Mostafa Nodeh (b.1980) is a self-taught Iranian artist and photographer living in Gilan, on the northern coast of Iran.
TMR
Can you tell us about your background and how you started in photography?
My journey in photography began with a deep connection to the world around me and the natural beauty I’ve always been drawn to. Originally, I come from a Kurdish background, and my roots have greatly influenced my creative vision. I started with simple tools, initially capturing images with a mobile phone, but over time, my passion evolved into a more refined and professional practice, particularly in black-and-white minimalism. This choice has allowed me to express complex emotions and ideas through simplicity, as I believe art can be a powerful medium for communicating deeper feelings and stories.
You live outside the capital, Tehran. Do you mainly work with subjects local to where you live, or do you find yourself traveling often for photography stories?
Yes, I live in Qazvin, a city near Gilan that is not far from Tehran but distinct in its own character and rich cultural heritage. While much of my work is inspired by my immediate environment, I do travel frequently for my photography projects. Being inspired by nature and the stories of the people around me, I often explore various landscapes and communities to capture the struggles and challenges they face. Traveling helps me expand my perspective and bring new insights into my work.
Who are your clients? Do you have a curriculum vitae of photo shows?
My clients range from art galleries, cultural institutions, to media outlets and individual projects. Although most of my work is self-driven, many of my pieces have been showcased in exhibitions both within Iran and internationally. Over the years, I’ve collaborated with different artistic organizations, which has provided me with the opportunity to exhibit my work in various parts of the world.
How do you feel the isolation of the western world and the economic embargoes that penalize Iran may have affected your life, your creative career?
The isolation due to economic sanctions and the challenges of living outside the global art scene have undoubtedly affected my career. However, these conditions have also presented opportunities for growth. The limitations on access to technology and materials push me to think more creatively, and I’ve learned to make the most out of what’s available. While these challenges are real, art continues to provide a means for expressing thoughts and connecting with others across boundaries.
Do you feel there are limitations to what you can do? Or are you able to exercise the freedom you desire?
There are certainly limitations in the resources available to me and in terms of access to international platforms. However, I view these limitations as creative challenges rather than obstacles. I am still able to express my vision and push my artistic boundaries. In fact, I find that working within constraints often leads to new forms of creativity and exploration.
The future feels both challenging and hopeful. On a personal level, I am committed to expanding my practice, seeking out new opportunities for international exposure, and continuing to develop my narrative through photography. For the art scene in Iran, despite the restrictions, there is a growing sense of resilience and innovation. Iranian artists are increasingly finding ways to share their work, both locally and globally, and I believe art will continue to thrive in the face of adversity.
What does the future look like for you?
As an artist, I strive to capture not just the visual beauty of the world but also the emotional and philosophical depth of the subjects I engage with. In my black-and-white photography, I aim to focus on the details and forms without the distraction of color, which reflects my personal philosophy of observing both the inner and outer worlds.
