A visual poem from Hala Alyan: Gaza
A spoken word poem from the author of The Twenty-Ninth Year and The Arsonists' City.
A spoken word poem from the author of The Twenty-Ninth Year and The Arsonists' City.
One of France's prime "Islamo-leftist" suspects, Raphaël Liogier, explains why the term does not apply and what the true danger is (hint: it's not Islam).
Hadani Ditmars remembers what Baghdad was like following the second Gulf War in 2003, when she toured Abu Ghraib with Robert Fisk.
Independent journalist Charlie Faulkner files a chilling story from Kabul on the lethal campaign to silence Afghan reporters.
Biographer Marian Janssen reveals the big, brash, blonde feminist writer and poet Carolyn Kizer, who fascinated and shocked Pakistanis—and introduced the ghazal to America.
Gil Anidjar reviews A Bibliography for After Jews and Arabs, and suggests that "our problem is that we have stopped listening to the poets."
Novelist Preeta Samarasan believes that the greatest truths reside more often in fiction than in fact.
Two new poems by Ammiel Alcalay, "Kashoggi or Kashog-ji?" and "Translation Theory", explore versions of the truth.
Rayyan Al-Shawaf reviews The Bad Muslim Discount, the second novel from Syed Masood, but isn't sure he likes its happy ending.
Malu Halasa reviews the new graphic novel by former political prisoner and editorial cartoonist Mana Neyestani, released in 2021 by IranWire.com.
Claire Launchbury writes of one man's long search for the truth about Lebanon's civil war, cut short by his mysterious murder this year.
Marcus Gilroy-Ware, the author of After the Fact, The Truth About Fake News, warns that literacy and numeracy are on the wain.
Would you trust an algorithm to sell you a used car? Andy Lee Roth peers under the hood of Big Tech and finds plenty we should be worrying about.
Farah Abdessamad reviews a new English translation of Impostures from Basra-born Al-Hariri that revives the "eloquent rogue" genre of classical Arabic literature.