France’s Fake Islamo-Leftist Crisis
One of France's prime "Islamo-leftist" suspects, Raphaël Liogier, explains why the term does not apply and what the true danger is (hint: it's not Islam).
One of France's prime "Islamo-leftist" suspects, Raphaël Liogier, explains why the term does not apply and what the true danger is (hint: it's not Islam).
Columnist Melissa Chemam argues we ought to take the long view on the Arab uprisings and remember the many French revolutions by way of precedence.
An Egyptian in Berlin finds she and her partner live in a state of seemingly permanent transition.
Malu Halasa reviews a selection of the 170 Arab, Iranian and Turkish artists and artworks in the British Museum's contemporary Middle East collection.
Photojournalist Iason Athanasiadis shares his remembrance and unpublished photos from the decisive battle of the 18 days that shook the world.
Half Tunisian, half exile, Farah Abdessamad remembers the jasmine of her childhood and the dreams of Tunisia's future.
Mischa Geracoulis remembers Zahra's Paradise along with the Arab awakenings, George Floyd, Covid-19 and Groundhog Day.
In which Egyptian-Syrian-French journalist and novelist Robert Solé considers the Arab awakenings across the region.
Is the cost of water really higher than the cost of petrol? Are we destined to run out of water if we don't find a way forward? 4 films, 6 charitable organizations you should know.
Danielle Haque on the slow violence of water scarcity and other environmental and social justice trauma as described in Arab/Arab American literature.
Farah Abdessamad remembers the Dead Sea and the myth of Bahamut.
Francisco Letelier on the lingering memories of Dune as a metaphor for a struggling planet.
Jordan Elgrably explores whether the drought in Syria fueled the country's civil war and what climate change means for our global future.
The marine goddess La Pincoya is a reminder of the polluted waters left behind in the previously pristine waters of Chiloe and Patagonia in Chile by the salmon farming industry.
Let us never forget that the sea remembers our presence and our trespasses—art from Riva Nayaju.