The Western Way of Genocide

Nawaf Almulla, Bahraini cartoonist, Instagram: nawaftoon (courtesy Art of Occupied Palestine).

14 FEBRUARY 2025 • By Chris Hedges
The genocide in Gaza portends the emergence of a dystopian world where the industrialized violence of the Global North is used to sustain its hoarding of diminishing resources and wealth.

 

Chris Hedges

 

Gaza is a wasteland of 50 million tons of rubble and debris. Rats and dogs scavenge amid the ruins and fetid pools of raw sewage. The putrid stench and contamination of decaying corpses rises from beneath the mountains of shattered concrete. There is no clean water. Little food. A severe shortage of medical services and hardly any habitable shelters. Palestinians risk death from unexploded ordnance, left behind after over 15 months of air strikes, artillery barrages, missile strikes and blasts from tank shells, and a variety of toxic substances, including pools of raw sewage and asbestos.

Hepatitis A, caused by drinking contaminated water, is rampant, as are respiratory ailments, scabies, malnutrition, starvation and the widespread nausea and vomiting caused by eating rancid food. The vulnerable, including infants and the elderly, along with the sick, face a death sentence. Some 1.9 million people have been displaced, amounting to 90 percent of the population. They live in makeshift tents, encamped amid slabs of concrete or the open air. Many have been forced to move over a dozen times. Nine in 10 homes have been destroyed or damaged. Apartment blocks, schools, hospitals, bakeries, mosques, universities — Israel blew up Israa University in Gaza City in a controlled demolition — cemeteries, shops and offices have been obliterated. The unemployment rate is 80 percent and the gross domestic product has been reduced by almost 85 percent, according to an October 2024 report issued by the International Labor Organization.

Israel’s banning of the United Nations Relief and Works Agency for Palestine Refugees in the Near East — which estimates that clearing Gaza of the rubble left behind will take 15 years — ensures that Palestinians in Gaza will never have access to basic humanitarian supplies, adequate food and services.

The United Nations Development Programme estimates that it will cost between $40 billion and $50 billion to rebuild Gaza and will take, if the funds are made available, until 2040. It would be the largest post-war reconstruction effort since the end of World War Two.

Israel, supplied with billions of dollars of weapons from the U.S. Germany, Italy and the U.K., created this hell. It intends to maintain it. Gaza is to remain under siege. After an initial burst of aid deliveries at the start of the ceasefire, Israel has once again severely cut back the trucked-in assistance. Gaza’s infrastructure will not be restored. Its basic services, including water treatment plants, electricity and sewer lines, will not be repaired. Its destroyed roads, bridges and farms will not be rebuilt. Desperate Palestinians will be forced to choose between living like cave dwellers, camped out amid jagged chunks of concrete, dying from disease, famine, bombs and bullets, or permanent exile. These are the only options Israel offers.

Israel is convinced, probably correctly, that eventually life in the coastal strip will become so onerous and difficult, especially as Israel finds excuses to violate the ceasefire and resume armed assaults on the Palestinian population, a mass exodus will be inevitable. It has refused, even with the ceasefire in place, to permit foreign press into Gaza, a ban designed to blunt coverage of the horrendous suffering and death.

Donald Trump, in a meeting at the White House with Israeli Prime Minister Benjamin Netanyahu, made it clear Gaza will not be rebuilt, at least not for the Palestinians. He made it clear Gaza was meant from the start of the genocide to be bombed into rubble, meant to be made uninhabitable and meant to be depopulated of the Palestinians. The problem, for Trump and Netanyahu, is not the Israeli occupiers but the occupied. And once the Palestinians are gone, once they are forced into Jordan or Egypt or some other country, once the “problem” is solved Trump, who described Gaza as a “phenomenal location” on the sea with its “best weather” will become, in their eyes, a seaside resort for wealthy tourists, a playground for those whose nations orchestrated the mass slaughter.


Stage Two of Israel’s genocide and the expansion of “Greater Israel” — which includes the seizing of more Syrian territory in the Golan Heights (as well as calls for expansion to Damascus), southern Lebanon, Gaza and the occupied West Bank — is being cemented into place. Israeli organizations, including the far right Nachala organization, have held conferences to prepare for Jewish colonization of Gaza once Palestinians are ethnically-cleansed. Jewish-only colonies existed in Gaza for 38 years until they were dismantled in 2005.

Washington and its allies in Europe do nothing to halt the live-streamed mass slaughter. They will do nothing to halt the wasting away of Palestinians in Gaza from hunger and disease and their eventual depopulation. They are partners in this genocide. They will remain partners until the genocide reaches its grim conclusion.

But the genocide in Gaza is only the start. The world is breaking down under the onslaught of the climate crisis, which is triggering mass migrations, failed states and catastrophic wildfires, hurricanes, storms, flooding and droughts. As global stability unravels, the terrifying machine of industrial violence, which is decimating the Palestinians, will become ubiquitous. These assaults will be committed, as they are in Gaza, in the name of progress, Western civilization and our supposed “virtues” to crush the aspirations of those, mostly poor people of color, who have been dehumanized and dismissed as human animals.

Israel’s annihilation of Gaza marks the death of a global order guided by internationally agreed upon laws and rules, one often violated by the U.S. in its imperial wars in Vietnam, Iraq and Afghanistan, but one that was at least acknowledged as a utopian vision. The U.S. and its Western allies not only supply the weaponry to sustain the genocide, but obstruct the demand by most nations for an adherence to humanitarian law.

The message this sends is clear: You, and the rules that you thought might protect you, do not matter. We have everything. If you try and take it away from us we will kill you.

The militarized drones, helicopter gunships, walls and barriers, checkpoints, coils of concertina wire, watch towers, detention centers, deportations, brutality and torture, denial of entry visas, apartheid existence that comes with being undocumented, loss of individual rights and electronic surveillance are as familiar to the desperate migrants along the Mexican border or attempting to enter Europe as they are to the Palestinians.

Israel, which as Ronen Bergman notes in “Rise and Kill First” has “assassinated more people than any other country in the Western world,” uses the Nazi Holocaust to sanctify its hereditary victimhood and justify its settler-colonial state, apartheid, campaigns of mass murder and Zionist version of Lebensraum.

Primo Levi, who survived Auschwitz, saw the Shoah, for this reason, as “an inexhaustible source of evil” which “is perpetrated as hatred in the survivors, and springs up in a thousand ways, against the very will of all, as a thirst for revenge, as moral breakdown, as negation, as weariness, as resignation.”

Genocide and mass extermination are not the exclusive domain of fascist Germany. Adolf Hitler, as Aimé Césaire writes in “Discourse on Colonialism”, appeared exceptionally cruel only because he presided over “the humiliation of the white man.” But the Nazis, he writes, had simply applied “colonialist procedures which until then had been reserved exclusively for the Arabs of Algeria, the coolies of India, and the blacks of Africa.”

The German slaughter of the Herero and Namaqua (1904-1908), the Armenian genocide of 1915, the Bengal famine of 1943 — then British Prime Minister Winston Churchill airily dismissed the deaths of three million Hindus in the famine by calling them “a beastly people with a beastly religion” — along with the dropping of nuclear bombs on the civilian targets of Hiroshima and Nagasaki, illustrate something fundamental about “western civilization.” As Hannah Arendt understood, antisemitism alone did not lead to the Shoah. It needed the innate genocidal potential of the modern bureaucratic state.

“In America,” the poet Langston Hughes said, “Negros do not have to be told what fascism is in action. We know. Its theories of Nordic supremacy and economic suppression have long been realities to us.”

We dominate the globe not because of our superior virtues, but because we are the most efficient killers on the planet. The millions of victims of racist imperial projects in countries such as Mexico, China, India, the CongoKenya and Vietnam are deaf to the fatuous claims by Jews that their victimhood is unique. So are Black, Brown and Native Americans. They also suffered holocausts, but these holocausts remain minimised or unacknowledged by their western perpetrators.

“These events which took place in living memory undermined the basic assumption of both religious traditions and the secular Enlightenment: that human beings have a fundamentally ‘moral’ nature,” Pankaj Mishra writes in his book “The World After Gaza.” “The corrosive suspicion that they don’t is now widespread. Many more people have closely witnessed death and mutilation, under regimes of callousness, timidity and censorship; they recognise with a shock that everything is possible, remembering past atrocities is no guarantee against repeating them in the present, and the foundations of international law and morality are not secure at all.”

Mass slaughter is as integral to western imperialism as the Shoah. They are fed by the same disease of white supremacy and the conviction that a better world is built upon the subjugation and eradication of the “lower” races.

Israel embodies the ethnonationalist state the far-right in the U.S. and Europe dreams of creating for themselves, one that rejects political and cultural pluralism, as well as legal, diplomatic and ethical norms. Israel is admired by these proto-fascists, including Christian nationalists, because it has turned its back on humanitarian law to use indiscriminate lethal force to “cleanse” its society of those condemned as human contaminants.

Israel and its western allies, James Baldwin saw, is headed towards the “terrible probability” that the dominant nations “struggling to hold on to what they have stolen from their captives, and unable to look into their mirror, will precipitate a chaos throughout the world which, if it does not bring life on this planet to an end, will bring about a racial war such as the world has never seen.”

What is lacking is not knowledge — our perfidy and Israel’s is part of the historical record — but the courage to name our darkness and repent. This willful blindness and historical amnesia, this refusal to be accountable to the rule of law, this belief that we have a right to use industrial violence to exert our will marks the start, not the end, of campaigns of mass slaughter by the Global North against the world’s growing legions of the poor and the vulnerable.

 

Chris Hedges

Chris Hedges Chris Hedges is a Pulitzer Prize–winning author and journalist who was a foreign correspondent for fifteen years for The New York Times. Visit The Chris Hedges Report Podcast.

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Editorial

Why FRIENDSHIP?

3 OCTOBER 2025 • By Rana Asfour
Why <em>FRIENDSHIP</em>?
Advice

“Why Bother?” Dear Souseh, Existential Advice for Third World Problems

25 JULY 2025 • By Souseh
“Why Bother?” Dear Souseh, Existential Advice for Third World Problems
Essays

When the Wound Sings: Israelis Quote Poet Yahia Lababidi

18 JULY 2025 • By Yahia Lababidi
When the Wound Sings: Israelis Quote Poet Yahia Lababidi
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Essays

Syrian Asylees in the US Risk Everything Going Home

4 JULY 2025 • By Rana Alsoufi
Syrian Asylees in the US Risk Everything Going Home
Book Reviews

Memoricide Voided by Four Palestinian Women Diarists

4 JULY 2025 • By Francesca Vawdrey
Memoricide Voided by Four Palestinian Women Diarists
Essays

Doaa: From a Dreamworld to the Ashes of Displacement

30 MAY 2025 • By Taqwa Ahmed Al-Wawi
Doaa: From a Dreamworld to the Ashes of Displacement
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Art

On Forgiveness and Path—an Exhibition in Damascus

18 APRIL 2025 • By Robert Bociaga
On Forgiveness and <em>Path</em>—an Exhibition in Damascus
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Book Reviews

Resistance and Revolution: on Ghassan Kanafani

14 MARCH 2025 • By Farah-Silvana Kanaan
Resistance and Revolution: on Ghassan Kanafani
Book Reviews

Being Jewish After the Destruction of Gaza—a Review

28 FEBRUARY 2025 • By David N. Myers
<em>Being Jewish After the Destruction of Gaza</em>—a Review
Opinion

The Western Way of Genocide

14 FEBRUARY 2025 • By Chris Hedges
The Western Way of Genocide
Essays

The Closed Door—Return to Syria

7 FEBRUARY 2025 • By Odai Al Zoubi, Rana Asfour
The Closed Door—Return to Syria
Essays

Chronicles of a Boy Manqué

7 FEBRUARY 2025 • By Rana Haddad
Chronicles of a Boy Manqué
Book Reviews

Yassini Girls—a Powerful Yet Flawed Account of Historical Trauma

31 JANUARY 2025 • By Natasha Tynes
<em>Yassini Girls</em>—a Powerful Yet Flawed Account of Historical Trauma
Essays

Three Nights in Free Syria

24 JANUARY 2025 • By Yasmin Fedda, Daniel Gorman
Three Nights in Free Syria
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
Art

Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek

22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Essays

Liberation Cosplay: on the Day of the Imprisoned Writer

15 NOVEMBER 2024 • By Abdelrahman ElGendy
Liberation Cosplay: on the Day of the Imprisoned Writer
Essays

Palestine, the Land of Grapes and Wine

11 OCTOBER 2024 • By Fadi Kattan, Anna Patrowicz
Palestine, the Land of Grapes and Wine
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Featured article

Censorship and Cancellation Fail to Camouflage the Ugly Truth

4 OCTOBER 2024 • By Jordan Elgrably
Censorship and Cancellation Fail to Camouflage the Ugly Truth
Essays

The Spark of Your Story, Ode to Aaron Bushnell

4 OCTOBER 2024 • By Samina Najmi
The Spark of Your Story, Ode to Aaron Bushnell
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Poetry

Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib

4 OCTOBER 2024 • By Nasser Rabah, Amanee Izhaq, Mai Al-Nakib, Wiam El-Tamami
Poems by Nasser Rabah, Amanee Izhaq and Mai Al-Nakib
Book Reviews

Ordinary People, Extraordinary Violence in The Horrors of Adana

20 SEPTEMBER 2024 • By Sean Casey
Ordinary People, Extraordinary Violence in <em>The Horrors of Adana</em>
Fiction

“Fragments from a Gaza Nightmare”—fiction from Sama Hassan

30 AUGUST 2024 • By Sama Hassan, Rana Asfour
“Fragments from a Gaza Nightmare”—fiction from Sama Hassan
Essays

Beyond Rubble—Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble—Cultural Heritage and Healing After Disaster
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Book Reviews

Three Worlds: Memoirs of an Arab-Jew by Avi Shlaim—a Review

19 JULY 2024 • By Selma Dabbagh
<em>Three Worlds: Memoirs of an Arab-Jew</em> by Avi Shlaim—a Review
Fiction

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Essays

Genocide

17 MAY 2024 • By Jenine Abboushi
Genocide
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Essays

Nothing out of the Ordinary: A Journalist’s West Bank Memories

22 JANUARY 2024 • By Chloé Benoist
Nothing out of the Ordinary: A Journalist’s West Bank Memories
Essays

Meditations on Occupation, Architecture, Urbicide

25 DECEMBER 2023 • By Arie Amaya-Akkermans
Meditations on Occupation, Architecture, Urbicide
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Book Reviews

Traveling Through Turkey With Gertrude Bell and Pat Yale

28 AUGUST 2023 • By Arie Amaya-Akkermans
Traveling Through Turkey With Gertrude Bell and Pat Yale
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Theatre

Jenin’s Freedom Theatre Survives Another Assault

24 JULY 2023 • By Hadani Ditmars
Jenin’s Freedom Theatre Survives Another Assault
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Beirut

Remembering the Armenian Genocide From Lebanon

17 APRIL 2023 • By Mireille Rebeiz
Remembering the Armenian Genocide From Lebanon
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Essays

Voyage of Lost Keys, an Armenian art installation

15 SEPTEMBER 2021 • By Aimée Papazian
Voyage of Lost Keys, an Armenian art installation
Weekly

Palestinian Akram Musallam Writes of Loss and Memory

29 AUGUST 2021 • By khulud khamis
Palestinian Akram Musallam Writes of Loss and Memory
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Latest Reviews

Four Poems from Mosab Abu Toha

14 JULY 2021 • By Mosab Abu Toha
Four Poems from Mosab Abu Toha
Latest Reviews

Review: Open Gaza: Architectures of Hope

14 JULY 2021 • By Hadani Ditmars
Review: <em>Open Gaza: Architectures of Hope</em>
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Art

Beautiful/Ugly: Against Aestheticizing Israel’s Separation Wall

14 MAY 2021 • By Malu Halasa
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Columns

Armenian Eyes

19 APRIL 2021 • By Mischa Geracoulis
Armenian Eyes
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
Film

Threading the Needle: Najwa Najjar’s “Between Heaven and Earth”

14 DECEMBER 2020 • By Ammiel Alcalay
Threading the Needle: Najwa Najjar’s “Between Heaven and Earth”
Weekly

Assaulting Free Speech in the Israel/Palestine Debate

6 DECEMBER 2020 • By TMR
Assaulting Free Speech in the Israel/Palestine Debate

Leave a Comment

Your email address will not be published. Required fields are marked *

five × two =

Scroll to Top