Skip to content

 

Literature and Arts from the Center of the World

  • LOGIN
  • FR
  • ES
  • Instagram
  • Facebook
  • Twitter
  • LinkedIn
  • TMR Weekly
  • TMR 50 • RETURNING HOME
  • Poetry Markaz
  • Bil Arabi
  • Events
  • Support
        • Home
        • Review
        • TMR Weekly
        • Events
        • Podcast
        • Book Club
        • Store
        • About
          • About
          • Masthead
          • International Board
          • Frequent Authors
          • Supporters & Partners
        • Contact
          • Submissions
          • Become a Member
          • Donate
          • Volunteer
        • Press Room
          • Press Kits
          • Releases & Media Stories
          • Books from TMR

Hassan Abdulrazzak

Hassan Abdulrazzak is an award-winning writer of Iraqi origin. His plays include And Here I Am (Arcola Theatre, 2017 and currently touring internationally) and Baghdad Wedding (Soho Theatre 2007 and international productions in Mumbai and Sydney). The script of his short film ‘A Night of Gharam’ won the Unsolicited Scripts Short Film Grant 2022. He is a fellow of the Royal Society of Literature.

25 April, 2025 • Hassan Abdulrazzak

Hassan Blasim’s Sololand features Three Novellas on Iraq

Hassan Blasim’s work is not imitation. His is a voice forged in exile, and steeped in the paradoxes of displacement.

Read More →

7 June, 2024 • Hassan Abdulrazzak

Dare Not Speak—a One-Act Play

A stage director declines producing a play about a child tragically murdered during a genocide, fearing she may appear biased.

Read More →

12 April, 2024 • Hassan Abdulrazzak

Censorship over Gaza and Palestine Roils the Arts Community

An Arab playwright in London reacts to the canceling of Palestinian voices six months into a horrific war.

Read More →

2 July, 2023 • Hassan Abdulrazzak

The Ship No One Wanted—a story by Hassan Abdulrazak

Can a crush on a teacher survive marriage, revolution, and a sinking, refugee dingy on the Mediterranean Sea?

Read More →

4 June, 2023 • Hassan Abdulrazzak

Arab Theatre Grapples With Climate Change, Borders, War & Love

London-based Iraqi playwright Hassan Abdulrazak enthuses on the 2023 Shubbak theatre arts extravaganza, June 23-July 9.

Read More →

5 February, 2023 • Hassan Abdulrazzak, Jasmine Naziha Jones

Iraqi Diaspora Playwrights Hassan Abdulrazzak & Jasmine Naziha Jones: Use Your Anger as Fuel

Sparks fly when two UK-based Iraqi diaspora playwrights discuss how the art of theatre addresses Iraqi pain with both comedy and drama.

Read More →

  • Instagram
  • Facebook
  • Twitter
  • LinkedIn

The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

The Markaz Review
1465 Tamarind Ave., #702,
Los Angeles CA 90028
USA

7 rue de Verdun,
34000 Montpellier
France

© 2025 The Markaz Review • TMR • All Rights Reserved

    • Home
    • TMR Weekly
    • TMR 33 • Stories From The Markaz
    • Poetry Markaz
    • Events
    • Podcasts
    • Videos
    • Essays
    • Support TMR
    • About
    • Volunteer
    • Masthead
    • Mission & Vision
    • Submissions & Reviewing
    • Contact

Sign up for the Markaz Newsletter you'll get highlights from the latest issue as well as news & event updates

Explore

  • Art
  • Art & Photography
  • Beirut
  • Book Reviews
  • Columns
  • Cuisine
  • Editorial
  • Essays
  • Fiction
  • Film
  • Film Reviews
  • History
  • Interviews
  • Islam
  • Latest Reviews
  • Letters to the Editor
  • Memoir
  • Music
  • Music Reviews
  • My Favorite Things
  • Opinion
  • Philosophy
  • Poetry
  • Poetry Markaz
  • Profile
  • TMR 3 - Racism & Identity
  • Readers Respond
  • Theatre
  • Theatre Reviews
  • Translation
  • Video
  • What We're Into
  • Women
  • World Picks
Become a Member
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.YesNo