The Walls Have Eyes—Surveillance in the Algorithm Age
Iason Athanasiadis talks to Petra Molnar about her new book on automated decision-making technologies that facilitate institutional violence while eliminating accountability.
Iason Athanasiadis talks to Petra Molnar about her new book on automated decision-making technologies that facilitate institutional violence while eliminating accountability.
Iason Athanasiadis reviews a documentary of an Egyptian's observations of the first year of the Taliban's new regime.
Iason Athanasiadis reviews the Iraqi correspondent's new memoir on Middle East wars and asks questions.
Iason Athanasiadis reviews the film of a migrant story set in Greece that has just been nominated for 17 Greek Cinema Academy Awards.
Iason Athanasiadis on how the Arab world’s most famous product went from boisterous matchbox to counter-hegemon with an establishment role.
An Athens native returns to Greece after a 20-year sojourn across the Mediterranean and Middle East, covering turmoil and displacement.
Senior correspondent Iason Athanasiadis attends a protest and critiques Greek government corruption.
Iason Athanasiadis reviews the new Ibrahim al-Koni translation of a story that recounts Islam's conquest of North Africa.
Photographer, documentarian and journalist Iason Athanasiadis shares images from more than 10 years of reporting from Afghanistan to Greece and back.
Iason Athanasiadis paints the portrait of Bahoz, a stateless Kurd who will keep fighting to become accepted for asylum in Europe.
In which our columnist flies up to Thessaloniki and visits the Diavata camp for refugees seeking European asylum — no one is illegal, everyone merits a better life.
Our correspondent in Tunis looks at President Kaïs Saïed’s un-democratic attempts to save Tunisia from collapse.
Photojournalist Iason Athanasiadis shares his remembrance and unpublished photos from the decisive battle of the 18 days that shook the world.
Iason Athanasiadis on the cities of the Mediterranean and Levant and the exceptionalism that has diminished our shared cosmopolitan future.
Columnist Iason Athanasiadis remembers 2020 not so much for the pandemic or the chaos of Trump but what humankind has wrought on nature.