EARTH: Our Only Home
The editors explain why they chose the EARTH theme for the 32nd issue of The Markaz Review.
The editors explain why they chose the EARTH theme for the 32nd issue of The Markaz Review.
London-based Iraqi playwright Hassan Abdulrazak enthuses on the 2023 Shubbak theatre arts extravaganza, June 23-July 9.
For eight years, a blind Palestinian school principal has resisted persistent Israeli efforts to drive his family out of Jerusalem.
Writer-photographer Ara Oshagan mediates on the borders between North and South Korea and the blockaded enclave of Artsakh.
Seta Kabranian-Melkonian, author and widow of the late Monte “Avo” Melkonian, commander of the Artsakh War for Independence, recounts the tale.
Franco-Egyptian filmmaker Karim Goury reviews the new feature film from Franco-Israeli director Michael Boganim.
Saliha Haddad reviews the English translation of Bushra al-Maqtari's book of oral histories on those who survived the war in Yemen.
Evelyne Accad reviews a new book on Lebanese women and war, a collection of oral stories told in Arabic and translated by Malek Abisaab.
Saliha Haddad reviews the new translation of a major collection of short stories by the Egyptian author.
Jordan Elgrably tours the MO.CO exhibition in Montpellier devoted to the people of Chile, Sarajevo and Palestine.
In the new issue of TMR, the editors present their case for everyday women achieving the extraordinary as they overcome adversity.
Film historian Viola Shafik interviews Syrian filmmaker Ziad Kalthoum about his peripatetic life in Syria and beyond.
Nada Ghosn revels in the artistry of Palestinian, Iranian, Lebanese, Afghan and other playwrights and performers in Avignon this year.
Farah Abdessamad considers generations of survivors in Yemen's first experimental film.
Taline Voskeritchian reviews the latest film from Nora Martirosyan about the tiny country fought over by Armenia and Azerbaijan.