The Haunting Reality of Beirut, My City
Roger Assaf's poetic script for Jocelyne Saab's 1982 film about the siege of Beirut puts one in mind of today's stark reality in Lebanon.
Roger Assaf's poetic script for Jocelyne Saab's 1982 film about the siege of Beirut puts one in mind of today's stark reality in Lebanon.
Letters from a displaced Lebanese poet today to civil war-era actor-director Roger Assaf evoke Beirut in 1982, 2006 and 2024.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Karim Goury reviews "Tatami," a sports combat film depicting the conflict between suppressive male law and individual female empowerment.
A bleak and sobering account for those who may still have wanted to believe in the enlightening power of the image.
Maha Al Aswad sheds light on Egyptian writer Mohammad Hafez Ragab, a literary figure of the 1960s whose works have been vastly overlooked.
Syrian filmmaker Soudade Kaadan is a jury member of the 81st Venice Film Festival, and the only Arab woman director to have won twice in Venice.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
The meta-narrative in Frank Herbert's Dune trilogy foresees the modern disaster of never-ending colonialism and a planet destroyed by oil.
A community theatre company working in Lebanon, Jordan and Palestine empowers women who often are not professional actors.
Brittany Landorf reviews the first major film of director Asmae El Moudir, Morocco’s entry for the 2024 Academy Awards.
Revisiting her memories of Egypt's January 25 revolution, Asmaa Elgamal finds that denying common sense is the worst oppression.
Iason Athanasiadis reviews a documentary of an Egyptian's observations of the first year of the Taliban's new regime.