On Lebanon and Lamia Joreige’s “Uncertain Times”
Arie Amaya-Akkermans reflects on Lamia Joreige's "Uncertain Times," which represents the Lebanese wars and their aftermath.
Arie Amaya-Akkermans reflects on Lamia Joreige's "Uncertain Times," which represents the Lebanese wars and their aftermath.
In which Sarah Ben Hamadi meets a key figure of Tunisia’s cultural underground.
Malu Halasa surveys the legacy of Al Saqi while also lamenting the end of Banipal Magazine and the retirement of the British Museum's Venetia Porter.
Laëtitia Soula reviews the acidic new comedy from Baya Kasmi, which plays on the Rothian theme of intimate family confessions.
Jenine Abboushi in her latest travel essay, returns to Morocco for a long-overdue visit.
A Black and Amazigh Indigenous scholar from Morocco, Brahim El Guabli sees Amazigh identity as embracing "unity based on diversity."
Filmmaker and critic Karim Goury remembers 10 films of 2022 from around the world.
Malu Halasa reviews 12 of 40 Palestinian, Arab and international artists showing in the third annual Ramallah Art Fair.
Saliha Haddad reviews the new translation of a major collection of short stories by the Egyptian author.
When the society surrounding them begins to break down, a Beiruti family's troubles echo the macrocosm.
Samia Errazzouki recounts personal experience as a Moroccan American journalist working in Morocco.
A Greek fisherman has to turn the corner on his lifelong passion, freeing himself from his past.
The Moroccan team's World Cup wins have galvanized their Arab and African fans and inspired millions around the world.
Senior correspondent Iason Athanasiadis attends a protest and critiques Greek government corruption.
Malu Halasa reports on the myriad ways Iranians circumvent Iran's heavy-handed media to get their news.