Lebanon’s Holy Gatekeepers of Free Speech
Monthly
Opinion
TMR 44 • Gatekeepers

Lebanon’s Holy Gatekeepers of Free Speech

Haibat Balaa Bawab, "Fourth of August 2020," mixed media, acrylic on cardboard, 100x70cm, 2020 (courtesy Singulart).

6 SEPTEMBER 2024 • By Joumana Haddad

Many are convinced that freedom of speech has limits, that it should exclude hate speech, or insults, or derogatory comments, or offensive opinions, especially those related to religion. But if it did, why would free speech even need protection?

“If liberty means anything at all, it means the right to tell people what they do not want to hear.”

—George Orwell

 

 

Tabbouleh is a traditional Lebanese salad made with bulgur, parsley, mint and chopped vegetables, seasoned with olive oil and lemon juice. It is extremely popular and beloved in Lebanon, to the extent that it has become a source of collective pride and a national symbol, just like our famous cedars. Once, some ten years ago, three hundred people gathered in Beirut and broke a Guinness world record by preparing the largest bowl of tabbouleh ever made. People still brag about it to this day. That’s how iconic tabbouleh is in our country.

Now imagine that I do not like tabbouleh, however exquisite it may be to the majority. And let’s suppose that one day, I express my dislike and criticism of tabbouleh outspokenly, on some platform of mine, whether virtual or in the real world. I might even throw in a joke, saying that it comes a close second in uniting Lebanese people after the national faculty of denial. In principle, this is my own taste, my own point of view, my own — however cynical — sense of humor, and I should be free to express it. Right?… Wrong! You see, there are tabbouleh fanatics out there. They LOVE tabbouleh and are very sensitive about anything related to it. They read or hear my criticism somehow, somewhere (I wasn’t even addressing them when I stated it; I was just venting in my own space and they happened to stumble upon it) and they feel deeply hurt (you might say “triggered,” a word very much à la mode nowadays). So, they launch a witch-hunt against me. Their trolls stalk me everywhere and try to destroy my morale, my reputation, my work, etc. They demand that I apologize, ask for forgiveness, be “cancelled.” For how dare I denigrate something they feel so strongly about? How dare I disregard their feelings and talk about tabbouleh the way I did? I might argue that I criticized the product, not its devotees; I could add that I didn’t call for the lynching or killing of those who love/revere the product; that, after all, I am entitled to my personal opinion, and that they can simply criticize this opinion of mine, or ridicule it, or ignore it, or unfollow me, or block me.  But that wouldn’t be enough for them, would it? Their right to free speech (slander and harassment, more often than not) is far more important than mine. Moreover, their personal sensitivities and intellectual/religious/political etc (in this case dietary) comfort are way more precious and valid than my views, so I must completely disappear. Then and only then, justice would be served.

The scenario above might seem quite absurd, exaggeratedly Orwellian even, but I’ve intended this vulgarization to sound an alarm about the dangerous direction in which we are heading, slowly but surely. And I’m not just talking about Lebanon or the Arab world. This is happening everywhere, on a daily basis, and is scary and distressing to say the least. Social media platforms like X have become a hotbed of toxicity, negativity and calls for censorship. Now you might say that I’m belittling the existing polemics, some of which are crucial, by making an analogy between significant causes and something as trivial as a salad, but I am not. For this is how every descent into totalitarian darkness begins. It is a slippery slope. And those who feel strongly about trivial things can easily be drawn into considering them as important as, let’s say, an issue as controversial and sensitive as religion.

Let me be clear here on one point: To me, religion and tabbouleh are of equal importance, or should I say, unimportance, but I chose religion because it has always sparked widespread controversy about whether we can, or cannot, criticize it, or belittle it, or make fun of it and its symbols and figures (we definitely can, by the way, and should be able to), as if it deserved some kind of special treatment. Who says something like tabbouleh won’t be put on the same level somewhere down the road? Fanatics are fanatics, and they tend to emulate each other. Right wing Islamophobes and Islamic fundamentalists in the West are but two among many examples of this dangerous trend.

Let me also be clear on a second point, before the guns are loaded: By no means am I aiming to defend the racists and homophobes and misogynists of this world, and their nasty likes. However, in my humble opinion, these have always existed, and they always will. We might hear their voices more loudly now because of social media and the open world of the internet. Unfortunately, the right to free speech encompasses the pricks and imbeciles as much as it does the decent and kind, and cancelling the pricks and imbeciles won’t make them disappear. Quite the opposite: they feed on what they perceive, or pretend to perceive, as “prejudice” against them, and gain more fame, and even more endorsement and leverage in some cases (which is why they might have launched their provocations in the first place, in a world where even bad publicity is good publicity). It’s a series of useless, energy-consuming vocal wars between what will forever remain a relative right and a relative wrong, depending on which side you stand, while pressing problems like poverty, famine, human trafficking, genocides, etc remain largely untackled.

I’m not pretending that there aren’t topics I feel very strongly about. They are many, and I am invested in each and every one of them. On top of my list are, obviously, women’s rights and the issue of inequality. But I have long stopped wasting my time debating with sexists and giving them the time of day. They are simply not worth it, and such an exchange won’t lead to any transformation in their behavior or way of thought (I once was idealistic or naïve enough to think it would), not to mention that I’d be granting them the attention that they crave. I’ve learned that there are better, more efficient ways to shed light on these issues, fight for them, and maybe, just maybe, make this world a better, more dignified place for the oppressed. I’m not trying to encourage indifference and deter watchfulness or debate here, I’m only saying that many of said ongoing debates, especially on social media platforms, are mere distractions.

Because there’s a crucial distinction to be made between, for example, declaring that women are less important than men and that they’re only good for cooking and making babies and declaring that women “deserve to be beaten up.” The first is an expression of bigotry and idiocy (undeserving of a response or reaction per my current standards), and the second is an incitement to violence, which should be punished by law. It’s one thing to make jokes about homosexuals, and another to advocate that they “should be killed.” Many people are convinced that the line between expression of hatred or bias (free speech, however disgusting) and calls for violence is a blurry one, but it’s actually quite clear.

Furthermore, I’m not saying you can’t or shouldn’t take active action against people who spread hate speech. I’m merely saying that censoring them is not the most efficient punishment. You are merely covering up the dirt, not actually cleaning it. And since when did sweeping the dust under a rug make the dust disappear?

The reason for this rant is an ongoing — and increasing — concern for the state of freedom of speech in Lebanon today. Obviously, there have always been things you cannot think in our dear country, let alone say, or do. This is the world I grew up in, and this is the world I am still living in right now, unfortunately. Religious leaders and institutions in particular have long been the gatekeepers in Lebanon. Only a few months ago, Lebanese stand-up comedian Shaden Faqih was accused of blasphemy because of some jokes she made about Islam on stage. The death threats she received were so serious she was forced to take the decision to leave the country for good. Faqih is, by the way, from a Muslim background — it doesn’t matter to me, of course, but it does matter to the story. She was accused of “inciting religious and sectarian conflict and undermining national unity,” according to Dar El Fatwa, Lebanon’s seat of Sunni authority, and also of “threatening civil peace.” One cannot but be amazed by such a level of hypocrisy. This is a country where corrupt political leaders have completely ruined the State, where catastrophic explosions and assassinations have taken place without anyone  being charged for the crimes, where banks stole citizen’s deposits, and a whole region, the South, is being bombed by Zionist criminals — among many other calamities brought upon us on a daily basis. Yet a simple joke can seemingly outdo all this and annihilate us. Now if this isn’t the actual joke, I don’t know what is.

Do Muslims have a monopoly on this heightened touchiness? Not in Lebanon. As I mentioned before, zealots love to copy each other, and that is for various reasons: one could be a certain form of social jealousy (“why should their cause be more relevant than ours?”), another is covert mutual interests (“if we provoke them into attacking us, we’ll be more credible victims and our cause will gain more traction and validation”). Lebanese Christians are just as thin-skinned as the rest of our god-fearing population. To cite but one example, a radical Christian group called Jnoud el Rabb (a.k.a. the soldiers of God, as if God doesn’t already have enough armies and parties), has emerged in the past couple of years, waging a religious war against the LGBTQ+ community and the so-called “spreaders of sin.” Only last summer, they attacked a gay-friendly club in Beirut and assaulted its patrons and owners. Shortly before that, the Lebanese interior minister had decreed a ban on any activities related to Pride Month after pressures from different religious groups, Christian and Muslim both. And there have been many other incidents in the past which have showcased the lack of tolerance for free choice and free speech amongst Christian religious leaders. In 2013, a group of Lebanese Orthodox priests protested the use of a popular church hymn in a modern dance show at the Baalbeck Festival, and called for its banning. In 2019, the Maronite Catholic Eparchy of Byblos claimed that Mashrou’ Leila’s songs “violate religious values” and demanded their show at the Byblos festival be canceled, which it eventually was. Church leaders accused the band of blasphemy and many people sent them death threats on social media.

This is one of the best materializations of the famous proverb — especially pertinent in Lebanon — “you scratch my back and I’ll scratch yours.” For when fanatic Lebanese Muslims and fanatic Lebanese Christians aren’t fighting one another, they make the best war comrades, waging the same battle against modernity, secularism, open-mindedness and against freedom of expression and choice (specifically any choice related to one’s gender and sexuality), in order to protect — not their convictions, not really — but very much so their interests, their power and their lucrative grip on the Lebanese people, a grip which ultimately serves the corrupt political elite with whom they conspire. And it is about time this country’s religious leaders take their chokeholds off our lives and voices, whether in politics, culture, sexuality, or any other field.

Many are convinced that freedom of speech has limits, that it should exclude hate speech, or insults, or derogatory comments, or offensive opinions, especially those related to religion. But if it did, why would free speech even need protection? Should it just be a conduit for sanctioned beliefs and praise and compliments? Our opinions, whatever they may be, can easily be considered hate speech or an insult or an offense by someone who feels strongly about what we are critiquing or ridiculing. The principle of freedom of speech is specifically meant to protect the speech that someone else might find offensive or mean or wounding or objectionable. Shouldn’t we be able to say anything as long as it doesn’t incite violence or crime? Do human beings have a birthright to not be offended? Being able to hear all kinds of opinions, even — especially — ones you don’t like, even — especially — ones that hurt your feelings or your beliefs, however sacred these beliefs are to you, is an essential part of a free society. We need to remember that “sacred” is both a relative and subjective category. We also need to remember that if someone says something on social media or elsewhere, it doesn’t make their statement true or a “fact.” But herein lies the conundrum: to many, unfortunately, it does indeed make it true. It’s frightening how countless people can be so quick to believe (and relay and spread) something they read on some platform, posted by some anonymous account, even if, especially if, it is saying something negative. This is our real problem: a universal lack of consciousness, lucidity and ability to question and evaluate. Free speech requires societies that are aware, discerning and able to practice the art of critical thinking. That is why human ethics and basic decency and civility are the solution, and promoting them over discrimination, exclusion and aggressiveness can offer a major breakthrough in this otherwise unfruitful and counter-productive debate. 

I’ve never been a fan of political correctness. I believe that insolence, irreverence and desacralization are vital to shaking us out of our comfort zones, combatting the cancer of duplicity, and protecting us from brainwashing and indoctrination. We need to constantly fight for our right to diverge, to not fit in, to not be “mainstream,” to not conform with the masses. Last but not least, let’s keep in mind that there is a name for a place where everyone agrees with each other: It is called a dictatorship.

Look around: our Arab world is rife with them.

 

GATEKEEPERS GATEKEEPERS
Joumana Haddad

Joumana Haddad is an award-winning Lebanese poet, novelist, journalist and human rights activist. She was the cultural editor of An-Nahar newspaper for numerous years, and she now hosts a TV show focusing on human rights issues in the Arab world. She is... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Essays

The Silencing of Algeria

19 SEPTEMBER 2025 • By Ilhem Rachidi
The Silencing of Algeria
Art & Photography

Ali Cherri’s show at Marseille’s [mac] Is Watching You

15 AUGUST 2025 • By Naima Morelli
Ali Cherri’s show at Marseille’s [mac] Is Watching You
Art

Architectural Biennale Confronts Brutality of Climate Change

1 AUGUST 2025 • By Iason Athanasiadis
Architectural Biennale Confronts Brutality of Climate Change
Essays

Are We As Free To Read Books As We Think?

4 JULY 2025 • By Yasmina Jraissati
Are We As Free To Read Books As We Think?
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Essays

Imagining Ghanem—My Return to Lebanon

6 JUNE 2025 • By Amelia Izmanki
Imagining Ghanem—My Return to Lebanon
Book Reviews

An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s A Spring that Did Not Blossom 

30 MAY 2025 • By Rebecca Ruth Gould
An Intimate History of Violence: Beirut Under Siege in Nejmeh Khalil Habib’s <em>A Spring that Did Not Blossom</em> 
Arabic

Jawdat Fakreddine Presents Three Poems

20 MAY 2025 • By Jawdat Fakhreddine, Huda Fakhreddine
Jawdat Fakreddine Presents Three Poems
Art

Going Home to South Lebanon: Abdel Hamid Baalbaki

2 MAY 2025 • By Karina El Helou
Going Home to South Lebanon: Abdel Hamid Baalbaki
Essays

A Letter To My Cruel Lover: Tripoli

2 MAY 2025 • By Lara Kassem
A Letter To My Cruel Lover: Tripoli
Art

On Forgiveness and Path—an Exhibition in Damascus

18 APRIL 2025 • By Robert Bociaga
On Forgiveness and <em>Path</em>—an Exhibition in Damascus
Art

Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief

11 APRIL 2025 • By Marta Mendes
Between Belief and Doubt: Ramzi Mallat’s Suspended Disbelief
Book Reviews

Frankenstein in Baghdad: A Novel for Our Present Dystopia

21 MARCH 2025 • By Deborah Williams
<em>Frankenstein in Baghdad</em>: A Novel for Our Present Dystopia
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Beirut

The Haunting Reality of Beirut, My City

8 NOVEMBER 2024 • By Roger Assaf, Zeina Hashem Beck
The Haunting Reality of <em>Beirut, My City</em>
Art

Beyond Our Gaze: Rethinking Animals in Contemporary Art

1 NOVEMBER 2024 • By Naima Morelli
Beyond Our Gaze: Rethinking Animals in Contemporary Art
Art

Witnessing Catastrophe: a Painter in Lebanon

4 OCTOBER 2024 • By Ziad Suidan
Witnessing Catastrophe: a Painter in Lebanon
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Fiction

The Last Millefeuille in Beirut

4 OCTOBER 2024 • By MK Harb
The Last Millefeuille in Beirut
Opinion

Lebanon’s Holy Gatekeepers of Free Speech

6 SEPTEMBER 2024 • By Joumana Haddad
Lebanon’s Holy Gatekeepers of Free Speech
Essays

My Life Among the Gatekeepers

6 SEPTEMBER 2024 • By Ammiel Alcalay
My Life Among the Gatekeepers
Essays

Meditations on Palestinian Exile and Return

16 AUGUST 2024 • By Dana El Saleh
Meditations on Palestinian Exile and Return
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Columns

Creating Community with Community Theatre

21 JUNE 2024 • By Victoria Lupton
Creating Community with Community Theatre
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Essays

Wajdi Mouawad’s “Controversial” Wedding Day

7 JUNE 2024 • By Elie Chalala
Wajdi Mouawad’s “Controversial” <em>Wedding Day</em>
Theatre

What Kind Of Liar Am I?—a Short Play

7 JUNE 2024 • By Mona Mansour
<em>What Kind Of Liar Am I?</em>—a Short Play
Essays

Omar Naim Exclusive: Two Films on Beirut & Theatre

7 JUNE 2024 • By Omar Naim
Omar Naim Exclusive: Two Films on Beirut & Theatre
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Fiction

“I, Mariam”—a story by Joumana Haddad

26 APRIL 2024 • By Joumana Haddad
“I, Mariam”—a story by Joumana Haddad
Opinion

Equating Critique of Israel with Antisemitism, US Academics are Being Silenced

12 APRIL 2024 • By Maura Finkelstein
Equating Critique of Israel with Antisemitism, US Academics are Being Silenced
Art

Paris, Abstraction and the Art of Yvette Achkar

1 APRIL 2024 • By Arie Amaya-Akkermans
Paris, Abstraction and the Art of Yvette Achkar
Essays

Israel’s Environmental and Economic Warfare on Lebanon

3 MARCH 2024 • By Michelle Eid
Israel’s Environmental and Economic Warfare on Lebanon
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Art

Mohamed Al Mufti, Architect and Painter of Our Time

5 NOVEMBER 2023 • By Nicole Hamouche
Mohamed Al Mufti, Architect and Painter of Our Time
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Fiction

I, SOUAD or the Six Deaths of a Refugee From Aleppo

9 OCTOBER 2023 • By Joumana Haddad
I, SOUAD or the Six Deaths of a Refugee From Aleppo
Theatre

Hartaqât: Heresies of a World with Policed Borders

9 OCTOBER 2023 • By Nada Ghosn
<em>Hartaqât</em>: Heresies of a World with Policed Borders
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Books

“Sadness in My Heart”—a story by Hilal Chouman

3 SEPTEMBER 2023 • By Hilal Chouman, Nashwa Nasreldin
“Sadness in My Heart”—a story by Hilal Chouman
Book Reviews

Laila Halaby’s The Weight of Ghosts is a Haunting Memoir

28 AUGUST 2023 • By Thérèse Soukar Chehade
Laila Halaby’s <em>The Weight of Ghosts</em> is a Haunting Memoir
Film

The Soil and the Sea: The Revolutionary Act of Remembering

7 AUGUST 2023 • By Farah-Silvana Kanaan
<em>The Soil and the Sea</em>: The Revolutionary Act of Remembering
Arabic

Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel

2 JULY 2023 • By Rawand Issa, Amy Chiniara
Inside the Giant Fish—excerpt from Rawand Issa’s graphic novel
Beirut

The Saga of Mounia Akl’s Costa Brava, Lebanon

1 MAY 2023 • By Meera Santhanam
The Saga of Mounia Akl’s <em>Costa Brava, Lebanon</em>
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Fiction

“Mother Remembered”—Fiction by Samir El-Youssef

5 MARCH 2023 • By Samir El-Youssef
“Mother Remembered”—Fiction by Samir El-Youssef
Poetry

Poet Erik Lindner, Words Are the Worst

5 MARCH 2023 • By Erik Lindner
Poet Erik Lindner, <em>Words Are the Worst</em>
Beirut

The Curious Case of Middle Lebanon

13 FEBRUARY 2023 • By Amal Ghandour
The Curious Case of Middle Lebanon
Columns

Moroccans Triumph at World Cup While Press Freedom Suffers

15 DECEMBER 2022 • By Samia Errazzouki
Moroccans Triumph at World Cup While Press Freedom Suffers
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Columns

Free Alaa Now

7 NOVEMBER 2022 • By Jordan Elgrably
Free Alaa Now
Columns

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

24 OCTOBER 2022 • By Melissa Chemam
For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches
Fiction

“Ride On, Shooting Star”—fiction from May Haddad

15 OCTOBER 2022 • By May Haddad
“Ride On, Shooting Star”—fiction from May Haddad
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

16 Formidable Lebanese Photographers in an Abbey

5 SEPTEMBER 2022 • By Nada Ghosn
16 Formidable Lebanese Photographers in an Abbey
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

Why I left Lebanon and Became a Transitional Citizen

27 JUNE 2022 • By Myriam Dalal
Why I left Lebanon and Became a Transitional Citizen
Featured excerpt

Joumana Haddad: “Victim #232”

15 JUNE 2022 • By Joumana Haddad, Rana Asfour
Joumana Haddad: “Victim #232”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Beirut

Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land

25 APRIL 2022 • By Melissa Chemam
Fairouz is the Voice of Lebanon, Symbol of Hope in a Weary Land
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Essays

“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”

15 MARCH 2022 • By Abbas Baydoun, Lily Sadowsky
“Gluttony” from Abbas Beydoun’s “Frankenstein’s Mirrors”
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

My Lebanese Landlord, Lebanese Bankdits, and German Racism

15 DECEMBER 2021 • By Tariq Mehmood
My Lebanese Landlord, Lebanese Bankdits, and German Racism
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Comix

How to Hide in Lebanon as a Western Foreigner

15 DECEMBER 2021 • By Nadiyah Abdullatif, Anam Zafar
How to Hide in Lebanon as a Western Foreigner
Art

Etel Adnan’s Sun and Sea: In Remembrance

19 NOVEMBER 2021 • By Arie Amaya-Akkermans
Etel Adnan’s Sun and Sea: In Remembrance
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

Diary of the Collapse—Charif Majdalani on Lebanon’s Trials by Fire

15 NOVEMBER 2021 • By A.J. Naddaff
<em>Diary of the Collapse</em>—Charif Majdalani on Lebanon’s Trials by Fire
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Columns

Kurdish Poet and Writer Meral Şimşek Merits Her Freedom

4 OCTOBER 2021 • By Jordan Elgrably
Kurdish Poet and Writer Meral Şimşek Merits Her Freedom
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Columns

Remember 18:07 and Light a Flame for Beirut

4 AUGUST 2021 • By Jordan Elgrably
Remember 18:07 and Light a Flame for Beirut
Weekly

War Diary: The End of Innocence

23 MAY 2021 • By Arie Amaya-Akkermans
War Diary: The End of Innocence
Essays

Reviving Hammam Al Jadeed

14 MAY 2021 • By Tom Young
Reviving Hammam Al Jadeed
Art

The Labyrinth of Memory

14 MAY 2021 • By Ziad Suidan
The Labyrinth of Memory
Editorial

Why TRUTH? الحقيقه

15 MARCH 2021 • By Jordan Elgrably
Why TRUTH? الحقيقه
Weekly

Hanane Hajj Ali, Portrait of a Theatrical Trailblazer

14 FEBRUARY 2021 • By Nada Ghosn
Hanane Hajj Ali, Portrait of a Theatrical Trailblazer
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
TMR 3 • Racism & Identity

I am the Hyphen

15 NOVEMBER 2020 • By Sarah AlKahly-Mills
I am the Hyphen
Columns

A Beheading for the Prophet and a Reckoning for France

26 OCTOBER 2020 • By Jordan Elgrably
A Beheading for the Prophet and a Reckoning for France
Beirut

Wajdi Mouawad, Just the Playwright for Our Dystopian World

15 SEPTEMBER 2020 • By Melissa Chemam
Wajdi Mouawad, Just the Playwright for Our Dystopian World
Beirut

Beirut In Pieces

15 SEPTEMBER 2020 • By Jenine Abboushi
Beirut In Pieces
Beirut

Salvaging the shipwreck of humanity in Amin Maalouf’s Adrift

15 SEPTEMBER 2020 • By Sarah AlKahly-Mills
Salvaging the shipwreck of humanity in Amin Maalouf’s <em>Adrift</em>

Leave a Comment

Your email address will not be published. Required fields are marked *

19 + 5 =

Scroll to Top