The Absent Homeland

Sara Shamma, Untitled.

7 NOVEMBER 2025 • By Maysaa Alajjan

Maysaa Alajjan recounts her history with two homelands, the one she lived in but was told she didn’t belong to, and the one to which she belonged but never knew.

I was 11 years old when I found out I was Syrian.

Like most profound discoveries, mine happened by coincidence. I was in the ER with my mother and my sister Ghida, who was suffering from a skin allergy flareup. I had watched in fear and fascination as the skin on Ghida’s back, arms, and legs swelled into mountainous red streaks that rose and fell in waves over her tiny body. They itched and swelled until she cried out in pain. Half an hour later, we were in the ER, with my mother frantically searching her purse for Ghida’s legal papers. She produced a small white card and handed it to the cashier clerk. The clerk, a plump middle-aged woman with short blond hair, barely glanced at the card before swiftly returning it to my mother.

“I’m sorry, ma’am,” she said curtly. “Syrian children are not covered by the social security fund.”

I watched as my mother instead produced a wad of cash and paid for Ghida’s medical care. I was surprised my mother didn’t put up a fight of some sort, because she was always fighting for or against something: fighting with my father over his behavior at home, fighting the world over its mistreatment of the poor and the destitute, and fighting for a better life for me and Ghida. Instead, she easily gave in to this stern lady at the counter and did what she asked.

Later that evening, when I had the chance to ask her about what happened in the ER, my mother’s answer was straightforward and simple.

“You and Ghida don’t have Lebanese IDs,” she said gently. “Your Baba is Syrian, therefore you are Syrian, too.”

That, ladies and gentlemen, would be my life encapsulated in a few sentences for the next 24 years. During this period, I would gradually learn what it means to be a Syrian in Lebanon, to be a stranger in your own country, bound by a kinship stronger than words and older than time.

In Lebanon, being born to a Lebanese mother and a non-Lebanese father meant that you carried only the nationality(ies) of your father. Lebanese mothers are forbidden by law to pass on their nationality to their children or spouses. This meant many things. It meant having to renew your residency permit at the Amn el-‘Am (general security) every three years. Otherwise, your presence in Lebanon would be considered illegal, and you would get into trouble with the law. I remember dreading these visits to Amn el-‘Am as a child and begging my mother to exempt me from going, to no avail. It also meant severe travel restrictions to many countries because of Western sanctions applied on Syria, which led the Syrian passport to rank very low in terms of passport power. There were many years when Ghida and I ceased traveling altogether, because we had faced our fair share of visa rejections. However, as we grew older — and our bank accounts grew fatter — things started to look up and we were able to travel to Europe.

A year after that formative conversation with my mother, tragedy struck. Baba, who had previously suffered from heart disease, would die after suffering a stroke in our house in Syria. He was all alone. I remember my mother telling me and Ghida, rather bluntly, that he had died two days earlier. It was a Tuesday. I remember Ghida and I crying as only orphans could cry, weeping with the pain of a loss as raw and enormous as our little hearts could bear.

It went without saying that the loss of Baba would mean the loss of the link that bound us to Syria. With his passing was severed the last tenuous connection Ghida and I had with our country of origin. There would be no more trips to Damascus — Mama would process our legal papers through her lawyer in Syria, and, later on, through the Syrian embassy in Beirut. She would also sell our house there too because “we don’t need it anymore,” she would say. “Your roots are here in Lebanon.”

“Besides,” she would add later when we were older, “the custody battle for you and Ghida was costly enough for me. Syrian law isn’t exactly forgiving.”

In the world of tough kids, being Syrian meant certain punishment. I learned very early on that I could easily get bullied if I revealed, even with a hint of my accent, who I really was. Children are cruel creatures who mercilessly taunt you if you give them a reason to, and Ghida and I were determined not to give our classmates that reason. Our accent was by default Lebanese, and it would stay as such. We were too young to understand the historical forces that were shaping our young lives, but we were sure of one thing: in Lebanon, no one was being celebrated for being Syrian. In fact, the word “Syrian” was, in many ways, synonymous with cheap labor. It was a well-known secret that many Syrians were “illegal migrants” — later called “refugees” — who had crossed the border with Lebanon in search of a better future for their families. The Syrians I knew were mostly poor, uneducated laborers who found ample work in Lebanon’s manual labor market as plumbers, painters, janitors, builders, and the sort. 

I remember feeling frustrated and thinking, in my 11-year-old mind, that there had to be more to Syrians — more to us — than just that image of the poor laborer. I decided to ask my mother about it. I went to her study and knocked on the door. She was leaning over some papers on her desk, no doubt editing. She was always editing the work of some writer, even when she was occupied with other things. Being the executive editor of the Institute for Palestine Studies was an all-consuming job, all year long.

“Yes?” she said, without looking up. I remained silent for a few seconds.

“What is it, Maysaa?” 

“Mama, I was just wondering. Why does everyone here say that all Syrians are cheap labor?”

“Who says that?”

“Everybody.”

She straightened her posture and looked at me intently. “I want you and your sister to remember this when you think of Syria,” she said, speaking slowly. “I want you to think of all the richness your country has to offer to the world. Do you remember Nizar Qabbani, the poet I told you about?” I nodded. “Well, he was Syrian. So is Adonis and Dureid Laham, and many other artists. Always remember that Syria is a rich country.

And as for the laborers, these people are fleeing oppression and poverty. Therefore, they are deserving of our compassion, because they find very little of it here in Lebanon. Do you understand?” I nodded, not sure whether I should feel mollified. I wasn’t sure I knew all the names she had mentioned, but I was able to grasp her general idea. It rang true with common sense.


  • Sara Shamma Untitled oil on canvas 100x100cm 2024
    Sara Shamma (Damascus, 1975), Untitled, oil on canvas, 100x100cm, 2024 (courtesy Sara Shamma).

March 2004. I was a gawky 14-year-old with braces and glasses. I was sitting in the front row in geography class. We were studying the history of Lebanon, and Mr. Halawi, our short, stubby teacher, had veered off course again. We’d been learning about Israel’s 1982 invasion of Lebanon and its occupation of the South, a violent assault that would only end with the Lebanese resistance’s heroic liberation of the South on May 25, 2000. But Mr. Halawi, as was his custom, had drifted far from the subject, and my mind had wandered with him.

“Of course, the Israeli occupation is not the only entity to have assaulted Lebanon’s sovereignty,” I remember him saying in his scratchy tone. “Take, for example, the Syrian regime. Syrian troops have been stationed in various Lebanese areas since 1976. They wield great influence over Lebanon’s internal politics and affairs. They practically run the place.”

My heart sank as I thought I heard an agreeable murmur pass through the back row. The class fell very quiet. Mohammad Ali, one of the popular bullies in school, said in a low voice: “My father hates them. He says you can’t pass a checkpoint without running into them.”

As my classmates huddled around him and their murmurs grew louder by the minute, I began to panic. Did Mr. Halawi know my secret? Would he expose me in front of the whole class? I slumped in my seat, praying for the session to be over. When the bell rang, it was all I could do to restrain myself from jumping up and running back home. Once in my room, I lay spread-eagled on my bed and thought hard about what I had just heard. Syria had occupied Lebanon, and that was why the Lebanese didn’t like Syrians. Moreover, Syrian troops were stationed all over Lebanon, and there was nothing the Lebanese could do to get them out.

It was torture to have two countries who hated each other running in my blood. I didn’t know what to make of it. I couldn’t make anything of it. I was too young to carry such a burden. It was all so unfair. I lay in my bed all that afternoon until the slanting sunrays edged further away from my bed and dipped into the curtains.

The year 2005 was, politically speaking, the worst year for Syrians in Lebanon. There were several political assassinations that occurred which helped permanently stain the image of Syrians in the Lebanese collective consciousness.

The first was the assassination of Prime Minister Rafik Hariri, which happened on February 14 of that year. I remember that date well because it was Valentine’s Day. After leaving a parliament session in downtown Beirut, Hariri, one of the most popular and decent prime ministers to ever lead Lebanon, was blown to pieces with his entire convoy. Rumor had it that his body was so mutilated that rescuers could only identify him from the ring on his finger. And there was only one known suspect behind his killing at the time: the Syrian Assad regime.

In response to the massacre, huge national protests erupted across the country, calling for the withdrawal of the Syrian army. Sure enough, by May that same year, Syrian troops had withdrawn from Lebanese territory. I thought about what Mr. Halawi had said in geography class. No doubt he was one of the many cheering among the crowds.

Hariri’s murder led to a series of riots and harassment campaigns against Syrians in Lebanon. Shops and houses were burned, and Syrians were evicted from their homes. My family and I were spared any revenge treatment, possibly because of the protection that my mother’s social status offered (children of Lebanese mothers were considered legal residents of Lebanon as long as they renewed their iqamas, or residency permits). To our relief, our nationality remained a secret at school.

More assassinations and bloodshed would follow in the next few years, but it was all somehow contained — at least, that’s what Ghida and I thought, sheltered as we were from the violence outside.

The Syrian civil war began in 2011, just before Ghida and I graduated from college. The civil war served to further stain the image of Syrians, this time cementing them as needy refugees, siphoning resources away from their Lebanese “hosts.” A new concern was added to our list of woes: job hunting. Most employers were merciless when it came to profiling candidates and giving preference to Lebanese ones over foreign applicants. I was luckier than Ghida in a sense, because I had chosen to work in media, a profession that relies on freelancers. But Ghida suffered. She was rejected seven times before securing a position as a procurement officer at a hotel in Beirut.

Despite everything, Ghida and I were considered lucky. We were able to enjoy good social standing and all the privileges that come with it. We had jobs and our fair share of close friends and friendly neighbors. Life was, for the most part, deceptively stable. But there was always the shadow of racism at every Lebanese army checkpoint, every government counter. Always that sneer or a look of surprise from the official involved.

The irony was that while Ghida and I knew exactly what it meant to be Lebanese, we had almost no clue what it meant to be Syrian. We knew Lebanon’s history and geography by heart; we accepted the fact that there was a war waged in this small country every decade or so, and we knew just how far the tentacles of its corruption scheme had reached: into public services, educational institutes, even banks and restaurants. We knew how to work our way around this kind of calculated incompetence. But Syria? What did we know of Syria? I mean no offense to my country of origin when I say I would have gotten lost should it have been required of me to go to Syria to renew my papers, so vast and incomprehensible the country seemed at times.

But there was always the worry in the back of our minds about what we’d do if the Lebanese decided that they’d had enough of the Syrian presence in their country and decided to kick us all out. The turmoil of the years following the Hariri assassination had taught us that we would stand and fight through any legal means necessary. We would not leave Lebanon; we would not leave our home. After all, we are half-Lebanese by blood, and no one can take that away from us.

Looking back at those years, I realize that it was my perception of my nationality, rather than my nationality itself, that caused the most anguish. True, there was a lot of racism against Syrians in Lebanon, but I never once remember standing up for myself against it. When people would comment, in that offhanded manner, that I can virtually “pass for Lebanese” and that I didn’t “look or talk Syrian” — or worse, that I was “lucky I wasn’t Palestinian” — my blood boiled, but I’d smile courteously and accept their “compliment.” I do believe it was a compliment delivered with the best of intentions, but it still hurt, and I smarted under its weight. My situation was indeed better off than that of Palestinians, who were further restricted from certain basic rights such as the right to own property and the right to work in certain professions, but there was no need to gloat over the misery of others. Weren’t we all in the same boat together?

I never repeated what my mother had taught me, that Damascus was the oldest capital in the world, that it had breathtaking heritage preserved in its buildings and old souks, and that you can “hear time whispering as you pass through its alleys.” Instead, I remained quiet, validating their sense of superiority and forfeiting any right to defend my own. It felt like betrayal, but I didn’t have the voice I needed to tell myself otherwise.

For a long time, it felt as though I had chosen Lebanon over Syria. After all, Lebanon was where I had grown up and received my cherished AUB education. It was where I had taken my first steps, worked my first job, and fallen in love. Lebanon was my whole world. But Lebanon doesn’t want you, a sly voice whispered inside my head. It doesn’t want Syrians. How can you embrace a country that doesn’t recognize you?

To say that I have cracked the code of this dilemma would be to lie through my teeth, but there’s something about the passage of time that makes one more mellow and accepting of life and of its injustices. I’ve mellowed over the years and stopped being so angry and confused. I learned to accept life as it is and to bend instead of break. In other words, I learned to accept my nationality and the injustice that comes with it for the simple reason that these things are mine and mine alone. It doesn’t mean I will ever stop fighting for my birth right. On the contrary, I will continue to attend every rally and annual protest organized for the rights of children of Lebanese mothers. However, for one to live in peace, a certain kind of amicable truce with the world is required. 

December 2024. After a long, torturous 14-year-old war, Syria is finally free from the grip of the murderous Assad regime. The whole world celebrates. Even I get a few well-meaning pats on the back from people who think I ought to celebrate my good fortune. I watch in amazement as Syrian opposition forces storm Aleppo, then Hama, and then, in the blink of an eye, Damascus. I am fascinated as each of these cities falls like sand castles in the hands of these forces.

In the excitement of the moment, I plan a trip to Damascus. I tell myself that, if the situation remains stable till next spring, I will pay a visit to my old neighborhood. I will walk like Nizar Qabbani in the old alleyways of Damascus and visit the old souks, and maybe fall in love there. I will read the works of poets belonging to the Bilad al-Sham era and dance among their verses.

But the honeymoon doesn’t last. Syria’s transitional period is proving to be violent and bloody. Also, rumors of an impending normalization with Israel start to surface. Suddenly the dream of a free, liberated Syria becomes a chimera. Normalization with Israel would strip Syria of its essential identity as a historically pan Arab country with pan Arab influences. Normalization would not only change the face of Syria as we know it, for the worse (geographically, demographically, and politically), but it would also unleash the imposition of normalization — and thus the fires of hell — on Lebanon.

I never ended up visiting Damascus. In fact, it has been 24 years since I last set foot there, and, judging by circumstance, I might not do so anytime soon. The adrenaline rush I felt during my home city’s “liberation” from the old Syrian regime is gone. Instead, a new, grim resignation to a bleak reality has taken its place. The truth is, I don’t think Syria and I are destined to meet in this lifetime. I have no home in Damascus, no close relatives, no loved ones waiting for my return. It feels as if Syria and I are two parallel lines, close enough but destined not to meet.

I pray that, one day, I will find love in Damascus waiting for me. I will run barefoot in its streets, and bathe in the scent of its jasmines. I will lose myself in the glory of its dusk. And just for a minute, it might even feel like home. 

Maysaa Alajjan

Maysaa Alajjan is a Beirut-based author, journalist, and media trainer. Her work lies at the intersection of culture, gender, and technology. She has bylines in The New Arab, Arab News, Raseef22, The Entrepreneur ME, The Phoenix Daily, and Annahar English. She received... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Columns

How Much Do We Miss Umm Khulthum?

7 NOVEMBER 2025 • By Amal Ghandour
How Much Do We Miss Umm Khulthum?
Essays

Home — a State of Restlessness?

7 NOVEMBER 2025 • By Neemah Ahamed
Home — a State of Restlessness?
Fiction

Sultana to the Rescue

7 NOVEMBER 2025 • By MK Harb
Sultana to the Rescue
Essays

The Absent Homeland

7 NOVEMBER 2025 • By Maysaa Alajjan
The Absent Homeland
Columns

Dear Souseh: Stuck Between Families

24 OCTOBER 2025 • By Souseh
Dear Souseh: Stuck Between Families
Fiction

A Day In Damascus

3 OCTOBER 2025 • By Sanad Tabbaa
A Day In Damascus
Art

Sara Shamma — Cleaving the World in Two

5 SEPTEMBER 2025 • By Jordan Elgrably
Sara Shamma — Cleaving the World in Two
Art & Photography

Ali Cherri’s show at Marseille’s [mac] Is Watching You

15 AUGUST 2025 • By Naima Morelli
Ali Cherri’s show at Marseille’s [mac] Is Watching You
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Essays

Imagining Ghanem—My Return to Lebanon

6 JUNE 2025 • By Amelia Izmanki
Imagining Ghanem—My Return to Lebanon
Book Reviews

An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s A Spring that Did Not Blossom 

30 MAY 2025 • By Rebecca Ruth Gould
An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s <em>A Spring that Did Not Blossom</em> 
Arabic

Jawdat Fakreddine Presents Three Poems

20 MAY 2025 • By Jawdat Fakhreddine, Huda J. Fakhreddine
Jawdat Fakreddine Presents Three Poems
Art

Going Home to South Lebanon: Abdel Hamid Baalbaki

2 MAY 2025 • By Karina El Helou
Going Home to South Lebanon: Abdel Hamid Baalbaki
Essays

Home is Elsewhere: On the Fictions of Return

2 MAY 2025 • By Mai Al-Nakib
Home is Elsewhere: On the Fictions of Return
Essays

A Letter To My Cruel Lover: Tripoli

2 MAY 2025 • By Lara Kassem
A Letter To My Cruel Lover: Tripoli
Essays

The anger and sadness I brought back from Damascus. And the urge to shave my head

2 MAY 2025 • By Batoul Ahmad
The anger and sadness I brought back from Damascus. And the urge to shave my head
Art

On Forgiveness and Path—an Exhibition in Damascus

18 APRIL 2025 • By Robert Bociaga
On Forgiveness and <em>Path</em>—an Exhibition in Damascus
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Essays

A Conversation Among My Homeland’s Trees

7 MARCH 2025 • By Alia Yunis
A Conversation Among My Homeland’s Trees
Essays

The Closed Door—Return to Syria

7 FEBRUARY 2025 • By Odai Al Zoubi, Rana Asfour
The Closed Door—Return to Syria
Essays

Three Nights in Free Syria

24 JANUARY 2025 • By Yasmin Fedda, Daniel Gorman
Three Nights in Free Syria
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
Book Reviews

30 Recommended Books on Syria

13 DECEMBER 2024 • By TMR
30 Recommended Books on Syria
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Beirut

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Art

Beyond Our Gaze: Rethinking Animals in Contemporary Art

1 NOVEMBER 2024 • By Naima Morelli
Beyond Our Gaze: Rethinking Animals in Contemporary Art
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Fiction

The Last Millefeuille in Beirut

4 OCTOBER 2024 • By MK Harb
The Last Millefeuille in Beirut
Opinion

Lebanon’s Holy Gatekeepers of Free Speech

6 SEPTEMBER 2024 • By Joumana Haddad
Lebanon’s Holy Gatekeepers of Free Speech
Film

Soudade Kaadan: Filmmaker Interview

30 AUGUST 2024 • By Jordan Elgrably
Soudade Kaadan: Filmmaker Interview
Essays

Meditations on Palestinian Exile and Return

16 AUGUST 2024 • By Dana El Saleh
Meditations on Palestinian Exile and Return
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Columns

Creating Community with Community Theatre

21 JUNE 2024 • By Victoria Lupton
Creating Community with Community Theatre
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Essays

Wajdi Mouawad’s “Controversial” Wedding Day

7 JUNE 2024 • By Elie Chalala
Wajdi Mouawad’s “Controversial” <em>Wedding Day</em>
Theatre

What Kind Of Liar Am I?—a Short Play

7 JUNE 2024 • By Mona Mansour
<em>What Kind Of Liar Am I?</em>—a Short Play
Essays

Omar Naim Exclusive: Two Films on Beirut & Theatre

7 JUNE 2024 • By Omar Naim
Omar Naim Exclusive: Two Films on Beirut & Theatre
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Fiction

“I, Mariam”—a story by Joumana Haddad

26 APRIL 2024 • By Joumana Haddad
“I, Mariam”—a story by Joumana Haddad
Art

Paris, Abstraction and the Art of Yvette Achkar

1 APRIL 2024 • By Arie Amaya-Akkermans
Paris, Abstraction and the Art of Yvette Achkar
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Columns

The Day My Life Ended, It Began

3 DECEMBER 2023 • By Karim Shamshi-Basha
The Day My Life Ended, It Began
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Columns

Remembering Khaled Khalifa on the 40th Day

7 NOVEMBER 2023 • By Youssef Rakha
Remembering Khaled Khalifa on the 40th Day
Art

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Books

In Praise of Khaled Khalifa—Friend, Artist, Humanist

16 OCTOBER 2023 • By Robin Yassin-Kassab
In Praise of Khaled Khalifa—Friend, Artist, Humanist
Fiction

I, SOUAD or the Six Deaths of a Refugee From Aleppo

9 OCTOBER 2023 • By Joumana Haddad
I, SOUAD or the Six Deaths of a Refugee From Aleppo
Theatre

Hartaqât: Heresies of a World with Policed Borders

9 OCTOBER 2023 • By Nada Ghosn
<em>Hartaqât</em>: Heresies of a World with Policed Borders
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Cities

Coming of Age in a Revolution

5 MARCH 2023 • By Lushik Lotus Lee
Coming of Age in a Revolution
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
TMR Interviews

The Markaz Review Interview—Ayad Akhtar

5 FEBRUARY 2023 • By Jordan Elgrably
The Markaz Review Interview—Ayad Akhtar
Featured excerpt

Fiction: Inaam Kachachi’s The Dispersal, or Tashari

5 FEBRUARY 2023 • By Inaam Kachachi
Fiction: Inaam Kachachi’s <em>The Dispersal</em>, or <em>Tashari</em>
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Film

“The Translator” Brings the Syrian Dilemma to the Big Screen

7 FEBRUARY 2022 • By Jordan Elgrably
“The Translator” Brings the Syrian Dilemma to the Big Screen
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Featured article

Settling: Towards an Arabic translation of the English word “Home”

15 JANUARY 2022 • By Hisham Bustani, Alice Guthrie
Settling: Towards an Arabic translation of the English word “Home”
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Essays

Objective Brits, Subjective Syrians

6 DECEMBER 2021 • By Rana Haddad
Objective Brits, Subjective Syrians
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Essays

Voyage of Lost Keys, an Armenian art installation

15 SEPTEMBER 2021 • By Aimée Papazian
Voyage of Lost Keys, an Armenian art installation
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Latest Reviews

Lost in Marseille

17 APRIL 2021 • By Catherine Vincent
Lost in Marseille
Columns

The Truth About Syria: Mahmoud’s Story

14 MARCH 2021 • By Mischa Geracoulis
The Truth About Syria: Mahmoud’s Story
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
TMR 5 • Water

Drought and the War in Syria

14 JANUARY 2021 • By Jordan Elgrably
Drought and the War in Syria
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Shahla Ujayli’s “Summer With the Enemy”

14 DECEMBER 2020 • By Shahla Ujayli
Shahla Ujayli’s “Summer With the Enemy”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 4 • Small & Indie Presses

Shahla Ujayli’s “Summer With the Enemy”

14 DECEMBER 2020 • By Shahla Ujayli
Shahla Ujayli’s “Summer With the Enemy”
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Book Reviews

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

Leave a Comment

Your email address will not be published. Required fields are marked *

two × 5 =

Scroll to Top