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TMR Weekly

7 November, 2022 • Mireille Rebeiz

Orientalism and the Erasure of Middle Easterners in Black Adam

Mireille Rebeiz takes issue with the dismal portrayal of Arabs and other Middle Easterners in a Hollywood superhero movie.

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7 November, 2022 • Sarah Eltantawi

Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy

As a Muslim American and scholar of Islam, Sarah Eltantawi finds the new series from Mo Amer and Ramy Youssef cathartic.

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7 November, 2022 • Rana Asfour

Abu Dhabi Shows Noura Ali-Ramahi’s “Allow Me Not to Explain”

Rana Asfour talks to an Emirati about her ideas and development as an artist.

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31 October, 2022 • Jenine Abboushi

Sudden Journeys: Israel’s Intimate Separations—Part 2

In this, the second of a three-part travel series on Israel/Palestine, Jenine Abboushi continues her dystopic journey.

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31 October, 2022 • Sarah Ben Hamadi

Thousands of Tunisians Are Attempting the “Harga”

With illegal immigration from Tunisia, Algeria, Morocco and Libya at an all-time high, desperate North Africans risk death on the Mediterranean.

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31 October, 2022 • Shreya Parikh

Celebrating Mawlid An-Nabaoui with Stambeli Trance in Tunis

Shreya Parikh joins an authentic ritual for the birth of the Prophet in her Tunis medina.

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24 October, 2022 • I. Rida Mahmood

Fragile Freedom, Fragile States in the Muslim World

I. Rida Mahmood observes that while people in Iran and Arab countries are roiling for more equality and freedom, they are not taking any cues from the west.

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24 October, 2022 • Mahmood Karimi Hakak

Women Are the Face of Iran’s Leaderless Revolution

Theatre and film artist Mahmood Karimi Hakak argues that the women-led movement in Iran is different from past uprisings and that women will become the new face of Iran.

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24 October, 2022 • Sara Mokhavat

Letter From Tehran: On the Pain of Others, Once Again

For nearly 40 years, writes Sara Mokhavat, her generation in Iran has gone from one crisis to another.

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24 October, 2022 • Melissa Chemam

For Electronica Artist Hadi Zeidan, Dance Clubs are Analogous to Churches

For her 12th TMR music column, Melissa Chemam talks to eclectic electronica DJ/composer Hadi Zeidan.

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10 October, 2022 • Mariam Elnozahy

Cassette Tapes Once Captured Egypt’s Popular Culture

Mariam Elnohazy reviews "Media of the Masses," a new book on the history of Egyptian cassette culture.

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10 October, 2022 • Deborah Kapchan

The Art of Translation is Akin to “Dancing on Ropes”

Deborah Kapchan reviews the new book on translation from Anna Aslanyan.

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5 October, 2022 • Jordan Elgrably

44th CINEMED fest to Fête Simone Bitton & Abdellatif Kéchiche

Montpellier's venerable Mediterranean film festival announces retrospectives and avant-premières.

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3 October, 2022 • El Habib Louai

Marrakesh Artist Mo Baala Returns to Galerie 127 with Collage

El Habib Louai talks to artist Mo Baala about his latest exhibition of collages and overpaintings at Marrakesh's Galery 127.

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3 October, 2022 • Laëtitia Soula

Egyptian “Fights for Culture” with International Guitar Festival

Laëtitia Soula talks to Talaat El Singaby, founder of one of the world's largest annual guitar festivals.

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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

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