La Pincoya: Goddess of Marine Species
The marine goddess La Pincoya is a reminder of the polluted waters left behind in the previously pristine waters of Chiloe and Patagonia in Chile by the salmon farming industry.
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The Sea Remembers
Let us never forget that the sea remembers our presence and our trespasses—art from Riva Nayaju.
The Sea That Binds and Divides: Our Mediterranean
Iason Athanasiadis on the cities of the Mediterranean and Levant and the exceptionalism that has diminished our shared cosmopolitan future.
Iraq and the Arab World on the Edge of the Abyss
Osama Esber interviews an Iraqi environmental writer on his book Guardians of the Water and the future of water in the region.
On American Democracy and Empire, a Corrective
The MAGA movement is not a cause but a consequence of GOP policies, and its instantaneous vanishing with Trump's political demise is unlikely.
Remember 2020 Not for Covid-19 or Trump Chaos, But Climate Change
Columnist Iason Athanasiadis remembers 2020 not so much for the pandemic or the chaos of Trump but what humankind has wrought on nature.
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Rana Asfour reviews a documentary by Nezar Andary on the Syrian auteur filmmaker, Muhammad Malas.
The Howling of the Dog: Adania Shibli’s “Minor Detail”
Layla AlAmmar takes us into the heart of Adania Shibli's literary thriller, where Palestinian lives are but a "minor detail."
Calligraphies of the Desert
Maece Seirafi suggests, Calligraphies of the Desert "reveals an indigenous comfort with the desert as reflected in Arab proverbs heard in everyday conversations."
Cairo 1941: Excerpt from “A Land Like You”
“Gamal was convinced that Egypt, mother of the world, would spawn a new era—when Arabs, the wretched of the earth, would finally regain their place among the nations.”
Academics, Signatories, and Putschists
Kurdish poet and scholar Selîm Temo, takes us inside the continuing Academics for Peace struggle through his personal story.
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
Landscape is a charged notion in the Middle East—even the geographical term Middle East is not neutral, but Eurocentric and has its origin in colonialism. Co-curator Nat Muller explains.
The Mysteries of Translation in “Stranger Fictions”
Europe is the center of the world and has the literature to prove it. Or is it? Arabic and comparative literature scholar Rebecca C. Johnson makes a different argument in Stranger Fictions.
Freedom is femininity: Faraj Bayrakdar
18 years in the making, this winter Upset Press will publish a new volume of poems by former Syrian political prisoner and cause célèbre Faraj Bayrakdar.
You Drive Me Crazy, from “Bride of the Sea”
In this debut novel Eman Quotah practically delivers an epic as she writes about a Saudi family, torn between Arab and American identities and culture clashes.