The Complexity of Belonging: Reflections of a Female Copt

"A City With a River," artist Ficre Ghebreyesus (2010).

15 SEPTEMBER 2021 • By Nevine Abraham
“A City With a River,” artist Ficre Ghebreyesus (2010).

 

Nevine Abraham

Growing up in Shoubra, one of the most populated Christian suburbs of Cairo, I met all my Muslim friends at a French Catholic school, which they and I attended for twelve years. We spent recess together, exchanged visits and play dates, and shared teenage secrets. Our friendship never conjured up our religious identities. My parents rejected the narrative of the “victimized” Copts. Never have I heard them label my friends by their religion nor suggest that I befriend only Christians, unlike many other Coptic families I knew. During Ramadan, I abstained from eating or drinking in public out of consideration for my fasting friends. As other Christians shared Ramadan iftar meals, I did the same; this increased my sense of national belonging.

Friday, our days of worship in churches and mosques, united us (churches also held services on Sunday). Our paths usually crossed shortly after Friday worship, as we lined up together in front of the street vendors’ carts that sell freshly made foul medammes in Qidrah to take home and indulge. The mosque microphones resonated with the calls to prayers while the church bells rang. Spirituality echoed in the streets and at homes. On Christian and Muslim holidays, we exchanged homemade ka’ak, ghorayibba, and petits-fours: if my mother sent our Muslim neighbors a platter of home baked sweets, they were sure to return it filled with their own delicacies. Religions, whether Islam or Christianity, functioned as a basis of our shared cultural practices and traditions.

Foul medammas.

Ranked 8th out of about 250,000 in Egypt’s General Secondary standardized test of high school known as thanaweya ‘amma and passionate about my specialty in literature and languages, I pursued my dream to be among the one or two who would be selected per academic year to join the graduate studies program, which guarantees a path to a faculty position at my college. Seeing that my two main academic competitors became muhajabat in junior year at Ain Shams University in Cairo, I realized that my chances had diminished. My academic accomplishments and high GPA suddenly became insufficient: I realized I didn’t fit into the perceived societal norms of attending graduate school. For the first time at the age of twenty, I was hit with the truth: I had been naively deluded into believing in a fictitious form of national unity and equality.

Interestingly, my childhood identity challenges stemmed primarily from within the Coptic practices. Specifically, faith, piety, and orthodox rituals have defined the Coptic heritage, which prides itself on its unique ethnicity and purity as natives of pre-Islamic Egypt. The word “Copt” from the Greek “Aigyptos” for Egypt, later adopted by the Arabs as “Qibti,” affirms the Copts’ connection to the land. Despite this seeming homogeneity, attitudes among Copts towards religious practices still vary according to their family culture. The extent to which semi- and strict- followers embraced piety created a subtle hierarchy among Copts and often raised an internal struggle in questioning one’s religious belonging.

In fasting rituals for instance, whereas the majority strictly observes the 200+ days a year of the numerous fasts, including the added Wednesdays and Fridays every week, some —my family included at times, though inconsistently —committed to only part of the long ones: Nativity (45 days) and Lent (55 days). Many, myself excluded, were often eager to show their knowledge of the less-popular saints’ autobiographies, engrave the tattoo of a cross on their wrists, and participate in rigid rituals such as staying up overnight singing praises on the Night of the Apocalypse.

The Coptic cross is the most common tattoo among Copts.

As a child, Sunday school, which my parents encouraged me to attend following Friday church services, accentuated those differences and created internal struggles. There, memorizing the Coptic hymns and Psalms came easy to the majority; for me, it did not. Others enthusiastically recited the tunes and read the Coptic words, while I mumbled and lost interest in that unfamiliar language. I never fathomed its importance as a required staple of my heritage. I did not pursue it perhaps because no one in my family knew it. Sunday school time was too short to allow for teaching the language itself, and I did not find the need to memorize hymns in a language that was no longer spoken except during church services.

Coptic alphabet (photo: Wikipedia).

“Special” church days were other venues of uneasiness. On Good Friday, I joined those who muttered the few lines I knew, but, out of embarrassment, kept quiet while listening to the singing of those well-versed in the long-sequenced Coptic hymns.

To summon it, I felt a struggle to meet the Coptic Orthodox community’s expectations of its members to preserve its unique heritage, and thus fell short when it came to belonging among the “Coptic Hierarchy” elites.

Faith, piety, and rituals are not the only markers of Coptic identity. The foundation of the Coptic Calendar on the “Era of the Martyrs” or mass execution of thousands of Christians under the rule of the Roman Emperor Diocletian in 284 AD has set the tone for other aspects of the Coptic persona. It fosters the ability to withstand challenges by promoting the rewards of being persecuted, tortured, or even killed through the reliance on God. It embraces an attitude of humility, accepting less than one’s fair share (more on that later), and allows for public invisibility. The Pact or Covenant of Umar (seventh century?), written by the Christians of the newly conquered Muslim territories in Syria, liberated from the Roman Empire and addressed to Muhammad’s second successor or Caliph ͨUmar Ibn Al-Khattab (634-644), functioned as an act of surrender and defined the Christians’ status as Dhimmi people or “people of the book” who ought to be protected. It later included the Christians of Mesopotamia, Jerusalem, and North Africa, along with the Jews.

Through Muslims’ eyes, Christians were viewed as polytheists or worshippers of multiple deities: God, Jesus, and the Holy Spirit. The self-imposed “obligations” taken upon the Christians, as stated in the Pact, restricted the construction of churches (“We shall not erect in our cities or in their vicinity any new monasteries, churches, hermitages, or monks’ cells”) and homes (“We shall not build our homes higher than theirs”), defined the Dhimmi’s dress code (“We shall not attempt to resemble the Muslims in any way with regard to their dress” “We shall always adorn ourselves in our traditional fashion. We shall bind the zunnār [a type of belt] around our waists”), and asserted their second-class citizenship (“We shall show respect to the Muslims and shall rise from our seats when they wish to sit down”). This was in addition to choosing between the imposed jizya, or tax, or conversion to Islam. The Pact remained in effect under the subsequent caliphates: the Abbasid (747-1252), Mamluk (1252-1517), and Ottoman (1517-1798) periods.

In modern times, Copts, who constitute 10-15% of the Egyptian population, had to abide by the Muslim majority’s societal expectations founded on certain “moral codes.” Though both groups share the same conservative values since religion permeates their daily lives and language, putting the burden of social morality on the shoulders of women, Muslim and Christian alike, has sometimes complicated Muslim-Christian relations in workplaces, for instance. Embracing the hijab has set a hegemonic expectation of the female Copts’ public appearance. My mother’s muhajabat co-workers often reproached her for her uncovered, blond-colored hair and short-sleeved tops, deemed haram by society’s standards, and advised her to cover them. Though changing the length of clothes proved feasible for her, covering her hair, traditionally restricted to church services as instructed in the Bible, meant posing as a Muslim; she could not, prompting a compromise of her acceptance at work.

Coptic women covering their hair during a Coptic Orthodox Church service (photo Nevine Abraham).

In the streets, I recall an incident of a bearded man who firmly grabbed my friend’s arm, warning her of God’s punishment if she did not cover her naked flesh, and another who screamed “’a’uthu billah min ghadab illah” (“I seek refuge with God from the wrath of God”) in my ear in disapproval of my wearing a tee-shirt. Despite the realization that such behaviors derogated our religion and denied us the right to be respected in public space while giving the majority’s religion moral impunity, many Copts still somehow believed in their equal citizenship and the “eternal” rewards of these challenges. These incidents, which my family viewed as isolated, gradually furthered my belief that gender and religion consigned me to a marginal place in my homeland.

Surely, clothing and appearance do not constitute an obstacle to the male Copts’ social acceptance. However, their religious identity can be stigmatized differently. Only in the U.S. did I hear their stories, mainly because Copts never dared complain due to the systematic marginalization of their voices in Egypt. Their childhood memories comprised being chased on a weekly basis by Muslim children throwing stones at them, labeled ‘Issa (Muslim for “Jesus”) by their public-school teachers, and denied inclusion in the top academic classes restricted only to the highest achieving Muslim majority. They never processed the impact of such stigmatization, which reduced them to a mere innominate minority and excluded them until they left Egypt. Those who enjoyed relative “equality” in the more-privileged private schools later faced the reality of the public universities’ unfortunate favoritism toward Muslim graduate students and faculty, and discrimination against their Christian counterparts, shattering dreams like mine to pursue graduate studies. It became clear that our country undermined our hopes and academic achievements and exiled us: emigrating to a Western country became almost every Copt’s dream.

As a US immigrant who enjoyed the equal opportunity of earning a graduate degree, teaching in American institutions, and participating as a naturalized citizen in electing my leaders – all privileges that were strange to me in Egypt – I call the US home, a term I never savored until I distanced myself from my country of birth that othered me in many ways.


Black Lives Matter resonated around the world, igniting discussions of social justice, equity, and inclusion. In reflecting back on the reasons why minority Copts have not voiced their opposition to inequality and exclusion, one must allude to what has become a normalization of their undermined status since the Ottoman millet system and under British colonial rule. Colonialism deepened divisiveness among citizens of the colonized Arab states “based on a differentiation of citizen rights in various categories, depending on people’s cultural assimilation, religion, ethnicity, and especially loyalty,” creating a sort of “foreign patronage” of Christians.  Nonetheless, in their rise against British colonialism, Copts united with Muslims during the 1919 revolution under the slogan “Religion is for God and the nation for all” and were careful to express their loyalty and nationalism. Saba Mahmoud rightly observes in her essay, “Religious Freedom, the Minority Question, and Geopolitics in the Middle East,” that Copts refused for a long time to be called aqalliya or minority in favor of being considered equal citizens. One important shortcoming of this resolve to not challenge national unity and to convey the illusionary image of their equality to the majority was their social exclusion, consequently overlooking their concerns. As Vivian Ibrahim argues in “Beyond the Cross and the Crescent: Plural Identities, and the Copts in Contemporary Egypt,” “the rhetoric of Muslim-Coptic union has played an important and reoccurring role in the memory and imaginary of who was an ‘authentic Egyptian,’ subsuming minority rights to a question of ‘Egyptian rights.’”

Copts and Muslims marching in the 1919 Egyptian Revolution showing national unity

Egyptian national media perpetrated such exclusion. Prior to the revolution of satellite dishes, Egyptian society was seen through the lens of its only three national television channels. Copts’ representation was restricted to minor, insignificant roles in television or cinematic works. While Egyptian cinema embarked on tackling many critical social problems like drug addiction and terrorism that crippled society from the 1980s to the 2000s, it insisted on keeping its largest minority invisible on the pretext of a fear of sectarianism and out of its desire to convey an image of co-existence. Young film director Amr Salama’s Excuse My French (2014) made history in Egyptian cinema, following a four-year battle with censorship and five rejections of his script, for detailing a Christian boy’s daily struggle to fit into a Muslim-majority public school. Literary works afforded more freedom due to their limited accessibility and readership and smaller impact on societal changes. Laila Farid’s “Copts in Modern Egyptian Literature” surveys the many literary publications on Copts.

Often characterized by their submissive meekness, Copts had to accept their exclusion and institutional discrimination, finding comfort in the belief in the reward of forgiveness, of turning the left check to those who slap them on the right one. Self-consolation with such a reward that awaits was all that they had, since authoritarian governments coerced for so long the Coptic Orthodox Church into silence in return for protection and security. The church-state entente began with Gamal Adbel Nasser who ruled with an iron fist; his successors followed suit. Anwar Sadat set the tone of expectations of the Coptic papacy by sending the patriarch of the Coptic Orthodox Church Pope Shenouda III into exile in a monastery in 1981 for accusing Sadat of failing to control Islamist groups (the Pope was not released until

Graffiti of the January 25, 2011 Egyptian revolution showing a cross inside a crescent as symbols of religious unity (photo Wikipedia).

Mubarak took office in 1983 following Sadat’s assassination, which many Copts still dub God’s punishment for the Pope’s exile). Three decades later, when protestors took to the streets in the January 25th revolution of 2011, demanding an end to Mubarak’s authoritarian rule, Pope Shenouda III who died March 17, 2012, warned Copts not to participate and pledged the church’s support of President Mubarak as its guardian, which many Copts viewed as a wise step in face of the unknown. Of course, Mubarak was ousted, and many sectarian incidents erupted even before the first Islamist president Mohamed Morsi took office. Hoping for less bloodshed, they supported the 2019 amendment to the constitution that extended Al Sisi’s presidency until 2034 as he vowed their protection “from the evil powers of the Muslim Brothers and other terrorist groups,” establishing with them a relation of loyalty.

Undoubtedly, growing up in a collective society of expectations and outcomes has challenged the upbringing of a Copt in Egypt. Adding to the internal pressure by the community’s faith-related practices and the relation to the larger Muslim majority, radicals, and the state, recent global debates about race have given rise to the Copts’ consciousness of their ethno-racial identity and the need to fit into a racial classification, traditionally an uncommon issue of discussion in Egypt. This need has yielded an ambivalence of self-identification as white, brown, or black among Copts.

My imagined identity celebrates its unique ethnicity and rejects any societal judgment founded on faith, so-called moral standards, dress code, skin color, hair texture or color, race, or any stereotype or element that subjugates its freedom.

 

Nevine Abraham

Nevine Abraham Nevine Abraham is Assistant Teaching Professor of Arabic Studies in the Department of Modern Languages at Carnegie Mellon University. She received her PhD at Ohio State University and has taught French and Arabic languages, literature, and cultures courses at numerous... Read more

Nevine Abraham is Assistant Teaching Professor of Arabic Studies in the Department of Modern Languages at Carnegie Mellon University. She received her PhD at Ohio State University and has taught French and Arabic languages, literature, and cultures courses at numerous American institutions. Nevine's research interests are Coptic and contemporary Arab identity, film studies, media and censorship, and food studies.

Read less

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

RELATED

Book Reviews

Reading The Orchards of Basra

12 SEPTEMBER 2025 • By Jacob Wirtschafter
Reading <em>The Orchards of Basra</em>
Poetry

Mai Serhan on the poems in CAIRO: the undelivered letters

31 AUGUST 2025 • By Mai Serhan
Mai Serhan on the poems in <em>CAIRO: the undelivered letters</em>
Book Reviews

Egyptian Novelist Skewers British Bureaucracy with Black Humor

15 AUGUST 2025 • By Valeria Berghinz
Egyptian Novelist Skewers British Bureaucracy with Black Humor
Book Reviews

Brutally Honest Exploration of Taboo Subjects in Empty Cages

8 AUGUST 2025 • By Ahmed Naji
Brutally Honest Exploration of Taboo Subjects in <em>Empty Cages</em>
Book Reviews

Without Women, the 2011 Revolution Might Have Never Been

8 AUGUST 2025 • By Jasmin Attia
Without Women, the 2011 Revolution Might Have Never Been
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Fiction

“Waving at the Sky”—a story by Nahla Karam

4 JULY 2025 • By Nahla Karam
“Waving at the Sky”—a story by Nahla Karam
Art & Photography

Cairo: A Downtown in Search of Lost Global City Status

13 JUNE 2025 • By Iason Athanasiadis
Cairo: A Downtown in Search of Lost Global City Status
Book Reviews

Radwa Ashour’s Classic Granada Now in a New English Edition

17 JANUARY 2025 • By Guy Mannes-Abbott
Radwa Ashour’s Classic <em>Granada</em> Now in a New English Edition
Centerpiece

“Not a Picture, a Precise Kick”—metafiction

6 DECEMBER 2024 • By Mansoura Ez-Eldin, Fatima El-Kalay
“Not a Picture, a Precise Kick”—metafiction
Fiction

“The Small Clay Plate”—a Siwa folk tale

6 DECEMBER 2024 • By Bel Parker
“The Small Clay Plate”—a Siwa folk tale
Books

“Ghosts of Farsis”—a cyberpunk story

6 DECEMBER 2024 • By Hussein Fawzy, Rana Asfour
“Ghosts of Farsis”—a cyberpunk story
Books

The Time-Travels of the Man who Sold Pickles and Sweets—an Excerpt

6 DECEMBER 2024 • By Khairy Shalaby, Michael Cooperson
<em>The Time-Travels of the Man who Sold Pickles and Sweets</em>—an Excerpt
Essays

Liberation Cosplay: on the Day of the Imprisoned Writer

15 NOVEMBER 2024 • By Abdelrahman ElGendy
Liberation Cosplay: on the Day of the Imprisoned Writer
Editorial

Animal Truths

1 NOVEMBER 2024 • By Malu Halasa
Animal Truths
Art

Photographer Mohamed Mahdy—Artist at Work

27 SEPTEMBER 2024 • By Marianne Roux
Photographer Mohamed Mahdy—Artist at Work
Centerpiece

Mohammad Hafez Ragab: Upsetting the Guards of Cairo

6 SEPTEMBER 2024 • By Maha Al Aswad, Rana Asfour
Mohammad Hafez Ragab: Upsetting the Guards of Cairo
Book Reviews

Egypt’s Gatekeeper—President or Despot?

6 SEPTEMBER 2024 • By Elias Feroz
Egypt’s Gatekeeper—President or Despot?
Book Reviews

All That Rage: On Comma Press’ Egypt +100

2 AUGUST 2024 • By Alex Tan
All That Rage: On Comma Press’ <em>Egypt +100</em>
Art

Deena Mohamed

5 JULY 2024 • By Katie Logan
Deena Mohamed
Essays

The Butcher’s Assistant—a true story set in Alexandria

5 JULY 2024 • By Bel Parker
The Butcher’s Assistant—a true story set in Alexandria
Fiction

“Certainty”—a short story by Nora Nagi

5 JULY 2024 • By Nora Nagi, Nada Faris
“Certainty”—a short story by Nora Nagi
Book Reviews

Upheavals of Beauty and Oppression in The Oud Player of Cairo

28 JUNE 2024 • By Tala Jarjour
Upheavals of Beauty and Oppression in <em>The Oud Player of Cairo</em>
Essays

Laughing for Change—Activist Theatre Tours Egypt

7 JUNE 2024 • By Nada Sabet
Laughing for Change—Activist Theatre Tours Egypt
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Essays

A Proustian Alexandria

3 MAY 2024 • By Mohamed Gohar
A Proustian Alexandria
Essays

The Elephant in the Box

3 MAY 2024 • By Asmaa Elgamal
The Elephant in the Box
Fiction

“Cotton Flower”—a short story by Areej Gamal

3 MAY 2024 • By Areej Gamal, Manal Shalaby
“Cotton Flower”—a short story by Areej Gamal
Books

Four Books to Revolutionize Your Thinking

3 MARCH 2024 • By Rana Asfour
Four Books to Revolutionize Your Thinking
Book Reviews

Rotten Evidence: Ahmed Naji Writes About Writing in Prison

12 FEBRUARY 2024 • By Lina Mounzer
<em>Rotten Evidence</em>: Ahmed Naji Writes About Writing in Prison
Essays

Tears of the Patriarch

4 FEBRUARY 2024 • By Dina Wahba
Tears of the Patriarch
Essays

Don’t Ask me to Reveal my Lover’s Name لا تسألوني ما اسمهُ حبيبي

4 FEBRUARY 2024 • By Mohammad Shawky Hassan
Don’t Ask me to Reveal my Lover’s Name لا تسألوني ما اسمهُ حبيبي
Poetry

Four Poems by Alaa Hassanien from The Love That Doubles Loneliness

4 FEBRUARY 2024 • By Alaa Hassanien, Salma Moustafa Khalil
Four Poems by Alaa Hassanien from <em>The Love That Doubles Loneliness</em>
Featured excerpt

Almost Every Day—from the novel by Mohammed Abdelnabi

3 DECEMBER 2023 • By Mohammed Abdelnabi, Nada Faris
<em>Almost Every Day</em>—from the novel by Mohammed Abdelnabi
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Essays

The Vanishing of the Public Intellectual

1 OCTOBER 2023 • By Moustafa Bayoumi
The Vanishing of the Public Intellectual
Essays

Alaa Abd El-Fattah: Political Prisoner and Public Intellectual

1 OCTOBER 2023 • By Yasmine El Rashidi
Alaa Abd El-Fattah: Political Prisoner and Public Intellectual
Book Reviews

The Mystery of Enayat al-Zayyat in Iman Mersal’s Tour de Force

25 SEPTEMBER 2023 • By Selma Dabbagh
The Mystery of Enayat al-Zayyat in Iman Mersal’s Tour de Force
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Fiction

“A Dog in the Woods”—a short story by Malu Halasa

3 SEPTEMBER 2023 • By Malu Halasa
“A Dog in the Woods”—a short story by Malu Halasa
Essays

They and I, in Budapest

3 SEPTEMBER 2023 • By Nadine Yasser
They and I, in Budapest
Essays

A Day in the Life of a Saturday Market Trawler in Cairo

3 SEPTEMBER 2023 • By Karoline Kamel, Rana Asfour
A Day in the Life of a Saturday Market Trawler in Cairo
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Books

Books That Will Chase me in the Afterlife

14 AUGUST 2023 • By Mohammad Rabie
Books That Will Chase me in the Afterlife
A Day in the Life

A Day in the Life: Cairo

24 JULY 2023 • By Sarah Eltantawi
A Day in the Life: Cairo
Essays

Being Without Belonging: A Jewish Wedding in Abu Dhabi

2 JULY 2023 • By Deborah Kapchan
Being Without Belonging: A Jewish Wedding in Abu Dhabi
Cities

In Shahrazad’s Hammam—fiction by Ahmed Awadalla

2 JULY 2023 • By Ahmed Awadalla
In Shahrazad’s Hammam—fiction by Ahmed Awadalla
Fiction

Abortion Tale: On Our Ground

2 JULY 2023 • By Ghadeer Ahmed, Hala Kamal
Abortion Tale: On Our Ground
Fiction

Genesis and East Cairo—fiction from Shady Lewis Botros

2 JULY 2023 • By Shady Lewis Botros, Salma Moustafa Khalil
Genesis and East Cairo—fiction from Shady Lewis Botros
Book Reviews

Youssef Rakha Practices Literary Deception in Emissaries

19 JUNE 2023 • By Zein El-Amine
Youssef Rakha Practices Literary Deception in <em>Emissaries</em>
Books

The Markaz Review Interview—Leila Aboulela, Writing Sudan

29 MAY 2023 • By Yasmine Motawy
The Markaz Review Interview—Leila Aboulela, Writing Sudan
Books

Cruising the Abu Dhabi International Book Fair

29 MAY 2023 • By Rana Asfour
Cruising the Abu Dhabi International Book Fair
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

Radius Recounts a History of Sexual Assault in Tahrir Square

15 MAY 2023 • By Sally AlHaq
<em>Radius</em> Recounts a History of Sexual Assault in Tahrir Square
Book Reviews

A Debut Novel, Between Two Moons, is set in “Arabland” Brooklyn

15 MAY 2023 • By R.P. Finch
A Debut Novel, <em>Between Two Moons</em>, is set in “Arabland” Brooklyn
Cities

In Luxor, Egypt Projects Renewed Tourism Economy

10 APRIL 2023 • By William Carruthers
In Luxor, Egypt Projects Renewed Tourism Economy
Fiction

“The Stranger”—a Short Story by Hany Ali Said

2 APRIL 2023 • By Hany Ali Said, Ibrahim Fawzy
“The Stranger”—a Short Story by Hany Ali Said
Arabic

The Politics of Wishful Thinking: Deena Mohamed’s Shubeik Lubeik

13 MARCH 2023 • By Katie Logan
The Politics of Wishful Thinking: Deena Mohamed’s <em>Shubeik Lubeik</em>
Fiction

“Raise Your Head High”—new fiction from Leila Aboulela

5 MARCH 2023 • By Leila Aboulela
“Raise Your Head High”—new fiction from Leila Aboulela
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Cities

Coming of Age in a Revolution

5 MARCH 2023 • By Lushik Lotus Lee
Coming of Age in a Revolution
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Film

Viral Depression in Maha Haj’s Mediterranean Fever

15 NOVEMBER 2022 • By Viola Shafik
Viral Depression in Maha Haj’s <em>Mediterranean Fever</em>
Film

The Chess Moves of Tarik Saleh’s Spy Thriller, Boy From Heaven

15 NOVEMBER 2022 • By Karim Goury
The Chess Moves of Tarik Saleh’s Spy Thriller, <em>Boy From Heaven</em>
Essays

Stadiums, Ghosts & Games—Football’s International Intrigue

15 NOVEMBER 2022 • By Francisco Letelier
Stadiums, Ghosts & Games—Football’s International Intrigue
Film

Orientalism and the Erasure of Middle Easterners in Black Adam

7 NOVEMBER 2022 • By Mireille Rebeiz
Orientalism and the Erasure of Middle Easterners in Black Adam
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

Cassette Tapes Once Captured Egypt’s Popular Culture

10 OCTOBER 2022 • By Mariam Elnozahy
Cassette Tapes Once Captured Egypt’s Popular Culture
Book Reviews

The Egyptian Revolution and “The Republic of False Truths”

26 SEPTEMBER 2022 • By Aimee Dassa Kligman
The Egyptian Revolution and “The Republic of False Truths”
Centerpiece

“What Are You Doing in Berlin?”—a short story by Ahmed Awny

15 SEPTEMBER 2022 • By Ahmed Awny, Rana Asfour
“What Are You Doing in Berlin?”—a short story by Ahmed Awny
Fiction

“Another German”—a short story by Ahmed Awadalla

15 SEPTEMBER 2022 • By Ahmed Awadalla
“Another German”—a short story by Ahmed Awadalla
Art

My Berlin Triptych: On Museums and Restitution

15 SEPTEMBER 2022 • By Viola Shafik
My Berlin Triptych: On Museums and Restitution
Essays

Kairo Koshary, Berlin’s Egyptian Food Truck

15 SEPTEMBER 2022 • By Mohamed Radwan
Kairo Koshary, Berlin’s Egyptian Food Truck
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Featured excerpt

“Fatima and The Handsome Jew”—Ali Al-Muqri

15 AUGUST 2022 • By Ali al-Muqri
“Fatima and The Handsome Jew”—Ali Al-Muqri
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Fiction

Where to Now, Ya Asfoura?—a story by Sarah AlKahly-Mills

15 JULY 2022 • By Sarah AlKahly-Mills
Where to Now, Ya Asfoura?—a story by Sarah AlKahly-Mills
Book Reviews

Poetry as a Form of Madness—Review of a Friendship

15 JULY 2022 • By Youssef Rakha
Poetry as a Form of Madness—Review of a Friendship
Book Reviews

Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?

11 JULY 2022 • By Fouad Mami
Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?
Book Reviews

Traps and Shadows in Noor Naga’s Egypt Novel

20 JUNE 2022 • By Ahmed Naji
Traps and Shadows in Noor Naga’s Egypt Novel
Fiction

“Godshow.com”—a short story by Ahmed Naji

15 JUNE 2022 • By Ahmed Naji, Rana Asfour
“Godshow.com”—a short story by Ahmed Naji
Fiction

“The Suffering Mother of the Whole World”—a story by Amany Kamal Eldin

15 JUNE 2022 • By Amany Kamal Eldin
“The Suffering Mother of the Whole World”—a story by Amany Kamal Eldin
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Book Reviews

Siena and Her Art Soothe a Writer’s Grieving Soul

25 APRIL 2022 • By Rana Asfour
Siena and Her Art Soothe a Writer’s Grieving Soul
Book Reviews

Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants

18 APRIL 2022 • By Saliha Haddad
Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants
Film

“Breaking Bread, Building Bridges”: a Film Review

15 APRIL 2022 • By Mischa Geracoulis
“Breaking Bread, Building Bridges”: a Film Review
Book Reviews

Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed

28 MARCH 2022 • By Sherine Elbanhawy
Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed
Essays

The Alexandrian: Life and Death in L.A.

15 FEBRUARY 2022 • By Noreen Moustafa
The Alexandrian: Life and Death in L.A.
Film

“The Translator” Brings the Syrian Dilemma to the Big Screen

7 FEBRUARY 2022 • By Jordan Elgrably
“The Translator” Brings the Syrian Dilemma to the Big Screen
Art & Photography

Mapping an Escape from Cairo’s Hyperreality through informal Instagram archives

24 JANUARY 2022 • By Yahia Dabbous
Mapping an Escape from Cairo’s Hyperreality through informal Instagram archives
Essays

Taming the Immigrant: Musings of a Writer in Exile

15 JANUARY 2022 • By Ahmed Naji, Rana Asfour
Taming the Immigrant: Musings of a Writer in Exile
Fiction

“Turkish Delights”—fiction from Omar Foda

15 DECEMBER 2021 • By Omar Foda
“Turkish Delights”—fiction from Omar Foda
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Interviews

The Anguish of Being Lebanese: Interview with Author Racha Mounaged

18 OCTOBER 2021 • By A.J. Naddaff
The Anguish of Being Lebanese: Interview with Author Racha Mounaged
Essays

The Complexity of Belonging: Reflections of a Female Copt

15 SEPTEMBER 2021 • By Nevine Abraham
The Complexity of Belonging: Reflections of a Female Copt
Latest Reviews

Shelf Life: The Irreverent Nadia Wassef

15 SEPTEMBER 2021 • By Sherine Elbanhawy
Shelf Life: The Irreverent Nadia Wassef
Weekly

Reading Egypt from the Outside In, Youssef Rakha’s “Baraa and Zaman”

24 AUGUST 2021 • By Sherifa Zuhur
Reading Egypt from the Outside In, Youssef Rakha’s “Baraa and Zaman”
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Book Reviews

Egypt Dreams of Revolution, a Review of “Slipping”

8 AUGUST 2021 • By Farah Abdessamad
Egypt Dreams of Revolution, a Review of “Slipping”
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Weekly

Midnight in Cairo: The Divas of Egypt’s Roaring 20s

16 MAY 2021 • By Selma Dabbagh
Midnight in Cairo: The Divas of Egypt’s Roaring 20s
Art & Photography

Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia

14 MAY 2021 • By Claudia Wiens
Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia
TMR 6 • Revolutions

Revolution in Art, a review of “Reflections” at the British Museum

14 FEBRUARY 2021 • By Malu Halasa
Revolution in Art, a review of “Reflections” at the British Museum
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
Weekly

Cairo 1941: Excerpt from “A Land Like You”

27 DECEMBER 2020 • By TMR
Cairo 1941: Excerpt from “A Land Like You”
Book Reviews

Egypt—Abandoned but not Forgotten

4 OCTOBER 2020 • By Ella Shohat
Egypt—Abandoned but not Forgotten
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues

Leave a Comment

Your email address will not be published. Required fields are marked *

15 + 20 =

Scroll to Top