Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
1 NOVEMBER 2021 • By Jordan Elgrably
Photo from Mizrahim, les oubliés de la Terre Promise/The Forgotten Ones, France/Israel, 2021, 133 minutes. Directed by Michale Boganim.

 

TMR reviews a film on discrimination in Israel and the original Jews of the Middle East and North Africa. The Forgotten Ones screened in October’s annual CINEMED festival in Montpellier and screens in the DOC NYC Fest on 11/09 (press screening), 11/14 and 11/15. More info.

Jordan Elgrably

 

You would think, logically, that people who have endured racial bias, xenophobia and persecution would be less likely to themselves become racists, just as you might expect that adults who were abused as children would not become abusers. But alas, logic plays a debatable role in the discussion of both racism and child abuse.

It has been estimated that 30% to 40% of people who are abused as children go on to become abusers themselves. And according to a study by the UK’s Office of National Statistics, up to 51% of adults who were abused as children experience or perpetrate abuse later in life.

While I’ve found no studies that reflect the percentage of racist behavior by those who have experienced racial bias themselves, it is clear that being the victims of racism has far more profound effects on a group of people than many of us perhaps realize. For instance, an Emory School of Medicine study found that brain scans of Black women who experience racism show trauma-like effects, putting them at higher risk for future health problems.

Recently, Israeli-French filmmaker Michale Boganim asked herself whether the historic Ashkenazi Jewish discrimination in Israel against Jews from Arab/Muslim lands continued to plague the country. But when Israelis assured Boganim that anti-Mizrahi bias was a thing of the past, she decided to go explore the truth for herself. The result is her third feature-length film, Les Mizrahim, les oubliés de la Terre Promise, or in English, The Forgotten Ones.

Her original inspiration for asking this uncomfortable question—after all, you would expect that the very people who suffered the Holocaust would be the last people on earth to evince racist behavior—was her father, Charlie Boganim, a Moroccan-born Jew who went to Israel in the 1950s as a youth with his family, and who later became one of the leaders of the Black Panthers of Israel, a left-wing group of Jews from Arab countries including Yemen, Iraq, Morocco, Algeria and Syria, among others.

As Boganim tells it, “My father…was shocked by the difference in treatment reserved for them. He arrived with the hope that ‘all Jews would be brothers in the Promised Land.’ The racial issue and the geographical discrimination affected him a lot after his arrival. But he reacted to it and refused to be sent to one of the border towns.”

Michale Boganim studied philosophy at the Hebrew University of Jerusalem and later political science and anthropology at the Sorbonne. She is a graduate of the National Film School in London. Her first feature-length film Odessa Odessa (2005) screened at Sundance and more than 50 festivals around the world. Her first fiction feature was Land of Oblivion (La terre outragée), which premiered at the Venice Film Festival in 2011 and also screened at the Toronto Film Festival and over 50 international festivals to critical acclaim. The film stars Olga Kurylenko and emphasizes the long-term psychological effects of Chernobyl on its citizens, shot partly in actual locations around Chernobyl.

Charlie Boganim would eventually weary of the fight against indecent treatment and emigrate to France with his family in 1984.

Born in Haifa, Michale Boganim spent the early years of her childhood in Israel. She heard stories from her father about being shunned by the European Jews who had arrived in the country before him and held the reigns of power. In the film there are many personal testimonies that lay bare the truth of discrimination. We learn, for instance, that the father of poet Haviva Pedaya struggled for years to get work, until after the June 1967, Six Day War, when he suddenly found himself in demand as an Arabic translator.

Michale Boganim went on the road with her camera crew and interviewed three generations of Mizrahi or Arab Jews in a number of locations across Israel, particularly dusty development towns in the Negev including Yeruham, Dimona and Beersheva. She also captured interviews with the great Erez Biton, the blind Algerian-born poet of the Black Panthers generation; founding Israel Black Panthers member and leader Reuven Abergel; and Neta Elkayam, a talented Israeli vocalist who grew up surrounded by Hebrew and Arabic, but sings primarily in the latter, paying homage to her family’s long history in Morocco.

The filmmaker also interviews many everyday people, including a Moroccan Israeli who uprooted himself and returned to Morocco as an adult, where he proclaims his happiness to be living in his country of origin.

The first generation of Jews arriving from Arab lands experienced perhaps the most discriminatory treatment by Zionist authorities. Resettled with their families in poor border towns facing Israel’s Palestinian, Jordanian, Syrian and Egyptian enemies, the men were used as cheap, disposable labor, and shockingly, some women had their babies snatched from them by authorities. Boganim interviews a number of Jewish wives from Yemen and other Muslim-dominant countries whose babies were mysteriously disappeared by hospital officials, most never to be found again—a conspiracy in which poor immigrants were told their newborns and infants had died suddenly while in the hospital’s care, and quickly buried, but were given to adoption agencies specializing in barren Ashkenazi Israeli families. Known as the Yemenite Children Affair, “According to low estimates, one in eight children of Yemenite families disappeared. Hundreds of documented statements made over the years by the parents of these infants allege that their children were removed from them. There have been allegations that no death certificates were issued, and that parents did not receive any information from Israeli and Jewish organizations as to what had happened to their infants.”

It was the second generation of Arab Jews who began to organize and protest against the universal discrimination they experienced at the hands of Israel’s ruling elite. Modeling themselves on the American Black Panthers, the Mizrahi social justice movement had its heyday in the ‘70s, with a few of Israel’s Black Panthers going into politics — Charlie Biton, for instance, served in the Knesset representing Hadash and the Black Panthers from 1977 to 1992. The Black Panther party merged into Hadash, and today progressives are organized under the Mizrahi Democratic Rainbow Coalition. One of its founding members, Moroccan Israeli poet, academic and documentarian Sami Shalom Chetrit, filmed the Black Panthers (in Israel) Speak, which came out in 2003.

Photo taken from The Forgotten Ones in the development town of Yeruham.

Ashkenazi prejudice against Sephardic or “oriental” Jews resulted largely from the former’s uninformed views about the lives and communities of Jews from more than a dozen Arab countries, as well as their counterparts in Iran and Turkey. European Jews harbored an irrational prejudice against Arabs and thus considered Arabic- and Persian-speaking Jews to have arrived from hostile backwaters, viewing them as natives of enemy cultures — itself a preposterous notion, for there are no enemy cultures, no “us and them,” only strangers who have yet to meet and break bread. The fact that Jews from Muslim lands shared the same religious tradition was perhaps the only saving grace for the first generation brought to Israel by Zionist authorities, notwithstanding the fact that most Ashkenazim remained secular during Israel’s early years.

Today, many Sephardic or Arab Jews outside Israel are in solidarity with the American Ashkenazi and Israeli communities, which remain adamantly positioned against Palestinians and other Arabs, despite Israel’s peace treaties with Egypt, Jordan and more recently Morocco and a few Gulf countries. There is still some discomfort around use of the descriptive “Arab Jew,” and it remains less problematic to call oneself Sephardic, because it’s not a loaded term — the Spanish Expulsion happened a long time ago, and memory being what it is, Jews moved on, and kept that moniker without being troubled by it. Mizrahi or eastern/oriental came along much later, in the 20th century, in Israel, but otherwise, Jews from Iraq, Morocco, Yemen and other Muslim countries identify as Moroccan, Yemenite or Iraqi (as this video interview reveals). Most Arab Jews left their country very reluctantly, not knowing what awaited them in Israel—rather than the Promised Land and houses by the sea, what they got was dusty transit camps or cold barracks on the border or in the desert.

While Michale Boganim was discouraged from exploring contemporary Israeli bigotry against Arab Jews like her father Charlie, what she found in The Forgotten Ones is that discrimination in employment, education and even in the Israeli military continues to be a reality.

 

Jordan Elgrably

Jordan Elgrably is an American, French, and Moroccan writer and translator. His stories and creative nonfiction have appeared in many anthologies and reviews, including Apulée, Salmagundi, and the Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and... Read more

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U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Columns

LA Sketches: Sneakers and the Man From Taroudant

15 FEBRUARY 2022 • By TMR
LA Sketches: Sneakers and the Man From Taroudant
Latest Reviews

L.A. Story: Poems from Laila Halaby

15 FEBRUARY 2022 • By Laila Halaby
L.A. Story: Poems from Laila Halaby
Essays

“Where Are You From?” Identity and the Spirit of Ethno-Futurism

15 FEBRUARY 2022 • By Bavand Karim
“Where Are You From?” Identity and the Spirit of Ethno-Futurism
Book Reviews

Arabic and Latin, Cosmopolitan Languages of the Premodern Mediterranean and its Hinterlands

24 JANUARY 2022 • By Justin Stearns
Arabic and Latin, Cosmopolitan Languages of the Premodern Mediterranean and its Hinterlands
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Opinion

Surviving the Rittenhouse Verdict

22 NOVEMBER 2021 • By C. Michael Johnson
Surviving the Rittenhouse Verdict
Essays

A Street in Marrakesh Revisited

8 NOVEMBER 2021 • By Deborah Kapchan
A Street in Marrakesh Revisited
Book Reviews

The Ignominy of Guantánamo: a History of Torture

8 NOVEMBER 2021 • By Marian Janssen
The Ignominy of Guantánamo: a History of Torture
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Art

Guantánamo—The World’s Most Infamous Prison

15 OCTOBER 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)

15 SEPTEMBER 2021 • By Brahim El Guabli
My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)
Fiction

“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”

15 SEPTEMBER 2021 • By Karima Ahdad
“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Migration and Mentorship: the Case of Abdelaziz Mouride

15 AUGUST 2021 • By Aomar Boum
Migration and Mentorship: the Case of Abdelaziz Mouride
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Beginnings, the Life & Times of “Slim” aka Menouar Merabtene

15 AUGUST 2021 • By Menouar Merabtene
Beginnings, the Life & Times of “Slim” aka Menouar Merabtene
Essays

Obdurate Moroccan Memories: Abdelkrim’s Afterlife in a Graphic Novel

15 AUGUST 2021 • By Brahim El Guabli
Obdurate Moroccan Memories: Abdelkrim’s Afterlife in a Graphic Novel
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

“Hot Maroc” Satirizes Marrakesh, Moroccan Society

11 JULY 2021 • By El Habib Louai
“Hot Maroc” Satirizes Marrakesh, Moroccan Society
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Weekly

Spare Me the Empathy Tantrum: Rafia Zakaria’s “Against White Feminism”

6 JUNE 2021 • By Myriam Gurba
Spare Me the Empathy Tantrum: Rafia Zakaria’s “Against White Feminism”
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Essays

The Wall We Can’t Tell You About

14 MAY 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Weekly

Hassan Hajjaj Rocks NYC with “My Rock Stars” and “Vogue: the Arab Issue”

9 MAY 2021 • By Melissa Chemam
Book Reviews

Three North African Novels Dance Between Colonial & Postcolonial Worlds

25 APRIL 2021 • By Rana Asfour
Three North African Novels Dance Between Colonial & Postcolonial Worlds
Book Reviews

Being Jewish and Muslim Together: Remembering Our Legacy

28 MARCH 2021 • By Joyce Zonana
Being Jewish and Muslim Together: Remembering Our Legacy
Columns

In Yemen, Women are the Heroes

7 MARCH 2021 • By Farah Abdessamad
In Yemen, Women are the Heroes
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
Film

Threading the Needle: Najwa Najjar’s “Between Heaven and Earth”

14 DECEMBER 2020 • By Ammiel Alcalay
Threading the Needle: Najwa Najjar’s “Between Heaven and Earth”
Weekly

The Unbearable Affront of Colorism

30 NOVEMBER 2020 • By Banah Al Ghadbanah
The Unbearable Affront of Colorism
Book Reviews

Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?

15 NOVEMBER 2020 • By Rebecca Allamey
Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?
TMR 3 • Racism & Identity

Isabel Wilkerson on Race and Caste in the 21st Century

15 NOVEMBER 2020 • By Monique El-Faizy
Isabel Wilkerson on Race and Caste in the 21st Century
TMR 3 • Racism & Identity

Is White Feminism the De Facto Weapon of White Supremacy?

15 NOVEMBER 2020 • By TMR
World Picks

Bab L’Bluz Fuses Gnawa, Blues & Rock

22 SEPTEMBER 2020 • By TMR
Bab L’Bluz Fuses Gnawa, Blues & Rock

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