The Polyphony of a Syrian Refugee Speaks Volumes
Farah Abdessamad reviews Silence is a Sense, the new novel from Layla AlAmmar.
Farah Abdessamad reviews Silence is a Sense, the new novel from Layla AlAmmar.
The MAGA movement is not a cause but a consequence of GOP policies, and its instantaneous vanishing with Trump's political demise is unlikely.
Columnist Iason Athanasiadis remembers 2020 not so much for the pandemic or the chaos of Trump but what humankind has wrought on nature.
Rana Asfour reviews a documentary by Nezar Andary on the Syrian auteur filmmaker, Muhammad Malas.
Layla AlAmmar takes us into the heart of Adania Shibli's literary thriller, where Palestinian lives are but a "minor detail."
“Gamal was convinced that Egypt, mother of the world, would spawn a new era—when Arabs, the wretched of the earth, would finally regain their place among the nations.”
Kurdish poet and scholar Selîm Temo, takes us inside the continuing Academics for Peace struggle through his personal story.
Ammiel Alcalay reviews writer/director Najwa Najjar's third feature film—"part road movie, part mystery, part thriller."
December 12, 2020 marks the 95th birthday of the revolutionary and controversial Iranian poet, translator, essayist, editor, encyclopedist, and cultural figure, Ahmad Shamlou (1925-2000).
Nada Ghosn speaks to Dr. Alanoud Alsharekh in our monthly series profiling trailblazing Arab, Iranian and other women of the Middle East and North Africa.
Columnist Firouzeh Afsharnia says Facebook shut her down for bringing up Israel's heavy-handedness when it comes to Iran and flouting international law.
Banah al Ghadbanah on the scourge of racism/colorism in Syrian communities and how it is tied to centuries-old endemic anti-Blackness and internalized colonialism.
Kurdish poet-scholar-translator Selîm Temo thinks of the young Thomas Bernhard and his infant son as he fights for life in intensive care.
Columnist Mara Ahmed isn't fooled by Obama's burnished spin, nor is she taken in by Kamala Harris' mixed Indian-Jamaican heritage.
Egyptian American playwright Yussef El Guindi argues it's time for American theatre to go beyond bombs and burkas when it comes to Arab/Muslim characters and storylines.