Frankenstein in Baghdad: A Novel for Our Present Dystopia
An NYU professor who has frequently taught this Iraqi novel finds that two months into Trump 2.0, its significance has shifted considerably.
An NYU professor who has frequently taught this Iraqi novel finds that two months into Trump 2.0, its significance has shifted considerably.
Gréki’s poetry expresses her deep love for Algeria while also serving as a powerful tribute to resistance against colonialism.
Two new books reissue the writings of the heralded revolutionary, Ghassan Kanafani. Required reading for today.
In making sense of her own relationship to a globally beloved text, Abirached provides opportunities to experience "The Prophet" in new ways.
Technology, rational division of labor, and deference to authority enabled ordinary people to contribute to acts of mass extermination in Gaza.
In his new book, Peter Beinart proposes a single state solution that would balance equality for all Israeli and Palestinian citizens within it.
The poetry of Najwan Darwish is “at once anti-nationalist yet profoundly and personally invested in the Palestinian cause."
What two new books from Omar El Akkad and Mohammed El-Kurd tell us about the war on the Palestinian people.
History writing opens the door for the writers and their readers to see the Persian Gulf as a connecting point rather than a delimited void.
Malu Halasa reviews a psycho-social-virtual memoir of Palestine of both emotional and geographic proportions.
Natasha Tynes reviews a Palestinian novel that thoughtfully examines intergenerational trauma, making it an insightful and worthwhile read.
Alex Tan reviews the new chronology of poems from Lebanon's bard of war and exile, Wadih Saadeh, translated by Robin Moger.
Ashour’s "Granada" trilogy arrives during the ongoing Israeli genocide of Palestinians in Gaza, and a long arc completes a circle of horror.
A review of a book that offers a portrait of a royal dynasty whose decline has significantly shaped the modern world.
Sophie Kazan Makhlouf challenges misconceptions that an authoritarian government precludes politically-critical cultural production.