Strangers at Home: Young Palestinians in Israel

Samah Shihadi (b. Galilee 1987), "The Hunter," charcoal on paper, 100×70cm, 2021 & "Four Elements," charcoal on paper, 100×70cm, 2022 (courtesy Tabari Art Space).

2 MAY 2025 • By Sophia Didinova
For young Palestinian citizens of Israel, home is both a place of belonging and exclusion. Caught between legal nationality and cultural identity, they navigate life in a country that treats them as both insiders and outsiders. They say life is stranger than fiction. In this story, the names are changed and exact hometown locations are omitted to protect the security of those interviewed. The rest is true.

 

Sophia Didinova

 

“Home is where the heart is … and home is Palestine,” says Rana. “It’s here. It’s my country.”

Yet, the road home might take forever for the 24-year-old, a proud Palestinian born and raised in one of many Arab towns in what is now called Israel. Rana’s hometown is a tiny traditional village where everyone knows one another. It is surrounded by other Arab villages, where families speak Arabic, and children don’t hear Hebrew until they start learning it at school. Still, Tel Aviv is just a 90-minute drive away, and an Israeli passport is what defines those like Rana in legal terms, both inside the country and internationally.  

“I feel like I’m cheating on my Palestinian identity,” she says. “It’s hard to be an Israeli while deep in your heart you feel that you’re not.”

Rana is one of the nearly two million Palestinian citizens of Israel whose families remained on their land after 1948. For their descendants, returning home has nothing to do with crossing borders. Instead, it marks an emotional and psychological journey toward a sense of belonging in a country that often treats them as outsiders. They have to constantly redefine the concept of home, not as a place of comfort or recognition, but as a site of survival and longing. To belong to the homeland, they must navigate a daily tension between what the land means to them and who they are on this land.

“I identify myself as a Palestinian who lives under occupation,” declares Rana without hesitation. 

This firm belief, just a year ago, was only a fragile sense of discomfort in her homeland. It took a solid shape when she left Israel to attend a month-long leadership program abroad. There, she felt the difference: for the first time, she felt free and safe — in a place so far from home.

“I realized how bad our reality is,” she said. “I study with them. I work with them. I live with them — but they don’t like us. And if they had the chance, they would kick us out of this country.”

Still, it wasn’t exactly an awakening. Looking back, Rana’s fear around Jewish Israelis was always present. 

“When I was a kid, I preferred to stay quiet and not talk about anything with Jewish people,” she says. “But when I grew up, I realized this is my reality, so I have to be strong. I have to be brave, to talk in their language and to talk to them.”

Rana has been living in Tel Aviv now for a couple of years. At university and work, she speaks perfect Hebrew. But at home — with family and friends — she still only speaks Arabic. Rana has not made Jewish friends or felt any real connection to the Jewish Israeli majority.   

“I don’t feel safe in this country,” she says, recalling the endless cycle of headlines — Arabs killed by Jews, Jews killed by Arabs. “No one feels safe, actually. Not us and not Jewish people.” 

Despite the constant tensions of living in Israel, Rana had never been able to imagine herself moving away from Palestine before her trip abroad. “Because this is my home country, my Palestine,” she explains. 

But now, the Palestine she carries inside is overshadowed by the “hard reality” of “occupation,” as she puts it. Since returning to Israel, she has been considering emigrating. Still, the thought of leaving behind her family and friends — the home that no occupier can deny her right to — makes it feel impossible.

Rana’s viewpoint, however, is just one among many held by the young Palestinian citizens of Israel. Each has developed their own coping mechanisms and survival strategies to reconcile themselves to the only home they have ever known, even in a state that doesn’t really want them.


For Lina, like Rana, the idea of return is not about a movement elsewhere; it’s about learning how to remain. She grew up in an Arab town in the Galilee region, where her family has lived for nearly 20 generations. There, neighbors speak the same language, have the same customs and pass down traditions — from weddings to Ramadan gatherings. 

“You still feel like you have your own culture,” Lina says. “A very Arab culture.”

She describes people in her hometown as valuing culture and education and ready to give up everything to ensure a better life for their children. The town itself is nationally known for having produced many doctors. 

Lina moved to Tel Aviv six years ago for university. From a distance, she noticed how the quality of life back home declined with the worsening of organized crime, a condition the government did nothing to help counter. 

“It became so normal to hear about random shootings [in my hometown],” she says. “Thank God my mom is only a teacher and my father a lawyer. We aren’t rich enough to be targeted.”

Lina is well aware of the economic, social and criminal problems in her country. Still, despite the instability and violence, she could never imagine leaving her land behind and starting a family anywhere else.

“Being with family makes me feel at home,” she says. “But more generally, being in Palestine, Israel, the Holy Land at large is what actually makes me feel at home.”

On this occasion, Lina was speaking to me from a bomb shelter, where she had taken cover after a siren went off. Despite that, she insists that there’s no better place for Palestinian citizens of Israel like her, who are often hated for either one or the other part of their complicated identity.

“Both are facts,” she says, describing her approach as realistic and non-dramatic. “It’s a fact that I’m Palestinian, and it’s also a fact that I’m an Israeli citizen.”

So, Lina tries to feel at home in Israel. For now, that home is Tel Aviv — a place she is connected to “out of convenience.” Over the years, Lina has found favorite places that feel safe and comfortable and has built a circle of friends — mostly Arabs and some Jewish classmates from the university. 

Lina is an involved citizen. She cares about politics and votes in the Knesset parliament elections — because, as she puts it, “everything that happens here affects Palestinians more, as the weaker part of the population.”

Still, she’s unsure whether the country and its policies will ever truly allow her to feel at home.

“It’s very hard to identify with the country when you have people that basically hate you because you’re a Palestinian,” she says. “They don’t even use the word Palestinian — they say ‘Israeli Arabs’ to try to exclude you from identity.” 

Lina spends time abroad almost every year. Yet still, as it is for so many other Palestinian citizens of Israel, it’s hard to imagine not returning to her country. Lina insists on staying, even in a home that both claims and rejects her. 

Her family is here. Her life is here. And she knows how to move through it — even if it means having to simplify who she is from time to time.

“If a security guard in the passport control asks me, ‘Where are you from?’ I’m not giving him a history lesson,” she said. “I’m just saying: Israel.”


Samah Shihadi At the Crossroads charcoal on paper 100×70cm 2022 courtesy Tabari Art Space
Samah Shihadi, “At the Crossroads,” charcoal on paper, 100×70cm, 2022 (courtesy Tabari Art Space).

Mohammed, 25, comes from an Arab village in northern Israel, surrounded by a couple of Jewish towns. From a young age, he grew up interacting with both Arabs and Jews, as people in his hometown, as he says, “forgot their past.” Instead, they looked toward the future, sharing food, conversations and daily life with their Jewish neighbors.

Now a graduate student, Mohammed receives a scholarship from an Israeli private foundation and volunteers with the organization. The vast majority of its members are Jewish.

“They all respect me,” he said. “A lot of them helped me through my years of study. I can’t be ungrateful — I have a lot of Jewish friends. I respect them and care about them.” 

His conversations with Jewish peers can last for hours. But the depth of these friendships, he says, has limits. “We still have our differences,” Mohammed explains. 

His deepest connections — family and closest friends — are Palestinians from his hometown. That village, more than any institution or national identity, is what anchors Mohammed. Returning home for him means holding onto the village.

He came to really understand this during the Covid-19 pandemic, when he volunteered as part of the public health response, delivering food and supplies and checking in on neighbors. That experience changed how he thought about home.

“When you fight for something, you become loyal to it,” he says. “Before, I was only loyal to my family. But after [the pandemic], I became loyal to the village.”

Mohammed is now certain that his home is the village that made him. In conversation, he sometimes mistakenly refers to it as his “country,” which he can’t imagine leaving behind. 

“Even if I have to fight everyone, I’m not going to leave,” he said. “I don’t care what you call it — Israel, Palestine, whatever else — I just want to live here.” 

In reality, however, the naming matters. As long as his village is part of the state of Israel, the mere idea of staying home causes Mohammed what he describes as an “identity crisis.” 

“I don’t want to leave my village. I want to stay here with my friends and family,” he says. “But if you say that you’re [just] Palestinian, you can’t stay here.”

This is partly for political reasons. The Israeli state, as Lina said, insists that its Palestinian citizens primarily identify themselves as Israeli. And this singular view of identity extends to the way everyone else sees people like Lina and Mohammed as well.   

Effectively, says Mohammad, “You can’t be both Palestinian and Israeli. Jewish people see you as non-Jewish. Arabs around us see us as non-Arab. It’s not what you call yourself — it’s what the environment tells you you are.”

And that environment doesn’t offer much space for expression, let alone acceptance.

“I can’t stand up in college and say, ‘Israel is doing something wrong.’ I’m not even talking about the war — just in general,” he says, noting that a lot of students are afraid to speak out at risk of being kicked out of school. “We’re living in a different kind of danger.”

Outside campus, danger comes in the form of actual violence that disproportionately affects the Palestinian minority in Israel. Like Lina and Rana, Mohammed feels as though the state is unwilling to protect him in his own country. “But if you go into a Jewish village and you scream, two minutes later, you’ll be in jail,” Mohammed said. 

Even his emotions aren’t safe from contradiction, as the war has thrown him into more intense internal turmoil. “If I hear that someone from Israel died in a rocket attack, I feel bad. If a Palestinian is killed by Jewish people, I feel sad and angry,” he said. “But I can’t hate either side because I’m both.”

To stay, he must move through his life with caution, adjusting his identity, choices and words. “For me, as an Arab who wants to be successful within the situation he lives in, you’ve got to play both sides in a very careful way.”

Like Lina, he believes there is nowhere else to go — no other place that can accommodate or even understand who he is. Nor does leaving feel like any kind of solution — not when his ancestors stayed to resist, and not when his village still holds fast to a particular way of being. Still, the identity on his papers doesn’t capture who he is or what it means to stay.

“No one will see your Israeli passport and ask who you really are,” Mohammed said. “They’ll just see one thing and decide. But we are more than that. We are still here. And that has to mean something.”

 

Sophia Didinova

Sophia Didinova Sophia Didinova is a freelance journalist in Doha, Qatar. She covers the social consequences of politics and power. Her work has appeared in The Moscow Times, Novaya Gazeta Europe, VPM, and UPI.

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

RELATED

Essays

I Don’t Have Time For This Right Now

5 SEPTEMBER 2025 • By Real Bakhit
I Don’t Have Time For This Right Now
Poetry

Nasser Rabah on Poetry and Gaza

4 JULY 2025 • By Nasser Rabah
Nasser Rabah on Poetry and Gaza
Book Reviews

Djinns Unveils Silence in the Home

9 MAY 2025 • By Elena Pare
<em>Djinns</em> Unveils Silence in the Home
Art

Neither Here Nor There

2 MAY 2025 • By Myriam Cohenca
Neither Here Nor There
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Books

Exile and Hope: Sudanese creatives and the question of home

2 MAY 2025 • By Ati Metwaly
Exile and Hope: Sudanese creatives and the question of home
Essays

Home is Elsewhere: On the Fictions of Return

2 MAY 2025 • By Mai Al-Nakib
Home is Elsewhere: On the Fictions of Return
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Essays

Strangers at Home: Young Palestinians in Israel

2 MAY 2025 • By Sophia Didinova
Strangers at Home: Young Palestinians in Israel
Books

Four Gates to the Hereafter: On The Dissenters

4 APRIL 2025 • By Youssef Rakha
Four Gates to the Hereafter: On The Dissenters
Art

Finding Emptiness: Gaza Artist Taysir Batniji in Beirut

21 FEBRUARY 2025 • By Jim Quilty
Finding Emptiness: Gaza Artist Taysir Batniji in Beirut
Fiction

Baxtyar Hamasur: “A Strand of Hair Shaped Like the Letter J”

7 FEBRUARY 2025 • By Jiyar Homer, Hannah Fox
Baxtyar Hamasur: “A Strand of Hair Shaped Like the Letter J”
Books

Susan Abulhawa at Oxford Union on Palestine/Israel

6 DECEMBER 2024 • By Susan Abulhawa
Susan Abulhawa at Oxford Union on Palestine/Israel
Poetry

Gregory Pardlo presents Two Poems

24 NOVEMBER 2024 • By Gregory Pardlo
Gregory Pardlo presents Two Poems
Memoir

“The Ballad of Lulu and Amina”—from Jerusalem to Gaza

1 NOVEMBER 2024 • By Izzeldin Bukhari
“The Ballad of Lulu and Amina”—from Jerusalem to Gaza
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Centerpiece

Khaled Jarrar: Artist At Work

4 OCTOBER 2024 • By Khaled Jarrar
Khaled Jarrar: Artist At Work
Essays

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Book Reviews

This Strange Eventful History by Claire Messud —A Review

31 MAY 2024 • By Katherine A. Powers
<em>This Strange Eventful History</em> by Claire Messud —A Review
Book Reviews

Man Is a Cause: Wisam Rafeedie & the Palestinian Revolutionary Novel

19 APRIL 2024 • By Rebecca Ruth Gould
Man Is a Cause: Wisam Rafeedie & the Palestinian Revolutionary Novel
Film

Hollywoodgate—New Doc Captures the Post-American Taliban

19 APRIL 2024 • By Iason Athanasiadis
<em>Hollywoodgate</em>—New Doc Captures the Post-American Taliban
Essays

Israeli & Palestinian Filmmakers Accused of Anti-semitism at Berlinale

11 MARCH 2024 • By Viola Shafik
Israeli & Palestinian Filmmakers Accused of Anti-semitism at Berlinale
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Essays

Meditations on Occupation, Architecture, Urbicide

25 DECEMBER 2023 • By Arie Amaya-Akkermans
Meditations on Occupation, Architecture, Urbicide
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Book Reviews

What We Write About When We (Arabs) Write About Love

23 OCTOBER 2023 • By Eman Quotah
What We Write About When We (Arabs) Write About Love
Editorial

Palestine and the Unspeakable

16 OCTOBER 2023 • By Lina Mounzer
Palestine and the Unspeakable
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Book Reviews

A Day in the Life of Abed Salama: A Palestine Story

16 OCTOBER 2023 • By Dalia Hatuqa
<em>A Day in the Life of Abed Salama</em>: A Palestine Story
Books

Edward Said: Writing in the Service of Life 

9 OCTOBER 2023 • By Layla AlAmmar
Edward Said: Writing in the Service of Life 
Fiction

“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem

1 OCTOBER 2023 • By Dina Abou Salem
“Kaleidoscope: In Pursuit of the Real in a Virtual World”—fiction from Dina Abou Salem
Book Reviews

Ilan Pappé on Tahrir Hamdi’s Imagining Palestine

7 AUGUST 2023 • By Ilan Pappé
Ilan Pappé on Tahrir Hamdi’s <em> Imagining Palestine</em>
Book Reviews

The Failure of Postcolonial Modernity in Siddhartha Deb’s Light

17 JULY 2023 • By Anis Shivani
The Failure of Postcolonial Modernity in Siddhartha Deb’s <em>Light</em>
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Essays

Being Without Belonging: A Jewish Wedding in Abu Dhabi

2 JULY 2023 • By Deborah Kapchan
Being Without Belonging: A Jewish Wedding in Abu Dhabi
Book Reviews

The Yellow Birds Author Returns With Iraq War/Noir Mystery

29 MAY 2023 • By Hamilton Cain
<em>The Yellow Birds</em> Author Returns With Iraq War/Noir Mystery
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Cities

Home is a House in Oman

5 MARCH 2023 • By Priyanka Sacheti
Home is a House in Oman
Poetry

Poet Erik Lindner, Words Are the Worst

5 MARCH 2023 • By Erik Lindner
Poet Erik Lindner, <em>Words Are the Worst</em>
Fiction

“Holy Land”—short fiction from Asim Rizki

27 FEBRUARY 2023 • By Asim Rizki
“Holy Land”—short fiction from Asim Rizki
Art

Displacement, Migration are at the Heart of Istanbul Exhibit

13 FEBRUARY 2023 • By Jennifer Hattam
Displacement, Migration are at the Heart of Istanbul Exhibit
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Book Reviews

Changing Colors — Reflections on The Last White Man

15 NOVEMBER 2022 • By Jordan Elgrably
Changing Colors — Reflections on <em>The Last White Man</em>
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Book Reviews

Poems of Palestinian Motherhood, Loss, Desire and Hope

4 JULY 2022 • By Eman Quotah
Poems of Palestinian Motherhood, Loss, Desire and Hope
Fiction

“The Peacock” — a story by Sahar Mustafah

4 JULY 2022 • By Sahar Mustafah
“The Peacock” — a story by Sahar Mustafah
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Editorial

From the Editor: On Being “Palestinian” in Israel

15 MAY 2022 • By Jordan Elgrably
From the Editor: On Being “Palestinian” in Israel
Essays

Can the Bilingual Speak?

15 MAY 2022 • By Anton Shammas
Can the Bilingual Speak?
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY 2022 • By Mischa Geracoulis
Book Reviews

Joumana Haddad’s “The Book of Queens”: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s “The Book of Queens”: a Review
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Art

Atia Shafee: Raw and Distant Memories

15 FEBRUARY 2022 • By Atia Shafee
Atia Shafee: Raw and Distant Memories
Essays

“Where Are You From?” Identity and the Spirit of Ethno-Futurism

15 FEBRUARY 2022 • By Bavand Karim
“Where Are You From?” Identity and the Spirit of Ethno-Futurism
Art

Silver Stories from Artist Micaela Amateau Amato

15 FEBRUARY 2022 • By Micaela Amateau Amato
Silver Stories from Artist Micaela Amateau Amato
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Featured article

Killing Olive Trees Fails to Push Palestinians Out

15 NOVEMBER 2021 • By Basil Al-Adraa
Killing Olive Trees Fails to Push Palestinians Out
Book Reviews

Poetry: Mohammed El-Kurd’s Rifqa Reviewed

15 OCTOBER 2021 • By India Hixon Radfar
Poetry: Mohammed El-Kurd’s <em>Rifqa</em> Reviewed
Fiction

“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”

15 SEPTEMBER 2021 • By Karima Ahdad
“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Editorial

Why WALLS?

14 MAY 2021 • By Jordan Elgrably
Why WALLS?
Essays

The Bathing Partition

14 MAY 2021 • By Sheana Ochoa
The Bathing Partition
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Essays

Panopticon of Kashmir

14 MAY 2021 • By Ifat Gazia
Panopticon of Kashmir
Book Reviews

Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?

15 NOVEMBER 2020 • By Rebecca Allamey
Are Iranians—Restricted by the Trump Era Muslim-Country Ban—White?
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now

Leave a Comment

Your email address will not be published. Required fields are marked *

20 − three =

Scroll to Top