“The Peacock” — a story by Sahar Mustafah
A Palestinian woman battles both the patriarchy and the occupation to free herself from the toxic jurisdiction men have claimed over her.
A Palestinian woman battles both the patriarchy and the occupation to free herself from the toxic jurisdiction men have claimed over her.
Rana Asfour reviews Mai Al-Nakib's debut novel, in which the protagonist always thought she would leave her country.
More Lebanese live abroad than at home, and the exodus continues. Some have the option to leave, others cannot.
Ahmed Naji reviews "If an Egyptian Cannot Speak English" just out from Graywolf.
In this month's music column, Melissa Chemam talks to a British national with an Iranian heart and musical heritage.
Eman Quotah reviews "Things You May Find Hidden in My Ear: Poems from Gaza" — the debut poetry collection of Mosab Abu Toha.
World Refugee Day is the first of seven days during which refugees will be recognized in events across the world.
Hannah Fox reviews the Birmingham memoir by fashion artist Osman Yousefzada.
Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.
Oliver Gloag explores the conflicted Algerian and French identity of Albert Camus, reviewing his later novels, stories and statements.
Nadje Al-Ali finds that Maysoon Pachachi’s film reflects her "long-standing commitment to highlight experiences of ordinary Iraqis, especially women."
Mark Habeeb proposes a sensible approach to studying the problem of the lack of peace in Israel-Palestine.
Hadani Ditmars, fresh from a return trip to Iraq, surveys the burgeoning plastic arts scene.
İlker Hepkaner reviews a web documentary on the fascinating trajectory of Turkey's late icon, Zeki Müren.
Rosa Maria Branche welcomes Rima Abdul Malak as Macron's choice for the new Minister of Culture.