Why “Burn It all Down”?

Liên Trương, "According to the Specter of Blood and Water," in the exhibition "From the Earth Rise Radiant Beings," 2021 (courtesy Van Every|Smith Galleries).

3 MARCH 2024 • By Lina Mounzer
“Everything is garbage,” he’d written back, “the fucking horrors of Palestine are underlying everything. It’s undeserved to want to feel any goodness or pleasure. That last massacre is a nightmare. Why should any of us be doing anything other than burning the whole world down.”

 

Lina Mounzer

 

“No man is an island,” famously wrote the English poet John Donne in 1623. We tend to remember that first line, as well the last (“…send not to know/For whom the bell tolls/It tolls for thee”) made famous by the Hemingway novel, For Whom the Bell Tolls. Reading these lines divorced of their essence, however, it’s easy to forget the main thrust of the poem, which is neither about the need for cooperation, as the first line is often used to remind, or about mortality, as is the last. Rather the crux is at the beginning of the final stanza, with the declaration that: “Any man’s death diminishes me/Because I am involved in mankind.”

Nothing in my own lifetime has made this fact of our collective diminishment in the face of mass death clearer than the Israeli genocide on Gaza. Of course, the lesson about this for previous generations is contained in another of these “crime of all crimes,” committed on a population forcibly incarcerated and then systematically exterminated through outright murder and slow starvation. In The Truce, Primo Levi’s memoir about the aftermath of surviving the German concentration camps, the Italian chemist turned writer describes the shame “that the just man experiences at another man’s crime; the feeling of guilt that such a crime should exist, that it should have been introduced irrevocably into the world of things that exist.”

I’ve been thinking a lot about Levi and his books since October 7. He’s always been one of my favorite writers, but his words — and entire way of conceiving the world — seem more searing and prescient than ever. As he documents the crimes of the Germans and their reverberations on the people they targeted, he maintains an insistence on an interconnected continuum of humanity, not as a banal exhortation to do good (“we are all one”) but as a simple fact, a way of reckoning with the wide-ranging horrors of the Holocaust. This is as true of abjection as it is of love. “Part of our existence,” he writes, “lies in the feelings of those near to us.”

The world we live in now, interconnected through social media, instant messaging, livestreaming, through the open channels, audio and video, into the lives and feelings of so many others across the world has only served to expand that category of people, of those we deem “near to us.”


Al-Thakla—Arabic as the Original Mourner by Abdelrahman ElGendy


Yesterday morning, I woke up to a text from my friend Omar, who is away from Lebanon for a semester, giving a workshop at a university on the West Coast of the US. I’d been checking in to see how he was and to ask how a recent event had gone.

“Everything is garbage,” he’d written back, “the fucking horrors of Palestine are underlying everything. It’s undeserved to want to feel any goodness or pleasure. That last massacre is a nightmare. Why should any of us be doing anything other than burning the whole world down.”

When the editorial team came up with the theme for this issue of TMR, we were still only maybe a month and a half into the genocide on Gaza. We were having one of our meetings on Zoom, and had reached the by-then regular part of the meeting where we shared our outrage and horror at what we were witnessing, day in, day out, during this first-ever livestreamed genocide. We talked about what we were reading on social media, what our friends were expressing, what we ourselves were feeling. Overwhelmingly, week after week it was: nothing will ever be the same. There is no coming back from this. We are all irrevocably changed. It is an entire system that’s rotten, an entire order of the world. The disgust, the collective shame we — the team, our friends, our acquaintances, strangers on social media — all felt was so profound, so combustive, it amounted to a rejection of the entire world, the one where “such a crime should exist.” The only thing to do is to burn it all down.


The Time of Monsters by Layla AlAmmar


Again and again and again and again, I’ve seen this sentiment repeated. Burn it the fuck down. Burn it down: this system where the most respected news organizations run pieces of manufactured propaganda that would make Leni Riefenstahl cringe, where blatant, unsubstantiated lies are acted upon immediately by the world’s highest authorities, where the governments sending the bombs try to garner goodwill by airdropping some crumbs to a starved population, where people march in their tens of thousands across the planet every week and still cannot budge government policy in so-called democracies, where language is twisted so thoroughly that all meaning is throttled and choked out of it. Burn all of it down.

 

US Airman Aaron Bushnell, and on the day of his self-immolation in front of the Isareli Embassy in Washington, DC.
US Airman Aaron Bushnell, and on the day of his self-immolation in front of the Isareli Embassy in Washington, DC.

 

And then, on February 25, 2024, one man seemed moved to do exactly that. Aaron Bushnell, 25, an active-duty service member of the USAF stood outside the Israeli embassy in Washington DC, and, after declaring that he would no longer be complicit in genocide, poured some kind of accelerant over his head and body and set himself on fire. Until his last breath, he screamed: Free Palestine! Free Palestine! Free Palestine! Unlike the previous person who self-immolated for the same reason late last year in Atlanta, Georgia, Bushnell’s act couldn’t be covered up by the powers that be. He livestreamed the whole thing.


“The Map of a Genocide Victim”—fiction from Faris Lounis


And because they couldn’t suppress news of it, the guardians of the system worked to discredit him. Of course they did: despite its visceral effect, self-immolation is fundamentally a symbolic act. An individual act meant to affirm our interconnectedness. An act of self-sacrifice meant, through its spectacular violence, to literally embody both personal outrage over oppression and to force the oppressor to look. Look, it says, it screams: This is the extent of your depravity. Upon my body I inscribe the measure of your own violence. And it is an individual act meant to rouse collective action. We all watched how Mohammad Bouazizi’s self-immolation turned into a spark that lit the Arab world on fire. Bouazizi was a man who turned himself into a metaphor; by transcending the bounds of self in that way, he became a regionwide revolution.


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The media can shout themselves hoarse about Aaron Bushnell’s poor mental health and how it drove him to the despair of self-immolation. It does not change the fact that the act itself, undertaken for an explicit cause, is so clear and clarifying in its symbolism that a person’s individual mental state upon the commission of the act is a moot point. It certainly takes a kind of “madness” to embrace one extreme of the nature of our humanity, that of our interconnectedness. But I would argue that it is also a kind of madness to embrace the other extreme, that of hyper-individuality: To refuse to see how we are all part of a continuum and to openly express disdain for those who do. The problem is that we live in a world, in a system, that has entirely normalized and indeed encouraged one extreme and pathologized, even criminalized, the other. Burn it. The fuck. Down.


Do or Despair: Political Action in My Great Arab Melancholy Katie Logan


Genocide is a collective horror, an abjection of all humanity. Levi calls it an offense of “incurable nature… that spreads like contagion. It is foolish,” he tells us, “to think that human justice can eradicate it.” What counts for justice anyway in the face of such atrocity? It is a loss of collective heritage and individual people, each a universe unto themselves. The entire fabric of a place eradicated. What justice might bring it all back? Nothing will bring Reem back to her grandfather; nothing will re-knit Sidra’s little limbs back together; nothing will resurrect Refaat to his classroom; nothing will reconstitute a man flattened into viscera, the lurid red of blood and guts smeared against the yellow-orange of fat; nothing cleanses the flour from the blood of those who were murdered for it, and who died hungry besides.

We know all this, which is why so many of us appeal to “history.” The current time scale contains so much grief, so much unfathomable loss, that the only way we can conceive of it is by thinking of it as past, as lesson.

One day, we vow, the world will look back and know what it has done. With these words we try to evoke a future where the immediacy of the horror has been diminished. One where even the mourners themselves are all dead and gone, but where they have perhaps, by their collective grief, earned a better world for their descendants.


Genocide: “That bell can’t be unrung. That thought can’t be unthunk.” Amal Ghandour


And yet the mere existence of this genocide on the heels of last century’s most famous Holocaust shows us that even time cannot mete out this blandly equalizing consolation if we don’t learn the correct lessons from history.

Levi, in fact, warned us. “If understanding is impossible,” he wrote, “knowing is imperative, because what happened could happen again. Conscience can be seduced and obscured again — even our consciences.” By “our,” here, I presume he meant the Jewish people, or in any case, the “just” who feel “shame… at another man’s crime.”

Many like to point out the irony that the descendants of those who experienced the Holocaust are now enacting another one, on another people. As if that were an explanation somehow. But that is again the wrong lesson from history, insisting on our division into separate categories, so that the Holocaust becomes singular, incomparable, something only ever possible as an atrocity perpetrated by the Germans against the Jews and nothing else. Thus, Israel can only be conceived of as the “happy ending” to the Holocaust and the Palestinians as inconvenient obstacles to that happy ending. As a result, ordinary people accept it as obscene that comparisons should even be made between the Holocaust and any other genocide, but especially this one, ongoing since 1948, which casts the Israelis forcibly in the role of the Nazis.

But Levi again provides a different possibility of how to look, for in his chemist’s reliance on reasonable, rather than sentimental, exegesis, he is more concerned with universal root causes. For him, the hate that spurs such evil is “a poison fruit sprung from the deadly trunk of Fascism.” And even though it is beyond understanding, “we can and must understand from where it springs, and we must be on our guard.”

His formula is in fact simple. “In every part of the world,” he warns, “wherever you begin by denying the fundamental liberties of mankind, and equality among people, you move toward the concentration camp system, and it is a road on which it is difficult to halt.”

Thus, Zionism and its fascist supremacy is the culprit, a fascist supremacy that in fact predates the Holocaust. Thus, the original Nakba has led to this second Nakba, has rooted itself in the sadistically complicated apartheid system of the West Bank, and has corrupted Israeli society to such an extent that some of its people block aid to a starving population and the rest of them simply cannot comprehend the reactions of disgust at their army’s depraved TikToks or the existence of their gleeful snuff channels.

Which recalls Levi’s most important reminder: “We must remember,” he tells us, “that these faithful followers [of Fascism], among them the diligent executors of inhuman orders, were not born torturers, were not (with a few exceptions) monsters: they were ordinary men. Monsters exist, but they are too few in number to be truly dangerous. More dangerous are the common men, the functionaries ready to believe and to act without asking questions.”

Again, an insistence on a continuum of humanity, not a division into fundamental monsters and forever victims, and a reminder that supremacist ideology is the root of the “crime of crimes,” which is no less than seeking to deny to others the life and dignity we seek for ourselves.


The Story of the Keffiyeh by Rajrupa Das


As such, I’m proud to present this issue of TMR on behalf of our whole team, in which various writers grapple with the systems so many of us are seeking to burn down today, and in so doing, insist, like Levi, on a continuum of humanity. What they have collectively produced here is an outraged cry against what is happening, but also an affirmation of our shared commitment to one another through the mere expression of that collective outrage. No: No justice is possible in this or any lifetime. No: No writing, no art, no language, no witness is consolation for any of the dead or the unlanguagable loss.

The fight ahead for a better world is still long, probably interminable and many, many more will die in pursuit of it. We don’t have a system that respects life, nor is it a system that can be, at once and instantly, all burned down to ash, much as we would like it to be. All we have is what Palestine, more than any other cause in our lifetimes, has given us: our shared rejection of this system, our growing ability to name its ills. And, a gradual embrace of the fundamental truth that so many writers have tried to remind us of: that we all depend on one another, that we are all diminished by a people’s destruction or oppression, no matter where it occurs. To embrace that isn’t justice, but it is a kind of dignity on behalf of life itself.

 

* See “UNRWA loses funding after charges that some employees took part in Hamas attack,” NPR, Jan. 29, 2024.

Lina Mounzer

Lina Mounzer is a Lebanese writer and translator. She has been a contributor to many prominent publications including the Paris Review, Freeman’s, Washington Post, and The Baffler, as well as in the anthologies Tales of Two Planets (Penguin 2020), and Best American Essays 2022 (Harper Collins 2022). She is Senior Editor... Read more

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The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood

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