LA Sketches: Sneakers and the Man From Taroudant
15 FEBRUARY, 2022 • By TMR
Dreamer-designer Khalid Naitzehou, the man from Taroudant, in his workshop at L.A.’s Farmers Market (all photos courtesy Julian DeGuzman and SD Footwear School).

 

Khalid Naitzehou was born into an Amazigh village in rural southern Morocco and moved to Taroudant with his family as a young boy. When he was nine, he began an apprenticeship with a local sandal maker in Taroudant, where his hard work ethic, artistic passion, and creativity was ignited. “The first shoe master I worked for as a kid,” Khalid recalls, “made us celebrate Thursdays as our ‘creative day,’ when we would use leftover materials to create something new, including bracelets, keychains and sandals. That was when my creativity really kicked in, and it had the additional benefit of making me good at drawing.”

Fastforward to the present day — Khalid now lives in L.A. and owns a shoe repair shop at the original Farmers Market at Fairfax and 3rd Streets, where he leads creativity projects and performs repairs for each customer with a unique approach and attention to detail. Whether it be a heel replacement, arch support, handbag repair, or custom foot challenge, he will design something unique and comfortable.

In January 2022, Khalid enrolled in a four-day Custom Sneaker Course offered by “SD Custom Footwear,” to custom-build a Nike hightop sneaker. Khalid packed his bag with Moroccan materials not knowing what he would create but that his design would be inspired by his roots and soul.

His custom designed sneaker is titled “My Journey: Morocco to California.” Khalid adds, “My business slogan is ‘inspired by Morocco, handmade in California’! One of my secrets is that I use all leftover recycled leather from companies in downtown L.A., which makes my handmades affordable.”

The fabric along the hightop sides and the carpet on the tongue are textiles that he grew up seeing, feeling, and working with in Taroudant. The two cloth portions on the sides are connected in the front with a bright red leather to represent a bright future ahead and a black piece of leather in the back to represent his heritage and connection to Mother Africa. 

As a young shoe designer in Morocco, Khalid used to view the US as an exotic land filled with different materials that were not commonly used in Taroudant. The most unique leather that he dreamed of touching and working with was alligator leather, thus there is a small accent piece of alligator on the back edge of the hightop, which connects his past with the future that lies ahead. 

 

 

 

TMR

TMR

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

RELATED

Uncategorized

The Markaz Review Welcomes New Fellow, Lara Vergnaud

29 AUGUST, 2025 • By TMR
The Markaz Review Welcomes New Fellow, Lara Vergnaud
Art & Photography

Mous Lamrabat

7 MARCH, 2025 • By Naima Morelli
Mous Lamrabat
Art & Photography

Mounir Fatmi—Where Art Meets Technology

28 DECEMBER, 2024 • By Sophie Kazan Makhlouf
Mounir Fatmi—Where Art Meets Technology
Amazigh

Morocco’s Bīylmawn Festival and the Threat of Cultural Attrition

12 JULY, 2024 • By Brahim El Guabli
Morocco’s Bīylmawn Festival and the Threat of Cultural Attrition
Editorial

Why FORGETTING?

3 MAY, 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Film

Asmae El Moudir’s The Mother of All Lies

3 MAY, 2024 • By Brittany Landorf
Asmae El Moudir’s <em>The Mother of All Lies</em>
Amazigh

Nass El Ghiwane’s Moroccan Folk, Radical Politics, Forged in Paris

1 APRIL, 2024 • By Benjamin Jones
Nass El Ghiwane’s Moroccan Folk, Radical Politics, Forged in Paris
Essays

Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay

1 APRIL, 2024 • By Sasha Moujaes, Jordan Elgrably
Undoing Colonial Geographies from Paris with Ariella Aïsha Azoulay
Amazigh

Reconciling Ouarzazate with Solar Energy in Our Desert Town

15 JANUARY, 2024 • By Brahim El Guabli
Reconciling Ouarzazate with Solar Energy in Our Desert Town
Amazigh

Experimental Saharanism: Exploiting Desert Environments

5 NOVEMBER, 2023 • By Brahim El Guabli
Experimental Saharanism: Exploiting Desert Environments
Amazigh

Donkeys and Mules—Motors of the High Atlas Mountains

25 SEPTEMBER, 2023 • By Aomar Boum
Donkeys and Mules—Motors of the High Atlas Mountains
Essays

When the Earth Shook: Notes From a Marrakesh Survivor

11 SEPTEMBER, 2023 • By Robin Millar
When the Earth Shook: Notes From a Marrakesh Survivor
Amazigh

Resilience Amidst the Ruins: Nfis Valley Endures After the Quake

11 SEPTEMBER, 2023 • By Aomar Boum, Sarah Abrevaya Stein
Resilience Amidst the Ruins: Nfis Valley Endures After the Quake
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER, 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Amazigh

Translation and Indigeneity—Amazigh Culture from Treason to Revitalization

14 AUGUST, 2023 • By Brahim El Guabli
Translation and Indigeneity—Amazigh Culture from Treason to Revitalization
Books

Cruising the Abu Dhabi International Book Fair

29 MAY, 2023 • By Rana Asfour
Cruising the Abu Dhabi International Book Fair
Columns

The Afro-Amazigh World Cup Debate Revisited

9 JANUARY, 2023 • By Brahim El Guabli
The Afro-Amazigh World Cup Debate Revisited
Columns

Moroccans Triumph at World Cup While Press Freedom Suffers

15 DECEMBER, 2022 • By Samia Errazzouki
Moroccans Triumph at World Cup While Press Freedom Suffers
Columns

Everyone has a Stake in Morocco’s Football Team

15 DECEMBER, 2022 • By Brahim El Guabli, Aomar Boum
Everyone has a Stake in Morocco’s Football Team
Film

Love Has Everything to Do with Maryam Touzani’s The Blue Caftan

5 DECEMBER, 2022 • By Melissa Chemam
Love Has Everything to Do with Maryam Touzani’s <em>The Blue Caftan</em>
Featured excerpt

“Malika,” an excerpt from Abdellah Taïa’s Vivre à ta lumìere

15 OCTOBER, 2022 • By Abdellah Taïa
“Malika,” an excerpt from Abdellah Taïa’s <em>Vivre à ta lumìere</em>
Art

Marrakesh Artist Mo Baala Returns to Galerie 127 with Collage

3 OCTOBER, 2022 • By El Habib Louai
Marrakesh Artist Mo Baala Returns to Galerie 127 with Collage
Art & Photography

Two Ways to See Morocco from Across the Mediterranean

26 SEPTEMBER, 2022 • By Nora Ounnas Leroy
Two Ways to See Morocco from Across the Mediterranean
Essays

My Amazighitude: On the Indigenous Identity of North Africa

6 JUNE, 2022 • By Brahim El Guabli
Art

Artist Hayv Kahraman’s “Gut Feelings” Exhibition Reviewed

28 MARCH, 2022 • By Melissa Chemam
Artist Hayv Kahraman’s “Gut Feelings” Exhibition Reviewed
Columns

LA Sketches: Sneakers and the Man From Taroudant

15 FEBRUARY, 2022 • By TMR
LA Sketches: Sneakers and the Man From Taroudant
Latest Reviews

L.A. Story: Poems from Laila Halaby

15 FEBRUARY, 2022 • By Laila Halaby
L.A. Story: Poems from Laila Halaby
Essays

The Alexandrian: Life and Death in L.A.

15 FEBRUARY, 2022 • By Noreen Moustafa
The Alexandrian: Life and Death in L.A.
Art

Farzad Kohan: Love, Migration, Identity

15 FEBRUARY, 2022 • By Farzad Kohan
Farzad Kohan: Love, Migration, Identity
Art

Silver Stories from Artist Micaela Amateau Amato

15 FEBRUARY, 2022 • By Micaela Amateau Amato
Silver Stories from Artist Micaela Amateau Amato
Book Reviews

Arabic and Latin, Cosmopolitan Languages of the Premodern Mediterranean and its Hinterlands

24 JANUARY, 2022 • By Justin Stearns
Arabic and Latin, Cosmopolitan Languages of the Premodern Mediterranean and its Hinterlands
Essays

A Street in Marrakesh Revisited

8 NOVEMBER, 2021 • By Deborah Kapchan
A Street in Marrakesh Revisited
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER, 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER, 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Essays

My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)

15 SEPTEMBER, 2021 • By Brahim El Guabli
My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)
Fiction

“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”

15 SEPTEMBER, 2021 • By Karima Ahdad
“Tattoos,” an excerpt from Karima Ahdad’s Amazigh-Moroccan novel “Cactus Girls”
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST, 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Migration and Mentorship: the Case of Abdelaziz Mouride

15 AUGUST, 2021 • By Aomar Boum
Migration and Mentorship: the Case of Abdelaziz Mouride
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST, 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Latest Reviews

Beginnings, the Life & Times of “Slim” aka Menouar Merabtene

15 AUGUST, 2021 • By Menouar Merabtene
Beginnings, the Life & Times of “Slim” aka Menouar Merabtene
Essays

Obdurate Moroccan Memories: Abdelkrim’s Afterlife in a Graphic Novel

15 AUGUST, 2021 • By Brahim El Guabli
Obdurate Moroccan Memories: Abdelkrim’s Afterlife in a Graphic Novel
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST, 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

“Hot Maroc” Satirizes Marrakesh, Moroccan Society

11 JULY, 2021 • By El Habib Louai
“Hot Maroc” Satirizes Marrakesh, Moroccan Society
Essays

The Wall We Can’t Tell You About

14 MAY, 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Weekly

Hassan Hajjaj Rocks NYC with “My Rock Stars” and “Vogue: the Arab Issue”

9 MAY, 2021 • By Melissa Chemam
Book Reviews

Three North African Novels Dance Between Colonial & Postcolonial Worlds

25 APRIL, 2021 • By Rana Asfour
Three North African Novels Dance Between Colonial & Postcolonial Worlds
Book Reviews

Being Jewish and Muslim Together: Remembering Our Legacy

28 MARCH, 2021 • By Joyce Zonana
Being Jewish and Muslim Together: Remembering Our Legacy
World Picks

Bab L’Bluz Fuses Gnawa, Blues & Rock

22 SEPTEMBER, 2020 • By TMR
Bab L’Bluz Fuses Gnawa, Blues & Rock
Editorial

Beirut, Beirut

15 SEPTEMBER, 2020 • By Jordan Elgrably

1 thought on “LA Sketches: Sneakers and the Man From Taroudant”

Leave a Comment

Your email address will not be published. Required fields are marked *

14 − 3 =

Scroll to Top