Why NATIONALITY?
Monthly
Editorial

Why NATIONALITY?

NATIONALITY featured artist El Mehdi Largo.

7 NOVEMBER 2025 • By Jordan Elgrably, Malu Halasa

When it comes to nationality, we are richer for the diversity of our identities, and poorer for our divisions.

Uganda-born Zohran Mamdani is the mayor-elect of New York City. He’s married to Rama Duwaji, a Syrian American artist. He’s Muslim, he’s an immigrant, his parents are immigrants; under the Trump regime, immigrants have been hunted down and sent to prisons abroad; the immigrant is the Other, he has been criminalized. Mamdani’s election has inexorably altered perceptions, or at least changed the tenor of the conversation about immigrants and national identity.

We remember that immigrants made the Americas, from Canada to the tip of Argentina. Immigrants have made many countries; certainly have changed the way the country conceives of itself. Just think, Arabs occupied Sicily for two hundred years; Sicily has been occupied by Greeks, Romans, Vandals, and Vikings. How does the contemporary Sicilian conceive of her identity?

The Moors, of course, famously occupied the Iberian Peninsula, Spain and Portugal, for 800 years, during the reign of Al-Andalus. Imagine how that has inflected contemporary Spanish identity (Spaniards say “ojalá,” meaning I hope so, a dozen times a day, without remembering that it came from the Arabic and Islamic expression “inshallah”—if God wills it).

When it comes to thinking about nationality, we can’t help but think about language. Remember, many of us have been colonized, and have learned to speak the colonizer’s language. Over a thousand years ago, the Arabs colonized the indigenous peoples of North Africa, the Bedawi, and the Amazigh; over 500 years ago, Europeans colonized the Americas. Hence we can say that Arabic, as well as English, Spanish, and French, are colonizing languages, and that they are responsible for the oppression of indigenous languages, which in some cases are nearly extinct, and in others, experiencing a revival, as Catalan is in northeastern Spain. But the colonized also benefit from mastering the colonizer’s language — the conversation goes in both directions.

Who belongs and who doesn’t? Nationality is a red-hot issue. The masked men and women of ICE in the US cast their net wide, from Hispanic Americans and undocumented Venezuelan migrants to Irish tourists who overstay their visas, and send them to decrepit detention centers in America’s MAGA-loving south. In Europe, too, nationality is a defining issue. The small boats filled with Kurds, Sudanese, Afghans, and others arrive along the UK coast during a summer of far-right riots in front of asylum seekers’ hotels. Where people come from and their nationalities has become a defining matter of a world in crisis, where people on the move refuse to stop fleeing conflict, civil war, drought, and poverty.

When it comes to securing equal rights for all the people in a land, nationalism is an abject failure, as a poem by Mahmoud Darwish suggests. In “Passport” he writes:

All the hearts of the people are my identity
So take away my passport!

More than half the Palestinians in the world remain stateless, and the Palestinians citizens of Israel do not enjoy the same rights as their Jewish counterparts. Their nationalism means inbuilt discrimination and lower life expectancies.


Artist El Mehdi Largo on the cover of TMR 55 • NATIONALITY
Artist El Mehdi Largo on the cover of TMR 55 • NATIONALITY.

According to the Merriam Webster dictionary, the five aspects of nationalism include national character, loyalty, and devotion to a nation; national status and membership to a particular nation; political independence or existence as a separate nation; and people with a common origin, tradition, and language and capable of forming or actually constituting a nation-state or an ethnic group, an element in a larger unit. However, the synonyms for nationality widen and enrich the word’s possibilities: ethnicity, race, family, clan, and kindred, to name a few. In the age of social media, nationality no longer strictly refers to a country, it could mean religion, identity, or pure and simple guilt by association, as seen by rightwing conspiracy theorist Laura Loomer’s successful campaign to stop badly wounded and starving Gazan children from receiving medical treatment in the US.

In TMR 55 • NATIONALITY, our centerpiece essay by Adam Makary, “The Grammar of Power,” investigates the hypocrisy and double standards of western liberalism when it comes to the lives of Palestinians. In “We the Wanderers,” our featured artist El Mehdi Largo muses on how he went from being a Moroccan to an Italian, but then in France discovered that he was an Arab after all. Largo insists that “we — immigrants, wanderers — following the setting sun into exile, we are the ultimate seekers of meaning.”

In “The Absent Homeland,” Mayssa Alajjan comes to grips with the fact that although she was born and raised in Lebanon, the country refuses to grant her nationality, because her father was Syrian. In “Home, a State of Restlessness,” a third-generation Muslim Kenyan woman of Indian descent living in London, Neemah Ahamed, longs for life in Athens, as she empathizes with Palestinians in Gaza and diaspora. She writes, “Maybe the paradox is to recognize that home for me is not a place, but a state of ‘restlessness.’” In the short story “Paranoia,” by Parand, contemporary Afghan society is depicted from opposing perspectives — women who are losing all semblance of their freedom, versus the Taliban who have their own rigid ideas about what it means to be Afghan. And in the short story “Sultana to the Rescue,” Lebanese writer MK Harb welcomes a poor woman into his home, unwittingly realizing that it is she who is saving him.

All of our contributors this month, including Amy Omar writing on Turkish wanderer and fiction writer Ayşegül Savaş; Nohshin Bokth exploring the work of British-Iraqi writer Dalia Al-Dujaili; Gaar Adams reviewing two books exploring Gulf identity; and TMR’s 2025-2026 editorial fellow Lara Vergnaud interviewing French-Palestinian and Lebanese novelist Jadd Hilal, work to excavate what it means to be of a people, a culture, a nationality, or even a tribe. At the end of the day, we are richer for the diversity of our identities, and poorer for our divisions.

Jordan Elgrably and Malu Halasa

Jordan Elgrably

Jordan Elgrably is an American, French, and Moroccan writer and translator. His stories and creative nonfiction have appeared in many anthologies and reviews, including Apulée, Salmagundi, and the Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and... Read more

Malu Halasa

Malu Halasa is the Literary Editor at The Markaz Review. A London-based writer, journalist, and editor with a focus on Palestine, Iran, and Syria. She is the curator of Art of the Palestinian Poster at the P21 Gallery, as part the Shubbak:... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Editorial

Why NATIONALITY?

7 NOVEMBER 2025 • By Jordan Elgrably, Malu Halasa
Why NATIONALITY?
Essays

I Don’t Have Time For This Right Now

5 SEPTEMBER 2025 • By Re'al Bakhit
I Don’t Have Time For This Right Now
Book Reviews

Egyptian Novelist Skewers British Bureaucracy with Black Humor

15 AUGUST 2025 • By Valeria Berghinz
Egyptian Novelist Skewers British Bureaucracy with Black Humor
Film

From A World Not Ours to a Land Unknown

13 JUNE 2025 • By Jim Quilty
From A World Not Ours to a <em>Land Unknown</em>
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Books

Exile and Hope: Sudanese creatives and the question of home

2 MAY 2025 • By Ati Metwaly
Exile and Hope: Sudanese creatives and the question of home
Book Reviews

An Immigrant in America: The Palace of Forty Pillars

18 APRIL 2025 • By Sean Casey
An Immigrant in America: <em>The Palace of Forty Pillars</em>
Art

Afghanistan’s Histories of Conflict, Resistance & Desires

7 MARCH 2025 • By Jelena Sofronijevic
Afghanistan’s Histories of Conflict, Resistance & Desires
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
Art & Photography

Featured Artists: “Barred From Home”

6 SEPTEMBER 2024 • By Malu Halasa
Featured Artists: “Barred From Home”
Essays

What Is Home?—Gazans Redefine Place Amid Displacement

31 MAY 2024 • By Nadine Aranki
What Is Home?—Gazans Redefine Place Amid Displacement
Poetry

Moheb Soliman presents two poems from HOMES

8 MAY 2024 • By Moheb Soliman
Moheb Soliman presents two poems from <em>HOMES</em>
Essays

Holding Back the Bobos: Portrait of Paris’ Belleville

1 APRIL 2024 • By Cole Stangler
Holding Back the Bobos: Portrait of Paris’ Belleville
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Book Reviews

Love Across Borders—on Romance, Restrictions and Happy Endings

4 FEBRUARY 2024 • By Lina Mounzer
<em>Love Across Borders</em>—on Romance, Restrictions and Happy Endings
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Essays

Forging Peace for Artsakh—The Debacle of Nagorno Karabagh

16 OCTOBER 2023 • By Seta Kabranian-Melkonian
Forging Peace for Artsakh—The Debacle of Nagorno Karabagh
Theatre

Lebanese Thespian Aida Sabra Blossoms in International Career

9 OCTOBER 2023 • By Nada Ghosn
Lebanese Thespian Aida Sabra Blossoms in International Career
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Fiction

“The Afghan and the Persian”—a short story by Jordan Elgrably

2 JULY 2023 • By Jordan Elgrably
“The Afghan and the Persian”—a short story by Jordan Elgrably
Fiction

The Ship No One Wanted—a story by Hassan Abdulrazak

2 JULY 2023 • By Hassan Abdulrazzak
The Ship No One Wanted—a story by Hassan Abdulrazak
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Interviews

The Markaz Review Interview—Faïza Guène  

22 MAY 2023 • By Melissa Chemam
The Markaz Review Interview—Faïza Guène  
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Beirut

Interview with Michale Boganim, Director of Tel Aviv-Beirut

20 MARCH 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Book Reviews

To Receive Asylum, You First Have to be Believed, and Accepted

5 MARCH 2023 • By Mischa Geracoulis
To Receive Asylum, You First Have to be Believed, and Accepted
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Art

Displacement, Migration are at the Heart of Istanbul Exhibit

13 FEBRUARY 2023 • By Jennifer Hattam
Displacement, Migration are at the Heart of Istanbul Exhibit
Poetry Markaz

Poet Mihaela Moscaliuc—a “Permanent Immigrant”

5 FEBRUARY 2023 • By Mihaela Moscaliuc
Poet Mihaela Moscaliuc—a “Permanent Immigrant”
Featured excerpt

Fiction: Inaam Kachachi’s The Dispersal, or Tashari

5 FEBRUARY 2023 • By Inaam Kachachi
Fiction: Inaam Kachachi’s <em>The Dispersal</em>, or <em>Tashari</em>
Fiction

“The Truck to Berlin”—Fiction from Hassan Blasim

5 FEBRUARY 2023 • By Hassan Blasim
“The Truck to Berlin”—Fiction from Hassan Blasim
Film

The Story of Youssef Salem, Nominated for the Goncourt

16 JANUARY 2023 • By Laëtitia Soula
The Story of Youssef Salem, Nominated for the Goncourt
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Art

French-Algerian Artist Djamel Tatah’s Solitary Crowds

12 DECEMBER 2022 • By Laëtitia Soula
French-Algerian Artist Djamel Tatah’s Solitary Crowds
Film Reviews

Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy

7 NOVEMBER 2022 • By Sarah Eltantawi
Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 2

31 OCTOBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 2
Poetry

We Say Salt from To Speak in Salt

15 OCTOBER 2022 • By Becky Thompson
We Say Salt from <em>To Speak in Salt</em>
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Fiction

“Another German”—a short story by Ahmed Awadalla

15 SEPTEMBER 2022 • By Ahmed Awadalla
“Another German”—a short story by Ahmed Awadalla
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Music Reviews

Hot Summer Playlist: “Diaspora Dreams” Drops

8 AUGUST 2022 • By Mischa Geracoulis
Hot Summer Playlist: “Diaspora Dreams” Drops
Columns

Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album

18 JULY 2022 • By Melissa Chemam
Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

“Godshow.com”—a short story by Ahmed Naji

15 JUNE 2022 • By Ahmed Naji, Rana Asfour
“Godshow.com”—a short story by Ahmed Naji
Art

Lisa Teasley: “Death is Beautiful”

15 JUNE 2022 • By Lisa Teasley
Lisa Teasley: “Death is Beautiful”
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Art

Book Review: “The Go-Between” by Osman Yousefzada

13 JUNE 2022 • By Hannah Fox
Book Review: “The Go-Between” by Osman Yousefzada
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Book Reviews

Joumana Haddad’s The Book of Queens: a Review

18 APRIL 2022 • By Laila Halaby
Joumana Haddad’s <em>The Book of Queens</em>: a Review
Columns

Music in the Middle East: Bring Back Peace

21 MARCH 2022 • By Melissa Chemam
Music in the Middle East: Bring Back Peace
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Centerpiece

Climate Disasters Hasten the Advent of a World Refugee Crisis

15 NOVEMBER 2021 • By Omar El Akkad
Climate Disasters Hasten the Advent of a World Refugee Crisis
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Essays

Voyage of Lost Keys, an Armenian art installation

15 SEPTEMBER 2021 • By Aimée Papazian
Voyage of Lost Keys, an Armenian art installation
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Editorial

Why WALLS?

14 MAY 2021 • By Jordan Elgrably
Why WALLS?
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
TMR 7 • Truth?

Allah and the American Dream

14 MARCH 2021 • By Rayyan Al-Shawaf
Allah and the American Dream
Essays

A Permanent Temporariness

14 FEBRUARY 2021 • By Alia Mossallam
A Permanent Temporariness
TMR 4 • Small & Indie Presses

Hassan Blasim’s “God 99”

14 DECEMBER 2020 • By Hassan Blasim
Hassan Blasim’s “God 99”

Leave a Comment

Your email address will not be published. Required fields are marked *

5 × 3 =

Scroll to Top