL 2022 • By Mischa Geracoulis
“Breaking Bread, Building Bridges”: a Film Review
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
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Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Book Reviews

Poetry: Mohammed El-Kurd’s Rifqa Reviewed

15 OCTOBER 2021 • By India Hixon Radfar
Poetry: Mohammed El-Kurd’s <em>Rifqa</em> Reviewed
Columns

The Story of Jericho Sheikh Daoud and His Beloved Mansaf

15 OCTOBER 2021 • By Fadi Kattan
The Story of Jericho Sheikh Daoud and His Beloved Mansaf
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Interviews

Q & A with Nili Belkind on “Music in Conflict” in Palestine-Israel

27 JUNE 2021 • By Mark LeVine
Q & A with Nili Belkind on “Music in Conflict” in Palestine-Israel
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

Beautiful/Ugly: Against Aestheticizing Israel’s Separation Wall

14 MAY 2021 • By Malu Halasa
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba

2 MAY 2021 • By Eman Quotah
In Search of Knowledge, Mazid Travels to Baghdad, Jerusalem, Cairo, Granada and Córdoba
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
Book Reviews

Falastin, Sami Tamimi’s “Palestinian Modern”

15 OCTOBER 2020 • By N.A. Mansour
Falastin, Sami Tamimi’s “Palestinian Modern”
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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