“The Monster Is Gone”—a story by Anna Lekas Miller
How do you talk about war and exile with your child, when all you want to do is protect him from the truth?
How do you talk about war and exile with your child, when all you want to do is protect him from the truth?
Power has thousands of faces in thousands of postures. When you cut off one of its heads somewhere, many others shall take shape elsewhere.
A woman invited to a wedding wants to leave her house and return, but only if she can be certain of the return.
Baxtyar Hamasur has dedicated his life to stories, even wearing a pair of story glasses. “I see everything as a story,” he says.
Natasha Tynes reviews a Palestinian novel that thoughtfully examines intergenerational trauma, making it an insightful and worthwhile read.
TMR's five main editors have selected two of our favorite stories of the year for your reading pleasure. Of course, we are utterly subjective.
A writer from Cairo imagines a chance encounter between two writers in Prague enamored of Kafka.
A celebration quickly spirals into a lifetime of trauma when an unforeseen 'head' makes a shocking appearance.
For one family, faith is overshadowed by the bitter taste of suffering rather than the peace it is meant to provide.
When Eve leaves Adam in Purgatory to settle their score once and for all, she's devastated by what she encounters on Earth.
A tale of a tailor from the deserts of Siwa, Egypt, where fortune reveals the invaluable lesson of recognizing what is truly precious.
“Orient Tavern” and “The Hungarian Hut,” from Azher Jirjees’ collection, explore post-2003 Iraqi struggles.
The story is part of Hussein Fawzy's cyberpunk story collection “Graduation Project” recently published by Waziz House.
Nihad Sherif's 1972 novel is a pioneering Arabic sci-fi work on human cryopreservation, with prose reminiscent of Mahfouz and Taha Hussein.
Ibn Shalaby, like many Egyptians, is looking for a job. Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time.