Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?
Farah-Silvana Kanan questions whether, in this novel, the Franco-Lebanese master is at the height of his powers, or is having us on...
Farah-Silvana Kanan questions whether, in this novel, the Franco-Lebanese master is at the height of his powers, or is having us on...
A writer's satirical guide on how to write about the hapless, subjugated Kurds, if you're not already filming them for a documentary.
TMR editors highlight their picks of events, books, films, podcasts and other cultural products from around the globe.
Continuously displaced Palestinians redefine "home" in Osama Kahlout’s surprising photographs from the war on Gaza.
An entire family is preoccupied with its history and questions of national identity, confounded by France’s rejection of the pieds-noirs.
TMR editors highlight their picks of events, books, films, podcasts and other cultural products from around the globe.
A major exhibition at Mimosa House aims to address pressing and unresolved issues faced by women, queer, and trans people across the world.
Empathy requires knowledge and collective action to avoid blindly following the crowds, writes Nancy Kricorian.
TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.
In which the authors argue that, "If Israel, with Western support, achieves its aims in Gaza, it will constitute the end of fellowship among inhabitants of this planet."
In her latest essay, writer Jenine Abboushi reminds us that the ethnic cleansing and destruction of Palestinian society did not begin on October 7th.
From sound and installation to sculpture & photography, art and a history of violence collide in Rushdi Anwar’s new show.
At this year’s Venice Biennale, Palestine looms large, writes Hadani Ditmars.
Joumana Haddad's short story delves into a woman's lifelong journey of navigating her relationship with the hijab.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.